We’ve probably all seen a poor, homeless man on the streets. How do we know that he is poor? Is it his personality? I think we all know that the reason we assume that this man is poor is because of his appearance. If we see a man whose clothes are old, torn or dirty, we assume that theman is poor, and because of this, many people view himas a lower form oflife, and not as an equal. Throughout the historyofhuman civilization,dirt has been a very common symbol that humans havecometo associate withthe poor or lower classes in our society. In AldousHuxley’s "Hyperionto a Satyr", he addresses this symbol in our society. The research questionthat I will address in this essay is:Why is therea connectionbetweenuncleanliness and the gap in our societybetween the richand the poor? The reason that I have asked and researchedthis questionis that the mainthemeof this selection seems to be the ongoingprocess oftrying to "bridgethe gulf"between social classes by the abolition(or atleast control) offilth.
I will be performing metaphoric criticism on the selection "Hyperionto a Satyr." I feel that metaphoric criticism is the mostappropriate wayto analyze this selection because of Huxley’s use ofmetaphors to illustratethe gap between rich and poor in our society throughoutthe selection. Inorder to perform a metaphoric criticism, I must first givea brief overviewof the content of this piece, and then point out some specificmetaphorsin the selection. After I have pointed out some of the specificmetaphors,I will sort out the metaphors according to which metaphors linkdirt to thepoor, and which ones demonstrate the gap between the rich andpoor in oursociety. Although there are many metaphors in this selection,I will beisolating and analyzing a few that will help answer my researchquestion. As I sort through these metaphors, I will analyze their meaning,and withthis information, I will answer the research question.
To understand the analysis of this selection, it is important to understandthe content, so I will briefly outline it. "Hyperion to a Satyr" was writtenby Aldous Huxley, and primarily examines the connection between the gap thatseparates social classes and dirt. By "dirt", I mean any sort of filth, odor,or disease that is considered unclean. The basic theme isthat humans liveby symbolism, and a very primary symbol that we have madeis that dirty peopleare untouchable and, as a result of this, dirt contributestothe gap betweenthe rich and poor.
The Marxist perspective reveals Huxley’s underlying message that the drawbacks of a ubiquitous class structure outweigh its benefits. Despite the wary tone of the novel, Huxley ultimately acknowledges that the class system brings about
Mark Peterson’s 1994 photograph, Image of Homelessness, compares the everyday life of the working class to the forgotten life of the lowest class in society. In the image, the viewer can see a troubled homeless man wrapped in a cocoon of standard manipulated 12in by 12in cardboard boxes and yarn. The yarn is what is keeping the man and box tied to the red bench. This bench has chipped paint and is right in front of a black fence. Underneath the bench is dirt and debris from the dead fall leaves. The center focal point is the homeless man on the bench. He is the focal point because he is the greatest outsider known to man. Behind this man is vibrant life. There is pulsating people crossing the clean street, signs of life from all the advertising on store windows, families walking and blurred cars filled with
Bill Russell grew up in an extremely racist time in America in an extremely racist state. Born in Louisiana and raised both there and in Oakland, California; Russell and his family battled the every day hardships that most black people faced at that time. But Russell always had a set of morals and guidelines that he led his life by, many of which he learned from his father, who he says was his hero and biggest role model. These morals revolved around independence and a very classic “ I will not allow anyone to impose their will on me.” (Page 56, paragraph 1) These morals followed and shaped him in his playing and coaching career.
...stic things in order to live a better, more sound, and overall healthier life. Juxtaposition makes the audience want to follow through with the purpose. Exemplification causes the audience to realize the extent of their materialistic nature. A definition of the average homeless person’s terms allows him to build his ethos and consequently allow the audience to believe and follow his purpose. A majority of people are a part of the middle class, and this majority tends to judge the poor for their lifestyle whether it be through Dumpster diving or begging on the streets. However, as proven by the essay, these people have no right to do so because the poor do, in reality, have a greater sense of self than these middle-class people, similar to the rich. The middle-class citizens must no longer act the victim; instead, they should be working on becoming more sentimental.
In the novel Poor People, written by William T. Vollmann asks random individuals if they believe they are poor and why some people are poor and others rich. With the help of native guides and translators, and in some cases their family members, they describe what they feel. He depicts people residing in poverty with individual interviews from all over earth. Vollmann’s story narrates their own individual lives, the situations that surround them, and their personal responses to his questions. The responses to his questions range from religious beliefs that the individual who is poor is paying for their past sins from a previous life and to the rational answer that they cannot work. The way these individuals live their life while being in poverty
Rachel and Drummond is an inspiration to many Americans, and the character Brady is a character that all Americans should stay away from. Rachel symbolizes a person with the freedom of thought. Furthermore, Drummond is shown standing up for his own beliefs about evolution. On the other hand, Brady is portrayed as overconfident and the role model that Americans should not follow. After reading Inherit the Wind, we should challenge ourselves to stand up for our own beliefs without being overconfident or prideful.
There were quite a few changes made from Aldous Huxley’s, Brave New World to turn it into a “made for TV” movie. The first major change most people noticed was Bernard Marx’s attitude. In the book he was very shy and timid toward the opposite sex, he was also very cynical about their utopian lifestyle. In the movie Bernard was a regular Casanova. He had no shyness towards anyone. A second major deviation the movie made form the book was when Bernard exposed the existing director of Hatcheries and Conditioning, Bernard himself was moved up to this position. In the book the author doesn’t even mention who takes over the position. The biggest change between the two was Lenina, Bernard’s girlfriend becomes pregnant and has the baby. The screenwriters must have made this up because the author doesn’t even mention it. The differences between the book and the movie both helped it and hurt it.
In Brave New World, Aldous Huxley deftly creates a society that is indeed quite stable. Although they are being mentally manipulated, the members of this world are content with their lives, and the presence of serious conflict is minimal, if not nonexistent. For the most part, the members of this society have complete respect and trust in their superiors, and those who don’t are dealt with in a peaceful manner as to keep both society and the heretic happy. Maintained by cultural values, mental conditioning, and segregation, the idea of social stability as demonstrated in Brave New World is, in my opinion, both insightful and intriguing.
The caste system of this brave new world is equally ingenious. Free from the burdens and tensions of a capitalistic system, which separates people into social classes by natural selection, this dictatorship government is only required to determine the correct number of Alphas, Betas, all the way down the line. Class warfare does not exist because greed, the basic ingredient of capitalism, has been eliminated. Even Deltas and Epsilons are content to do their manual labor. This contentment arises both from the genetic engineering and the extensive conditioning each individual goes through in childhood. In this society, freedom, such as art and religion, in this society has been sacrificed for what Mustapha Mond calls happiness. Indeed almost all of Huxley's characters, save Bernard and the Savage, are content to take their soma ration, go to the feelies, and live their mindless, grey lives.
Huxley used this story as an example for what the world could become. He saw the negative impact that the main stream world’s change in morals caused. He wanted to show his opinions on the worlds changes through over exaggerated examples of behaviors he thought deplorable. Huxley was known as a man who loathed the popular culture of the day, he wrote critical essay expounding upon mass culture and the music of the d
Poverty on social conditions affects everyone in every part of the world, no matter if they are rich or poor. First of all, everyone is divided into some sort of social class. The most known classes are the economic classes- the lower class, the middle class, and the higher class. The lower class goes through arduous labor all day and night to earn decent amounts of money to provide for themselves and their families. Most likely, they are the only source of income for the entire family. The higher class works hard to keep up or raise their high social status. They also work hard so they don’t loss their social rank, which permits them to hold a higher power over the middle and lower classes. Similarities of decisions made by characters in these two literary works will analyzed to understand the meaning behind the actions and influences of the social classes on each other.
Within one of his most controversial yet compelling literary works, Aldous Huxley never fails to create a masterpiece of interwoven plots, characters, philosophies, and dilemmas faced by the citizens of the supposed Utopia. Upon first glance, the reader is entirely mesmerized by Huxley’s extraordinary ability to construct a world unlike any other; a world complete with fully complacent citizens, political stability, and even an organized system of social class. However, as the reader progresses further into the book, they are at once shocked by the misconception that the citizens live in a perfect world. Shortly, one realizes that while though there are many aspects of the citizens’ lives which make it seem as though it were an unblemished paradise, many consequences lie deep and hidden beneath this surreal layer of an idealistic lifestyle. Despite the supposed success achieved by the government in actively controlling and regulating the lives of its citizens, overtime the reader detects the presence of the fear of certain ideologies by the government. Not surprisingly, it is mainly the totalitarian system of government which leads eventually to its fear of two major intellectual concepts; human love and family life. The fear of these common values within our modern lives stems from the concern that a political upheaval or fluctuation in the society’s political stability may occur.
At the age of the Enlightenment, Antonio Salieri becomes the most triumphant musician in the city of Vienna, however, without any warning his harmonious universe comes to an utter halt. Salieri’s absolute faith in the world, in himself, and in God is all at once diminished by this spontaneous child composer. When the two opposite ends meet, there emerges a fury, a rage, and a passion in Salieri to sabotage the boy that has secured Salieri’s deserved God given talent; to destroy the one pubescent child that has made him so mute and naked now in a world of discordance. Salieri’s entire reputation and boyhood prayer to attain fame thus rests on his ability to annihilate that child prodigy, Wolfgang Amadeus Mozart.In analyzing the two composers, Salieri and Mozart, there is a distinct line that clearly divides them. Salieri’s operas receive astounding receptions, making them the “talk of the city,'; shaking the roofs, buzzing the cafes, and even the name Salieri “sounds throughout all of Europe'; (2,3). The reason for Salieri’s success, as well as many musicians of the eighteenth century, is because they have become enslaved by the well-to-do and hence are “no better than servants'; (1,3). This applies especially to the king. For example, in Amadeus, His Majesty forbid any ballet in his operas. Imperial commands such as this are not to be interpreted in any way, in other words, they are to be merely obeyed without any dispute. Since operas tend to the needs of the high society in order to obtain recognition, the operas must communicate through the language of the nobility, that is, Italian. In addition, since the majority of the audience is made up of the upper class, the subject matter of the operas must consist of elevated themes. Such as, mythological heroes, kings, and queens, and so forth. According to the eighteenth century view, operas are supposed to be a sublime and an aggrandizing art. The elevated subject matter is then chosen in order to venerate and honor the nobility. It’s purpose is to “celebrate the eternal in man'; says Van Swieten (2,4). Meaning that there is an element in a noble person that lasts without any end, like God who is immortal. God represents the everlasting and the eternality of existence, thus God gives inspiration to operas that...
Race and prejudice toward the culture of poverty was manifest during the civil rights movement and even in the American society today.. This paper will rely on examples, borrowing from past examples in trying to explain the culture of poverty, and how it can create prejudice among citizens in society due to their level of income or low-caste groups, which are considered poor within our societies. This paper will highlight a couple of examples to support its arguments.
In conclusion we as a society have got to come together and control or at least reduce the negative impacts that the mass media is allowed to make