American Sniper Hero

In one of the highest grossing films, American Sniper, directed by Clint Eastwood, told the story of Chris Kyle, who was pronounced the deadliest sniper in U.S. military history. Kyle was depicted as a war hero and showed magnificent up-bring to what he sees through the scope. His journey holds astonishing memories and real stories on how the sniper came to be. Unfortunately, being a historic figure is not all it’s made out to be. The positive outtake on American Sniper brought Kyle’s remarkable service to his country into the hearts of many. To begin with, Chris Kyle was a man who tried to find his purpose through the course of struggle. As a young boy, he enjoyed the adventures of being a cowboy and one who is not afraid to shoot a gun.

Taya characterizes her husband, “Chris had an incredibly romantic side to him. While it wasn’t the sort of thing that came out on the battlefield, it was evident to anyone who spent a lot of time around him back home” (1453). Chris’s personality is what many people miss when learning his story, and American Sniper adapts that beautifully. However when the time came to deploy himself into battle, one important question came into mind, “You ever think about what happens when there’s a real person on the end of that gun”? (Eastwood). Being a wife of a military soldier is not something Taya imagined it would be. Her entire future would be turned around in both for better and worse. Her memories “have brought her great joy, though with that joy she had also found the deepest sorrow” (1). For example, Chris would always tell her how beautiful she is whenever he can. Those simple words were so powerful and unexpected that brought her so much happiness, yet also sadness because she would be reminded of her husband’s absence. In most cases, war changes how people adapts to their lifestyle at home and Taya, occasionally, did so while talking to Chris. In numerous situations when she’s faced with a beckoning decision, she had to pretend everything was fine so Chris wouldn’t begin to unsettle and lose concentration on the battlefield (Kyle 137). She would always put Chris first when

One individual illustrates the film as “each man has the cool aplomb, analytical acumen and attention to detail of a great athlete or master sociopath, maybe both” (Corliss 1). It depicted two fronts: one in Iraq and the other back home, where it documented the personal toll of conflict without questioning whether the war was worth it (Guzmán 2). By foreshadowing Kyle’s life from a loving husband to a figure on the brink of war it gave the audience a share of what it’s like behind the trigger. Eastwood outdated on how Hollywood's representation would convey an entirely different story based on the aspects of what a modern audience looks for. He expresses the plot as the relationships and obstacles people overcome when involved in the service (Guzmán 2). As much as everyone enjoys the fantasy movie industry, sometimes people need a reminder of what reality is and how it affects each individual, even if they never experienced it before. The movie tells the story itself as Eastwood intended it to and critics caught onto that. Guzmán explained, “A man torn between duty, family and a seemingly unending war that is killing him not with bullets, RPGs or IEDs, but with the grinding, dehumanizing stress of being death’s constant courier” (1). Chris Kyle was not inscribed as the famous war hero the film presented, but as a loving father and husband who did what he did for the safety