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All the pretty horses literary element
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The inevitable outcomes of fate in our lives are like a boundless chain of dominos falling successively. Every action is calculated and deliberate; our lives are a predetermined path that only someone as powerful as God could change. Cormac McCarthy demonstrates both the good and evil that the power of fate brings for his character John Grady in All the Pretty Horses. John Grady’s journey starts in Texas, where he realizes after his grandfather’s death that there isn’t much left for him there. He idealizes a cowboy way of life not found in Texas. He journeys with his buddy Rawlins across the border to Mexico, a lawless desert land where trouble never seems too far away. Fate leads him to a capricious kid named Blevins, whose erratic behavior and rare, expensive, and thought to be stolen horse creates a series of dilemmas for John Grady when he arrives at La Purísima, a Mexican ranch. He finds more than just the cowboy way of life he longs for at the ranch; he also finds Alejandra, the owner’s attractive daughter. As fate would have it, he falls in love with her, but fate would also have it that their love is forbidden. Matters only get worse when John Grady falls in trouble with law insuring only more chaos. The series of events that Cormac McCarthy writes in All the Pretty Horses are meant to unfold as if the hands of fate put John Grady through all the pain, and suffering to be reborn, matured, and find salvation at the end of journey.
The mysterious ways of predestination and fate first occur to push John Grady away from home and towards Mexico. The first “push” comes when John Grady loses his grandfather: “He looked at the face so caved and drawn among the fold of the funeral cloth, the yellow mustache, the eyelids paper ...
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... and cured of his childish fantasy of a cowboy life. The road to his new found salvation was paved with suffering, but worth all the pain. The author uses fate to unfurl the events in the book so that each builds upon one another, to lead to John Grady’s purpose for suffering: his rebirth. Throughout the book, fate tempts him away from perhaps his morals or the logical decision, because consciously he wouldn’t have made those decisions himself. It’s also through this journey that John Grady finds God- the controller of fate. Despite suffering, John Grady doesn’t develop a bitter relationship, but a closer one with God as God bring him closer to salvation. Still struggling internally with the crimes and events of Mexico, John Grady hasn’t lost his adventurous nature back home in Texas. The book is left with the possibility that yet another adventure awaits him.
Cormac McCarthy's brilliant descriptions of the landscape of the desert southwest in Blood Meridian can be seen to have a dual purpose. In one sense they are the lone highlight of a novel filled with gruesome realities. In analyzing the setting's features and connections to the novel's plot and theme, the reader can see that the setting is an element vital in plausibility of the plot and the understanding of the novel's underlying meaning.
Into the Wild by John Krakauer is a rare book in which its author freely admits his bias within the first few pages. “I won't claim to be an impartial biographer,” states Krakauer in the author’s note, and indeed he is not. Although it is not revealed in the author's note whether Krakauer's bias will be positive or negative, it can be easily inferred. Krakauer's explanation of his obsession with McCandless's story makes it evident that Into the Wild was written to persuade the reader to view him as the author does; as remarkably intelligent, driven, and spirited. This differs greatly from the opinion many people hold that McCandless was a simply a foolhardy kid in way over his head. Some even go as far as saying that his recklessness was due to an apparent death-wish. Krakauer uses a combination of ethos, logos and pathos throughout his rendition of McCandless’s story to dispute these negative outlooks while also giving readers new to this enigmatic adventure a proper introduction.
So finally he is back from where he started – the life influenced by those around him. Soon he found himself playing the ball accordingly. He recognizes that in contrast to his idea of seeing himself as an independent and unique identity is a myth in the real world. Nevertheless, in the end John Grady is still headed west (p.302), just as he does at the beginning (p.5). Does he still hope for better pastures further west of Mexico?
In this section the importance of destiny is again reminded to us. In this story the idea of God chooses your destiny and some of us become kings and some become slaves. It doesn’t matter what you do because you can’t change your destiny God has picked out for you.
The author skillfully uses literary techniques to convey his purpose of giving life to a man on an extraordinary path that led to his eventual demise and truthfully telling the somber story of Christopher McCandless. Krakauer enhances the story by using irony to establish Chris’s unique personality. The author also uses Characterization the give details about Chris’s lifestyle and his choices that affect his journey. Another literary element Krakauer uses is theme. The many themes in the story attract a diverse audience. Krakauer’s telling is world famous for being the truest, and most heart-felt account of Christopher McCandless’s life. The use of literary techniques including irony, characterization and theme help convey the authors purpose and enhance Into The Wild.
The times are changing and he's unwilling to give up the past. The world is becoming modernized and people like him, cowboys and ranchers, are slowly disappearing. He runs away from home because he desires to find peace within himself as well as a place where he can feel he belongs. Here begins the adventure of John Grady and his best friend Lacey Rawlins. It is important to note here the means of travel. The story is taking place after World War II, a time when cars are fairly common, yet these boys decide to go on horseback, like in the fading old days. This is just another concept of how they are unwilling to give up a fading past. When they first begin their journey, the boys are having a good time. In a sense they?re two buddies on a road trip with no real motive. Rawlins even mentions, ?You know what?I could get used to this life.? Then they meet Blevins, the foil in the plot that veers the two boys of their course and also has plays a role in the lasting change of their personality. Their meeting with him gives an insight into Grady?s character. Rawlins is against letting Blevins come along with them, but because of John?s kind nature he ends up allowing Blevins to come. It?s because of this kindness and sense of morality, he gets into trouble later on.
...fe for oneself. McCandless primary tragic flaw being his unwillingness to form long-term relations brought him both to the happiest moment of his life, but also to his demise. McCandless never had a problem with people, but rather with the status quo of society, the idea that a man or a woman has to live inside of a coordinate plane. McCandless left home and went on his adventure simply for his own well being, he achieved both what he wanted to accomplish while learning a valuable lesson along the way. He learned that happiness must be shared, and while everyone has his or her flaws, it is important to let these go. Christopher McCandless should teach people the importance of following your dreams, and the importance of enjoying the natural serenity of life.
Although, Chris McCandless may be seen as stupid and his ideals uncanny, he gave up everything to follow his heart he escaped the world that would have changed him, he wrote his own tale to feel free, and he left a conformist world to indulge in true happiness. How many people would just give up their lives, family, material goods, to escape into a world of perfect solitude and peace; not many and Chris was one of those that could and he became and inspiration. “The idea of free personality and the idea of life as sacrifice” (187).
In the book All the Pretty Horses by Cormac McCarthy, symbolism is shown in multiple different ways. Symbolism is the usage of symbols to represent ideas and qualities. When reading the book, in the beginning these symbols do not tend to stand out, but as the plot continues symbols are found everywhere. Multiple symbols are used throughout the story like horses, blood and water. Some more less-noticeable symbols are dust, religion, and sunsets.
Luck and love have always been two very important and contradicting themes in many stories. Children and adults would go above and beyond to receive their parent’s affection and approval even to the point of death and isolation. At times this creates a dysfunctional aspect in the family’s lives. “A Rose for Emily” and “The Rocking Horse Winner” have very similar symbol meanings and themes explaining the dysfunctional family, love and luck.
“Into The Wild” by John Krakauer is a non-fiction biographical novel which is based on the life of a young man, Christopher McCandless. Many readers view Christopher’s journey as an escape from his family and his old life. The setting of a book often has a significant impact on the story itself. The various settings in the book contribute to the main characters’ actions and to the theme as a whole. This can be proven by examining the impact the setting has on the theme of young manhood, the theme of survival and the theme of independent happiness.
As humans, we are ignorant to our fate. We are forced to blindly walk into destinies in which we will never understand the full extent of; however, fate is cruel. It tortures humanity by abusing its power to give and take away, and its callous manner allows it to enjoy the suffering it imposes upon everyone. In Ann Patchett’s acclaimed classic, Bel Canto, fate constructs a bitter path in which its victims are bound to follow. After months of captivity, the hostages finally find beauty in their way of living during a time of horror, only for fate to brutally snatch it away in a matter of seconds. They are bonded by the beauty they create in their environment, “She prayed that God would look on them and see the beauty of their existence and leave
Throughout the hundreds of years, individuals have pondered the impact of heavenly or insidious force, environment, hereditary qualities, even excitement, as deciding how free any individual is in settling on good decisions. Fate, a result of the past, is often described as the advancement of occasions out of man 's control, dictated by an extraordinary force. In any case that someone may utilize their freewill can reflect upon their outcomes, decided upon a supreme force, whether they are positive or negative. In the novels “A Lesson Before Dying,” Ernest Gaines and “The Grapes of Wrath,” John Steinbeck, the authors explore the trials and tribulations of self influenced fate controlled by an higher force.
Contrary to the story’s focus on horses, the movie focuses on the romance between John Grady and Alejandra as its poster has the couple with a greater presence compared to the miniscule graphic of horses shoved on the bottom; whereas the book’s cover is graced with the image of a horse and only of that horse. Of all the events that were absent from the movie, the romance scenes are the most kept intact as well as an odd addition of an onlooker dancing when John Grady finishes talking with Alejandra on the phone after being bailed out of jail. In fact, it feels like horses are more of an afterthought in this adaptation because John Grady does not put any emphasis on them as he does in the novel. While in jail, John Grady had a dream about horses, “… in the dream he was among the horses running and in the dream he himself could run with the horses …” (McCarthy 161) In the fashion of flickering images for a subliminal message, brief, flashing visions of Alejandra are injected into this dream when there were none. Romance is pushed as the main focus of the story, but it fails to make the couple fulfilling since the dynamic between John Grady and Alejandra is not developed well enough to make it
As the first rays of the sun peak over the horizon, penetrating the dark, soft light illuminates the mist rising up from the ground, forming an eerie, almost surreal landscape. The ground sparkles, wet with dew, and while walking from the truck to the barn, my riding boots soak it in. The crickets still chirp, only slower now. They know that daytime fast approaches. Sounds, the soft rustling of hooves, a snort, and from far down the aisle a sharp whinny that begs for breakfast, inform me that the crickets are not the only ones preparing for the day.