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Themes from the stranger by albert camus
Themes from the stranger by albert camus
Themes from the stranger by albert camus
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Question: How was your understanding of cultural and contextual considerations of the work developed through the interactive oral?
Work Used: The Stranger by Albert Camus
Through this interactive oral, I learned about the racial relations between the French and the Arabs in Algeria. The negative tension between the French and the Arabs comes from the fact that the French had colonized Algeria and controlled the majority of the wealth in their colony. As a result, the French used their power to benefit themselves while treating the Arabs with inequality. This led to multiple revolts by the Arabs and in turn elicited violent responses from the French. Consequently, a social rift between the French and the Arabs developed during this time.
The
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Now knowing that the Arabs lacked equal rights and were perceived to be inferior to the French, I realized the complete absurdity of Meursault’s trial in both social and racial context of the time period. Camus shows that a murder of an Arab should not be tried differently from any other murder case. Even if such a case were considered an abnormality in the cultural context, the equal treatment of Arabs should not be seen as irrational, but rather essential. The racial inequalities present in Algeria also made me understand why most of the prisoners were Arabs. Camus made the majority of the prisoners Arabs to demonstrate how preconceived prejudices against the Arabs ruled society during this time. Camus’s depiction of Algerian society in The Stranger reveals the discrimination that the Arabs faced and presents his criticisms toward the injustices against …show more content…
When having their individual discussions with Meursault, both the magistrate and the chaplain talk about the reactions that all men had in Meursault’s situation. After seeing Meursault’s absence of remorse for his actions, the magistrate says that he has “never seen a soul as hardened” as Meursault’s (69). In addition to this, the magistrate asserts that “all men [believe] in God,” and he centers his life’s meaning in this universal belief (69). The magistrate’s meaning in life relates to the “fundamental rules” constructed by society and opposed by Meursault (102). Since Meursault does not fit within the ordinary pattern experienced by everyone, he is seen as an “abyss” that threatens society (102). Camus reproduces these views when Meursault is approached by the chaplain. In the conversation with the chaplain, Meursault describes his disinterest in God and regards it as seemingly “unimportant” (116). In response, the chaplain talks about his previous experience with all the men in Meursault’s position who have “turned to Him” (116-117). These opinions held by the chaplain and the magistrate show that they feel conflicted by the fact that Meursault does not exhibit the emotions of every other man. They have never had to associate with someone who does not take religion seriously and shows
Part I of The Stranger begins with Meursault's attendance at his mother's funeral. It ends with Meursault on the beach at Algiers killing a man. Part II is concerned with Meursault's trial for that same murder, his ultimate sentencing to death and the mental anguish that he experiences as a result of this sentence. Several curious parallels emerge here, especially with regard to Meursault's perception of the world.
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
Meursault is a man who chooses to observe people, rather than interact with them. He often people watches from his balcony in the evening, than actually going down to communicate with them. While he was in exile, he was forced to converse and discuss his feeling to strangers like his lawyer, and the chaplain of the prison. Due to being a severe introvert, the idea of discussing his problem to another person was foreign for him. The experience of opening himself up to others for help was alienating, and contradicted his personality of being a stranger to everyone. Camus writes, “He didn’t understand me, and he was sort of holding it against me. I felt the urge to reassure him that I was like everybody else, just like everybody else.” (Camus, 66) Meursault wanted to help his lawyer understand his point of view, but his nature is so closed off that he’s unable to put his feeling into words for others
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
Chapter 6 of part I of The Stranger concluded with Meursault’s conscious decision to shoot an Arab because of the physical discomfort the Arab’s knife caused him. The significance of the ending of part I is that it was the first demonstration of Meursault’s awareness of the possible consequences of the act that he committed. This awareness continues into the second part of the novel as he is arrested and trialed. The reason for Meursault’s trial is the murder of the Arab. His insensitivity towards Maman’s death and lack of a social conscientious are factors that contributed to support further investigations, but are not reasons to trial him because they have not ‘harmed’ society on a way that he could be arrested for. For example, if Meursault
This passage is set before Meursault’s execution with the chaplain entering the scene, and telling Meursault that his “heart is blind”, leading to Meursault to yell and delve into his rant, and moment of consciousness. The passage has a calm in the beginning as if Meursault catches his breath from yelling previously, and he starts to reassure himself that he is not wrong for expressing his views as it went against the public’s religious beliefs, and states that this moment was so important to him that it was if his life was merely leading up to it. Why this particular scene is important to Meursault is that this is an instance where he successfully detaches himself from the world, and begins to deconstruct the world’s ideals as his rant shifts on to focusing on how nothing in life mattered. Meursault describes his gripes with the chaplain’s words as he explains his reasoning as to why the concept of a god is flawed as Meursault saw that everyone was inherently the same, with equal privileges just how often people could express them separated them. The passage continues with Meursault arguing that everyone would be faced with judgment or punishment one day, and explains why his own situation was not significant as it was no different. After that explanation the passage ends with Meursault posing the concept of everything in the world being equal both in wrongdoing and life in general, evident in his example of saying “Sala¬mano's dog was worth just as much as his wife.” Although the passage shows Meursault challenging the ethics and morals that the world around him follows, it does have instances like the end in which we see that the rant is still expression of Meursault's complex emotions, as it is unclear whether it is fear or a...
Before 1954, Algeria was not considered to be a French colony - rather it was seen as an integral part of France. The region was composed of departments, like those of the mainland. There were over a million white French nationals living in Algeria at the time and around eight million Muslims.3 This was a greater proportion of French nationals than in the other major North African colonies of France - Morocco, and Tunisia.4 Although there were benefits to remaining with France, the colonial administration was heavily weighed against the Muslims - particularly with regards to voting rights. In 1936, for instance, the Popular Front Government of Blum introduced legislation to the Assembly proposing to extend French citizenship to over twenty thousand Algerian Muslims.5 The initiative failed when all the European mayors of Algerian towns resigned in protest.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
In Camus’ The Stranger, the use of the minor character Raymond helps illustrate the absurd nature of Meursault. Through imagery, dialogue, and irony, the novel investigates the moral decisions Meursault makes under Raymond’s influence. The constant tactical bribery and other forms of manipulation steer Meursault’s writing of the letter that leads to him killing the Arab and ultimately receiving the death penalty. Camus uses Raymond to highlight the cultural and societal values. In addition, through Raymond’s help, Meursault ends up in jail where he finally realizes the theme that life is
... his mother and the idea of God which is again supported by his close relationships. Those relationships are with people who don’t believe in a higher being or who show no true morals. Camus accommodates white with many objects and people, yet purposely excludes Meursault and refers to him as dark. All of these techniques show Meursault as a nonreligious man with potential to harm without remorse. This leads up to his interaction with light where he feels uncomfortable just as he does with God. Meursault’s history and personality lead up to the murder of the Arab, the distraction of the light, and in the end, accusing God, “the light”, for his criminal behavior. Human nature needs moral standards or the world would be as corrupt as Meursault’s life.
While coming to terms with the absurd was a gradual process for Meursault, his final days and his heated conversation with the chaplain, and his desire for a hateful crowd of spectators show that he was able to accept the absurdity, and revel in it, finding satisfaction in spite of those around him and justifying his murder. His ego had reached an all-time high as he neared his execution, and his satisfaction left him prepared for the nothingness awaiting him. This process was a natural psychological response to his mortality, for his peace of mind. Therefore, Meursault is not the Stranger, an alien to society, but a troubled man seeking meaning and satisfaction in a life and a world that was overwhelming unsatisfactory and absurd.
Algeria started as independent groups of natives under Ottoman control located in North Africa, East of Morocco. The people lived for years operating well under their own rules, culture, and pirating ways. The French were attracted by the Algerians' control of the Mediterranean Sea and the trading opportunities it had. Expanding on their empire, the French wanted to gain this influential power and ease of trading in the Mediterranean. After their successful conquest, France considered their newly obtained colony as an extension of their own country, and without consideration of the natives, they proceeded to change the daily lives of native Algerians forever. Through the process of colonization, the French drastically influenced the social, political and economic structures of Algeria by assimilating the native population.
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
Sometimes reading fiction not only makes us pleasure but also brings many knowledge about history and philosophy of life. ‘The Guest’ by the French writer Albert Camus is a short story and reflects the political situation in French North Africa in 1950s. According to this story, we know the issues between the France and the Arab in Algeria, and the protagonist, Daru, refuses to take sides in the colonial conflict in Algeria. This is not a boring story, because Camus uses a suspenseful way to show the character, conflicts and symbol and irony.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.