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Stable Meaning, the Perversion of Nature, and Discursive Communities in Alex La Guma's "The Lemon Orchard" South African writer Alex La Guma was an active member of his country's non-white liberation movement. One of the 156 people accused in the Treason Trial of 1956, La Guma wrote his first book, A Walk in the Night and Other Stories, in 1962 (Wade 15). "The Lemon Orchard," a story which appeared in this debut work, is a gripping piece about the horror and cruelty of racism. In the story, La Guma describes in chilling detail how a black teacher (who had sought legal redress for being beaten up by his principal and church minister) is roused from his sleep and led to a lemon orchard by four white men for whipping. At the beginning of the story, the moon is "hidden behind long, high parallels of cloud" (La Guma 15). La Guma is apparently suggesting that the moon (representing Nature) does not wish to witness what will occur, since it hides itself behind clouds and shows its disapproval by refusing to cast its light on the men. However, the story ends with Nature mirroring, even anticipating the violence that will happen. For instance, the trees have "angled branches" with "tips and edges" which "[gleam] with the quivering shine of scattered quicksilver" (19). In addition, the moon comes out "from behind the banks of cloud" (19). Words such as "angled branches", "tips and edges" as well as "gleamed" conjure up an image of shiny, metallic weapons (such as knives or arrows) associated with violence and death. The word "quivering" and the moon's emergence also suggest that Nature is waiting with bated breath for the impending beating. La Guma's depiction of Nature condoning the beating (since it mirrors and anticipates the imm... ... middle of paper ... ...estigate this phenomenon in other apparently stable texts. Works Cited Booth, Wayne C. A Rhetoric of Irony. Chicago: Chicago UP, 1974. Brooks, Cleanth. "Irony as a Principle of Structure." Literary Opinion in America. Ed. Morton Dauwen Zabel. New York: Harper & Brothers, 1951. 729-741. Hutcheon, Linda. Irony's Edge: The Theory and Politics of Irony. London: Routledge, 1994. La Guma, Alex. "The Lemon Orchard." Into The Wind. Ed. Barrie Wade. Surrey: Nelson, 1990. 16-19. Montgomery, Martin, et al. Ways of Reading. Advanced Reading Skills for Students of English Literature. 2nd ed. London: Routledge, 2000. 161-171. Wade, Barrie. "Foreword." Into The Wind. Ed. Barrie Wade. Surrey: Nelson, 1990. 15. Wilson, Deirde & Sperber, Dan. "On Verbal Irony." The Stylistics Reader: From Roman Jakobson to the Present. Ed. Jean Jacques Weber. London: Arnold, 1996. 260-279.
Henrietta’s cells were being inaugurated with space travel, infused into rat cells, and even being used to make infertile hens fertile again. However, these are only a few of the many accomplishments that Henrietta’s immortal cells made possible: “The National Cancer Institute was using various cells, including HeLa, to screen more than thirty thousand chemicals and plant extracts, which would yield several of today’s most widely used and effective chemotherapy drugs, including Vincristine and Taxol,”(pg.139). This example of logos from the text again shows just how important these Henrietta’s cells were to the future developments in
Irony make things appear to be what it is not. Flannery O’Connor and Zora Neale Hurston are two ironic authors in literature. O’Connor was a devout Roman Catholic, with a southern upbringing (Whitt); whereas “Hurston is a disciple of the greatest dead white European male, authors, a connoisseur of macho braggadocio, and a shamelessly conservative Republican who scorned victimism and leftist conformism (Sailer). Both O’Connor and Hurston use irony in their short stories; however, they use it in significantly similar ways.
Analysis: This setting shows in detail a location which is directly tied to the author. He remembers the tree in such detail because this was the place were the main conflict in his life took place.
Baker, Joseph E. “Irony in Fiction: ‘All the King’s Men.’” College English. Vol. 9. JSTOR.
In the 1960s the HeLa cells were everywhere. In the 1960s the scientist wondered since the cells grew so fast and lived on earth so well if they would live in space. They got the idea to send the Hela cells to space. They sent several vials into space by the Discoverer XVII when it went. They discovered that when the HeLa cells went to space they became more powerful and divided faster every time they went to space. Several years later in 1965 they took equal amounts from the HeLa cells and cells from a mouse. The scientists done this to study to see what the genes would do. Harris also took HeLa cells and chicken cells, but they discovered they couldn’t reproduce.
‘The immortal life of Henrietta Lacks’ is about a black woman who died in 1951. Her cancerous cervix cells, taken without her knowledge by a doctor at John Hopkins Hospital, were the first ‘immortal cells’, meaning they could be cultured in a lab. Her cell line, named HeLa (after Henrietta Lacks), then became one of the most important tools in medicine. However, this book not only focusses on the scientific story of HeLa cells, but also on the story of the woman behind the cells. It consists of three storylines, which will all be described below.
In Rebecca Skloot’s novel The Immortal Life of Henrietta Lacks, the author investigates the origin of a line of “immortal cells” used for research on various diseases. The cells were immortal in the sense that they continued to multiply long after the person from whom they came passed away. This quality made them priceless in the field of medical research. The cells were called HeLa, after the person from whom the cells were initially harvested-Henrietta Lacks. As Rebecca learns more about Henrietta and her family, certain injustices in the field of public health are made apparent.
This essay by Jeff Jacoby illustrates an authors use of ironic sarcasm otherwise known as satire to defend and illustrate his platform on his position. Jacoby uses in this essay verbal irony (persuasion in the form of ridicule). In the irony of this sort there is a contrast between what is said and what is meant.
Irony manifests a person’s meaning by using language that implies the opposite. It can also defines an event or state that represents the contrary to what someone expects. In the story the “The Guess” by Albert Camus, many situations and/or arguments cause irony. The first situation happens when Balducci delivers The Arab to Daru; Daru then discusses with Balducci that he doesn’t want to hand him to the guards, even though the Arab deserved to die for his crime. The second situation happens when Daru lying in bed began to think about the Arab’s crime, and how it changed Daru’s life. Having to send the Arab for execution proofs problematic for Daru; it only makes him feel humiliated. In the third situation, irony appears when Daru left the Arab in the top of the hill and showed him two roads, one that will take him to freedom and the other that will take him to his dead. Daru left the Arab alone to make the decision, then he discovered the Arab decides to respond for his crime, and he walks towards the guards. All three situations that represent irony are characterized and summarize in the following paragraphs.
The irony is also an example of showing character appeal. He is showing his attitude toward the society. As the reader reads his humorous and satirical essay, the reader would notice that there is irony everywhere. One example is when the Mark Twain discussed on page 7 paragraph 3 “Be respectful to your superiors, if you have any, also to strangers and sometimes to others.” (7). Even though he is telling the youth to respect your superiors. He also tells the youth that if they are ever offended or think you were offended, hit them with a brick. With that said how is the youth supposed to respect their superiors? Also, he mentions that in paragraph 3 “yes, always avoid violence; in this age of charity and kindliness, the times has gone by for such things,” (7) but he says hit people with bricks. Another example of irony is on page 7 paragraph 5 “you want to be very careful about lying,” (7) but he doesn’t tell the youth not to lie at all. Unlike most elderly people if they were giving advice. Which is very ironic how he is trying to let the youth know that it is appropriate to lie, but don’t get caught. Also, this is what brings me back to the quote “truth is mighty and will prevail.” If the youth are good liars, would this quote be truth? Can the truth over power a lie? That is what Mark Twain is trying to say, with good practice how would you ever get caught? He also refers to the lying
Tolman, Kelly. “Cask of Amontillado Irony.” The Cask of Amontillado. n.p., 21 May 2011. n.pag. Web. 6 Nov. 2011 .
Legalizing gay marriage has been a controversial topic in the past few years. In my opinion, gay people should be allowed to get married because it is a civil right. It shouldn 't matter what gender they prefer because they 're still regular people. Making gay marriage illegal, is the same as taking away someone 's freedom and civil rights. That is unethical and completely awful. There 's no harm being done by letting two people who are in love with each other get married. However, many religious fundamentalists are against this and believe gay marriage is wrong and needs to be stopped. Homosexual couples should have the right to get married because it 's a civil right and their sexual preference doesn 't make them any less human.
As an American citizen, a person should be entitled to marry whoever they choose, regardless of gender or sexual preference. Gay marriage is something that some people consider to be taboo while other people are very supportive of it; I am one of the latter. The ability to marry someone is a basic human right and it should not be taken away from someone because they love a person of the same gender. One of the main reasons that gay marriage is illegal in the United States is because of what the Bible says about it, regardless of the fact that the first Amendment of the US Constitution says that there is to be a separation between church and state. Approximately three point eight percent of the United States population is made up of people
One of the first ways Chopin embodies various ironies in “The Story of an Hour” is the representation of verbal irony. Verbal irony is defined as “irony in which a person says or writes one thing and means another, or uses words to convey a meaning that is the opposite of the literal meaning” (“verbal irony”). This type of irony
ABSTRACT: In contemporary literary culture there is a widespread belief that ironies and paradoxes are closely akin. This is due to the importance that is given to the use of language in contemporary estimations of literature. Ironies and paradoxes seem to embody the sorts of a linguistic rebellion, innovation, deviation, and play, that have throughout this century become the dominant criteria of literary value. The association of irony with paradox, and of both with literature, is often ascribed to the New Criticism, and more specifically to Cleanth Brooks. Brooks, however, used the two terms in a manner that was unconventional, even eccentric, and that differed significantly from their use in figurative theory. I therefore examine irony and paradox as verbal figures, noting their characteristic features and criteria, and, in particular, how they differ from one another (for instance, a paradox means exactly what it says whereas an irony does not). I argue that irony and paradox — as understood by Brooks — have important affinities with irony and paradox as figures, but that they must be regarded as quite distinct, both in figurative theory and in Brooks’ extended sense.