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History of african music
African American music and slavery
History of african music
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There has been a lot of improvement within the African American community, when it comes to music, entertainment, and politics. During the ‘80s in the music industry the following things occurred: In 1980, Blondie released Rapture, which introduced rap to a whole new audience. In 1981, The arrival of MTV music video station put new emphasis on the visual presentation of music. In 1982, Michael Jackson’s album, Thriller, was released and sold 45 million copies worldwide, becoming the best selling album in music history. In 1984, Russell Simmons formed Def Jam Records in Harlem. In 1986, Run DMC’s “Walk This Way” became the first rap song to enter the top 5 on the Billboard Hot 100 charts. The first African Americans to be inducted into the Rock …show more content…
Johnson began the operation of Black Entertainment Television (BET) out of Washington, D.C. In 1982, Bryant Gumbel was named anchor of The Today Show, becoming the first African American to hold the post on a major network. Louis Gossett Jr. became the first African American to win the Academy Award for Best Supporting Actor for the film “An Officer and a Gentleman”. In 1983, Robert C. Maynard became the first African American to own the major daily newspaper in a large city when he became the majority stockholder of the Oakland Tribune. Vanessa Williams became the first African American crowned Miss America on September 18 in Atlantic City. Alice Walker’s “The Color Purple” won the Pulitzer Prize for Fiction. In September of 1984, The Cosby Show makes its television debut, running for eight seasons and became the most successful series in television history featuring a mostly African American cast. In 1986, Oprah Winfrey launched her own talk show. Spike Lee released his first feature film “She’s Gotta Have It” initiating a new wave of interest in black films and African American filmmakers In 1987, Fences, a play by August Wilson won a Pulitzer Prize and a Tony …show more content…
became the first African American Speaker in a state legislature, when he is selected for the post in the California Assembly and held the Speakership until 1995 when he was elected Mayor of San Fran. In 1983, On April 12th, Harold Washington is elected the first black mayor of Chicago. On November 2nd, President Ronald Reagan signed a bill establishing January 20th as a federal holiday in honor of Martin Luther King Jr. Harvey Bernard Gantt became the first African American mayor of Charlotte, North Carolina. In 1984, Jesse Jackson was a leading voice for blacks in America, urging them to be more politically active and heading up a voter registration drive that led to the election of Harold Washington as the first black mayor of Chicago in 1983. On January 2nd, W. Wilson Goode became the first African American mayor of Philadelphia. In 1986, MLK Day was first celebrated. In 1987, On December 8th, Kurt Lidell Schmoke became the first African American elected mayor of Baltimore by popular vote. In 1989, On February 7th, Ronald H. Brown was elected chair of the Democratic National Committee, becoming the African American to head one of the two major political
Berry Gordy played a significant role in the 1960’s African American shift into the American Music Industry through the establishment of the highly recognised company and genre “Motown”. As the Founder of Motown Records Berry Gordy introduced to the American Music Industry some of the biggest artists of all time take the stage and within a decade created the “Black Pop” genre, which was listened to and purchased from a segregated audience. The business changed the way record labels would polish, nurture and distribute their artist, having an impact on the number of jobs that were introduced into the Music Industry, dealing and consulting with marketing, artist development, choreography, stylists and costume designers. With Berry Gordy’s all
Reconstruction(1865-1877) was the time period in which the US rebuilt after the Civil War. During this time, the question the rights of freed slaves in the United States were highly debated. Freedom, in my terms, is the privilege of doing as you please without restriction as long as it stays within the law. However, in this sense, black Americans during the Reconstruction period were not truly free despite Lincoln’s Emancipation Proclamation in 1863. While legally free, black Americans were still viewed through the lens of racism and deeply-rooted social biases/stigmas that prevented them from exercising their legal rights as citizens of the United States. For example, black Americans were unable to wholly participate in the government as a
During the Reconstruction Period, many Southern states passed laws that productively disenfranchised African Americans. The Civil Rights Acts of 1875 should have protected blacks against discrimination in public places when Reconstruction ended in 1877. Segregation lived throughout the South. The Democrats wanted to stop the blacks from voting so they could take away all the rights blacks had achieved. African Americans were so furious because all of their hard work was crumbling right before their eyes. There were many laws passed to keep African Americans separated from the public such as the Jim Crow Laws. They also imposed a poll tax, a literacy test, proof of residency, and other requirements for voting. They knew this would have a huge effect on African Americans because they could not afford to pay the poll tax, and it was illegal to teach African Americans so most of them were illiterate. Everyone started to see what the lawmakers were doing and how far they were willing to go to disfranchise black voters. Many Northern legislatures were enraged with how the South was taking ...
Examine the condition of African-Americans in the late nineteenth century and explain why the Thirteenth Amendment, the Fourteenth Amendment, and the Fifteenth Amendment, which were enacted to aid the new freedmen, actually did little.
1928: For the first time in the 20th century an African American is elected to Congress.
Being a resident of South Carolina, African-American Culture was chosen as part of the applied learning project for the Intercultural Nursing class, because African-Americans make up more than a quarter of this state’s population. According to the 2010 United States Census Bureau, the total population for South Carolina (S.C.) is 4,625,364, with 27.9% being of African-American descent. The purpose of this paper is to develop an understanding and sensitivity to issues and cultural variances or phenomena that are unique to the African-American Culture. Another goal is to identify nursing interventions that are important for the nurse to consider in caring for this population. These phenomena’s include variances in social organization, communication, space, perception of time, environmental control, and biological variations associated with the African-American culture. (Giger, 2013 and South Carolina minority, n.d.)
It is already a very well known fact that African Americans went through a lot of torment through the 1920s until the later 1960s. Even as time went by, only a small amount of things changed. Racism may have died down a bit, but remains in existence. The play A Raisin in the Sun by African American female, Lorraine Hansberry, depicts the real life of African Americans between the 1920s and the 1960s. This time period for an African American was rather tough. The living situations for African Americans were made even more difficult than they would have already been due to their skin color and the government's decisions (ex. Jim Crow laws).
Booker T. Washington was the first African American whose likeness appeared on a United States postage stamp. Washington also was thus honored a quarter century after his death. In 1946 he also became the first black with his image on a coin, a 50-cent piece. The Tuskegee Institute, which Washington started at the age of 25, was the where the 10-cent stamps first were available. The educator's monument on its campus shows him lifting a symbolic veil from the head of a freed slave.
The New Deal was a collection of programs, economy building, various laws, and a departure from the progressive era. The progressive movement was created as a response to the turmoil America was in following the introduction of industrialization. At this time, government officials were struggling to stabilize the economy and gain the trust of American citizens. The New Deal was established shortly after to resolve those same issues.
In From Slavery to Freedom (2007), it was said that “the transition from slavery to freedom represents one of the major themes in the history of African Diaspora in the Americas” (para. 1). African American history plays an important role in American history not only because the Civil Rights Movement, but because of the strength and courage of Afro-Americans struggling to live a good life in America. Afro-Americans have been present in this country since the early 1600’s, and have been making history since. We as Americans have studied American history all throughout school, and took one Month out of the year to studied African American history. Of course we learn some things about the important people and events in African American history, but some of the most important things remain untold which will take more than a month to learn about.
Even when one becomes an artist in the industry, there are many troubles that go along with the tag of being a recording artist in the urban division. One example is seen in the article, “The Business of Rap: Between the Street and the Executive Suite” by Keith Negus, where columnist, J.R. Reynolds, mentions the closing of the urban division at Capitol Records in 1996, calling it “the systematic extermination of black music at Capitol Records”, saying that it did not make any sense because the genre was doing well in the market (528). The black music division is often subject to this kind of cutting compared to others. Negus also states that “despite the influence of rap and hip hop on the aesthetics of music, video, television, film, sport, fashion, dancing and advertising, the potential of this broader cultural formation to make a contribution to music industry business practices is not encouraged” (534). The sad fact of the matter is that this is true. It is almost like the larger companies take from the smaller urban divisions in order to make themselves look better without giving credit where it is due and in turn, because those companies are not seen to be doing well in the market, they are dropped from the label. Ted Swedenburg explains this in the article “Homies in The ‘Hood: Rap’s Commodification of Insubordination”, when he states that “while the major academic rock critics usually acknowledge black musicians’ essential contributions to pop and occasionally write sympathetic a...
In 1979, the album Rapper's Delight by the American group the Sugar Hill Gang moved rap music (a rhyming, rapidly spoken word form of black dance music)from the clubs of New York City to the national scene. Rap was assimilated into popular culture through such mainstream artists as the performer M.C. Hammer, the group Run-D.M.C, and rapper-actor Will Smith , the "Fresh Prince" of the duo D.J. Jazzy Jeff and the Fresh Prince. One of the first controversial rap hits was the hip-hop song "The Message" by the rap group Grandmaster Flash and the Furious Five. Despite its contreveries, rap was terrible to young white males and was imitated by many white American groups, including Blondie and the Beastie Boys; it was combined with hard rock in the music of the Red Hot Chili Peppers and other groups. By the late 1980s, rap had replaced rock as the most popular music of social commentary (not something all of us would agree with).
Rap started in the mid-1970s in the South Bronx area of New York City. The birth of rap is, in many ways, like the birth of rock and roll. Both originated in the African American community and both were first recorded by small, independent record labels and marketed towards, mostly to a black audience. And in both cases, the new style soon attracted white musicians that began performing it. For rock and roll it was a white American from Mississippi, Elvis Presley. For rap it was a young white group from New York, the Beastie Boys. Their release “(You Gotta) Fight for Your Right (To Party!)” (1986) was one of the first two rap records to reach the Billboard top-ten. Another early rap song to reach the top ten, “Walk This Way” (1986), was a collaboration of Run-DMC and Aerosmith. Soon after 1986, the use of samples was influenced in the music of both black and white performers, changing past thoughts of what make up a “valid” song.
Rhodes, Henry A. “The Evolution of Rap Music in the United States.” Yale. Yale-New Haven Teachers Institute. 2014. Web. 10 Mar. 2014.
These six words in many ways defined the late 1980s and 1990s, encapsulating the rise of hip-hop, NIKE, Michael Jordan, and the racial-class narratives embedded in each of them. The problem of such ethos are highlighted in a music video from Seattle’s very own Macklemore and Ryan Lewis.