Throughout our time here on Earth, we have probably had one or two people tell us to “live in the moment” and to quit worrying about the things we cannot control. The fictitious story, “Powder”, written by Tobias Wolff, exemplifies what this is all about by using a young, conservative, and often times controlling boy in contrast to his older, more fearless father. According to the short story, the boy was someone who “kept all of his clothes on numbered hangers to improve proper rotation and would ask his teacher for homework in advance”, whereas his father flew by the seat of his pants, driving in more dangerous weather conditions, often times breaking the law, and sneaking behind his wife’s back to attend concerts. However, it was on the way back home from a ski trip, that the boy learned from his father the importance of living in the moment, letting go of his perfectionist attitude, and being a bit …show more content…
I need to make sure that I really emphasize the parts of the story that discuss the narrator’s -and father’s- characteristics. Without emphasizing those parts in the story, the moral or lesson loses its meaning. At the end of the story it stated, “If you haven’t drive in fresh powder, you haven’t driven.” To me, this part is not only informing the audience of how hard of a task it really is to drive in virgin snow, but also how it ended up to be a much more enjoyable experience than what he had originally thought as it taught him to just enjoy the ride that life has to offer. It was during that part of the story, he realized to let go and to live in the moment, something he now wants to teach his own family and grandchildren. As a performer, I will alter my tone of voice, sit up further in my chair, and lean forward as if I am speaking directly to my audience. That is the part of the story I need to drive home in order to get the lesson
He always wants to help someone else in need before himself, whereas the father is only concerned about their own personal wellbeings. He “is the one” who worries about their ethical choices and wants to help a stranger in any way he can (259). McCarthy proves the importance of the boy’s spirit of love for other people when his dad dies and he must take the leap of faith to continue along the road with a new family. Despite all the corrupted people they encountered beforehand, the boy meets someone who is “carrying the fire” (129). This mantra by the father and son, symbolizes hope and humanity. The qualities Steinbeck labels for a writer to create in his writings can be summed up in “carrying the fire” since the two never did give up. It is the greatness of the heart and spirit Steinbeck notes that is “inside [them]. [And] [i]t [is] always there” (279). It is noteworthy that even in the midst of death and ashes, the two are able to hold onto their relationship and sanity. The “good guys” can continue to carry meaning and structure in their lives, even in a time where society turned into a battle to survive on the remnants of
Tom is good natured and deals with what life throws at him, during the long trip towards work the family has realized the can count on Tom to help protect them. His past isn't going to define his future or change the way he feels about his family. As they arrive to California they get the devastating news that work is sparse and many people are dying of starvation, including Grampa who dies of a stroke. When the major change of losing a family member Tom realizes that life can be gone faster than you think and you see him changing into a more considerate person and a more sentimental person towards others. After they have buried Grampa, Tom comes across a “one eyed mechanic” who he helps fix his touring car. An act that he would probably never do in his past. Steinbeck shows Toms development into a more considerate person as the book
The author clearly shows how his childhood effected his adulthood, making in a living example of what he is writing about allowing the audience to more easily trust what he is writing about. Instead of using factually evidence from other dysfunctional family incidences, the author decides to make it more personal, by using his own life and comparing family ideas of the past to the present.
The narrator has a knack for bringing up traumatic times in his life, but passing it off in an indifferent tone. He believes that
“It’s the oldest story in the world. One day you’re 17 and planning for someday. And then quietly and without you ever really noticing, someday is today. And then someday is yesterday. And this is your life.” - One Tree Hill
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
In conclusion, this was an awesome story. The above questions were the catalyst to the real truth that would make the brother to that little girl free at last. His son was determined to break the cycle and remedy this generational condition, although the means by which he used were terrible. But, he would get through to his father. He shed light in the dark place by first beating his father into sobriety, so that he could think clearly. He then helped his father to open up to the discussion concerning the secret he had held on to for so long. Then, he also convinced his father to burn the “Shawl” of his deceased sister. And finally, his father realized what the true story was. A story that would in turn loose the tie that bound them all together with generational sorrows.
Inevitably, there comes a point in everybody’s life at which they have an experience that completely alters their view of the world. This moment is when one loses his or her innocence, or comes of age, and he or she realizes that they do not live in a utopian Golden Age. Parents are charged with the monumental duty of protecting their children’s innocence, but everybody inescapably grows up. This experience can be anything from an embarrassing situation at school to coming within seconds of death. In the short story “Ambush” by Tim O’Brien, the author tells the true story of his daughter confronting him and asked him if he had ever killed anyone. In an effort to be a good parent and protect the nine-year-old’s innocence, the author does not share with her the story he goes on to tell to the reader. He explains how many years ago, he was serving in the army and was taking a shift guarding his troop’s campsite when all of a sudden, a young man from the opposing army came walking up the trail. Without a second thought, O’Brien killed the boy with a grenade, and he lost his innocence after realizing he had killed a defenseless man without hesitation. Tim O’Brien develops Ambush as a coming of age story through the use of literary devices.
Do not dwell in the past, do not dream of the future, concentrate on the mind on the present moment. In Cormac McCarthy’s The Road, a man and his son, who remain unnamed throughout the novel, are on a journey heading south after an unnamed catastrophe has struck the world. The conditions they face are unforgiving: rotting corpses, fires, abandoned towns and houses. The man and his son are among the few living creatures remaining on Earth who have not been driven to murder, rape, and cannibalism. Unfortunately, the father’s health worsens as they travel, and by the time they reach the ocean, he passes away. The boy remains by his side for days until the boy meets a kind family who invites him to join them. The boy must say goodbye to his father,
In turn, The Road generates many themes throughout the book, but the most prominent is the unbreakable bond between a father and ...
There comes a point in everyone’s life when they are pressurized by society’s demands. One is given the option to either conform or challenge these social norms in order to suit one’s life.
With the son’s fear amongst the possibility of death being near McCarthy focuses deeply in the father’s frustration as well. “If only my heart were stone” are words McCarthy uses this as a way illustrate the emotional worries the characters had. ( McCarthy pg.11). Overall, the journey of isolation affected the boy just as the man both outward and innerly. The boys’ journey through the road made him weak and without a chance of any hope. McCarthy states, “Ever is a long time. But the boy knew what he knew. That ever is no time at all” (McCarthy pg. 28). The years of journey had got the best of both, where they no longer had much expectation for
At first the relationship between a father and his son can be perceived as a simple companionship. However, this bond can potentially evolve into more of a dynamic fitting relationship. In The Road The Man and his son have to depend on one another because they each hold a piece of each other. The Man holds his sons sense of adulthood while the son posses his father’s innocence. This reliance between the father and son create a relationship where they need each other in order to stay alive. “The boy was all that stood between him and death.” (McCarthy 29) It is evident that without a reason to live, in this case his son, The Man has no motivation to continue living his life. It essentially proves how the boy needs his father to love and protect him, while the father needs the boy to fuel ...
...d in the narration. This is ultimately left to the sub-text, of what is left unsaid. It is quite clear where the author stands on the issues the short story raises, and through the naïveté in the children's perspective presented in the narrator's recollections, an intense and vivid resemblance to reality in this very retrospection, and the narrative sequencing that remorselessly directs the story towards the concluding tragedy - a powerful and scathing, if not sober, social critique on the nature of tradition, adhering to correct social behaviour and resistance to change is shaped and conveyed.
Teenagers often find themselves going through the motions of doing what they are told when they are told to do it. In conforming to societies norms teenagers begin to feel as if they blend in and nothing is really special about them. John Updike was able to write a coming of age story in which his main character Sammy gets shoved into adulthood rather quickly over spontaneous decision. Through Sammy’s thoughts, intense observations, and his actions we are able to see his deep depravity and his longing to stand out from the crowd.