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Beliefs of African traditional religion
Influence of Christianity on African culture
Discuss 10 important key features of african traditional belief
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Recommended: Beliefs of African traditional religion
In this paper I discuss the praise prayers excerpt of Afua Kuma, an African, within the view that beliefs emerge and are “enfolded within practices, things and feelings that shape individuals and communities over time” (Morgan 2012: xiv). Expounding on this statement, Idowu in his book about African Traditional Religion makes a point that a person knows as much he or she is exposed to and as much as is given to him to know, and he or she expresses his or her beliefs accordingly. These beliefs are revealed through their everyday actions, emotions and thought processes and consequently, influence the person and the all-inclusive community. Specifically, I discuss Afua Kuma’s belief in the Supreme Being, her understanding of the concept of Jesus Christ as a Chief and the practice of animism that she employs in her act of worship to Jesus Christ.
To begin with, the excerpt clearly manifests traits of the belief in the Supreme Being which is at the core of African Traditional Religion and the entire culture of the African people. To the African, the Supreme Being is the Lord of the universe who is the originator, controller and sustainer of everything in it, manifesting Himself through His works (The Structure of African Traditional Religion, 1973). Afua Kuma expresses this view of Deity’s supremacy when she calls Jesus the all-powerful One, who is the master of all earthly dominions and proclaims His enigmatic nature using various daily life activities and materials. She declares Him as the one who uses the kono basket to carry water (Kuma, 1980). The kono basket is one with holes in it, unable to hold anything liquid and only used for carrying foodstuffs and any other item solid item. It is then unfathomable that a being can do th...
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...ndation and lens through which people see and interpret the world and the concepts therein as seen in Afua Kuma’s praise prayers and her depiction of Jesus Christ, her Jesus Christ of the Deep Forest.
REFERENCES
J.O.Awolalu. (1976). What Is African Traditional Religion. In J. Awolalu, Studies In Comparative Religion. World Wisdom Inc.
Kuma, A. (1980). Jesus of the Deep Forest. Accra: Asempa Publishers.
Mbiti. (n.d.). The Structure of African Traditional Religion. In Mbiti, African Traditional Religion: A Definition (pp. 137-178).
Odotei, I. K. (2014, February 20). Chieftaincy in Ghana. Retrieved from Professor Irene K. Odotei. org: http://irenekodotei.org/content/chieftincy-ghana
Unit Two: Studying Africa through the Social Studies. (2014, February 20). Retrieved from Exploring Africa: https://exploringafrica.matrix.msu.edu/students/curriculum/m10/activity2.php
Hodgson has been working in Tanzania for 20 years, since 1985. She first worked in the Catholic Diocese of Arusha in the Arusha Diocese Development Office and later taught at Oldonyo Sambu Junior Seminary. She worked with Maasai in a religious context and so was led to her research. She wrote her book “The Church of Women” after noticing the gendered differences in evangelization. In her book Hodgson first addresses the history of Maasai religious practices. Women were imperative to most religious ritual and even nonritual practices. Their God was often referred to with female pronouns, though a certain level of gender fluidness was apparent. She then chronicles the history of the Congregation of the Holy Spirit, or Spiritans, in Tanzania. She interviews three American missionaries who worked with the Maasai in three different time periods. With the interviews Hodgson comprises the history of the approaches taken to evangelize the Maasai. She uses the next two chapters to compare men and women’s responses to the missionaries, following three communities. She ends the book with an exploration of this new Maasai Catholicism, a mix of Maasai and Catholic ritual and spiritual practices the Maasai have
Mazrui, Ali A. "The Re-Invention of Africa: Edward Said, V. Y. Mudimbe, and Beyond." Research in African Literatures 36, no. 3 (Autumn 2005): 68-82.
By following and analyzing some of the key moments of faith in his life, this paper seeks to expose the extent to which the series of controversial dialectical incidents that happened throughout his early life, i.e., his cultural African religious traditions (thesis), and Christianity as taught by his slave masters (antithesis), had a direct influence in developing his own understanding of religion (synthesis). Furthermore, this paper will demonstrate that Olaudah Equiano's decision was based on the impact of both the influences of culture and slavery, and a personal experience based on his perspective of divine intervention. To begin, most Africans have come from societies with traditional African religious backgrounds unrelated to Islam or Christianity. As a whole, African religious traditions combine belief in a Supreme Being with the worship of other gods and ancestors and use ritual and magic to mediate between human beings, nature, and the gods. In many African languages, there is no word for God, because in their tradition, everything and place embodies God.
Fiero, Gloria K. "Africa: Gods, Rulers, and the Social Order." The Humanistic Tradition. 6th ed.
The. Centuries of Greatness - The West African Kingdoms: 750-1900, Chelsea House Publishers, 1995. McKissack, Patricia and Fredrick McKissack. The Royal Kingdoms of Ghana, Mali, and Songhay - Life in Medieval Africa, Henry Holt and Company, Inc., 1994. Bianchi, Robert.
African American religious culture is a distinct custom in America. The distinct identity of African-American culture is deeply rooted in the historical experience of the African-America...
Bennett, Norman. Africa and Europe: From Roman Times to National Independence. New York: Africana Publishing Co, 1984.
Decisions, opinions, and beliefs become uncertain and doubt appears. Cultural values, that ware held for generations, are pitted against the missionary's sermons. Although the missionaries come with the desire and intention to help the underdeveloped Ibo village reach its pote...
Toyin, Falola. “The Power of African Cultures.” Woodbridge, Suffolk, United Kingdom: University of Rochester Press, 2003. Print
...’s depictions of both traditional and modern beliefs in varying degrees illustrate the importance of both in contemporary Nigerian culture, as well as the greater Africa as a whole, and how both are intertwined and cannot exist without the other. In effect, she skillfully subverts stereotypes or single perceptions of Africa as backward and traditional, proving instead, the multifaceted culture of Africa. She further illustrates that neither traditional African nor western culture is necessarily detrimental. It is the stark contrast of the fundamental cultures that inevitably leads to clashes and disagreements. In the end, what holds African countries such as Nigeria together is their shared pride. Modern, western influences can bring positive changes to society, but new cultures cannot completely eradicate the foundational cultures to which a society is founded on.
Gilbert, Erik, and Jonathan T. Reynolds. Africa in World History: From Prehistory to the Present. Boston: Pearson, 2012.
Religious accusations, which serve as catalysts for conflict, help to develop an accurate portrayal of imperialism and Ibo culture. In Things Fall Apart, the missionaries assertively state “Your gods are not alive and cannot do you any harm” (Achebe 146). This quotation shows the imperialists accusing the gods the Ibo people believe in and worship of being false gods that are idols. These gods cannot harm them and do not pose any threat. Also, in Achebe’s interview, “An African Voice,” he says “You have leaders who see nothing wrong in inciting religious conflict.
Kroeber, A. and C. Klockhohn, Culture: A Critical Review of Concept and Definition. New York: Vintage Books, 1989. Kunhiyop, Samuel. A.W. & Waje. African Christian Ethics.
Okeke, Phil E. "Reconfiguring Tradition: Women's Rights and Social Status in Contemporary Nigeria." Africa Today 47.1 (2000): 49-63.
Having done the above analysis on my favourite text, “Anowa” by Ama Ataa Aidoo, I realise that my like for the text has heightened because the analysis of Anowa has given me a deeper understanding of Africa’s colonialism. I now know what actually led to our colonialisation (the betrayal) and how it began (the bond of 1844) through the personal lives of Anowa and Kofi.