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Ginsberg and Whitman's poems
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Allen Ginsberg was a beat poet who rose to popularity in the 1950’s when his two most popular pieces of poetry were published. Allen Ginsberg was born in Newark, New Jersey on June 3, 1926 to parents Naomi and Louis Ginsberg. His parent’s professions seemed to have influenced him since his mother was a political activist and his father was a poet and teacher (Lewis, 2002). One of his most popular works, “Howl”, was a poem written about his thoughts on capitalism and fellow Beat poets, while “Kaddish” was written to celebrate his late mother’s life (Lewis, 2002). Most of Ginsberg’s poems were about the processes of one’s thoughts based on surrounding influences. They were about controversial topics such as war, civil rights, and drugs. Although …show more content…
Ginsberg unfortunately died in 1997 in New York, New York due to liver cancer, he left an everlasting cultural influence as part of the Beat Generation (Lewis, 2002). Ginsberg mother was put into the hospital in 1929 due to her mental stress for the first time, which he would later talk about in his poem “Kaddish” (Lewis 2002). While he was in high school, he got two of his works published in the school magazine. In 1941, he attended Columbia University to study law, but then got influenced by some of his friends, such as Jack Kerouac and William S. Burroughs, and changed his study to literature (Lewis, 2006). With his friends, they formed a group called “The New Vision” which was “a precursor of the Beat generation precepts he exemplified in his later work” (Lewis, 2006). He got into some trouble in 1945 which got him suspended from the University for letting Kerouac to spend the night in his room. As he was suspended, he got jobs as a “welder, dishwasher, assistant at the Gotham Book Mart, and apprentice seaman in the merchant marine” (Lewis, 2006). In 1946, he went to Columbia University again and worked for the Columbia Review as an editor’s assistant. Ginsberg graduated with a bachelor’s degree in literature in 1948 (Lewis, 2006). In 1949, Ginsberg got into even more mischief and had to go to “Columbia Presbyterian Psychiatric Institute to avoid criminal charges” (Lewis, 2006). During his time at the Columbia Presbyterian Psychiatric Institute, he met Carl W. Solomon and was intrigued by his persona (Lewis, 2002). Ginsberg wrote “Howl” in honor of Solomon “recognizing immediately a fellow enthusiast for avant-garde art and an unconventional life pattern” (Lewis, 2006). Allen Ginsberg moved to Manhattan in 1953 which became his permanent home for the rest of his life. During this time, he “worked as a copyboy at the New York World-Telegram” (Lewis, 2006). He met Lawrence Ferlinghetti in 1954 who became his publisher of City Light Books for about 25 years (Lewis, 2006). Hinsberg wrote “A Supermarket in California” in 1955 in honor of Walt Whitman. He also “organized the now-legendary landmark reading of October 13 at the Six Gallery [Berkley, California], where he joined Gary Snyder, Philip Lamantia, Michael McClure, and Philip Whalen to read “Howl” in public for the first time” (Lewis, 2006). He met Peter Orlovsky for the first time at this reading, and they soon developed a progressive relationship (Lewis, 2006). In 1956, “Howl and Other Poems” was published and Ginsberg had to “[defend] the Howl volume against charges of obscenity” (Lewis, 2006). That same year, his mother died and spent some time writing “Kaddish” in honor of her, which was published in 1961. In the late 1950’s, Ginsberg and his friends who were named “Beatniks”, became more recognized by society and began a “literary movement” (Lewis, 2006). He performed with the Beatles and Bob Dylan in 1962 at a concert in London (Lewis, 2006). Ginsberg experimented with drugs and formed “LeMar (Organization to Legalize Marijuana) in 1964 with the poet Ed Sanders” (Lewis, 2006). Allen Ginsberg was expelled from a few countries in his lifetime. He was known to criticize the United States, so Cuba and Czechoslovakia invited him thinking that he would like their form of government. Ginsberg was expelled from Cuba in 1965 when he “challenged the totalitarian aspects of Cuban society, unsettling the puritanical Communist regime with rampant erotic invitations” (Lewis, 2006). Ginsberg was the declared the “King of May” by Czechs in Prague. He was then expelled due to his poem “Kral Majales” for “unusual sex politics dream opinions” (Lewis, 2006). Ginsberg was becoming more popular within American literature by the late 1960’s (Lewis, 2006).
“In 1969, he was awarded a National Institute of Arts and Letters grant for poetry, and in 1971, he served as a judge on the National Book Awards panel for poetry” (Lewis, 2006). In the 1970’s, Ginsberg was inducted into the American Academy of Arts and Letters and was awarded a gold medal from National Arts Club Academy (Lewis, 2006). In 1984, “Collected Poems, 1947-1980” was published making him more significant within American literature. It was “a volume [which was] received with wide attention and respect by both academic critics and the national media” (Lewis, 2006). He became a professor at Brooklyn College and Graduate Center of City University in 1986. That same year he published a poem named, “White Shroud”, which was an epilogue to “Kaddish” (Lewis, 2006).
On April 5, 1997, Allen Ginsberg died from liver cancer in Manhattan, New York. He was appraised by “members of the American cultural community, as well as some typical disparagement from those who decried his undeniable influence on American letters” (Lewis, 2006). People’s perception of Ginsberg had changed from a crazy man threatening American culture, to literary genius who formed and encouraged a new culture for a new generation of open minds and people. Allen Ginsberg’s work has changed the values of many who can appreciate his
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art. One of Allen Ginsberg’s most popular pieces is Howl and Other Poems which was published in 1956.
“Howl” is written as “a three-part prophetic elegy” (Lewis, 2002). The first part talks about misfits and claims them as “the best minds of my generation” and explains on how they are not supported very much by Americans (Lewis, 2002). Instead, they are looked down upon and have a negative image. In the second part of the poem, Ginsberg names a demon called Moloch. Moloch is “the monster of mental consciousness that preys” on the misfits (Lewis, 2002). He starts each line in this part of the poem with “whose”, which is an anaphora. In the third and final part of the poem, Ginsberg gives an example of a misfit he met at a Psychiatric Institute, a poet named Carl W. Solomon (Lewis,2002). He ends the poem with Ginsberg hoping for the misfits to be appraised and that their uniqueness is approved by
America. The main idea of “Howl” is to inform the reader that these unique misfits are victims due to their creative minds and that they are different. These misfits are Beat writers including himself who write and express themselves in a unusual form compared to other artists during that time. Ginsberg described his poem as a “huge sad comedy of wild phrasing” (Lewis, 2002). The poem is written in a sad and angry tone in defense of these misfits. “Howl” is written with no rhyme scheme and writes as if he is speaking. Another popular poem by Gingsberg is Kaddish and Other Poems which was published in 1961. “Kaddish” was written to celebrate his late mother’s life by incorporating some of his childhood memories with her (biography). “The course of his life’s journey from early youth and full parental love to the threshold of middle age is paralleled by Naomi’s life as it advances from late youth toward a decline into paranoia and madness” (Lewis, 2002). Ginsberg first writes about how he feels that he is unable to get closure since he is unable to “cut through — to talk to you” (Lewis, 2002). Ginsberg then talks about a time he goes to the clinic with his mother. His mother wants him to take her home, however Ginsberg tells her "No, you're crazy Mama -- Trust the Drs" (Jason). Ginsberg has to now take the responsibility of being an adult since his mother is unable to due to her mental illness (Lewis, 2002). He then prays for his mother in Hebrew and gives her “the formal service that had been denied his mother because of a technicality” (Lewis, 2002). Ginsberg ends the poem with another prayer for his mother and as if he is visiting her grave. He also repeats the sounds of a crow (anaphora) as he conjures the memories that he had with his mother (Asher). The poem is an elegy and written with stream of consciousness (Jason). “Kaddish” also contains no rhyme scheme and written as if he is speaking. Ginsberg wants forgiveness and to have peace within himself since he did not attend his mother’s funeral.
The "Poet of the New Violence" On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
The Grateful Dead are one of the rock bands that helped shape music into what it is now. The band is known for their signature live performances, which includes improvisational sections that can last for up to half an hour. The Grateful Dead has had many different members who all influenced their unique sound in a different way.
Throughout the words and the lives of the Beat Generation, one theme is apparent: America, everywhere from Allen Ginsberg’s “America,” to Jack Kerouac’s love for Thomas Wolfe. Although the views of America differ, they all find some reason to focus in on this land. Ginsberg, in his poem “America,” makes a point that not many of us can see as obvious: “It occurs to me that I am America. I am talking to myself again.” Each and every one of us make up America, and when we complain about something that is wrong, we are complaining about ourselves. Being raised by his mother as a Communist, and being homosexual, Ginsberg found many things wrong with America, and he does his fare share of complaining, but at the end he decides, “America I’m putting my queer shoulder to the wheel.” Ginsberg didn’t want to sit and watch everything go wrong. He was going to do something, despite the fact that he was not the ideal American.
Homosexuality remained illegal in most parts of America until the 1960s, but Ginsberg refused to equate his Gay identity with criminality. He wrote about his homosexuality in almost every poem that he wrote, most specifically in ‘Many Loves’ (1956) and ‘Please Master’ (1968), his paeans to his errant lover Neal Cassady. Ginsberg’s poems are full of explicit sexual detail and scatological humour, but the inclusion of such details should not be interpreted as a childish attempt to incense the prudish and the square.
Why. Excuse me. Why. Does. Excuse. Why me. I mean. Excuse me. Why. Does. It . Always end up this way. Like this. A performance. It's my best excuse. And. I'm on the wagon. Again. Why. Excuses. Sitting in the state of a daydream. No. Falling. A performance. Why what it comes down to. Poetry. And. My two main men. Allen Ginsberg and Jack Kerouac. Both use their individual voice to perform the buddhistic beat they feel is part of their poetry/ their beatific movement. Even though these two poets influenced each other. And. Their voices are significantly different. Each has a personal style one cannot deny. And. Each boy added his separate beat to the music they created as a generation. A beat generation. Jack's buddhistic jazz/ blues chorus poetry is domesticized/ tainted Christianity-wise. And. Allen's sound becomes zentific without Christianity/ hanging on a cross in the backbeat of his prose poetry. While each may have his own personal style/ both poets use the same technique in sound. And. Rhythm to give their audience something to bugaloo to. Excuse me. What's. That. Poetry. Baby. A performance. So. Please brother. Take a chance. And. Dance. (She says that as she shh shh shivers.)
Overall, what Ginsberg was trying to say is that we are ALL mad and crazy, but we are all also good. Ginsberg questions the human social actions throughout his journey with his friends, and wrote Howl to help others understand the social discrimination and chaos in the world. For me, I understand the reason behind the actions those bullies and their rumors have done to me, and that’s okay. It is a social truth, that society is unfair and cruel, also
Michael Gray’s analysis of Dylan’s lyrics being a contrast between hackneyed expressions and “beautifully done” are exemplified in the song “Just Like a Woman.” Dylan’s lyrics “she aches just like a woman but she breaks just like a little girl” is given the harsh description of “maudlin platitude” and deemed to be a “non-statement.” If Dylan’s lyrics cannot uphold against meaningful music of the same category, how can they be expected to stand against literature written for a different field. John Lennon had his own critiques of Dylan’s works, calling out how the abstract nature of his lyrics, having loose definition, never achieved an actual point. Lennon’s definition of “poetry” referred to “stick[ing] a few images together” and “thread[ing] them” in order to create something meaningful. It once again boils down to the fact that Dylan’s music that was written and intended to be received as a live performance. The acknowledgement that “…you have to hear Dylan doing it” is a recognition of his composition’s failure to come across as a normal literary work. It’s all part of a “good game.” This in itself should disqualify Dylan as a possible candidate for the Nobel Prize.
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
American poetry, unlike other nations’ poetry, is still in the nascent stage because of the absence of a history in comparison to other nations’ poetry humming with matured voices. Nevertheless, in the past century, American poetry has received the recognition it deserves from the creative poetic compositions of Walt Whitman, who has been called “the father of American poetry.” His dynamic style and uncommon content is well exhibited in his famous poem “Song of Myself,” giving a direction to the American writers of posterity. In addition, his distinct use of the line and breath has had a huge impression on the compositions of a number of poets, especially on the works of the present-day poet Allen Ginsberg, whose debatable poem “Howl” reverberates with the traits of Whitman’s poetry. Nevertheless, while the form and content of “Howl” may have been impressed by “Song of Myself,” Ginsberg’s poem expresses a change from Whitman’s use of the line, his first-person recital, and his vision of America. As Whitman’s seamless lines are open-ended, speaking the voice of a universal speaker presenting a positive outlook of America, Ginsberg’s poem, on the contrary, uses long lines that end inward to present the uneasiness and madness that feature the vision of America that Ginsberg exhibits through the voice of a prophetic speaker.
Do you remember in elementary school when you read Annabel Lee or The Raven? Remember how afterwards you and your friends would run around and say “Nevermore”? Even today when you see those lines you remember they day you were first introduced to Poe. This is a reality for most people. For some reason Edgar Allan Poe never leaves us. He stays with us for years upon years not only as individuals but as a society. Edgar Allan Poe’s influence can be seen throughout pop culture as well as other famous and historical people, places, and ideas.
Allen Ginsberg's poem "Howl" is a complex and intriguing poem about the divine in the common world. The minor themes of drugs and sexuality work together to illuminate the major theme of spirituality. The poem reveals through a multitude of sharp images and phrases that everything from drug use to homosexuality to mental illness is holy, even in a world of atom bombs and materialistic America, which Ginsberg considers not to be holy and he refers to as Moloch. As it is stated in Ginsberg's "Footnote To Howl," "The world is holy! The soul is holy! The skin is holy! The nose is/ holy! The tongue and cock and hand and *censored* holy! / Everything is Holy! Everybody's holy! Everywhere is holy!" (3-5).
Miles, Barry. Ginsberg: A Biography. New York: Harper Perennial, 1989.Stone, Albert E. Literary Aftershocks: American Writers, Readers and the Bomb. New York: Twayne Publishers, 1994.Vonnegut, Kurt.
During the 1950’s, a group of young American writers began to openly oppose societal norms in favor of other radical beliefs. These writers believed in ideas such as spiritual and sexual liberation, decriminalization of drugs, and opposition to industrialism as well as consumerism (Parkins). Over time, these writers became known as the Beat Generation and created the Beat Movement. Among the members of this rebellious group was the infamous Allen Ginsberg, who is considerably one of the most influential poets of his time. By utilizing tools like imagery, allusions, and symbols, Allen Ginsberg’s “A Supermarket in California” discusses themes such as consumerism, sexuality, and alienation, which reflect Ginsberg’s personal beliefs and desire for change.
Raskin Jonah, American Scream: Allen Ginsberg’s Howl and the Making of the Beat Generation Berkeley, CA: University of California Press, 2004.
The society around us changes constantly and if we don’t catch up, we can possibly find ourselves in a suffering of our own madness. Ginsberg lived in a society in which homosexuals were unacceptable in which had to be treated with shock therapy. We can easily see why one can be driven to madness because it is hard for one individual to change the minds of many. Over time though we can see the issue being resolved and the acceptance of gays is becoming popular. But that is just the thing though, why must we let society define who we are and how to live? As far as I’m concerned, we are all human, no different from one another. Ginsberg’s poem Howl is important to read because it gives us insight into the cruel side of society in which people are constantly living in. With that knowledge, we can learn be more fair and to treat other people like equals and not opposites. We can take the initiative as individuals to make equality known and freedom