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The Agatha Christie essay was a well thought out and effective essay. The introduction of the essay starts with a broad idea and narrows it down to the main topic. The thesis is the last sentence of the introduction containing the three elements for the body. The essays main purpose is to argue why Agatha Christie is a phenomenal author even after her death. The writer’s reasons are, Agatha Christie has strong characters, interesting settings, and strong morality. The body paragraph then explain in detail the arguments supporting the thesis. The first paragraph introduces Agatha Christie characters, Hercule Poirot, Miss Jane Marple and Ariadne Oliver. The transition to the next paragraph was effective because it first gives the readers a bit
Since Professor Limcolioc already notified us that we would be writing about one of the readings, I would always rank the readings from most interesting to least. Obviously, I found “Westbury Court” most interesting because the repetition of “Sometimes it’s too late to say, ‘I shouldn’t have’” truly spoke out to me. For my introduction, I did not really know what to write. I started to think of a hook, but then I felt like I just wanted to get straight to the point—which was to begin with which reading I will be analyzing. I began to type my introduction and I found myself writing a summary of the essay. Initially, the introduction was quite long because I summarized “Westbury Court” with a lot of unnecessary details. When I had someone else proofread it, they told me that I should cut it down a bit and so I did. After my summary, I stated my thesis, which was why the repetition of “Sometimes it’s too late to say, ‘I shouldn’t have’” is significant. For my first body paragraph, I talked about what the mother must have meant when she said the phrase the first time by using one of the heuristics (Notice and Focus). With that, I included a few parts of my original summary. I used the Method for my second body paragraph, in which I specifically utilized the binary opposition to write about how Danticat was before and after the fire. For my third body paragraph, I made assumptions by looking at the
In Brother Grimm’s “Brother Lustig”, the main character, Brother Lustig, is initially portrayed as an honest, inexperienced and stupid young man, who shares all his possessions with others. For this reason, when analyzing Brother Grimm’s tale form a Jungian psychoanalytic perspective, will become a prime example of a character experiencing individuation, for he eventually becomes a more selfish, cunning and independent person. Through meeting his archetypes, Brother Lustig goes from an honest, stupid and generous person, who shares his wealth and possessions with the less fortunate ones to a cunning, selfish and self-sufficient trickster. Brother Lustig’s burgeoning conscious is demonstrated through an analysis of his Jungian archetypes, with the shapeshifting beggar, acting as his positive shadow, and St. Peter personifying as his symbolic Self.
1. The thesis of the essay is stated at the end of the first paragraph. The author says,
Don’t we all enjoy reading a good murder mystery? All of the suspicion and the thrill can really keep you hooked. You feel as if you could never put the book down because you just need to know what happened next. In And Then There Were None, Agatha Christie divided each chapter into sections and included an epilogue with the murderer’s, Justice Wargrave, point of view. Since she chose this as her style of writing throughout the whole book, I was able to interpret and comprehend the book with a better understanding of the character’s feelings, who the murderer really was, and the reason behind the whole mystery.
The scrapbook is about all the main characters in the book “Murder on the Orient Express” by: Agatha Christie. They are all important in the book because without them there would not be a book or a story written. They all play an important role in this story, and they help make this story interesting. The first main character in the scrapbook is Hercule Poirot.
“The ABC Murders” is about a detective by the name of Poirot who has to find clues on a killer who is killing people whose names are in alphabetical order. It started off with Alice Ascher from Andover. Then it went to Betty Barnard from Bexhill and then to Sir Carmichael Clarke from Churston. Each time the murderer committed a crime he would leave an ABC Train Map by the victim. The murderer was an experienced criminal who left no trace of his identity. He goes by the name of ABC. Before each murder ABC would send Poirot a letter saying the date and town the murder would happen. The relatives of the victims came together with Poirot to help try and get ahead of the criminal. In the ending Poirot reveals that the brother of Sir Carmichael Clarke, Franklin Clarke committed the crimes to draw away attention from him wanting to inherit his brothers treasures. He had to kill him so he couldn’t marry Thora Grey and not get the money. Franklin Clarke tried to frame the murders on Mr. Cust who is a travelling salesman.
Murder is the most sinister of any crime you can commit as you are taking life away from someone who isn't ready to go. It is especially irrational when murder is carried out with no motive. This could only be the work of a madman. With crime people seek justice and will make their best efforts to achieve it. In the ABC Murders by Agatha Christie we explore the mystery of not one, but four murders carried out meticulously and with proper planning. In this novel we get to see the solving process of an interesting murder case through two private detectives who have gotten back together after some time apart in retirement. We get to see how they are able to think like a murder and determine the motives and planning behind the crimes.
Christie, Agatha. "The Witness for the Prosecution." MASTERPIECES OF MURDER. New Work: Kodd, Mead and Co. 1977.
“Mystery fiction is a game with rules, an intellectual competition between writer and reader. To keep the game honest, both writer and reader must be playing by the same rules” (Miller). Some of the conventional rules of detective fiction are listed in S. S. Van Dine’s “Twenty Rules for Writing Detective Stories” and Ronald Knox’s “10 Commandments of Detective Fiction.” However, some of the ‘rules’ Knox and Van Dine list do not extend to Ruth Rendell’s A Judgement in Stone and Agatha Christie’s The Murder of Roger Ackroyd. Despite Rendell and Christie not conforming to these ‘rules’ of detective fiction put forth by Van Dine and Knox, their novels challenge the reader, create thrilling suspense, and while unorthodox are extremely successful.
In The Murder of Roger Ackroyd, Agatha Christie proves that good will always overcome evil through the unsatisfied curiosity of Caroline Sheppard. Caroline Sheppard has the uncanny ability to sniff out any gossip that is going on and will not rest until she has found the answers to every question she may have. Her brother James says, “she can do any amount of finding out [information] by sitting placidly at home.” Caroline collects every detail she hears whether they are facts, rumors, opinions, or even police reports. She is relentless in her search to know everything she can about everyone in her town. Much of the information she discovers “is completely unimportant” but she claims, “That is why it is so interesting.” Caroline has a way of turning “one piece of misdirection into a great solution” that no one else could ever discover. “When she goes out, it is not to gather information, but to spread it.” Caroline does not believe that she causes harm when she is constantly “repeating everything indiscriminately” because she feels it is her duty and “people ought to know things.” She also shares her insight with others because when she is discussing the information aloud, it helps her to compose numerous conclusions in her head. These conclusions are usua...
The Murder of Roger Ackroyd was first published in 1926, and is one of many of Christie’s Hercule Poirot Mystery novels. In this novel, we obtain a deeper understanding of the impact social standings has and the influence it has on how people perceive you. The mystery takes place in an era where social class was extremely divided, and it is shown throughout the novel how a character’s social class can hinder or help. Even when the characters are faced with a crime, and the person who did it is unknown, social class still plays a magnificent role in unraveling the explanation of who would have committed something as dreadful as murdering a man. The Murder of Roger
Author- Agatha Christie was born in 1890 in England and raised by a wealthy American father and English mother. Her books have sold over a billion copies in English and another billion in 44 foreign languages. She is the author of 78 crime novels and was made a dame in 1971. She was married twice, her second husband being an archeologist whom she often traveled with on his archeological exhibitions to the Middle East. This gave her an understanding of that part of the world, which she used in this story. Agatha Christie died in 1976 in her home in England.
The point of view in The Murder on the Orient Express is third-person omniscient, which is crucial to the book. The reader can see an example when Christie first introduces Mrs. Debenham. Christie tells all about Mrs. Debenham’s adventure up until that point and also gives a brief description of her thoughts and feelings about Hercule (Christie 6). Christie does not, however, reveal any of Mrs. Debenhams involvement in the murder. Knowing the thoughts of the characters is very important in keeping the reader interested and trying to figure out the murder without giving away. Critics supports this idea by saying, although the thoughts and feelings of all characters are given, the restricted information Christie leaves out, gives the readers a dramatic effect ("Murder on the Orient" 152). Christie’s style in The Murder on the Orient Express also included some stereotyping of individuals on the train. This stereotyping was shown when it was decided that the stab wounds seemed to be inflicted by a woman based on the lack of intensity (Christie 56). Another place stereotyping was concerned was when Antonio was suspected solely based on his Italian nationality (Christie 122). The stereotyping Christie includes in her book shows importance to the plot by distracting the readers from more valid evidence. This distraction is another tactic used to keep the reader intrigued in the story. Greg Wilson comments about Christie’s insensitive remarks and says she might use these shallow, stereotypical comments about the characters as a crucial part of the murder plot ("Murder on the Orient" 155). The author’s style draws the reader in by utilizing distracting elements to elude them from the
Agatha Christie wrote most of her books with the same recurring themes. One of the themes that Christie has in her books is feminism. The definition of feminism is the belief in the need to protect rights, and opportunities for women to be equal to those of men. It is also saying they can go through life without having a man in their lives and living as independent women. Anti-feminism is the opposite of feminism and says women are all the same and do need a man in their life. Christie uses feminism and anti-feminism to view women during the twentieth century in the three books.
With over 4 billion copies of her novels sold, written in at least 56 different languages, only the Bible is known to have outsold Agatha Christie. With her series of 80 complex, plot-driven whodunits, Agatha Christie created a name for herself in the world of authors. Her many accomplishments include creating the only fictional character, Hercule Poirot, who had an obituary in the New York Times and having the longest running play in the world, The Mousetrap, with over 23,000 performances. She has been named the best-selling book writer of all time and the best-selling writer of any kind by the Guinness Book of World Records.