America in the 1920s
INTRODUCTION
The Twenties wan a decade which condidted of many well know events and
famous people. In which made the twenties part of out history today, such
events and people that made history in the twenties were Al Capone the well
mnow mafia leader from Chicago, Charlie Chaplain of the silent movies, the
annual Montreal Carninval in Canada, and the 60th anniversary of canada in
1927. But these events and people are only a quarter of the history help
in the 1920's.
ENTERTAINMENT
Entertainment in the Twenties consisted of many famous people, it was
in the twenties when a man by the name of Walt "Elias" Disney (1901-66) a
cartoonest born in Chicago, in which he later graduated and later started
his own animation company which he introduced Disney's most popular ans
enduring cartoon characters "MICKEY MOUSE" in 1928. During the twenties
MICKEY entertained Canadians in such films as "Steam Boat Willie" (1928).
Other great cartoon films done be Disney include "Skeleton Dance" in (1929).
The silent movies of the twenties is nothing to compaire with the
voiced movies we have today. The actors had to show alot of facial and
bady expressions to get the veiwers to understand what was happening in the
film. The most talented actor's in the twenties were Charlie Chaplai who
was known for his "tramp" look, Keaton with his stone facial expressions
(because he showed no emotion) and the famous romatic Radolph Valintino.
These three and many more entertained Canadians through the twenties.
In 1926 the voice era was coming in effect by Warner Brothers by the
Vitaphone. In 1927 Warner Brothers finally completed the first sound
picture called "The Jazz Singer"
To canadains evenings were not spent infront of t.v. Instead they would
listen to the radio. One for the radio stations listened to was CKCL. They
would listen to mostly music and live plays. Most of the music they
listened to was Jazz, and of course those were the days of the popular
ballroom dancing with the big bands. Other ways of entertainment were by
newspapers and books, One of the novels was "Strange Fugitives". Back in
the twenties Canadains authors produced 50 best sellins
Fashion
When the first world war ended a new stage was set for a new fashion.
Such signs of fashion change was already happening. The loosening of fit
In Daily Life in the United States, 1920-1939: Decades of Promise and Pain, author David E. Kyvig, creates historical account of the Great Depression, and the events leading up to it. Kyvig’s goal in writing this book was to show how Americans had to change their daily life in order to cope with the changing times. Kyvig utilizes historical evidence and inferences from these events and developments to strengthen his point. The book is organized chronologically, recounting events and their effects on American culture. Each chapter of the book tackles a various point in American history between 1920 and1939 and events are used to comment on American life at the time. While Kyvig does not exactly have a “thesis” per se, his main point is to examine American life under a microscope, seeing how people either reacted, or were forced to react due to a wide range of specific events or developments in history, be it Prohibition, the KKK, or women’s suffrage.
As a nation coming out of a devastating war, America faced many changes in the 1920s. It was a decade of growth and improvements. It was also a decade of great economic and political confidence. However, with all the changes comes opposition. Social and cultural fears still caused dichotomous rifts in American society.
The 1920s was a time of conservatism and it was a time of great social change. From the world of fashion to the world of politics, forces clashed to produce the most explosive decade of the century. It was the age of prohibition, it was the age of prosperity, and it was the age of downfall.
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
Many people see history as a set of facts, or as a collection of stories. The reality, however, is that history is a fluid timeline. Each act of an individual or a group has an effect on others. Each moment in history is a building block that, good or bad, contributes to the stability of the next. This can be seen clearly in American history, as there have been several developments since the 1800’s that have played major roles on the growth of the nation.
The 1920's was a time of change in the United States. “The Roaring Twenties” had an outstanding impact on the economy, social standards and everyday life. It was a time for positive results in the industry of consumer goods and American families, because of higher wages, shorter working hours, and manufacturing was up 60% in consumer goods. But it was also a time of adversity and opposition for others, such as immigrants and farmers. Immigrants had lots of competition when they were looking for work and they weren't treated fairly by Americans, depending on where they came from and what they believed. Farmers were paid very little because the price of food kept going down, they also had the Dust Bowl to worry about. African Americans became further infused with mainstream America during the Harlem Renaissance. They were also able to organize and elect officials who would make life better for them. The Roaring Twenties was a very exciting time to live in and we can all learn what the real world is like, and how we can prepare to be ready for it, today and in the future.
More and more farm-to-table restaurants, farmer’s markets, and food co-ops are cropping up to meet the demand among consumers for healthy, local foods, as more chefs and consumers recognize the poorer taste and nutritional integrity of ingredients shipped in from far away. Fruits and vegetables that have to be shipped long distances are often picked before they have a chance to fully ripen and absorb nutrients from their surroundings. Because local food doesn’t have to travel long distances, it is grown in order to taste better and be healthier rather than to be resilient to long travel. The farm-to-table movement also helps local economies by supporting small farmers, which is a dying
In the 1800’s and first half of the 1900’s the WASP was seen as unjust and cruel by many European immigrants in America. Every single one of those terms however was necessary for full acceptance into the American mainstream: white, Anglo-Saxon (from northern Europe although the Irish are the exception) and Protestant. In the nineteenth century America was undergoing a dramatic transformation; the rise of industrialization, a massive influx of immigrants and urbanization caused racism to become a powerful force in American culture, affecting all parts of the political spectrum. American culture became obsessed with crude and cruel racial and ethnic stereotypes in literature, the arts and in the press.
It is a day in the summer of 1974 on the block of 1520 Sedgwick Avenue, Bronx, NY. The grass is blazing, the air is fresh, and the kids are shrieking with joy. This is where it happened. DJ Kool Herc popped in his new record playing smooth rhythms of jazz and blues with the integration of Jamaican sound creating a new genre that would soon sweep the nation. He called it Hip-Hop. Some would call it “black noise”, but to urban African Americans it was music they could own; music they could learn to appreciate and adore. As they faced afflictions like racism, oppression, drugs, and much more, they used this new found hip- hop to express their thoughts and feelings. Today, we try to understand where this passion and substance in rap has escaped; if it was left to wither in the blazing grass, or blow away in the fresh air. Today, we try to understand what is hip hop, and why it’s becoming the “black noise” we once denied it to be. Ever since rap officially emerged in the 1970s, critics had a negative reaction; even when rap had meaning and substance and consisted of people telling their stories. Now that rap has become more contemptuous, critics have began to question what rap is really about. It is clear themes have changed: But at what point? And how? Furthermore, how has this impacted blacks and their image, who dominate the rap industry. Conclusively, while themes in mid 20th century rap have been known to revolve around aspects like politics and unity, currently rap has underwent a dramatic change now producing themes that promote violence, among many other things, and has ultimately painted a negative image of African Americans.
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
... sell their product at a lower rate due to the transportation, storage, and marketing costs. Having the food sold through private markets, cuts out the middle man, and allows more money to end up back into the farms, which helps the farmer put money back into their business and other businesses. Money that goes back into local businesses then increases the local economy through a process called the multiplier effect. The multiplier effect is an economics term that is used to describe where a small investment of money is circulated back into the economy, it sets off a chain reaction that increases exponentially. For example, if a consumer gave the farmer $20 for his goods and the farmer spends three fifths of his income ($20 + (.06x$20)), $32 would be the amount of money available in the market from the initial $20 investment (Krugman, Paul R., and Robin Wells).
During the years between 1920 and 1960, America saw change in many aspects of life. The United States was a part of two major wars and a crash of the banking system that crippled the economy greater than ever seen in this country’s history. Also the country had new insecurities to tackle such as immigration and poor treatment of workers. These events led to the change of America lives socially, economically, and politically. The people of America changed their ideas of what the country’s place in the world should be. The issues challenging America led the country to change from isolation to war, depression to prosperity, and social change. The threats to American way of life, foreign and domestic, were the changing forces to the country in the twenties to the sixties.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
In the late 1970’s hip-hop/rap music emerged as one of the most popular musical genres, and it remains as one to this day. However, there is a big difference in the content of a song like Sugar Hill Gang’s 1978 single “Rappers Delight” and a modern day rap song. When hip-hop music first began it served as a type of party music that was made primarily from African American men. The music quickly gained popularity, and before long, members of all races were enjoying it. However, in the early 1980’s hip-hop music became more of a mirror into ghetto culture rather than just upbeat enjoyable music. Rappers began to write edgy lyrics celebrating street warfare, drugs, and promiscuity. Unfortunately this style of hip-hop never died off, and now it