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Religion influence on society
Religion effects on society
Religion affects society
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“AGORA” Agora is a movie which does not only represent the symbolic figure of female scientists, but also raises some deep issues that can still be reflected in today’s world. The author of the movie who is Alejandro Amenabar, is a Spanish film director and composer, he also wrote the screenplays to all his films and composed many soundtracks, he has dual Chilean-Spanish citizenship. Amenabar is born on March 31, 1972 (Wikipedia). To start with, the relationship between religion, science, and superstition, which effects it has on both the development of societies in general, and development of science and moralities. This is also a process, by which we can also question the extent to which masculinity was and is still prevailing in our societies, This movie title suggests indeed an insightful and comprehensive name of all that the movie was about, an “Agora” library where the knowledge was stocked and spread by in the context- Hypatia, with profound admiration from her students and Jews and Christians were unfair to Hypatia on the behalf of science as shown by the movie. But it is also important to remember that both parties were dogmatic in their perception of religion, they truly believed instead that they were the only ones true about what their religions dictated. The religious people never perceived religion as a personal faith, between the person and his own god. They never thought about respecting other for what they belief, leaving peacefully and respectfully with each other. It is also worth mentioning in this context, that the Bible, as the Quran, as the other “holly books” are books of values, not books of science. They teach people mercy and peace, perhaps also learning and science, but these books never should they interfere with science. Reading and understanding of religions should never be superficial, but rather deep and selective, in a sense that would promote peace and stay away from science. One common phenomenon the movie unveiled was also irrational belief, when most people-including Davus- did rarely or never question their beliefs whereas Hypatia did, as she said “You don’t question what you believe; I
shoulders, this could be viewed as a sign that he has forgiven Bleeker. The father
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
America has always been depicted as an amiable place to live in. More than often, foreigners would visualize America as the place where neighbors would greet each other in the morning and have their children play in the back yard with the family dog. However, as with most foreigners, this image was shattered by the adverse environment that surrounded them. One of the biggest mistakes that they failed to recognize was the murder of innocent civilians. These murders were almost always published on the front-page of every major newspaper. As such, Americans have always been interested in the death of others. This is true in the ninetieth and, more predominately, twentieth century. As tales of murders got colder and bloodier, Americans had an instinctive
What components make a movie successful in cinema? Filmmakers have crafted a formula to successfully deliver the hero narrative. This formula consists of the hero’s journey and archetypes. Hero films typically follow a ten-step sequence to properly set up and execute the hero’s journey. These movies range from stories of transformations, searches, or a journey back home. Archetypes are used to employ character profile as well as add variety and depth to these stories. Ridley Scott directed Alien, in which Ellen Ripley embarks on a journey where she must survive an alien who is out on a murderous rampage and return back to Earth. Alien adds originality to its storyline by choosing a female lead instead of a male, but the film still incorporates the same heroic attributes that make a story successful. In this “going home journey” film, Scott is able to incorporate the hero’s journey and the official hero archetype towards the heroine Ellen Ripley.
A League of Their Own (Marshall, 1992) explicitly characterizes an American era when a woman’s place was in the home. Even our modern perspective implicitly follows suit. Although women have gained rights and freedoms since the 1930’s, sexism remains prevalent in America. This film offers an illustration when men went to war and big business men utilized women as temporary replacements in factories, sports, and so on. Here, course concepts, such as gender socialization, gender expressions, role stereotypes, emotion expressions, and language, correspond to the film’s characters and themes.
“The Help” is a white mock feel good movie, which seems to feature amnesia of racial conflicts in the South as its primary theme (Stockett, 2009). Author Natasha McLaughlin suggests that ‘The Help’ focuses upon the home and the relationship between African-American domestics and the laws of Jim Crow’s neglected ‘other half’: Jane Crow (McLaughlin, 2014). The American Civil Rights Movement mainly accommodates the public with a view concentrated upon a male dominant perspective but appreciations to Stockett and her moving interpretation of the relationship of Caucasian housewives and their African-American maids the public gets a rare white-washed version of events dealing with the civil rights movement going on within the interior of the households
Lerner's words hold true for two women involved in the film I, the Worst of All. Both of them had to "reinvent the wheel" and show their male contemporaries that women can and will find their way out from under the control of patriarchy. Juana Ines de la Cruz and Maria Luisa Bemberg are separated by three centuries of continuous strife for feminists to affirm feminine subjectivity and feminine values. The struggle was/is doubly difficult because of what they have to face. At the time of making the film, Bemberg faced a mainstream cinema in which women were presented as a "function of male ambition" and as objects of possession, display, or currency (Bemberg in Pick 78). I, the Worst of All appeared in the 1990s, a time that we like to think is so different from the convent of 17th-centuryMexico. Bemberg shows us that it is not. Mainstream cinema never looks at women as "beings with ideas," as she says in an interview, but as empty shells, foils for the male characters, so that they can act and think (Pick 78). She had to fight a whole tradition of male filmmaking with her movie, and (re)assert her own feminist values in a film that challenges all the stereotypical filmic representation...
The Truth Behind: Atlantis Documentary focuses on both supporting and debunking the existence of Atlantis at either the Bahamas, Crete, Knossos, or Thera/Santorini. Throughout this paper I will be deliberating how archeology works at these stated sites, how archeology impacts society as a whole in the context of Atlantis in regards to the modern day fascination and obsession with this seeming mystery, and how archaeological knowledge is acquired and conveyed at the site in order to substantiate certain theories about the past location or Atlantis. Analyzing all of these facets will allow me to think critically about archeology and evidently the archaeological concepts we’ve discussed throughout the course. Atlantis, within this movie, demonstrates
Pollack, Eileen. “Why Are There Still So Few Women in Science?” The New York Times. The New York Times, 05 Oct. 2013. Web. 05 Mar. 2014.
Enough is a 2002 thriller directed by Michael Apted and written by Nicholas Kazan. This film is very similar to the Stephen King’s 1995 film adaptation of Dolores Claiborne directed by Taylor Hackford. The protagonists in both these films find themselves trapped in abusive relationships and turn to drastic means to protect themselves and their daughters. In the film Enough, Slim runs away with her daughter from her abusive husband to protect her life whereas, Dolores, in Dolores Claiborne is trapped in her little small town with her husband who is abusive to her and is now sexually abusing their daughter. These women find themselves in these abusive relationships and become empowered to take control of their lives. The writers skillfully use literary elements in these films to convey this message.
“The lack of conflict between science and religion arises from a lack of overlap between their respective domains of professional expertise—science in the empirical constitution of the universe, and religion in the search for proper ethical values and the spiritual meaning of our lives. The attainment of wisdom in a full life requires extensive attention to both domains—for a great book tells us that the truth can make us free and that we will live in optimal harmony with our fellows when we learn to do justly, love mercy, and walk humbly.”
For decades Disney has been the source of happy endings, fairytales, and family friendly stories for children of all ages. These stories range from realistic and familiar, to the eye-catching magical fairytale. The key to each of these stories are the happy endings brought about by each of the characters unique personalities and dreams. Disney’s films are attempted to provide children with the basic understanding of wrong versus right, but instead influences our society’s beliefs and awareness. Although Disney’s efforts to provide the basic morals to our children are misleading and affect our society strongly, they also contain the use of racism in a form which shows the major differences between characters. The once admired and well-known characters are seemed to be recognized by their species, ethnicity and even their social class. Disney films have taken out of context and have persuaded their viewers understanding of racial stereotyping, which is thoroughly explained in Henry Giroux and Grace Pollock’s novel, The Mouse that Roared. They bring awareness to the underlying racial stereotyping in Disney films, which deeply affect our societies understanding today. Giroux and Pollock bring into perception these admired and regularly watched films through precise examples and racist rendering of the specific characters species and ethnicities which strongly influence our society and lead children to intake these negative influences.
Zuckerman, Harriet, Jonathan Cole and John Bruer (eds.)” The Outer Circle: Women in the Scientific Community” New York: Norton, Print. 1991
Movies are one of the innumerable varieties of media that are utilized to display information. They might be exercised for numerous purposes depending on their designated audience. Regardless of the genre, all films must employ some organizational structure. Specifically, when evaluating all genres under the topic of fiction, there are vital parts that must be incorporated in order for that particular story to be successful. Although it may appear that there are a great deal of components to composing a successful movie story, the core elements that must be utilized to produce a compelling and fascinating movie story are: characters, plot, theme, and a setting.