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The fall of the house of usher common lit
Critical Analysis on the Fall of the House of Usher by Edgar Allan Poe
Critical Analysis on the Fall of the House of Usher by Edgar Allan Poe
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Recommended: The fall of the house of usher common lit
From the later eighteenth century all the way to present day, the gothic genre has appeared sporadically in many poems, short stories, and films. Contradictory to the Age of Enlightenment, an era believed to have valued reason above all others, gothic fiction explored more of the darker aspects of human nature. The concept of a supernatural literary genre was first analyzed by English writers, such as Walpole and Radcliffe, during the transition between the eighteenth and nineteenth century (1750-1800). Although, the first known accounts of gothic literature by American writers wasn’t until the early 1800s with works like Washington Irving’s “The Legend of Sleepy Hollow,” and Edgar Allan Poe’s “The Fall of the House of Usher,” in 1839. Since …show more content…
Although, it is thought to be a groundbreaking discovery in writing to some. The progression of the American gothic has been integral to how writers go about their work. Thus further leading human nature to new unexplored areas of literature. So what makes this genre so captivating? -- Why do people expose themselves to true horror for enjoyment? According to Frank Farley PhD, psychologist at Temple University, people have been curious about horror for years, trying to make sense of it all, especially its role in film. He says: “Through movies, we’re able to see horror in front of our eyes, and some people are fascinated by it. They’re interested in the unusual and the bizarre because they don’t understand it and it’s so different from our everyday lives.” Farley is stating the fact that today, humans are exposed to horror face-to-face and consequently have put themselves through true terror for their own enjoyment. This speaks volumes when it comes to how far the gothic genre has come since it was first introduced, eradicating any nebulous feelings people might have had on whether it would last throughout the history of American
Gothic texts are typically characterized by a horrifying and haunting mood, in a world of isolation and despair. Most stories also include some type of supernatural events and/or superstitious aspects. Specifically, vampires, villains, heroes and heroines, and mysterious architecture are standard in a gothic text. Depending upon the author, a gothic text can also take on violent and grotesque attributes. As an overall outlook, “gothic literature is an outlet for the ancient fears of humanity in an age of reason” (Sacred-Texts). Following closely to this type of literature, Edgar Allan Poe uses a gloomy setting, isolation, and supernatural occurrences throughout “The Fall of the House of Usher”.
Key Elements of Gothic Literature Jasmine Giles People enjoy reading gothic literature due to its heart rate exciting nature. Without having to engage with any real danger, it is common for the reader to feel anxiety and impaitence when reading gothic fiction. In order for the reader to feel these emotions, the author uses certain elements, such as a gloomy setting and old-fashioned dialoge. In the stories “The Black Cat” and “The Tell Tale Heart”, by elgar allen poe, and “The Landlady”, by Roland Dahl, there are many similarites that remanticize the idea of horror and mystery. Some elements, however, bring out the disbolical horror of gothic literature: the setting, characterization, and the motif of suspense.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
In what follows, my research paper will rely on an article by Kathy Prendergast entitled “Introduction to The Gothic Tradition”. The significance of this article resides in helping to recapitulate the various features of the Gothic tradition. In this article the authoress argues that in order to overturn the Enlightenment and realistic literary mores, many of the eighteenth century novelists had recourse to traditional Romantic conventions in their works of fiction, like the Arthurian legendary tales (Prendergast).
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Ringe, Donald A. American Gothic: Imagination and Reason in Nineteenth-Century Fiction. Lexington KY: The University Press of Kentucky, 1982.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
The period of the gothic novel, in which the key gothic texts were produced, is commonly considered to be roughly between 1760 and 1820. A period that extended from what is accepted as the first gothic novel, Horace Walpoles The Castle of Otranto ( 1764 ), to Charles Maturins Melmoth the Wanderer ( 1820 ) and included the first edition of Mary Shelleys Frankenstein in 1818. In general, the gothic novel has been associated with a rebellion against constraining neoclassical aesthetic ideals of order and unity, in order to recover a suppressed primitive and barbaric imaginative freedom ( Kilgour, 1995, p3 ). It is also often considered to be a premature ( and thus somewhat crude ) manifestation of the emerging values of Romanticism. Although the gothic genre is somewhat shadowy and difficult to define it can be seen as having a number of characteristics or conventions which can be observed in Frankenstein including stereotypical settings, characters and plots, an interest in the sublime, the production of excessive emotion in the reader ( particularly that of terror and horror), an emphasis on suspense, the notion of the double and the presence of the supernatural. (Kilgour, 1995; Botting, 1996 ; Byron, 1998 : p71 )
Edgar Allen Poe was an English short-story writer whose work reflects the traditional Gothic conventions of the time that subverted the ambivalence of the grotesque and arabesque. Through thematic conventions of the Gothic genre, literary devices and his own auteur, Edgar Allan Poe’s texts are considered sublime examples of Gothic fiction. The Gothic genre within Poe’s work such as The Tell-Tale Heart, The Black Cat, and The Raven, arouse the pervasive nature of the dark side of individualism and the resulting encroachment of insanity. Gothic tales are dominated by fear and terror and explore the themes of death and decay. The Gothic crosses boundaries into the realm of the unknown, arousing extremes of emotion through the catalyst of disassociation and subversion of presence. Gothic literature utilises themes of the supernatural to create a brooding setting and an atmosphere of fear.
In Edgar Allan Poe’s short story, “The Fall of the House of Usher,” exhibits an accurate representation of the Gothic genre. Edgar Allan Poe’s work presents itself as mystifying because of the way he is able to confuse and muddy up the concepts to his readers. Poe incorporates the disappearance and reappearance action of the characters throughout the short story as well as an eerie feeling to represent the Gothic genre. Poe also uses the literary device, Gothic double. However, critics of Poe’s work have considered that some of his short stories are a parody of the Gothic genre. They are both equally represented throughout the short story. Furthermore, “The Fall of the House of Usher” is a the best of both worlds.
What is America Gothic? The American Gothic movement started around the same time as the transcendentalist movement. Gothic writers unlike transcendentalist writers believed that life wasn 't all rainbows and butterflies. They saw it as a cruel and sometimes menacing place. During this time Gothic writers wrote about the true evils and that even the nicest person could have some of the worse demons.
A painting known as American Gothic was painted in 1930 by Grant Wood. It portrays a farmer with pitchfork (Grant’s dentist) and a woman (Grant’s sister) in front of a house. After Grant Wood won his competition with the painting, it became extremely well known and was often borrowed for cartoons, commercials and novels. Novels such as Gothic literature, even though Gothic literature was “invented” about two hundred years before the painting, people still somehow connected the two. Whenever people read Gothic literatures they would visualize the painting or vice versa. “Gothic literature is part of fiction that became popular during the late 1700s in Europe.”(Brooklyn.cuny.edu) Many of the stories generally have combinations of horror, mystery and romantic with a particular focus of settings. Settings such as inside a castle are used often in the earlier Gothic literature along with the supernatural elements.
Gothic Tradition was said to have started in Europe. Gothicism came from the Romanticism in the early 19th century (Book Rags). Two people who are said to have started the gothic writing movement are Ann Radcliffe and Horace Walpole. They started this style with their stories: “The Mysteries of Udolpho” and “The Castle of Otranto” (Book Rags). The gothic movement also came about because it was related to the art and architecture during the Renaissance era. Edgar Allan Poe three main elements romance, horror, and supernatural events are used in his short stories and poems. A few of his most famous short stories are “The Raven”, “The Fall of the House of Usher”, “The Tell-tale Heart”, “The Black Cat”, “Eleonora”, and “Annabelle Lee” (Book Rags). Some of his writing is dark and gloomy while others have romance and comedy.