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The Athenian Agora appearance
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The supermarket, churches, and stadiums are have one thing in common, they are all common gathering spaces. Although each space serves a different purpose, people of all backgrounds are free to attend each place as they please. In antiquity, the agora played the same role of a communal gathering location upon to all male citizens. However, as time passed, the functions and meaning of the sense of ‘agora’ changed. By examining the Altar of the Twelve Gods, the Tholos, Stoa of Attalos, and finally the Odeion of Agrippa, the modifications and adaptations can be seen from one time period to the next. One of the earliest constructed monuments in the Athenian Agora is the Altar of the Twelve Gods. Built in 521 BC, the Altar of the Twelve Gods determined …show more content…
The preserved foundation made of square blocks supports a low sill of limestone blocks, while the upper surface still bears the marks of the stone fence it once supported. At the corners, there is a deep square cutting for fence posts and dowel holes approximately every 1.2 meters apart for attaching other fence posts (Camp Athenian Agora 40). Although no evidence remains for the objects found within, an inscription from a statue base, along the west side of the sanctuary, tells archaeologists the objects which could be found inside. The sanctuary can be called just that, a sanctuary, because it contained the two primary elements of a sanctuary: the altar and a boundary. Located on the north side of the agora, the Altar of the Twelve Gods was easily accessible, and therefore important to the community members and their ability to freely enter the sanctuary. Additionally, the sanctuary became known as a place of safety and refuge. Phidias even camped out in the sanctuary until all charges against him were dropped. Arguably one of the …show more content…
Since the Stoa of Attalos presented an ‘alumni’ gift to the center of his education, Attalos embodies the one of the major changes to the agora: nostalgia. By inscribing his name into the building, King Attalos demonstrated self-promotion of power and wealth, as well as the façade of giving back. The peculiar, and most prominent, characteristic is the second-storey. Unlike any other building in the agora, the Stoa of Attalos stood as a major architectural innovation. The second floor duplicated the first, giving the appearance of a one-storey building being placed on top of another, including the three step platform for the columns and twenty-one rooms. In total, the stoa housed forty-two rooms, operating as stores, which were presumed to be rented out by the state with the revenues spent on reparations (Camp 172). Additionally, the spacing for the columns encompassed a wider distance, indicating at the intention to be used as a public space for both gathering and shopping. The inclusion of a public gathering space within a building deviates from the traditional, temporary pop-up stores in the center of the agora, thus expressing another form of revolutionary change to the meaning of agora. Similarly, the stoa simply operated as a gathering
The Altarpiece of Saint Peter Art is a window to the past and there is no place other than the many museums of the world where this is more strongly felt. More specifically, it is also seen through Martin de Soria's work, The Altarpiece of Saint Peter, which was completed around 1480. According to the panel near the altarpiece in the Museum of Fine Arts, Boston, the piece is an enormous work of tempera on panel with parchment ground; it is a typical Spanish altarpiece of the medieval period and is comprised of a complex arrangement of twenty-six paintings. This piece was chosen as a representative of the medieval period because its emphasis is placed entirely on religion, the style with which it was painted and decorated
The Altar of Zeus currently is on display in Berlin, Germany for anyone to see and it is assumed that the temple was dedicated to Zeus or its purpose, in addition to being a tribute to the Zeus/the gods, was most used for celebration of the Pergamene people over anyone who opposed them. As Richter explains,
In ancient times, the Greeks had absolute and undeniable respect for their gods. They demonstrated their admiration by putting in place many rituals and celebrations to reverence the gods that they loved and feared in order to ensure harmony with them. In particular, the focus will be on the religious beliefs of the Greeks, including prayer and sacrifice, as well as on festivals and the arts, such as the ancient Olympic games and theatre. These aspects of their culture made a significant contribution to their quality of life. Moreover, these topics will be examined in relation to the twelve Olympian gods and their associates.
Pantheon and Hagia Sophia Pantheon and Hagia Sophia are two extremely outstanding architectural pieces of their times. They have been built according to the traditions of those particular times. The materials used to built these buildings and the purpose for which they were used are all very important aspects and have been briefly covered in this report. Pantheon The statesman Agrippa built pantheon in 27 B.C. Then it was completely rebuilt by the emperor Hadrian. The Pantheon is remarkable for its size, its construction, and its design. The dome was the largest built until modern times. The present structure was probably originally built as a temple for all the pagan gods. We do hear of it as being a law-court and a reception area for Emperor Hadrian meeting his quests too. Some say that the rotunda of the building was once a Roman bath. Due to all this mystery, the Pantheon is often referred to as the Sphinx of Rome. The visitor will probably not appreciate the construction as much as the Flavian amphitheatre, but it is still a great masterpiece of engineering and well worth a visit. Most Roman and Greek temples at the time of the Pantheon's construction were large, colonnaded, rectangular enclosures with sanctuaries situated in their centers. The Pantheon was different. It consisted of a large circular drum topped with a hemispherical dome. It is a masterpiece of both engineering and art a lasting memory of Ancient Rome’s might. Roman architecture is architecture of wall and enclosed tactile space. Individual column with entablature is no longer the basic architectural unity. Spatially, it shows a development from closed, simple space units and regular articulation to more complex spatial relations, more fluid interpenetrati...
...ity in Classical Athens. New York, NY: Alexander S. Onassis Public Benefit Foundation (USA) in Collaboration with the National Archaeological Museum, Athens, 2008. Print.
The Ara Pacis probably functioned as a memorial of Augustus’s succeeding events and surficial place for peace. The inner al...
The foundation of Greek culture was balance, reason, and harmony which can be unveiled in their art. As the civilization heavily revolved around religion, massive temples were built to serve the Gods. Greeks believed in many Gods, meaning they had polytheistic views . This notion of polytheism passed down to the Romans who adopted nearly the exact same deities and built similar architecture as well. One of the most famous buildings of worship was the Greek Parthenon built around 447-432 B.C.E, worshipping the goddess Athena . While building these brilliant pieces of art, concepts regarding laws and the natural world from philosophers were being incorporated in the structure. Pillars were often built in temples and various buildings in both Greek and Roman cultures. Doric, ionic, and Corinthian stand as the main three pillars built; each of them becomes increasingly more elaborate by order. For example, the Corinthian was the most intricate. Romans quickly developed a taste for this form of architecture and incorporated into theirs later on. The Romans however were very inventive, and began to develop the arch, vault and dome to add to what they emulated from the Greeks. Using these elements the Romans built what is known as the Coliseum, built over a 10 year span from around 70 AD to 80 AD. The Coliseum was said to hold 50,000 spectators and was used for entertainment
As one of the greatest structures in Rome, the Pantheon was built between 118 and 128 CE. It is described as the most remarkable ancient building surviving in Rome. After being destroyed and rebuilt twice, it was renamed the “Temple of the Gods”. In 126 AD, the Pantheon was restored to its glory, by the architects who at that time has learned and mastered their craft in concrete construction in the Greek Classical order. They constructed a massive 25 foot thick walls which was to support the huge dome made of concrete to be placed at the top. The dome was the largest ever made of unreinforced concrete at 43.4 meters in diameter (Matthews, Roy and Platt pg. 5).
Greek palaces and temples, consisting of massive columns, were built for the gods or other religious purposes. The temples found at the center of the polis, the acropolis, were made as earthen dwellings for the gods, a place for storage of sacred objects and offerings, and also served out tasks for the polis such as keeping records. Temples, along with other sacred places were sometimes only open to certain peoples or cults, and people who were not ritually purified or had “religious pollution” were not allowed to enter sacred places (Adkins & Adkins 338). The fact that the religion centers are in the middle of the cities symbolizes how Greek religion was central to Grecian life, it was one of the most important things to them. The temples also represent the architectural and cultural achievements of the Greeks. The magnificent style of these temples has influenced not only Greece but the whole world as Grecian columns have been a staple in architecture since there creation; this is even evident in the United States with buildings such as the United States Capitol, built hundreds of years after the establishment of Ancient Grecian architecture. Along with architecture, Greek art, most notably pottery and sculpture, was also influenced by religion. Greek pottery, depicting mythological and heroic scenes, and statues, portraying the human form often made in the image of gods,
According to the Encyclopedia Britannica, an agora is an open space in ancient Greek cities that served as both a meeting place and as an area for various civic activities (?Agora?).? The Agora of ancient Athens was rebuilt after the Persian Wars (490-449 BC) in response to a lengthy period of wealth and peace in the city (ibid).? The area demonstrates an archaic type of agora architecture (ibid).? This means that the colonnades and other buildings do not appear to coordinate, thus, creating the general impression of disorder (ibid).? The Agora contains three main architectural areas:? the colonnades, the government buildings, and the sacred area.? These three parts of the Agora combine to form a space that functions for public, private, and religious interests.? These functions can best be described by looking at a map of the ancient Agora of Athens (Quick Tour, Agora).?
Ancient Egypt’s pyramids are the oldest and largest stone structure in the world. Along the Nile 35 major pyramids still stand. The three largest pyramids at Giza rank as one of the seven wonders of the Ancient World. It was on the list of notable things to see which was made up by the travelers during ancient times. The ancient Egyptians also built temples of limestone. They designed parts of the temples to resemble plants. Moreover, many of ancient Egypt’s finest paintings and other works of art were produced for tombs and temples. Ancient Egyptian sculptors decorated temples with carvings showing festivals, military victories, and other important events. Sculptors also carved large stone sphinxes. These statutes were supposed to represent Egyptian Kings or Gods and were used to Guard temples and tombs. The Temples were houses of worship. The word temple most often refers to Buddhist, Confucian, Hindu, Taoist, and ancient Near Eastern and European places of worship. Most Temples are built to honor god, a God, or many Gods. Many of these buildings are considered the homes of gods. Back then and still today worship at temples often involves traditional ceremonies and may include sacrifices. Certain temples stood on sacred sites. The design of numerous temples was symbolic.
...re that was most unique to the Early Dynastic period was the oval enclosure with a centralized platform to lend stability to the shrine. Storage were found near the enclosure. The Temple Oval at Khafaje best exemplifies the unique formation of the oval enclosure in the temples. This enclosure had a double perimeter wall present which was highly unusual for enclosures. Another oval temple was found that Tell al Ubaid, which had a rectangular platform in the center. In the front of this platform there were elaborate decorations, which were belived to have fallen from the façade of the temple which had stood on the platform. Besides these oval temples there were also plans of temples with a number of single or double roomed shrines, one noteworthy temple is from Tell Chuera in North Syria. This design plan yields a closer resemblance to the west and megaron buildings.
A Critical Analysis: Aesthetics of the Archaic period by Wladyslaw Tartarkiewitz and Why we started farming by Stephen Mithen Aesthetics of the Archaic period is a historical text that elucidates the rise of culture in the Archaic period, proclaiming that the main catalysts for this was: Geographical, Ethnic, and Social conditions. Although Tartarkiewitz’s points are supported through historical sources, he leaves room for interjection and questioning. Geography played a part in Hellenic cultural development, supported by the idea that: “calm seas… facilitated trade” and idea movement. This is evident in archaic architecture through appropriations of Egyptian construction conducts, and in Plutarch’s Life of Lycurgus showing Egyptian influence
The mausoleum at Halicarnassus was the very great mausoleum tombstone of one Maussollos, the ruler of Caria, one of the provinces of the vast Persian Empire, who also served as a Governor or Satrap of the King of the Persian Empire between 377 and 353 BC (Peter and Mark, 1988). This great tomb monument was so gigantic in size going by the ancient building standards and extremely lavish were the various sculptured adornments or decorations that in next to no time the building was being recognised in the Ancient World as one of the Seven Wonders of these Ancient times (Peter and Mark, 1988). Ever since the Roman times the word mausoleum, has always been a generic term used in reference to any vast or gigantic tomb monument (Juan, 2005). In today’s world this is what most people would consider as a large-scale house built of marble meant to house a deceased person’s remains (Juan, 2005).
During the Hellenistic period, you find the first monument built to celebrate someone who was not a general, god, or ruler. The Monument to Iysicrates is located in Athens, and is the first time a Corthinian column is used on the exterior. There was not a lot of money to spend on new temples but they still managed to build the Temple of Zeus Olympius. There is not much left of it today but it was huge. This temple was decastyle, meaning ten columns across, and the columns were sixty-five feet tall.