Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How effective is the use of symbolism in the poem the Negro speaks by James Langston Hughes
Langston hughes poem on african american struggles
The importance of african american literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How effective is the use of symbolism in the poem the Negro speaks by James Langston Hughes
African American History in the Poems of Langston Hughes
Langston Hughes was an African American poet who was one of the first
black voices to be heard in America. He was distinct among his
contemporaries with his writing about the blacks' experiences and
history. His pride of his race and history was apparent in most of his
works.
In his poem, "The Negro Speaks of Rivers" his pride of his history and
civilization is apparent by the repetition of the pronoun "I" in most
of the lines. He is proud that his roots go back to the ancient
civilizations which where associated with the great Rivers of Asia and
Africa namely the Euphrates, the Nile and the Congo.
Hughes repeats, "I've known rivers" which indicates the connection of
black people with the beginning of human history. He also
repeats, "My soul has grown deep like the rivers" which suggests the
wisdom that is related to rivers; it also suggests that his soul bears
the imprint of the sufferings of slavery and racism.
The poem implies the whole history of African Americans' slavery
without mentioning the word itself. He narrates this history from the
beginning of time, when he "bathed in the Euphrates" and "built [his]
hut near the Congo" as he was living a normal life. Then he "looked
upon the Nile and raised the Pyramids above it", as the building of
the Pyramids was the act of slaves. Then "Abe Lincoln went down to New
Orleans", this precise line implies the blacks' history of slavery in
America. It tells of existence of the slavery for a long period in
America and of the efforts to abolish it, which ended by the Civil War
in 1865 and Lincoln's Emancipation Proclamation for freeing the
slaves. Therefore, it is the history of people who were fr...
... middle of paper ...
...
"Dreams". Since dreams are the first step in any act, then black
people have to dream in order to gain their freedom which is
symbolized here by the" bird".
He also hints in the poem at the oppression of white people to blacks.
He considers America a "barren field" that is devoid of warm feelings
and mercy. This" barren field" is" frozen with snow"; this symbolizes
the white people who practise all sorts of oppression on the black
race.
Thus, it is evident that Langston Hughes in his poetry aimed at
sending a message to the audience who most of them were whites. He was
telling them about the history and civilization of the African
Americans. He was speaking of the blacks' sufferings from slavery,
discrimination and racism. He was aiming at showing his pride of his
black ancestry and the contributions of the black people to the
American civilization.
Langston Hughes wrote during a very critical time in American History, the Harlem Renaissance. Hughes wrote many poems, but most of his most captivating works centered around women and power that they hold. They also targeted light and darkness and strength. The Negro Speaks of Rivers and Mother to Son, both explain the importance of the woman, light and darkness and strength in the African-American community. They both go about it in different ways.
Hughes, a.k.a. Langston, a.k.a. “The Negro Speaks of Rivers.” The Bedford Introduction to Literature. Ed.
Because of that, his writing seems to manifest a greater meaning. He is part of the African-American race that is expressed in his writing. He writes about how he is currently oppressed, but this does not diminish his hope and will to become the equal man. Because he speaks from the point of view of an oppressed African-American, the poem’s struggles and future changes seem to be of greater importance than they ordinarily would. The point of view of being the oppressed African American is clearly evident in Langston Hughes’s writing.
Throughout African American history different individuals have made a significant impact that would forever change things. In the 1900s Harlem became the governing body for the birth of jazz and blues. This also open door for a new era called the Harlem Renaissance. During this time a poet name Langston Hughes was introduced. Langston Hughes created poetry that stood out to people. It had that jazzy vibe mixed with articulate language of choice. He could seize the minds of people with the soulfulness of his writing, and depict the struggles of what was going on with blacks. Some individuals see Langston Hughes as the inspired poet of the Harlem Renaissance time. Mr. Hughes used his body of work to compare and contrast things to create the groundwork for the Harlem Renaissance period.
Through the exemplary use of symbolism, Langston Hughes produced two poems that spoke to a singular idea: Black people have prevailed through trials and tribulations to carry on their legacy as a persevering people. From rivers to stairs, Hughes use of extended metaphor emphasizes the feeling of motion which epitomizes the determination of the people. Overall, the driving feeling of the poems coupled with their strong imagery produce two different works that solidify and validate one main idea.
Poetry was a big part of the Harlem Renaissance, especially black poetry. Poetry helped people get their emotions out and provided an outlet for many new and old African-Americans, and for Africans just arriving in the United States in Harlem. The Renaissance was filled with great poets including the great Langston Hughes. Hughes is the author of his own book The Weary Blues and the writer of the poems Not without Laughter and The Way of the White Folks. He believed in the beauty of the Africans, as stated on Shmoop “Hughes knew that black was beautiful.” He won the Harlem gold medal for literature for his literary work and helped shape the artists of the Harlem Renaissances contributions to the movement. Hughes was also the founder of three theaters meant as outlets for black actors and dramatists. The names of these theaters are the New Negro Theater, Langston Hughes Preforming Arts, and Black Arts (“Langston Hughes Founded Theaters”). Langston Hughes was a very popular and
Langston Hughes (1902-1967) absorbed America. In doing so, he wrote about many issues critical to his time period, including The Renaissance, The Depression, World War II, the civil rights movement, the Black Power movement, Jazz, Blues, and Spirituality. Just as Hughes absorbed America, America absorbed the black poet in just about the only way its mindset allowed it to: by absorbing a black writer with all of the patronizing self-consciousness that that entails.
One of the advantages of how he wrote his poetry is that it can take hold of people by exemplifying his accounts of the everyday life that the disenfranchised experience. Hughes took on the injustices that other dared no to speak of. He wrote about how the African-American people of the 1920’s suffered the plight of racial inequality. In many cases I believe that Hughes used his writing as an instrument of change. In “Come to the Waldorf-Astoria” (506) Hughes tackles the drastic disparity between wealthy whites and the African Americans of the 1930’s. This piece displays an unconventional style for a poem; using satire to capture the reader’s attention. By using this satiric form of poetry Hughes is able to play on the emotions of the white reader, while at the same time inspiring the black readers. Hughes is constantly comparing the luxuries of the Waldorf-Astoria to the hardships that the African American people were experiencing. “It's cold as he...
Langston Hughes was probably the most well-known literary force during the Harlem Renaissance. He was one of the first known black artists to stress a need for his contemporaries to embrace the black jazz culture of the 1920s, as well as the cultural roots in Africa and not-so-distant memory of enslavement in the United States. In formal aspects, Hughes was innovative in that other writers of the Harlem Renaissance stuck with existing literary conventions, while Hughes wrote several poems and stories inspired by the improvised, oral traditions of black culture (Baym, 2221). Proud of his cultural identity, but saddened and angry about racial injustice, the content of much of Hughes’ work is filled with conflict between simply doing as one is told as a black member of society and standing up for injustice and being proud of one’s identity. This relates to a common theme in many of Hughes’ poems: that dignity is something that has to be fought for by those who are held back by segregation, poverty, and racial bigotry.
“The Negro Speaks of Rivers” by Langston Hughes is a compelling poem in which Hughes explores not only his own past, but the past of the black race. As the rivers deepen over time, the Negro's soul does too; their waters eternally flow, as the black soul suffers.
Langston Hughes was deemed the "Poet Laureate of the Negro Race," a fitting title which the man who fueled the Harlem Renaissance deserved. But what if looking at Hughes within the narrow confines of the perspective that he was a "black poet" does not fully give him credit or fully explain his works? What if one actually stereotypes Hughes and his works by these over-general definitions that cause readers to look at his poetry expecting to see "blackness?" Any person's unique experiences in life and the sense of personal identity this forms most definitely affects the way he or she views the world. This molded view of the world can, in turn, be communicated by the person through artistic expression. Taking this logic into account, to more fully comprehend the message and force of Hughes' poetry one must look, not just to his work, but also at the experiences in his life that constructed his ideas about society and his own identity. In looking at Hughes' biography, one studies his struggle to form a self-identity that reflected both his African American and mainstream white cultural influence; consequently, this mixing of black and white identity that occurred throughout Hughes' life is reflected in his poem "The Weary Blues."
Langston Hughes’ poem “A Negro Speaks of Rivers” is an inspiring tale about the historical whereabouts of African Americans. Langston Hughes uses the geographical locations of monumental rivers to describe the progress and hardship of African Americans. Written at the age of seventeen, Hughes gave rise to the Harlem Renaissance with his literary work in 1920. The poem was written on a train, and Hughes dedicated the poem to NAACP founder W. E. B. Du Bois. Hughes credits writers such as Walt Whitman and Carl Sandberg as his influences of the poem and does so through his “voice” in the poem. Many readers may speculate that the speaker in the poem is
The poem “Negro” was written by Langston Hughes in 1958, where it was a time of African American development and the birth of the Civil Rights Movement. Langston Hughes, as a first person narrator, tells a story of what he has been through as a Negro, and the life he is proud to have had. He expresses his emotional experiences and makes the reader think about what exactly it was like to live his life during this time. By using specific words, this allows the reader to envision the different situations he has been put through. Starting off the poem with the statement “I am a Negro:” lets people know who he is, Hughes continues by saying, “Black as the night is black, Black like the depths of my Africa.”
Langston Hughes is one of the most famous poets of the Harlem Renaissance. He was born in Mississippi in 1902 and later moved to Ohio where he attended Central High School. When Hughes graduated high school he went to Mexico to visit his father and while crossing the Mississippi River he was inspired to write “The Negro Speaks of Rivers”, which was his first published poem when he was eighteen years old. When Hughes returned to the United States in 1924 the Harlem Renaissance was in “full swing”. In 1925 at the age of twenty-three Hughes received an award for his poem “The Weary Blues”, Hughes was famous for incorporating blues and jazz rhymes into his poetry, which is what he did in his poem “The Weary Blues”. Hughes was at a banquet where he received an award for his poem “The Weary Blues” and was asked by a man named Carl Van Vechten if he had enough poems to make a book. Hughes said yes and Van Vechten promised that he would find Hughes ...
In “The Negro Speaks of Rivers”, the river stands as a symbol of endlessness, geographical awareness, and the epitome of the human soul. Hughes uses the literary elements of repetition and simile to paint the river as a symbol of timelessness. This is evident in the first two lines of the poem. Hughes introduces this timeless symbol, stating, “I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins” (Hughes 1-2). These opening lines of the poem identifies that the rivers Hughes is speaking about are older than the existence of human life. This indicates the rivers’ qualities of knowledge, permanence, and the ability to endure all. Humans associate “age” with these traits and the longevity of a river makes it a force to be reckoned with. The use of a simile in the line of the poem is to prompt the audience that this is truly a contrast between that ancient wisdom, strength, and determination of the river and the same qualities that characterize a human being. The imagery portrayed in the poem of blood flowing through human veins like a river flows ...