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Mental and physical effects of war
Conclusion for all quiet of the western front
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Away from the front lines, soldiers are perceived and act as individuals, however, when pulled to the front, they come together creating and inseparable bond of camaraderie. Remarque’s All Quite on the Western Front illustrates the true content of war. The soldiers of the front lines fought with a common purpose, putting aside other desires and denying personal needs, creating a flagrant bond of camaraderie. Through this camaraderie Paul Baumer finds life on the front lines bearable, as we see in the relationships the soldiers share. Through Paul’s protection of his comrades, the family like relationship between the soldiers and the development of a close bond during free time, Remarque shows that the most important aspect of war is undoubtedly camaraderie. Soldiers in WWI had only each other to depend on for any chance of survival. Paul reveals this time and again by protecting and trusting those around him. Paul says once “we had to recognize that our generation was more to be trusted that theirs. They surpass us only in phrases and in cleverness” (Remarque 12-13). He is referring to the older generations who are not fighting on the front with Paul and his comrades, and still describe the war as glorious. Paul understands that camaraderie is based on common experience, something only the front line soldiers live through and thus understand. Because these common experiences exist, Paul also shows compassion to especially the younger, new recruits. While in the trenches, a young recruit “lay in utter terror. He had buried his face in his hands. He looked up, pushing the helmet off and like a child crept under [Paul’s] arm…the little shoulders heaved. Shoulders like Kemmerich’s” (Remarque 61). Paul’s compassion for the young soli... ... middle of paper ... ...“a more complete communion with one another than even lovers…so intimate we do not even speak” this forever known camaraderie is set in stone for when one part is lost it leaves the group weak (Remarque 94). This is portrayed when Kat dies and Paul is left alone. He realizes since his comrades are no longer living, there is no one left for him and he gives up. He knew nothing but death and dying without the camaraderie in the war. War is a series of deaths for a greater gain for the people who do not fight at the front. However while on the front it becomes a fight for life through battle and friendship. The bonds created allow success and support. The family bonds created in the trenches are the most important effect of war and debatably the only good one. Throughout war it is seen that these relationships are the only light, in the never-ending darkness of war.
“We did not break down, but adapted ourselves” These soldiers know that modern warfare is extremely complicated and demands knowledge and experience. They learn how the differentiate shell sounds, when to take cover, when it’s safe to take off your gas mask, how to tell shrapnel from high explosives. It is shown through the naive and inexperienced recruits that not knowing and applying this knowledge is fatal. Some soldiers call on their innermost animal instincts to allow them to kill mercilessly on the field, using the assistance of a metaphor Remarque writes “We are dead men with no feelings, who are able by some trick to keep on running and keep on killing.” Granted war is a barbaric affair, ironically sometimes the worst of conditions can bring out the best in people. This is through the form of comrade and mate ship. On the field fellow soldiers would provide mutual support for each other and create extremely tight bonds. This is shown in All Quiet on the Western Front through Paul and his tight nit platoon. Paul’s unique experience with mate ship is how especially close he is with his friend Kat. This is expressed in the recounting of when they stole and cooked a goose together. Remarque writes “We don't talk much, but I believe we have a more complete communion with one another than even lovers have.” This shows how mate ship was
“I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another (263).” Powerful changes result from horrifying experiences. Paul Baumer, the protagonists of Erich Remarque’s All Quiet on the Western Front utters these words signifying the loss of his humanity and the reduction to a numbed creature, devoid of emotion. Paul’s character originates in the novel as a young adult, out for an adventure, and eager to serve his country. He never realizes the terrible pressures that war imposes on soldiers, and at the conclusion of the book the empty shell resembling Paul stands testament to this. Not only does Paul lose himself throughout the course of the war, but he loses each of his 20 classmates who volunteered with him, further emphasizing the terrible consequences of warfare. The heavy psychological demands of life in the trenches and the harsh reality of war strip Paul of his humanity and leave him with a body devoid of all sentiment and feeling.
Paul and I are united on the grounds of age and nothing more, yet somehow, while following him through his service in the War, I feel connected to him. After finishing the novel, I ruminated on this idea for some time and eventually came to the conclusion that the connection I feel with Paul is a mixture of empathy and envy. I empathize with him because he put down the pen and took up the rifle in service of his country, just as I would do if called upon. I envy him because he exudes the qualities of a brilliant soldier, meticulous narrator, and man of faith even in times of mortal danger, especially in times of mortal danger. In the midst of the worst bombardment he has yet to face, Paul shines his brightest by illuminating in vivid detail not only the hellish onslaught unfolding around him, but also the intr...
Erich Maria Remarque’s novel, All Quiet on the Western Front gives you detail and insight into the long, destructive “Great War”. Quickly, romantic illusions about combat are disintegrate. Enthusiastic teenage boys convinced to fight for their country by their patriotic teachers came back feeling part of a lost generation . This novel teaches us what a terrifying and painful experience World War I was for those fighting in the trenches on the front.
To Pursue Remarque’s tone farther, his tone throughout this novel was rather easy to find because of the horrific, depressing, yet at the same time a little sympathetic, scenes. Paul explains a scene after a bombardment, “In the branches dead men are hanging. A naked soldier is squatting in the fork of a tree, he still has his helmet on, otherwise he is entirely unclad. There is only half of him sitting up there, the top half, the legs are missing” (93). The bombs are killing several men at a time. Paul not only observes this in real life, he ultimately has to live through it. Once a war has been going on for a long period, the soldiers know that war is all about death.
The Comradeship of War in All Quiet on the Western Front War can destroy a young man, mentally and physically. One might say that nothing good comes out of war, but in Remarque's All Quiet on the Western Front, there is one positive characteristic: comradeship. Paul and his friends give Himmelstoss a beating, which he deserves due to his training tactics. This starts the brotherhood of this tiny group. As explosions and gunfire sound off, a young recruit in his first battle is gun-shy and seeks reassurance in Paul's chest and arms, and Paul gently tells him that he will get used to it.
Erich Maria Remarque’s classic novel All Quiet on the Western Front is based on World War I; it portrays themes involving suffering, comradeship, chance and dehumanization. The novel is narrated by Paul, a young soldier in the German military, who fights on the western front during The Great War. Like many German soldiers, Paul and his fellow friends join the war after listening to the patriotic language of the older generation and particularly Kantorek, a high school history teacher. After being exposed to unbelievable scenes on the front, Paul and his fellow friends realize that war is not as glorifying and heroic as the older generation has made it sound. Paul and his co-soldiers continuously see horrors of war leading them to become hardened, robot-like objects with one goal: the will to survive.
In All Quiet on the Western Front, Paul is morphed from an innocent child into a war veteran who has a new look on society. Paul used to have a carefree life where he was able to be a kid, but when he enlisted into the army it all changed. Paul became a person whose beliefs were changed because of the war. Paul doesn't believe in society anymore especially parents, elders, and school, which used to play a big part in his life. He changed his beliefs because society does not really understand how bad war really is and pushed many young men, who were not ready, into the army. Paul connects with his fellow soldiers because they are going through the same situation and feel the same emotions. Paul's beliefs were changed by the lies that were told to him.
Why is it we give authority to certain people? What allows us to test them? In the book All Quiet on the Western Front Remarque questions what power we put into figures of authority from seeing how they view Kantorek, the Kaiser and Himmelstoss.
Erich Maria Remarque's classic war novel, All Quiet on the Western Front, deals with the many ways in which World War I affected people's lives, both the lives of soldiers on the front lines and the lives of people on the homefront. One of the most profound effects the war had was the way it made the soldiers see human life. Constant killing and death became a part of a soldier's daily life, and soldiers fighting on all sides of the war became accustomed to it. The atrocities and frequent deaths that the soldiers dealt with desensitized them to the reality of the vast quantities of people dying daily. The title character of the novel, Paul Bäumer, and his friends experience the devaluation of human life firsthand, and from these experiences they become stronger and learn to live as if every day were their last.
People who have actually been through war know how horrible it is. Society on the other hand, while it believes it knows the horrors of war, can never understand or sympathize with a soldier’s situation. The only people who can understand war is those who have been through it so they can often feel alone if they are out of the military. Paul cannot even give a straight answer to his own father about his dad’s inquiries about war. Paul’s dad does not understand that people who have been in the war can in no way truly express the horrible things that that have seen and experienced. Nor can Paul fit in with the society who does not understand him. Paul and so many others were brought into the war so young that they know of nothing else other than war. Paul held these views on society as he said, “We will be superfluous even to ourselves, we will grow older, a few will adapt themselves, some others will merely submit, and most will be bewildered;-the years will pass by and in the end we shall fall in to ruin.
Many of Remarque’s ideas expressed in All Quiet on the Western Front were not completely new. Remarque emphasized things that portrayed the magnitude of issues soldiers face, and how the physical body and senses affects their emotional well-being. The ideas in All Quiet in the Western Front of not knowing the difference between sleep and death, seeing gruesome sights of people, and frustration towards people who cannot sympathize with soldiers, are also shown in Siegfried Sassoon’s “The Dug-Out”, Giuseppe Ungaretti’s “Vigil”, and Sassoon's’ “Suicide in the Trenches”.
After entering the war in young adulthood, the soldiers lost their innocence. Paul’s generation is called the Lost Generation because they have lost their childhood while in the war. When Paul visits home on leave he realizes that he will never be the same person who enlisted in the army. His pre-war life contains a boy who is now dead to him. While home on leave Paul says “I used to live in this room before I was a soldier” (170).
The author's main theme centers not only on the loss of innocence experienced by Paul and his comrades, but the loss of an entire generation to the war. Paul may be a German, but he may just as easily be French, English, or American. The soldiers of all nations watched their co...
He realizes that he has to lose feeling to survive, “That I have looked far as the only possibility of existence after this annihilation of a human emotion” (194). Paul loses all feeling which may be one of the main factors keeping him alive in battle, so that he does not allow himself to process the violence and horror to which he is exposed. Even in the short time where he thinks about all that he has lost he is immediately overwhelmed with feelings and there is no time for this on the battlefront. Paul has no empathy to the enemy and kills without even thinking, “We have lost all feeling for one another. We can hardly control ourselves when our glance lights on the form at some other man” (117). The tragedies during combat desensitize the men of normal human emotions such as remorse, empathy, guilt, and fear; the un-naturalness of killing another human dulls all of these feelings. People were not made to destroy each other, and as a natural defense to this they shut down all of their feelings. Paul 's normal thought of insecurity are gone as he says, “Since then, we have learned better than to be shy about such trifling immodesties. In time things far worse than that come easy to us” (8). The emotions of the average young man are lost at war as their entire lives are put into perspective. Paul 's young adulthood is lost and he does not feel shame in frivolous things any longer. His emotions are not the only thing he loses as he also disconnects from his past, present and