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Conclusion of mount saint helens eruption
Mount saint helens eruption research paper
Mount saint helens eruption research paper
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Alan Hovhannes's “Symphony No. 50” is a glorious example of a more modern piece of musical art. It depicts the amazing and yet tragic story of Mount Saint Helens and the eruption that forever changed her. There are 3 movements to this piece each depicting a different frame of time in the build up to the eruption. While they are all profound in their own way, I would have to say my favorite of the three would have to be the first movement. It starts out slightly melancholy, in a minor key, a time of innocence and playfulness that preludes to the coming destruction. Through the piece I found myself thinking of the wonders that were offered to the many families and friends who would venture there. Almost like the start of a day, a day that has
“On the other side of our barbed wire fence were twenty or thirty Aussie men – as skinny as us – and wearing slouch hats. Unlike the Japs, they had hairy legs. And they were standing in rows – serenading us.”
Melvin B. Tolson was an African American modernist poet. Tolson is compared to the likes of Langston Hughes, Ralph Ellison and Gwendolyn Brooks, some of the biggest names in African American literature during the realism, naturalism and modernist era. Melvin B. Tolson was born February 6th although his true birth year is unknown. Tolson was raised in a Methodist Episcopal church and his family moved around quite a bit. Beginning his career very young, Tolson’s first poem was published at the age of 14 in the local newspaper. His poem was about the sinking of the Titanic. Tolson attended Fisk and Lincoln University where he earned his bachelor’s degree. Tolson taught at Wiley College and coached the debating team. After taking a break from Wiley,
...most difficult time of his life, but each movement, though filled at times with total turmoil and confusion, just adds to and compliments the rest. This level of quality of composition shows the kind of talent that Tchaikovsky had at his command. I feel that he truly deserves his place among the master composers of the Romantic Period.
5 has the largest impact on me. What stands out to me the most in Beethoven’s symphony is the dramatic tone it creates from the very beginning of the piece. I feel as if I can connect better to Beethoven’s Symphony No. 5 rather than Mozart’s Symphony No, 41 because the loud, dramatic tone represents my everyday life. Mozart’s Symphony No. 41 is more boring and quiet, which makes the piece not seem as interesting. Not only does it impact me by the tone, but I also find it amazing how many instruments can be playing at one time to make a piece of music sound so
Mozart completed this work in Vienna on March 24th, 1786. He was experiencing the peak of his creativity and was also working on many other major pieces like Le nozzed di Figaro, piano concertos K482 in E flat major and K 488 in A major.
Pyotr Ilyich Tchaikovsky was born in 1840 in Votkinsk, Russia. He was the second child
The three pieces of music I chose to compare were General William Booth Enter Into Heaven by Charles Ives, Pavanne by Bill Evans, and Concerto Grosso 1985 by Ellen Taaffe Zwilich. These three pieces all have a unique sound and I enjoyed learning about the composers as well as their inspiration for their piece.
Lowe, Steven. "Seattle Symphony." Program Notes. Seattle Symphony Orchestra, n.d. Web. 10 Apr. 2014. .
The Violin Concerto No. 1 in G minor, Opus 26 is one of the most famous violin concertos over the musical history. It is also considered to be the most renowned work by the German composer Max Bruch. I will begin with a short explanation of why I choose to analyse this piece followed by what makes this piece so remarkable. I will then present the musical context – German Romantic period – in which this piece was composed and discuss how it is representative of this period. Also, I will present briefly the biography of the composer and relate his life and style with this particular piece of music. After, I will explain the basic structure of a concerto, associate it with this violin concerto, and analyse how each movement is related. Then, I will analyse some psychoacoustic parameters of this piece (pitch, dynamics, rhythm, and texture). Finally, I will give my appreciation of this piece in term of beauty, musical expression, and mood.
Ludwig van Beethoven was born in Bonn, Germany in 1770. His works are traditionally divided into three periods. In his early period, he focused on imitating classical style, although his personal characteristics of darker pieces, motivic development, and larger forms are already evident or foreshadowed. In his middle period, he is beginning to go deaf, and has realized that he cannot reverse the trend. His works express struggle and triumph. He stretches forms, with development sections becoming the bulk of his works. He is breaking from tradition and laying the groundwork for the romantic style period. In his late period, he breaks almost completely with classical forms, but ironically starts to study and use baroque forms and counterpoint. He is almost completely deaf, and his works become much more introspective with massive amounts of contrast between sections, ideas, and movements. He dies in Vienna in 1827.
The concert overture, The Hebrides, was composed by felix Mendelssohn. Mendelssohn took a trip to an island outside of Scotland where he visited Fingal’s Cave, that trip is what inspired him to write this piece. The concert overture was not intended to tell a certain story, but instead it is to set a mood. Mendelssohn wrote this piece so that he could share his experience in the cave with his listeners. “The intense and rolling melodies within the music perfectly capture this sense of both drama and awe; calmer passages, meanwhile convey stiller waters and more tranquil surroundings. But it is never long before the return of that stormy scene.” (“Classic Fm”) In this piece, Mendelssohn sets the mood as calm in the beginning, then goes to a more rough scene then brings back the
Alexander (Aleksandr) Glazunov's saxophone concerto, Opus 109, is a wonderful Romantic-Era piece to both listen to and to play. The piece’s adherence to counterpoint, beautiful melodies, and phenomenal orchestration make it a timeless piece that is a “must-listen” for all. The saxophone concerto was written in 1934 for Sigurd Rascher, a prominent Dutch saxophonist.
Nikolai Myaskovsky (1881-1950) was considered one of the three most important composers in the Soviet Union, together with his friend Sergei Prokofiev and Dmitri Shostakovich. He was awarded the Stalin Prize five times, more than any other Russian composers. His music composition on symphony played a remarkable role in the music history of Soviet Union, and made unsurpassable contributions to the development of Soviet music. He was therefore called the “Father of the Soviet Symphony”. The end of 20th century to the beginning of 21st century is the peak proliferation period of Soviet music. This featured not only the enrichment of music forms and genres, but also further development of symphony music with adding timbres on the basis of traditional music. Myaskovsky composed a large amount of excellent works during this period, including his 27 symphonies, which therefore made him known as a master of symphony. Most of these symphony works derived from Soviet’s real life at the time, and reflected the social background and status, and therefore embedded considerable theoretical significance and practical significance in the content.
The Music from classical era had a meaning that so many wants to hear the sound of the piece. Most Composer had a harsh life then, other era. In addition the classical era had more melody and texture to the piece. The music piece I chose was symphony No. 5. The reason I chose it, was because I loved how the song was dark, then to light. I’m going to talk about what the did, what was the music like. The mood the composer had when making this piece, a few reasons why. and the style about it.
For example, with Franz Schubert’s Erlkonig it shows the emotions that were glorified during the romantic era. From the beginning starts off with a strong and furious opening