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More handpicked essays just for you.
Marianne Moore's "Poetry
Marianne Moore's "Poetry
Contribution of T.S Eliot to modern poetry
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Recommended: Marianne Moore's "Poetry
In her poem, Poetry, Marianne Moore writes, poets create “imaginary gardens with real toads in them.”(439). The quotation in the poem suggests that the poet’s works reflect her personality, experiences, and creativeness. In other words, a poet cannot be completely separate from her own works because her experiences come alive through her works. Unlike Marianne Moore, T.S. Eliot takes a different approach to his work and his experiences. He claims that a good poet is supposed to be able to separate himself from his works so that it does not reflect his personality. In addition, he believes that poet’s mind is a mere facilitator that incorporates his experiences and various ideas. Besides their approaches to their own works, the two poets
also have different views about what makes good poetry. Marianne Moore believes what makes good poetry is the genuineness of the poet’s work; on the other hand, Eliot urges that great poetry lack the emotion of the poet.
“I look to poetry, with its built-in capacity for compressed and multivalent language, as a place where many senses can be made of the world. If this is true, and I’ve built a life around the notion that it is, poetry can get us closer to reality in all its fluidity and complexity.”
In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by the name of Langston Hughes. A well-known writer that still gets credit today for pomes like “ Theme for English B” and “Let American be American Again.”
When sorting through the Poems of Dorothy Parker you will seldom find a poem tha¬t you could describe as uplifting or cheerful. She speaks with a voice that doesn’t romanticize reality and some may even call her as pessimistic. Though she doesn’t have a buoyant writing style, I can empathize with her views on the challenges of life and love. We have all had experiences where a first bad impression can change how we view an opportunity to do the same thing again. Parker mostly writes in a satirical or sarcastic tone, which can be very entertaining to read and analyze.
The Modernist era of poetry, like all reactionary movements, was directed, influenced, and determined by the events preceding it. The gradual shift away from the romanticized writing of the Victorian Era served as a litmus test for the values, and the shape of poetry to come. Adopting this same idea, William Carlos Williams concentrated his poetry in redirecting the course of Modernist writing, continuing a break from the past in more ways than he saw being done, particularly by T.S. Eliot, an American born poet living abroad. Eliot’s monumental poem, The Waste Land, was a historically rooted, worldly conscious work that was brought on by the effects of World War One. The implementation of literary allusions versus imagination was one point that Williams attacked Eliot over, but was Williams completely in stride with his own guidelines? Looking closely at Williams’s reactionary poem to The Waste Land, Spring and All, we can question whether or not he followed the expectations he anticipated of Modernist work; the attempts to construct new art in the midst of a world undergoing sweeping changes.
Whether it is poetry from William Shakespeare to Edgar Allan Poe, all poets use different elements of poetic language to present a message for their audience. Some believe that myths and allusions are important aspects of a well written to poem, while others do not think there is a reliance on these components. In the two poems, Social Notes II by Francis Reginald Scott and Poetry by Marianne Moore, they present the side where myths and allusions are not key for a strong poem. This is shown through clear and blunt arguments, being equally as express fully strong as a poem with myths and allusions, and the use of strong themes and motifs to present the poet’s point. While myths and allusions may have a role in poetry, they are not fundamental
...Eliot, Thomas S. "Tradition and the Individual Talent." Poets.org. Academy of American Poets, n.d. Web. 18 Mar. 2014.
T. S. Eliot was a man who strongly believed that poetry should represent life. He knew that life was complex, so that is why his poetry was difficult to understand not only for students writing research papers, but also for critics. He was the backbone of modernist poetry, who wrote mostly about darkness, despair, and depression in life. He tried and succeeded to capture the torment of the world during World War 1 and World War II (Shmoop "T.S. Eliot"). Eliot’s view of the human condition is evident in “The Hollow Men” through the issues of fear, despair, and depression.
Literary Analysis of Emily Dickinson's Poetry. Emily Dickinson is one of the most famous authors in American history, and a good amount of that can be attributed to her uniqueness in writing. In Emily Dickinson's poem 'Because I could not stop for Death,' she characterizes her overarching theme of Death differently than it is usually described through the poetic devices of irony, imagery, symbolism, and word choice. Emily Dickinson likes to use many different forms of poetic devices and Emily's use of irony in poems is one of the reasons they stand out in American poetry. In her poem 'Because I could not stop for Death,' she refers to 'Death' in a good way.
A quote from Seamus Heaney’s poem entitled “Summer 1969” is “He painted with his fists and elbows, flourished / The stained cape of his heart as history charged” which will greatly influence my discussion of his developing expressions of his role as an Irish poet. In this essay I will be discussing his poems entitled “Bog Queen”, “Punishment” and “Summer 1969”. In discussing any poet, one must always consider the social and political background to the poetry since poetry never exists in a vacuum but is always influenced by its social and political times. As a northern poet, Heaney’s work is very much connected to the troubles in the north and his vision is bound up with that of civil disturbance. Heaney benefited from the connection to Britain in such matters as free education and free medical care but as a Catholic and native Irishman, he was also part of the oppressed. Heaney like all northern poets, shows a very clear and differential history of the six counties. Like all other male poets of his time, Heaney stood in the shadow of the internationally acclaimed and hugely influential, W.B. Yeats. Yeats’ use of poetic form and his mastery over the art of poetry was daunting for his successors. Yeats kept to traditional form, meters and rhyme and was a master craftsman. Heaney, similarly to Yeats, has an extraordinary gift for rhymes and a songlike quality to his poetry. Unlike poets like Thomas Kinsella who reject and move away from the style of Yeats, Heaney retains such qualities in the Yeatsian era. Heaney is from a rural background and is remote from the cities and the cosmopolitan and his work is steeped in Catholic rhetoric. While Heaney, the man, is cosmopolitan, his poetry is not and this is a positive thing....
T. S. Eliot is one of the greatest authors acclaimed for his literary works both in America and Great Britain. Eliot’s early writings, however, were his many critical essays and book reviews, written and published between 1916 and 1921. Eliot was awarded the Nobel Prize in Literature in 1948. (LONGMAN P.1287) He is also known as one of the most significant and influential critics of the twentieth century poets. (Longman) Several of Eliot’s poems are analytical by nature. Eliot’s poems and short stories allow the reader to interpret them as they wish. But many readers prefer to relate them to the events that occurred during that time in history. In In 1918, World War I ended all European powers that ruled for several years. America moved into a World Power position, thus removing all European dominations. Avant-garde artists of the modern period came into play. Among the most instrumental of all the avant-garde artists at this time was T. S. Eliot. The poem, “The Hollow Men” was written with Eliot’s delicate sensibility and admiration for those men who were not only on the battlefield but for those on the sea. This poem of Eliot’s at times is associated with everyday life and the everyday feelings of human beings while feeling worthless or at their wits end. Other readers analyze it as a poem expressing how the soldiers may have felt during World War I.
Drew, Elizabeth. T.S. Eliot: The Design of His Poetry. New York: Charles Scribner’s Sons, 1949.
Eliot, a master of the written craft, carefully thought out each aspect of his 1925 poem "The Hollow Men." Many differences in interpretation exist for Eliot's complex poetry. One issue never debated is the extensive range of things to consider in his TS Eliot's writing. Because TS Eliot often intertwined his writing by having one piece relate to another "The Hollow Men" is sometimes considered a mere appendage to The Waste Land. "The Hollow Men," however, proves to have many offerings for a reader in and among itself.
In T.S. Eliot’s support of metaphysical poets, he pointed out that, “Our civilization comprehends great variety and comple...
Kamala Das in her much discussed autobiography, My Story , pointed out: ? A poet?s raw material is not stone or clay, it is her personality.?1 In direct contradiction to Eliot?s theory of poetic creation, Mrs. Das asserts that her poetry is subjective and through it she voices forth her strains and stresses. This, however, does not imply a selfish preoccupation with the self but a melioristic vision that is shocked and disgusted at the plight of fellow mortals. Her sensitive soul is deeply affected by the maladies that lie deeply ingrained in the social matrix.
Eliot’s philosophical view point on modern literature takes a platonic standpoint in relation to imitation, or more so the art of imitation. Eliot states that ‘Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.’ His poem ‘The Waste Land’ echoes this idea of imitating a piece of art to produce something new, seemingly a text such as The Waste Land ‘is fundamentally dramatic in character’; (pg 11 Macmillan) and within the notion of modernity the reader faces a complex task of connecting with any authorial intention. However, a key aspect of modernist literature was to imitate daily life, essentially the roles are reversed as daily life, particularly in the modernist era, often imitated art.