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Critical essays on the metamorphosis
The metamorphosis criticisms
The metamorphosis criticisms
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Capitalistic Society and Alienation in The Metamorphosis The human psyche is a fragile and complicated entity. In the text, The Metamorphosis, Franz Kafka introduces Gregor Samsa, a travelling salesman that wakes up to find himself turned into an insect. There are no rhetoric or complications with the assessment. There is never an explanation given as to why this transformation or metamorphosis has occurred. Thus, due to Samsa’s transformation, Gregor Samsa is continuously isolated from the rest of his family who in turn, isolate Samsa even more as time passes. Kafka’s The Metamorphosis, shows the capitalist system 's dehumanizing and alienating effect on Gregor Samsa through an economic perspective. Gregor is constantly exploited by his …show more content…
His father then stopped working altogether, satisfied with the work Gregor was doing for the household, his sister Grete was too young to work, and his mother was ill with asthma. Samsa’s father, as stated before, is content with exploiting Gregor’s physical and economic labor, therefore Gregor’s father would take breakfast for a greater portion of the day, “breakfast was the most important meal of the day and he would stretch it out for several hours as he sat reading a number of different newspapers” (Kafka) Therefore, young Gregor not only supported the whole family with his travelling salesman salary, but also found for them the apartment they are now living in. This apartment is divided into segments as he will be divided himself. Gregor is mostly away …show more content…
“His day-to-day existence, on the surface of his daily worries, comes to a sudden standstill. Gregor has pierced the surface. He awakes to an inexpressible feeling of alienation from the world around him, to which he had adapted himself to the point of self-oblivion” (Tauber 19-20). Gregor is also alienated in other ways. Samsa is alienated from the rest of his family in the fact that they are a capitalistic society in and of themselves that have commoditized Samsa into being a commodity. “The individual is estranged from himself insofar as he is alienated from his essential nature as a human being” (Sokel 2). Gregor’s job is imposed on him by his family solely for an economic necessity, he is not only a worker alienated from his own work; he is separated from his own humanity. In this sense, Gregor Samsa is enacted a form of self- alienation. “Human self-alienation is not restricted to factory work, but includes any kind of work in which an individual is engaged merely for the wage or income it brings him” (Sokel 2). Samsa is so ingrained with the idea of working, that even in a different body, these urges are ever present. Gregor finds his job unbearable, that he has been thinking about telling his boss his opinion about the situation. Kafka, says Howard Fast, “is concerned only with proving that a certain type of human being is so like a cockroach that it is entirely plausible for him to wake up one morning and discover
Gregor Samsa, a hard working salesman providing for his family in need, has sacrifice his own freedom for the sake of the survival of his family. As a provider, his family is expecting him to work, be successful, and bring home the wealth. Although Gregor doesn’t enjoy his tedious job in the slightest, he still agrees to do it. This is more influenced by his father’s debt rather than his own morals. “If it weren’t for my parents, I would have quit long ago, I would have gone to the boss and told him off” (Kafka 2). This shows that he is a frustrated individual. Gregor is someone who would likely hold in his own personal feelings to preserve the family name. A night of nightmares later, Gregor awakes to see his many little legs flailing about. He isn’t initially shocked by this horrid transformation and however terrible it looks to him, his primary focus is how is he going to get to work? In spite of everything, he is still in the mindset of working no matter what the cost. After all, he doesn’t want to lose the tr...
and Mrs. Samsa. Gregor describes throughout the novel his sister’s passion for music. He also points out the fact that their parents do not assist Grete in pursuit of this type of career, “Often during Gregor’s short days in the city the Conservatory would come up in his conversations, but always merely as a beautiful dream which was not supposed to come true, and his parents were not happy to hear these innocent allusions” (Kafka 26). The Samsa’s hindered Grete’s potential which forced her into a path she did not want to follow. Another example is how she was forced to become the primary caregiver for Gregor.
Grete’s isolation from society stems from her passion and interest for her loved ones. Grete spends all her time at home caring for her family members. Kafka describes her as “perceptive; she had already begun to cry when Gregor was still lying calmly on his back” (Kafka 16). Throughout the text she becomes the sole reason Gregor stays alive. Grete spends her days worrying about the various foods Gregor likes and dislikes, how to make his room more comfortable, and trying to make him feel more comfortable. Gregor is not the only family member whose health is cared for by Grete. “Now his sister, working with her mother, had to do the cooking too; of course that did not cause her much trouble, since they hardly ate anything” (Kafka 25). Kafka incorporates household chores and her mother’s illness, escalating Grete’s isolation. During her mother’s many asthma attacks, Grete arrives first
Gregor Samsa’s mother, whose name is never revealed, is a physically and constitutionally weak woman. She cares dearly for Gregor which is first shown by her distress as Gregor does not wake up at his usual time. It is evident that Gregor’s mother has the hardest time coping with his transformation. She can not bear to lay eyes upon Gregor. Though she has trouble adjusting, she doesn’t stop loving her only son. As Gregor’s mother and sister begin to move furniture out of his room, his mother stops to contemplate whether this is the right course of action. As Sheldon Goldfarb states in his critical essay, “When his mother and sister start removing his furniture, his mother's second thoughts provoke him to resist: he does not want to give up his human past and the possibility of returning to it” (Goldfarb). On the outside, Gregor’s mother reacts with repulsion at the sight of the bug, but on the inside still cares deeply about her son underneath. Gregor is able to see this and it gives him new hope.
In The Metamorphosis Kafka illustrates a grotesque story of a working salesman, Gregor Samsa, waking up one day to discover that his body resembles a bug. Through jarring, almost unrealistic narration, Kafka opens up the readers to a view of Gregor’s futile and disappointing life as a human bug. By captivating the reader with this imaginary world Kafka is able to introduce the idea that Gregor’s bug body resembles his human life. From the use of improbable symbolism Kafka provokes the reader to believe that Gregor turning into a bug is realistic and more authentic compared to his unauthentic life as a human.
Franz Kafka's The Metamorphosis is a masterfully written short story about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understanding of the relationships around him. The underlying theme of The Metamorphosis is an existential view that says any given choice will govern the later course of a person's life, and that the person has ultimate will over making choices. In this case, Gregor?s lack of identity has caused him to be numb to everything around him.
Kafka’s shows the shifting in the structural dynamics when Gregor’s new formation changes the attitudes from supportive to neglect when his needs affect their wants, needs and lifestyle. Gregor’s sense of duty to family was his main propriety towards his family. Even though he loathed his job as a travelling salesman, his devotion to financially clear his parent’s debt and care for his sister Grete was more important. He dreamt of fleeing the tightly coiled grip from his parent’s hands, but his loyalty was a pertinent family duty. To Gregor, this was what family was all about.
In Franz Kafka’s The Metamorphosis, the transformation of the character Gregor from a man to one of the most hated insects, a vermin, may seem exaggerated and ridiculous, becoming more so over the course of the story the action builds and the emotions and ideas of the characters in the story begin to change and become more prominent. Kafka’s intention, however, is to expose and explore the impoverishment of human psychology with respect to the ways in which changes in one’s circumstances and conditions reshape notions people have of the way they believe in justice and mercy which will be explore further in this analysis of Gregor Samsa.
People want their family to love and support them during times of need, but if they are unable to develop this bond with their family members, they tend to feel alone and depressed. In the novel The Metamorphosis by Franz Kafka, Kafka describes the theme of alienation and its negative effect on people and their relationships with the people around them. This theme can be shown through Gregor Samsa, the main character in The Metamorphosis. After Gregor’s metamorphosis, or transformation, he is turned from a human being into a giant bug which makes him more and more distant from the people in his life. The alienation that Gregor experiences results in his eventual downfall, which could and would happen to anyone else who becomes estranged from the people around them. Gregor’s alienation and its effect on his relationship with his family can be shown through his lack of willing interaction with his family members due to his inability to communicate to them, the huge burden he puts on the family after his metamorphosis, and his family’s hope to get rid of him because he is not who he was before.
In the novella “The Metamorphosis”, Franz Kafka focuses on the topic of alienation and considers its underlying effect on the human consciousness and self-identity. The alienation Kafka instigates is propagated towards the main character Gregor Samsa, who inevitably transforms into a giant cockroach. The alienation by family relations affects him to the extent that he prioritizes his extensive need to be the family’s provider before his own well-being. This overwhelming need to provide inevitably diminishes Gregor’s ability to be human-like. Kafka also enforces the idea of the ability to resurrect one’s self-identity following psychologically demanding events. In this essay, I utilize Gregor Samsa’s metamorphosis to address that alienation, in its various forms, is instrumental in the dehumanization process and can also oppositely induce a restoration of self-identity. The metamorphosis acts as a metaphor to express the inhumane change of state that occurs to a victim of alienation; it also formulates Gregor’s epiphany. He suffers through three forms of alienation: exploitation, violence, and neglect. The joint presence of these three external forces deprives him of a human distinctiveness, but in turn, influences a final realization that enforces the restoration of his self-identity, and therefore human identity.
Each member hides behind a different excuse to avoid doing any work. However, once Gregor was taken away from them, they were given the push they needed to stop making excuses and provide for themselves. Mr. Samsa went from a man who “could not be expected to do much” to a bank messenger, Mrs. Samsa changed from a woman who had no expectations in her life because of her asthma to a successful seamstress, and Grete’s life transformed from days spent “dressing herself nicely, sleeping long, helping in the housekeeping, going out to a few entertainments and above all playing the violin” to devoting herself to be a salesgirl, even spending her evenings practicing her shorthand and French to improve (482). These jobs were not just a way for them to make ends meet, but were “admirable and likely to lead to better things later on” (499-500). In this way, Gregor’s family underwent their own metamorphosis into self-sufficient members of society. This happens often in today’s society. One example is the transition from high school to college. In high school, many teenagers are financially dependent on their family. Once they get to college, they are forced to get a job and provide for themselves, often for the first time. While this may be stressful at first, eventually they realize how to be self
...ally becomes so meager he starves to death. Upon hearing the news of Gregor's death, the family does not show sadness, but instead, relief. "Well... now we can thank God!" (Kafka 55). Gregor's father felt relief from the economic burden of supporting his son. Even though the exact story told in Kafka's The Metamorphosis could not occur outside the domain of fantasy, it represents the real course of events of a worker being abandoned by his employer and family, after becoming unable to work and support them financially. Examining the novella from a Marxist perspective, the underlying theme of the story shows a conflict between proletariat and bourgeoisie. Economics replace everything else in a capitalistic society, a citizen who is unable to labor and earn wages is quickly abandoned. The result of this abandonment is often, as it was in Gregor Samsa's case, death.
Using symbols, Kafka illustrates the story which is not just about Gregor’s transformation but it is more than that. The entire Metamorphosis is an allegory about Gregor changing into a vermin, symbolize that he wanted to free himself from his family obligation. “As Gregor Samsa awoke from unsettling dreams one morning, he found himself transformed in his bed into a monstrous vermin” (Kafka 7). He thought his transformation was a dream but he soon realizes that it was reality. Gregor was the source of the income for his family and was employed in a job he did not like. “What a grueling profession I picked! Traveling day in, day out” (Kafka 7). This is ironic because Gregor was forced by his father to choose the alienated career. Mr. Samsa was indebted to his boss; working as a traveling salesman he would have pay off his father debt. Working as traveling salesman made Gregor alienated socially and mentally. The word transformation does not only app...
Nonetheless, the first thing on his mind was about his job and was worried more about missing the bus to attend work rather than himself. In the text, Gregor says: “It’s a lot more stressful than the work in the home office, and along with everything else I also have to put with these agonies of traveling-worrying about making trains, having bad, irregular meals, meeting new people all the time…” (Kafka 118). Gregor was more concerned about missing work rather than accepting the fact that he had lost his form as a human being. But, he was not the only one who was concerned about his well-being, but his family as well. The problem was his family only viewed him as the money maker; without him, the family will likely be poor without his support. Gregor’s family relied on him to provided them since his salary helped them a lot due to his traveling as a sales person. Kafka writes, “‘Gregor,’ a voice called-it was his mother- ‘it’s a quarter to seven. Didn’t you have a train to catch?’” (Kafka 120). The mother was concerned about Gregor not leaving the house on time to go to work. Although, readers/audience may assume that the mother was performing her role as a mother and checking on her children. But, if the mother was concerned about her son, she would of helped him instead of relying on him all the time. Gregor’s identity had been revealed when he is no longer
On the surface, Franz Kafka's 1916 novella, The Metamorphosis, seems to be just a tale of a man who woke up one morning to find himself transformed into an insect. But, a closer reading with Marx and Engel's economic theories in mind reveals an overarching metaphor that gives the improbable story a great deal of relevance to the structure of society. Gregor Samsa, the protagonist, signifies the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict that arises between the two after Gregor's metamorphosis renders him unable to work represents the impersonal and dehumanizing structure of class relations. The metaphor of the story can be divided into three main parts (although they overlap within the story.) First, Kafka establishes the characters and the economic classes which they represent. Then, he details Gregor's metamorphosis and the way in which it impedes his labor. Finally, he describes the final results of the worker's inability to work: abandonment by his family and death. Although a man cannot literally be transformed into an insect, he can, for one reason or another, become unable to work. Kafka's novella, therefore, is a fantastic portrayal of a realistic scenario and provides us with a valuable insight into the struggles between economic classes.