Jose D. Gomez
Professor Miller
May 20th, 2014
English 2800
Aftermath of our Decisions & Actions
Throughout life humans encounter obstacles that play a massive role in their lives.
How we choose to handle these obstacles is entirely up to us. Our journey begins from the day we are born and end on the day of our death. During that life time, some will be manipulated to live a life full of sin, as others will have the opportunity to choose freely how they live their lives. How we are judged in the afterlife is based on our actions on Earth while we were alive. Some believe that our crimes on Earth will be punished on Earth, therefore, they disregard the idea that an afterlife exists. In "Sir Gawain and the Green Knight" by "unknown writer" we witness a knight of the round table set off on an adventure. Where he will demonstrate his strengths and weakness and shape his destiny for the afterlife. Afterlife is deeply addressed in "Dante's Inferno by Dante Alighieri, where we encounter a man wishing to reach the gates of heaven to meet with his beloved wife. However, prior to reaching heaven, Dante travels through the stages of hell and experiences how each unique soul is punished based on the complexity of their sins. Dante describes the relationship between sins and their resulting consequences in hell.
In Sir Gawain and the green knight the young Gawain is put to the test by the green knight. Sir Gawain stroke a blow to the green knight which cut his head off, yet the green knight survived. They agreed that a year from that day the green knight would deliver the same blow to sir Gawain. Gawain then sets off a year later in search of the green knight which showed how true to his word sir Gawain was. During his journey he stumble...
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...ield is believed to represent faith in God for safety and protection, but the girdle can also be interpreted to represent faith in his capabilities or doubts in God. Often when we set out to journey in ourselves, we come to places that surprise us with their oddity. Hoping to see what is straightforward and adequate, we all of a sudden run across the exceptions. Just as we as we encounter our inner evil, so does Dante, as the writer, as he sets out to walk through his Inferno. Dante edits each scene so that pain and punishment is inflicted on each unique sinner to inflict as much agony as possible. From making hypocrites wear robes of lead, putting soothsayers heads on backwards, of lead. As this poem opens Dante, is moved to tears and pities those poor souls. As he moves along in his travels, he learns that sin should not be pitied and becomes unsympathetic.
Novels and poems tend to reflect the main influences of their time period. In the epic poem Sir Gawain and the Green Knight and Dante’s Inferno both focus on the importance of religion. Earth is seen as a testing ground in which your actions here will lead to what your soul will deal with for the rest of time in Heaven or Hell. Sir Gawain and Dante’s journeys both contained elements of free will that tested their religious beliefs but the focus of Sir Gawain was passing the test on Earth while the focus of Dante was to show the consequences if the test was failed.
Sir Gawain and the Green Knight, a fourteenth-century tale written by an anonymous poet, chronicles how Sir Gawain of King Arthur’s Round Table finds his virtue compromised. A noble and truthful knight, Gawain accepts the Green Knight’s challenge at Arthur’s New Years feast. On his way to the Green Chapel, Gawain takes shelter from the cold winter at Lord Bercilak’s castle. The lord makes an agreement with Gawain to exchange what they have one at the end of the day. During the three days that the lord is out hunting, his wife attempts to seduce Gawain. At the end of the story, it is revealed that Morgan le Faye has orchestrated the entire situation to disgrace the Knights of the Round Table by revealing that one of their best, Sir Gawain, is not perfect.
According to the story, Gawain had to face many obstacles one in particular was the Green Knight’s challenges. This was a test for any brave man that could face off with the Green Knight. They would have to use an ax and hit the knight
Sir Gawain's inner values and character are tested to the fullest and are clearly defined in the text of Sir Gawain and the Green Knight. The unknown author describes Gawain and the other knights as "Many good knights" (Norton 159), and he is referred to as one of the "most noble knights" (Norton 159) in King Arthur's land. This claim by the author is solidified by a challenge presented by the evil Green Knight, who enters the court of King Arthur and asks him to partake in a Christmas game. Sir Gawain, after hearing this challenge, asks the king if he may take his place. This represents that Gawain is very loyal to his king. Sir Gawain is also an honest knight in the text because in a year's time he ventures out in search of the Green Knight to endure a blow with the ax as the rules of the game were stated. He very easily could have not have carried out his end of the bargain by not traveling to the Green Chapel to meet the evil being, but Gawain is an honest knight who is true to his word.
Deceived perspective and impaired logic lure vulnerable individuals to frolic in the meadows of sin; therefore, in order to achieve ultimate freedom, one must first be stripped clean of all earthly and common expectations. Dante contorts Earth from a palace to a prison. Bound in earthly limitations, man “by his own fault” (Dante 307) engenders “grief and toil” (Dante 307) causing the “the winds of earth and sea to rise” (Dante 307). Men adhere to addictive habits ignorant of God’s presence on earth. By contrast, purgatory cuts men’s binds to these traps through punishment, enlightening individuals to their mistake. These conversions prompt “singing” (Dante 109) not moaning—as one would expect during punishment—and as the cleansed souls free themselves of their burdens of sin, their climb “up the sacred stairs”(Dante 133) seems “lighter”(Dante 133) and “easier by far” (Dante 133). Dante uses these paradoxe...
Sir Gawain and the Green Knight edited and translated by James Winny is a poem about a knight, Sir Gawain, from King Arthur’s court. In the very beginning Sir Gawain volunteers to take King Arthur’s place upon the Green Knights arrival when he declares that one knight must agree to receive a blow by his axe after having the chance to give a blow to him. Sir Gawain ends up chopping off the Green Knights head and is then declared to meet the Green Knight in one year to accept a blow from the Green Knight and his axe. When the year comes Sir Gawain sets off to find the Green Knight at the green chapel, which where he will receive the blow. On Sir Gawain’s ventures
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradise. Dante presents these principles in Inferno, where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell, the degrees of sin get progressively worse, as do the severity of punishment.
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sin, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.
“Abandon All Hope Ye Who Enter Here.”(Alighieri 18) this statement is viewed while entering through The Gates of Hell. The Inferno by Dante Alighieri is one perspective of Hell that has been written. According to the Cambridge University Library, Hell is set up like a funnel that extends from the surface of the Earth located near Jerusalem; it expands down to the center of the Earth (Cambridge 2006). In this cone-like structure, there are circles that divide sins by the severity of the sin committed. Each circle is on a different ledge or level that separates them from each other (Alighieri 25). Dante and his guide Virgil travel through all the circles of Hell during the Lent season. Through their travels they inspect and comment on the variations
Inferno begins with Dante lost in a dark wood. When he tries to exit, three impassible beasts blocked his path. Dante is rescued when Beatrice sends the spirit of Virgil to lead him to salvation. However, Dante must journey through hell first. Dante and Virgil then journey through the nine circles of hell, with the occasional help of a heavenly messenger sent to aid Dante in his journey. Dante meets many significant people and hears their stories in each circle. The First Circle of Hell or Limbo is resided by virtuous non-Christians and unbaptized pagans. In the Second Circle, Dante and Virgil find people who were overcome by lust. In the Third Circle, they find souls of gluttons that are seen as more than the usual excessive eating and drinking but also drug addiction. In the Fourth Circle, Dante and Virgil see the souls of people who are punished for greed.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
... Moreover, such belief in human reason signifies Dante's hope towards a bright society and the pursuit of God’s love as the other part of self-reflection. In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.