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The influence of media in modern society
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In "Amusing Ourselves to Death: Public Discourse in the Age of Show Business" the author Neil, Postman elaborates his ideas of television and other types of media being related culture and society. The book was written in 1985 in the 20th century when many of the technologies we have today did not exist. At the time Postman suggests that American culture, which was symbolized by Las Vegas, was "entirely devoted to the idea of entertainment (Postman, 268)." Specifically the biggest concern about entertainment was a person's appearance. Which still remains true in today's 21st century. In today's television we are still very concerned with appearance even when it comes to doing more important television like the news. In the Introduction Neil Postman's son ask's the question "Can such a book possibly have relevance to you and The World of 2006 and beyond? (Postman 72)" because he feels that now we live in a world with so many other technologies than the primary focus in the book, which is television. However, I feel that many concepts in this book can be applied to the new era of television today. A very big statement that Neil Postman makes in his book is that "The problem is not that television presents us with entertaining subject matter, but that all subject matter is presented as entertaining, which is another issue altogether (Postman 1551). The point of the book is not to attack television itself, but to evaluate what is coming out of it because it has become a method of communication. I am going to discuss how the content on television is being presented, the problem with televisions main concern with entertainment, and the reflection mass media has on politics, society, and culture.
One important statement the Postman m...
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...not reality television, game shows, or the scripted dramas we have of today, it was the important programs like news and educational programs that we are pushing entertainment into. WIth our most important issues like politics and worldly events we should not let entertainment cloud how we are delivering and portraying information. In “Amusing ourselves to death” Postman describes a “peek-a-boo” world, where where now this event, now that, pops into view for a moment, then vanishes again (Postman 1433).” When he is comparing our world to the children's game, it is true. We are constantly looking for something to entertain us. Just like a game of “peek-a Boo” the media around us seeks to endlessly entertain.
Work Cited
Postman, Neil. Amusing Ourselves to Death: Public Discourse in the Age Of Show Business. New York, NY: Penguin, 1985. (125-132). Print.
Strictly entertainment in its finest sense, Plato would be appalled to find the number of ‘reality’ TV shows that draw millions of viewers and experience almost cult-like followings. Watching a show that depicts a glamorous lifestyle with little or no regard for rules is identical to those prisoners who were chained to observe the shadows upon the wall believing them to be real. Even the name, ‘reality’ television, is indistinguishable from the shadows viewed by the cave dwellers. “Then in every way such prisoners would deem reality to be nothing else than the shadows of the artificial objects.” (paragraph 13)
Neil Postman begins chapter 9 of his book Amusing Ourselves to Death: Public Discourse in the Age of Show Business, by discussing if politics is actually a spectator sport or if politics is just like the way show business is run. This chapter is titled ‘Reach out and Elect someone’, and Postman first writes about how politics is more like a "spectator sport" or, as Ronald Reagan put it, "like show business" (125).
Television and the visual culture are “creating new conceptions of knowledge and how it is acquired” (p. 145). Neil Postman in his book, Amusing Ourselves to Death explains the effects of television and visual culture on the youth education curriculum. Postman believed it necessary to warn society of the consequences of living in a culture dominated by television. As for my opinion on this matter, I do not agree with Neil Postman’s statements in regards to television and our youth’s education. I believe it is not the crisis Neil Postman makes it out to be.
On the Halloween of 1938, H.G. Wells’s The War of the Worlds premiered on the radio in America, causing panic and confusion on a national level. To illustrate, Huxley’s theory that entertainment will impact a society on how its citizens think, how they record and display information, and how they communicate with one another is best displayed by the aforementioned incident. This incident arose because this radio drama (intended to entertain) was presented in a decontextualized and abrupt manner—stating that aliens had invaded the earth— and most people indubitably believed it. In addition, this situation can be supported by Postman’s term, “news of the day,” forming an image that society’s media can control its citizens to form opinions and emotions rather than take immediate action when presented with unorthodox news or
In the first chapter of Amusing Ourselves To Death , Neil Postman's major premise is how the rise of television media and the decline of print media is shaping the quality of information we receive.Postman describes how the medium controls the message, he uses examples which include the use of clocks, smoke signals, the alphabet, and glasses.Postman says a society that generally uses smoke signals is not likely to talk about philosophy because it would take to long and be too difficult. Postman also describes the way television changes peoples way of thinking; a fat person will not look good on TV and would less likely be elected President. On the other hand someones body is not important as their ideas when they are expressing them through the radio or print. On TV, visual imagery reigns. Therefore the form of TV works against the content of philosophy. Postman shows how the clock has changed. Postman describes how time was a product of nature measured by the sun and seasons. Now, time is measured by a machine using minutes and seconds. The clock changed us into time-watchers, then time-savers, and finally time-servers. Thus, changing the metaphor for time changed how we view time itself.
The many evils that exist within television’s culture were not foreseen back when televisions were first put onto the market. Yet, Postman discovers this very unforgiveable that the world did not prepare itself to deal with the ways that television inherently changes our ways of communication. For example, people who lived during the year 1905, could not really predict that the invention of a car would not make it seem like only a luxurious invention, but also that the invention of the car would strongly affect the way we make decisions.
Neil Postman (March 8, 1931- Octomber 5, 2003) was an American author, educator, ,media theorist and cultural critic, who is best known for his seventeen books, including “Amusing Ourselves to Death”(1985). Postman’s best known book is “Amusing Ourselves to Death”. Since TV replace the written word , Postman belive that people would be more and more attracted to this, but he also argue that television is not an effective way of providing education after all.
All in all, the three chapters of “Amusing Ourselves to Death” work together theoretically and practically about the media influence towards its audience. Neil Postman asserts the public as victims to whatever media metaphor exists. The media shapes the perception of reality and truth. And that brings one to say that cultural, political, economic, religious and moral values are influenced by the media either negatively or positively.
The United States is the biggest economical power in the world today, and consequently has also the strongest and largest media industry. Therefore, it is essential to take a look at the crucial relationship between the media and the popular culture within the social context of the United States for a better understanding of the issue. For a simpler analysis of the subject we shall divide the media industry into three main branches: Entertainment, News and Commercials (which is the essential device for the survival of the industry, and shall be considered in integration with Entertainment). Researches have shown that the most popular reason behind TV viewing is relaxation and emptying the mind.
Jones, Jeffrey P. Entertaining Politics: Satiric Television and Political Engagement. Lanham, MD: Rowman & Littlefield, 2010. Print.
Any act of conscious communication always true, in varying degrees, two fundamental objectives. One is to inform, instruct and describe, and the other is to entertain or occupy. The products of the mass communication industry made that mandate the particularity that are targeted to a wide receiver, whose acceptance is intended to conquer. The intent of the act is expressed with the term broadcast (spread through mass media), which once meant to sow broadcast the farmland. The cinema, especially the US, is the great communication industry of the twentieth century. Although in recent decades seems to have given primacy to television, the information, education and entertainment on Western culture influence is undeniable.
Postman, Neil. Amusing Ourselves to Death: Public Discourse in the Age of Show Business. Penguin Books, New York: 1986.
What is entertainment? Entertainment is gaining amusement or pleasure that comes from watching a performer, playing a game, etc or focusing on movies, video games, and social media. Even though entertainment has the capability of providing enjoyment, society often abuses common forms of recreation such as movies, video games and etc which have the capability of ruining society.
Television is a vital source from which most Americans receive information. News and media delegates on television have abused theirs powers over society through the airing of appealing news shows that misinform the public. Through literary research and experimentation, it has been proven that people's perception of reality has been altered by the information they receive from such programs. Manipulation, misinterpretation, word arrangement, picture placement and timing are all factors and tricks that play a major role in the case. Research, experimentation, and actual media coverage has pinpointed actual methods used for deceptive advertising. Television influences society in many ways. People are easily swayed to accept a belief that they may not normally have unless expressed on television, since many people think that everything they hear on television is true. This, however, is not always the case. It has been observed that over the past twenty to thirty years, normal social behavior, even actual life roles of men and women and media, regulatory policies have all been altered (Browne 1998). Media has changed with time, along with quality and respectability. Many Americans receive and accept false information that is merely used as an attention grabber that better the show's ratings and popularity. Many magazines and Journal reviews have periodically discussed the "muckraking" that many tabloid shows rely on to draw in their viewers. This involves sensationalizing a story to make it more interesting, therefore increasing the interest of the audience. "Along the way, all sorts of scandalous substance and goofy tricks appear, but not much mystery in the logic," (Garnson 1997). People often know that these shows aim to deceive them, but still accept the information as truth. Many times, people have strong opinions on certain topics. Yet, when they are exposed to the other side of the argument, they may be likely to agree with the opposite view. As Leon Festinger said, "If I chose to do it (or say it), I must believe in it," (Myers 1997). This is an example of Festinger's cognitive dissonance theory, which pertains to acting contrary to our beliefs. Television influences many people to change their original beliefs. It has the viewers think that the majority of other people hold the contrary idea. Once these views are presented, people have the option to hol...
on television: a call for theory and programmatic research. Critical Studies in Media Communication, 106-123.