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Appreciation and analysis of Road not taken by Robert Frost
Robert Frost analysis of the road not taken
"The Road Not taken
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“The Road Not Taken,” by Robert Frost emphasizes how uncertainty in life can lead to regret or disappointment in the future. After analyzing this poem; there is no road less traveled. However, “The Road Not Taken” displays choice, equality, and sorrow. Before diving into the text; “The Road Not Taken” is written by Robert Frost. Then, while looking over the poem; the form of the poem has an iambic pentameter. With this in mind, there are four stanzas of five lines. There are also four stressed syllables per line. A rhyme scheme is also intertwined throughout the poem. This rhyme scheme is an ABAAB pattern. Some examples of this rhyme are: ‘stood’ (line 3), ‘could’ (line 4) / ‘claim’ (line 7), ‘same’ (line 10) / ‘lay’, ‘day’, ‘way’ (lines …show more content…
This shows the allegorical aspect. All in all, these are some of the beneficial ideas to keep in mind while reading the poem. As for the analysis of the text, the first two lines of the poem show a metaphor for ‘choice’. This exemplifies the part of the poem where Frost mentions, “Two roads diverged in a yellow wood, and I’m sorry I could not travel both.” (Lines 1, 2) After reading this piece of the poem, it is certain that the speaker has to choose which path to take. Equally important, this line also shows the uncertainty of what path to choose. What will be at the end of each path? Which path is taken the most? The least? Why? Afterwards, another decision and metaphor are made in the second stanza, first line. This example is: “Then took the other, as just as fair.” (Line 6) This piece of the poem shows a sudden decision made to take a path. Likewise, it also shows the uncertainty of what the other path, as well as the path chosen will be …show more content…
If he loves it, he will most likely come back as he said to take the other path. On the other hand, if the speaker regrets the path chosen; he may either not want to come back to the other path; or come back in hopes it will be a better outcome. Provided that, these are some examples of where choice is found during the reading of “The Road Not Taken”. As for equality; both paths are equally worn in the poem. This is true because the end of the second stanza states, “Though as for that the passing there Had worn them really about the same.” (Lines 9, 10) These lines express that the paths have been used about the same. Also, at the beginning of the third stanza, “And both that morning equally lay In leaves no step had trodden back.” (Lines 11, 12) This line also shows that no road is less traveled, and both paths are equally worn; even though they may have different appearances. These lines also help to describe the uncertainty of the speaker’s
Another poem that the title contributes to the overall meaning of the story is “The Road Not Taken” by Robert Frost. The speaker is in the woods considering a fork in the road. Both ways look the same, but he chooses the one and thinks he is going to take the other one another day, which it is unlikely to happen. The title of this poem is a clear statement of its subject since it suggests the two roads and the decision that has to make in order to choose one of them. This is a comparison to decision making in life. People encounter different paths in life, but at the end we end up choosing one but still thinking of the road not taken. We usually ask ourselves what if I took the other road instead.
He then considers the second path. He sees it is less worn and has more grass. The leaves are still untrodden so the paths remain fresh and exciting. It seems that he is the first traveller to pass this way for a while
The central image that Frost presents, which is the path, provides a clear picture that the reader can focus on in order to reveal something about the poem. The “two roads diverged in a yellow wood'; vividly portray the fact that it is always difficult to make a decision because it is impossible not to wonder about the opportunity that will be missed out on. There is a strong sense of regret before the choice is even made and it lies in the knowledge that in one lifetime, it is impossible to travel down every path that one encounters. In an attempt to make a decision, the traveler "looks down one as far as I could." The road that will be chosen leads to the unknown, as does any choice in life. As much as he may strain his eyes to see how far the road stretches, eventually it surpasses his vision and he can never see where it is going to lead. It is the path that he chooses that sets him off on his journey and determines where he is going and what he will encounter.
Although the poems share common features of structure, style and a common theme, there is a distinct difference in the imagery and perspectives in the respective poems. The poem “The Lover Not Taken” shares an identical structure with “The Road Not Taken,” with an extra stanza containing two lines where Farley throws in the punch line to make a point. Both the poems develop a unique pattern of rhyming, where the first, third and fourth line rhyme; also, second and the fifth line end with rhyming words. Despite the use of similar words such as “stood” (2) and “sigh” (16), Farley manages to create an unrestrained and dynamic lead character, while Frost portrays a slow pace. Farley, although portraying a similar theme to that of Frost’s poem, intentionally contradicts the ideas in “The Road Not Taken,” only to unexpectedly choose the path “less travelled by” – the path of lust over love (Frost 19).
I know that my view of the piece is not the only true way to go but I also know that this is poetry and it is meant to be looked at from different angles. I wouldn't be surprised if someone took the angle of saying that Frost was drunk and couldn't find his way home. There is no real answer to what this poem is about and I'm just taking the realist approach and saying that "The Road Not Taken," is not about life's ultimate choice but rather simply about a walk in the park.
In this poem, Frost illustrates that every person has his own opinion. He states “Then took the other, just as fair, and having perhaps the better claim” (line 6-7). What make it better was “it was grassy and wanted wear” (line 8). It was something that was obviously not for everyone because it seems that the other people take the more popular one. “And both that morning equally lay/ In leaves no step had trodden black” (line 11). No one had yet to pass by on this road since the leaves have fallen. “I kept the first for another day” (line 13). The desire to travel down both paths is expressed and is not unusual, but “knowing how way leads onto way” (line 14). The speaker of this poem realizes that the decision is not just a temporary one, and he “doubted if I should ever come back”
In the poem, a person is walking along a path in an autumn forest in the early hours of the morning, when he stumbles upon a fork in the road. The speaker wishes that he would be able to travel down both of them, but he has places to go, and he does not have enough time. One is worn out from people walking along it so much, and the other is grassy and barely worn from fewer people walking on it. Although neither of them had been traveled on that day, as the leaves were still fresh on the ground, the speaker was compelled to travel the second or grassier path. The speaker fin...
David Wyatt writes, "Nowhere in Frost is the tension between surprise and anticipation, wayward experience and the form into which it is cast or forecast, more acute than in 'The Road Not Taken'" (129). As the poem is read, one cannot help but be pulled into the questions of which road will be chosen, how they differ, and what will become of the traveler. Perhaps some hope to find guidance for their own journeys by seeking answers in Frost's work. According to Michael Meyer, "The speaker's reflections about his choice are as central to an understanding of the poem as the choice itself." (97) Frost himself admits, "it's a tricky poem, very tricky." (Pack 10)
The poem is set in the fall when the leaves are changing colors and beginning to cover the ground. The speaker of the poem is faced with an unfamiliar fork in the road and is forced to decide which direction he or she must go. As the speaker is deliberating, he is “sorry” he cannot just travel both and it appears to be because the speaker has a fear of picking the wrong one (Frost 2). Although he “looked down one as far as I could” there was no seeing the end (4). Just like in a life, it is possible to have an idea of what will happen and there is no telling which choices will turn out beneficial and which will not. The speaker knows that although the paths are similar the outcome of picking the wrong one could be life changing. Even though he is upset he must trust in himself to know which one would be best for him in the long run.
Robert Frost interpreted most of the decisions we make in life into this twenty-line poem of a man choosing which path to take in a "yellow wood". Everyday I make a decision to do a certain task, take that certain walk, or to sit at home and do absolutely nothing. Being one person, I can never know for sure what the exact outcome might be if I were to choose the other decision. For instance, I take a leisurely walk every night and I sacrifice my time to do something else. Although this may not always account to me personally, I do sometimes think what the other choice may have brought me. And often times, I complete the task with a sense of relief, a "sigh" perhaps, that the choice I made turned to be a well-made decision. Though most people rarely look into the sacrifice of decision making the way Robert Frost does, it is indeed a highly examined way too understand "a path less traveled by".
shows the point in which one will choose because there is only one path in which one may travel. It is most difficult to make a decision on each appealing path because everyone will always seem to question 'what could I or could I not miss out on?'; The
The two roads in the poem relate to various paths one might be faced with in life. One path “bent in the undergrowth” (5) which means it had taken many times. However, the other path “was grassy and wanted wear” (8). This is the path in one’s life, which seems “unpopular” at the time. Not many people choose the path that is not typically chosen by others. This is what Frost is doing in his poem as he uses these solid metaphors: challenging his readers to “go against the flow” as the man did.
Frost uses several literary devices in this brief account, such as imagery, personification, metaphor, and alliteration. Descriptions of “yellow wood,” depicting an autumn forest, and “no step [in the leaves being] trodden black,” indicating a fresh and natural recently untrodden environment, are included to create a picture in the reader’s mind and make the situation ore real and easily related to. It is possible that Frost may have purposely used the word “yellow” to imply the splitting paths. ("Cummings Study Guides") When describing the two paths, the narrator mentions that one “was grassy and wanted wear,” using personification to make it seem as if that path is calling to him to travel upon it. In the same phrase, Frost also makes use of alliteration to draw attention to the calling of the first path. ("Use of Literary Devices in Robert Frost's The Road Not Taken")
Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” provide us contrasting and sometimes similar glimpses of life. “The Road Not Taken” is about taking control and living life. “Stopping by Woods on Snowy Evening” entails the desire for rest, perhaps due to the speaker’s feelings of weariness from facing life’s struggles. The poet also explains the tough choices people stand before when traveling the road of life. Sometimes people regret the possibilities of the road not chosen, sometimes people feel proud about the road they have chosen.
The main theme of the poem that Frost attempts to convey is how important the decisions that one makes can be, and how they affect one’s future. In lines 2-3, he expresses the emotions of doubt and confusion by saying, “And sorry I could not travel/ And be one traveler, long I stood”, which explains how the speaker contemplated their decision of which road to take. In the closing, line 20 of the poem further reestablishes the theme when it states, “that has made all the difference”, meaning that making the decision of which road to take for themselves is the important key for a successful future. Frost helps to express this theme by using symbolism to portray a road as one’s journey of life. Using symbolism, Frost suggests that the speaker of this poem is taking the harder of the two roads presented before them, because the road the speaker chooses, “leaves no step had trodden black” (12...