Ai Weiwei, has had an incomprehensibly tough life, living in exile for the first 16 years of his life on the Russian border, with a non-existent educational system in the surrounding area and harsh living conditions. He creates many pieces of art that convey and express the many experiences he’s had in his life. From being illegally arrested by the government to growing up in exile and being an illegal alien. Artwork created with such experiences and honest feelings can be highly moving and generally is interpreted in the way the artist wants you to view it. On the other hand, Salvador Dalí’s artworks are based more on his philosophies, occurrences happening around him rather than directly to him and the way his mind works, with all his paranoia …show more content…
On the 3rd of April 20011, Ai was arrested just before boarding his flight for Taipei, then for the following 81 he was illegally detained at a secret location, with handcuffs permanently on for the first 30 days and having 2 guards following and noting his each and every move. The only source of ventilation in the tiny box of a room was a small fan upon the wall. To show the world what atrocities occurs and to illustrate his abhorrent experience, from his release until 2013, he created 6 stunning replicas of his activities and experience of his detainment, all at half scale. The series was names S.A.C.R.E.D. a rather ironic name to such a barbaric breach of human rights and illegal activity. Each piece consisted of a large metal box, decorated with figures of himself and the guards in the middle of general life, from taking a shower to sleeping and from eating to using the toilet. The insides decorated to his exact memories of his cells décor, filled furniture wrapped up in plastic. Seeing this installation at his recent London exhibition at The Royal Academy of Arts was awe-inspiring indeed. Recreating his horrible experience in such detail put the audience right into his shoes and illustrates the amount of degradation Ai faced during his incarceration. It truly expresses how he felt during the intense and claustrophobic ordeal, designed by the Chinese
An interprofessional competency that was done well was roles/responsibilities; “Use the knowledge of one’s own role and those of other professions to appropriately assess and address the healthcare needs of the patients and populations served”, specifically, “RR3. Engage diverse healthcare professionals who complement one’s own professional expertise, as well as associated resources, to develop strategies to meet specific patient care needs” (American Association of Colleges of Nursing, 2011). Lia’s doctors engaged a multidisciplinary team to work with the Lee’s. The doctors, public health nurses, interpreters, social workers, and Lia’s temporary foster parents worked together with the Lee’s to help them learn how to correctly administer her
Wang Meng (c. 1308 – 1385) was a Chinese landscape painter during the Yuan Dynasty (c.1271–1368). Within his life, the Yuan Dynasty was ruled by the Mongol Empire; lots of turmoils and conflicts between nations were happening. To away from the secular, Wang chose to live in mountains and perhaps to have a simple life. “The Simple Retreat” could be one of Wang’s paintings that suggest the balance between nature and human. This painting is in a vertical roll composition, painted in a Northern Song Monumental mode: high, level and deep distance can be seen. From viewing this painting, midst to top describes layers of imposing mountains and the empty sky; the bottom half shows the retreat and the relationship among trees, rocks and river. On the
The lenses of capitalism and communism influence how Andy Warhol and Ai Weiwei’s art are seen as political critiques. The celebrity persona of Andy Warhol differs greatly from that of Ai Weiwei, however “Andy Warhol and Ai Weiwei share an Iconoclastic spirit” (Delaney, M, 2016 p.27). More so their artistic practices both stem from Marcel Duchamp’s, ‘ready-mades’. This essay will consider the extents to which both artists’ can be considered activists. If there were a binary in place to understand the political effects and various ways activism is preformed, Weiwei and Warhol would undoubtedly be on opposite sides of the spectrum. Ai Weiwei would take on the overtly active and outspoken side, while Warhol’s passivity and projected indifference
The Metropolitan Museum of Art has one of the finest Asian art collections that has enlightened and strengthened my understanding in my personal art experience. The Museum itself is an artistic architectural structure that graces the entire block on 82nd Street in Manhattan. Entering inside, I sensed myself going back into an era, into a past where people traded ideas and learned from each other. It is a past, where I still find their works of yesteryears vividly within my grasp, to be remembered and shared as if their reflections of works were cast for the modern devoted learner.
Ah Xian born in Beijing in 1960 left china following the Tiananmen Square incident in 1989, also known as tank man incident, and moved to Sydney Australia. Having moved from his native country, Ah Xian wanted his work to represent that “cultural identity is permanent and no matter what other places and influences one
The film Ai Weiwei: Never Sorry is in part about how the government responds to Ai Weiwei’s controversial artwork. Over the course of the film, he is beaten, watched, and arrested because his art goes against the Chinese government. The government tries to censor any content that may show them in a bad light, which prevents revolts from taking place in China since they never hear about the injustices that have occurred. Ai Weiwei, however, utilizes technology to spread information about what is going on: he uses blogging and recording as ways to make sure the government can’t hide what has happened. This Communist government, however, wants sole control over the economy and the politics of the country, but much of Ai Weiwei’s artwork fights against what the government is trying to force onto its’ people through the spread of information. With the technology Ai Weiwei uses, he is able to display the evidence of the injustices that are occurring in China, including posting the names of Sichuan earthquake victims on his blog and recording the police assaulting him. This way he can spread the information
His use of the word “cages” was an attempt to vilify the enclosurement of human beings and to compare this treatment of human beings, to the cageing of other animals. Although his position is clear from the first glance at the title, he poses us with a dilemma, he immediately denounces his acceptance of imprisonment with his use of irony and at the same time he proposes a solution which he has radicalized. This early attempt at discounting imprisonment by comparing it with an extreme form of the punishment he is proposing, simply leaves the reader with a negative feeling towards both forms of punishment rather than bolstering his view. The third paragraph of this essay is primarily concerned with persuading the reader that the rate of imprisonment is on the rise, and that this form of punishment is now the form of choice in the United States. He cites the statistic,” 1.6 million Americans are behind bars today.
Ai Weiwei was born during the Cultural Revolution in China of 1950s, he inherited a lot of his political knowledge from his father who was a poet called Ai Quig. Ai Quig was then later exiled with his family to re-education camps on the out reaches of a desert in 1958 for questioning government authority. After the Cultural Revolution, Chinese citizens were allowed to travel outside their borders again in 1970s. As a young man, the place that Ai Weiwei dreamed about going to was New York. He went to New York and was exposed to its western influences, its liberty and freedom of expression (Springford, 2011).Using photography Weiwei recorded and documented everything that inspired him. Weiwei visited galleries and art museums that exposed him to the world of conceptual art, becoming influenced by Andy Warhol and Marcel Duchamp. Ai Weiwei admired the ways of artists who could simply proclaim what was art and what wasn’t art, how Duchamp questioned art and when something gets to be art (Springford, 2011).Ai Weiwei came back to China in 1993 to take care of his sick father, and found himself drawn to his responsibility as an artist, to take the task of re-awakening his country through his art and to expose his thoughts on the corrupt and controlling nature of China’s government (Philipson,2012). Ai Weiwei has always been an outspoken artist. In the course of his art making, Weiwei has used a form of activism in his art, with political ideologies that exist because of the Chinese government. He also uses a sense of memory and the countrys past and history. Most of his art involves the public and their outlook of the government. Weiwei requests engagement from the public as a show of protest in his artworks (Harris & Zucker, 2009). When...
“I don’t want to be part of this kind of denying reality. We live in this time. We have to speak out” (Klayman). Ai Weiwei is an internationally known Chinese artist as well as activist, and his motivation and determination can be summed up by this quote. In all of his pieces, Weiwei critically examines the social and administrative issues facing China today. Many of his works exhibit multiple themes that can be interpreted in various different ways. This lends itself to the universal appeal of his art and makes it a more effective medium of conveying his messages to viewers. Ai Weiwei’s activist artwork—and activist artwork in general—is important to society because it effectively forces the viewer to engage in a self-reflective process that makes the viewer critically examine his or her own beliefs and world. Nevertheless, censorship greatly hinders the dissemination of the critical and thought provoking messages of Ai Weiwei’s art and makes his artwork less effective. In order to gain a better understanding of the relationship of Ai Weiwei’s activist art and the Communist Party’s subsequent censorship, I will examine Ai Weiwei’s influential childhood, his specific brand of activist artwork, the censorship of the Chinese government and the effects of censorship on the effectiveness of Ai Weiwei’s art.
Art is a very important part of humanity’s history, and it can be found anywhere from the walls of caves to the halls of museums. The artists that created these works of art were influenced by a multitude of factors including personal issues, politics, and other art movements. Frida Kahlo and Vincent van Gogh, two wildly popular artists, have left behind artwork, that to this day, influences and fascinates people around the world. Their painting styles and personal lives are vastly different, but both artists managed to capture the emotions that they were feeling and used them to create artwork.
Imagine you can own one of the famous painting in the world. Which one would it be? What will you do with it? If I got to own a famous painting, I would hang it in my bedroom and I’ll show it to my family. In this situation, If needed to narrow it down it will be The Persistence of Memory by Salvador Dali or Nighthawks by Edward Hopper. These paintings are extremely different, and their artistic movement is opposite from one another. By the end of this essay, you’re going to know the differences and similarities of these paintings.
Salvador Domingo Felipe Jacinto Dali i Domenech, Marquis of Dali de Puebol was born on May 11, 1904 in Spain. His father, Salvador Dali y Cusi, was a middle class lawyer and a notary. His father was very strict with raising his children. On the other hand his mother, Felipa Domenech Ferres allowed Salvador more freedom to express himself however he wanted, we can see this in his art and how eccentric he was throughout his life. Salvador was a bright and intelligent child, and often known to have a temper tantrum, his father punished him with beatings along with some of the school bullies. Salvadors father would not tolerate his son’s outburst or wild ways, and he was punished often. Father and son did not have a good relationship and it seemed there was competition between the two for his mother, Felipa attention. Dali had an older brother who was five years old, who died exactly nine months before he was born. His name was Salvador Dali. There were many different stories about how he was named. It is traditional in the Spanish culture that the oldest male takes the father’s name, this is the simple story. The other story was that his father gave him the same name expecting him to be like his dead five year old big brother. Dali later in life told others that his parents took him to his brothers grave and told him that he was a reincarnation of his older deceased brother. Dali said “we resemble each other like two drops of water, but we had different reflections. He was probably a first version of myself, but conceived too much in the absolute”. Being a child and trying to comprehend that your parents are comparing you to a sibling that has past is difficult but the fact that Salvador had to visit the grave in incomprehensible.
Salvador Dali, “Paranoia-Criticism vs. Surrealist Automatism” Salvador Dali’s Art and Writing, 1927-1942: The Metamorphoses of Narcissus trans. Haim Finkelstein (New York: Cambridge University Press, 1996), 181-187.
The provocative messages in his feed support his campaign for a free and civilized Chinese society. In China, Weiwei has spent time in jail, and was not allowed by the government to leave Beijing for a year. He now cannot travel without official permission; however, Weiwei is able to use the Internet to a certain degree to circumvent authorities. As a result, he has become a symbol of the struggle for human rights in China. He uses any medium – sculpture, ready-mades, photography, performance, architecture, blogs, and especially tweets – to deliver his message. He utilizes the Internet to open up the doors to his audiences. Weiwei tweets messages in regards to the brutal treatment enforced by Chinese officers. His tweets prompt his following activists to engage in this revolutionary dialogue. These followers pledge their allegiance to the cultural movement via Twitter. Such massive feedback turned into a social media flood, causing the controversy over Chinese law officials to become viral. In this context, entertainment can serve as a unifying force to pull together social media users around a particular issue or ideal. Moreover, the identity work involved in social media activity can incentivize associations with positive political causes.
Chinese art went through many different stages starting from the year 1842. But the massacre of Tiananmen Square in the year 1989 was a turning point in the political life of China and in the country's art. Until the year 1992 art in China was underground, but it kept expanding. As a result of that, some Chinese artists started to do art works that rebel against their government and express their feelings towards China. One of these artists is the famous Chinese artist Ai Weiwei who expressed in each piece of art he did, his feelings that China should let its people break away from the rotten traditional, in order to express their thoughts freely.