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Conclusion of mount saint helens eruption
Mount saint helens eruption research paper
Mount saint helens eruption research paper
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Alan Hovhannes's “Symphony No. 50” is a glorious example of a more modern piece of musical art. It depicts the amazing and yet tragic story of Mount Saint Helens and the eruption that forever changed her. There are 3 movements to this piece each depicting a different frame of time in the build up to the eruption. While they are all profound in their own way, I would have to say my favorite of the three would have to be the first movement. It starts out slightly melancholy, in a minor key, a time of innocence and playfulness that preludes to the coming destruction. Through the piece I found myself thinking of the wonders that were offered to the many families and friends who would venture there. Almost like the start of a day, a day that has
Mozart completed this work in Vienna on March 24th, 1786. He was experiencing the peak of his creativity and was also working on many other major pieces like Le nozzed di Figaro, piano concertos K482 in E flat major and K 488 in A major.
Ludwig van Beethoven, I love to listen to his symphonies. It feels me better and refresh. The traditional objectivity of structure, amicability, shape, melodic advancement and coordination traverse into open-finished plausibility. I listened to Beethoven symphony works and have some notes for these symphonies.
The three pieces of music I chose to compare were General William Booth Enter Into Heaven by Charles Ives, Pavanne by Bill Evans, and Concerto Grosso 1985 by Ellen Taaffe Zwilich. These three pieces all have a unique sound and I enjoyed learning about the composers as well as their inspiration for their piece.
Wolfgang Amadeus Mozart composed an exemplary piece of classical music that can be seen in television and films of the twenty-first century. Mozart would hear a complete piece in his head before he would write it down. He created pieces that had simple melodies, but also the orchestration sounded rich. Out of the forty-one symphonies Mozart composed, I have chosen Mozart’s Symphony No. 40 in G minor or better known as The Great G Minor Symphony, written in 1788. Mozart’s Symphony No. 40 is considered the most popular out of all forty-one symphonies because the opening movement is very memorable. Mozart’s Symphony No. 40 is effectively composed through the use of a specific form, elements of music, and using the appropriate instruments so one can see brilliant scenes unfolding.
5 has the largest impact on me. What stands out to me the most in Beethoven’s symphony is the dramatic tone it creates from the very beginning of the piece. I feel as if I can connect better to Beethoven’s Symphony No. 5 rather than Mozart’s Symphony No, 41 because the loud, dramatic tone represents my everyday life. Mozart’s Symphony No. 41 is more boring and quiet, which makes the piece not seem as interesting. Not only does it impact me by the tone, but I also find it amazing how many instruments can be playing at one time to make a piece of music sound so
Lowe, Steven. "Seattle Symphony." Program Notes. Seattle Symphony Orchestra, n.d. Web. 10 Apr. 2014. .
Alexander (Aleksandr) Glazunov's saxophone concerto, Opus 109, is a wonderful Romantic-Era piece to both listen to and to play. The piece’s adherence to counterpoint, beautiful melodies, and phenomenal orchestration make it a timeless piece that is a “must-listen” for all. The saxophone concerto was written in 1934 for Sigurd Rascher, a prominent Dutch saxophonist.
Nikolai Myaskovsky (1881-1950) was considered one of the three most important composers in the Soviet Union, together with his friend Sergei Prokofiev and Dmitri Shostakovich. He was awarded the Stalin Prize five times, more than any other Russian composers. His music composition on symphony played a remarkable role in the music history of Soviet Union, and made unsurpassable contributions to the development of Soviet music. He was therefore called the “Father of the Soviet Symphony”. The end of 20th century to the beginning of 21st century is the peak proliferation period of Soviet music. This featured not only the enrichment of music forms and genres, but also further development of symphony music with adding timbres on the basis of traditional music. Myaskovsky composed a large amount of excellent works during this period, including his 27 symphonies, which therefore made him known as a master of symphony. Most of these symphony works derived from Soviet’s real life at the time, and reflected the social background and status, and therefore embedded considerable theoretical significance and practical significance in the content.
Beethoven’s fifth Symphony was a piece that was not recognized as a masterpiece until long after its original composition. One is lead to believe it was at the figurative top of the charts with how often it is used today in commercials, film climaxes and its infamous “da-da-da-DA” used to convey a feeling of imminent doom. Symphony No. 5 is comprised of a large orchestra of strings, flutes, oboes, clarinets, bassoons, horns, trumpets and timpani. The rhythms differ by movement beginning with Allegro con brio, followed by Adante con moto, Scherzo Allegro and Allegro.
The Music from classical era had a meaning that so many wants to hear the sound of the piece. Most Composer had a harsh life then, other era. In addition the classical era had more melody and texture to the piece. The music piece I chose was symphony No. 5. The reason I chose it, was because I loved how the song was dark, then to light. I’m going to talk about what the did, what was the music like. The mood the composer had when making this piece, a few reasons why. and the style about it.
For example, with Franz Schubert’s Erlkonig it shows the emotions that were glorified during the romantic era. From the beginning starts off with a strong and furious opening
The Violin Concerto No. 1 in G minor, Opus 26 is one of the most famous violin concertos over the musical history. It is also considered to be the most renowned work by the German composer Max Bruch. I will begin with a short explanation of why I choose to analyse this piece followed by what makes this piece so remarkable. I will then present the musical context – German Romantic period – in which this piece was composed and discuss how it is representative of this period. Also, I will present briefly the biography of the composer and relate his life and style with this particular piece of music. After, I will explain the basic structure of a concerto, associate it with this violin concerto, and analyse how each movement is related. Then, I will analyse some psychoacoustic parameters of this piece (pitch, dynamics, rhythm, and texture). Finally, I will give my appreciation of this piece in term of beauty, musical expression, and mood.
...most difficult time of his life, but each movement, though filled at times with total turmoil and confusion, just adds to and compliments the rest. This level of quality of composition shows the kind of talent that Tchaikovsky had at his command. I feel that he truly deserves his place among the master composers of the Romantic Period.
Pyotr Ilyich Tchaikovsky was born in 1840 in Votkinsk, Russia. He was the second child
The concert overture, The Hebrides, was composed by felix Mendelssohn. Mendelssohn took a trip to an island outside of Scotland where he visited Fingal’s Cave, that trip is what inspired him to write this piece. The concert overture was not intended to tell a certain story, but instead it is to set a mood. Mendelssohn wrote this piece so that he could share his experience in the cave with his listeners. “The intense and rolling melodies within the music perfectly capture this sense of both drama and awe; calmer passages, meanwhile convey stiller waters and more tranquil surroundings. But it is never long before the return of that stormy scene.” (“Classic Fm”) In this piece, Mendelssohn sets the mood as calm in the beginning, then goes to a more rough scene then brings back the