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How women are portrayed in Shakespeare plays
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Recommended: How women are portrayed in Shakespeare plays
Women in the play, A Midsummer Night's Dream by William Shakespeare are degraded and treated as objects. Agreeing with The Plays Affirmation of Patriarchy by Shirley Garner, I believe that the women of the play are not respected and treated as though they are subjects to the men. Shirley’s essay brings up detailed and specific examples in which women are degraded. Women throughout the play are forced into situations in which they do not want to partake in. Hippolyta, queen of the Amazons, and Hermia, daughter of Egeus are forced into marriages. Women are also taken advantage of throughout the play by the men they love. Helena, a young woman in love with Demetrius, is taken advantage of by him, and Titania, queen of the fairies is put under a spell by Oberon. The treatment of the women by the men in this play is inappropriate and disgusting. …show more content…
Women throughout the play are forced into situations in which they do not want to partake in.
In the play Hippolyta is getting married to Theseus, the duke of Athens, at the next new moon. In the beginning of the play we find out that Theseus conquered her home and took her as a bride when he says, “Hippolyta, I wooed thee with my sword and won thy love doing thee injuries. But I will wed thee in another key, With pomp, with triumph, and with revealing” (1.1.16-19). Theseus takes Hippolyta from her family, destroyers her home, and takes her for his bride. All these facts contribute to the fact that Theseus forces Hippolyta into marriage, and treats her as an object that can not make up her own mind. Another women in the play forced into marriage is Hermia. Hermia’s father Egeus wishes for her to marry Demetrius instead of her true love Lysander. Egeus goes to Theseus to force his daughter's marriage and forbid her from marrying Lysander. After hearing their situation Theseus tells
Hermia, “Either to die the death or to abjure Forever the society of men. Examine well your blood— whether, if you yield not to your father’s choice, you can endure the livery of a nun, for aye to be in shady cloister mew'd, to live a barren sister all your life. But earthlier happy is the rose distilled than that which, withering on the virgin thorn, grows, lives, and dies in single blessedness” (1.1.65-78). In this quote Theseus tells Hermia that she could either be executed for going against her father's wishes or be put in a nunnery and live a chaste life. This quote shows how unfair Hermia was treated and the obstacles she had to face to be with the one she loved. I agree with Shirley Garner when she writes how Theseus and Egeus want to obtain the exclusive love for a women so they attempt to limit women's power. The controlling of women's power is shown throughout the play. Women are also taken advantage of throughout the play by the man they love. Helena, who is in love with Demetrius is a victim to this. In the beginning of the play Helena tells Demetrius were Lysander and Hermia are headed off to when fleeing. On their way to find Lysander and Hermia, Demetrius says awful things to Helena which includes him saying, “I will not stay thy questions. Let me go. Or if thou follow me, do not believe but I shall do thee mischief in the wood”(2.1.220-223). Demetrius is very rude and unaffectionate towards Helena and uses her to get close to Hermia. Titania, the fairy queen, is also taken advantage of throughout the play. Having the little Indian boy Oberon wants, he puts the potion on Titania’s eyes which forces her to fall in love with a man that has a donkey’s head. As her love for the creature progresses Oberon sits and laughs at the queen as she falls in love with the hideous creature. Oberon says, “Welcome, good Robin. Do you see this sweet sight? Now I’m starting to pity Titania for being so infatuated”(4.1.29-30). This quote shows just how funny he finds degrading the fairy queen and how little respect he has for her. Titania is treated as an object and forced into a situation she didn't want to happen. She is used to get what Oberon desires and then is told what to do. I agree with Shirley Garner when she writes that “Oberon's gain is Titania’s loss”. Oberon gains the little boy and demens Titania in the process. A Midsummer Night's Dream was a great read even with the degradation of women. Throughout the play women are thought of as subjects to men and are treated as objects. Shirley Garner puts parts of the play into perspective which I never really thought about while reading the play. Shirley's assumptions have allowed me to really get into the play and see all the manipulation throughout the play. The critical response has opened my eyes to different aspects of the book and has allowed be to change my perspective on different things.
...f the best examples for the rights of women by Shakespeare in the Elizabethan Age. Destabilizing the natural order of men and women is one of the main themes in A Midsummer Night’s Dream, and as the reader can tell no one does this better than Titania and Oberon. The message here is clear: it is acceptable to let women have their fill of power and control, but at the end of the day it is critical that men regain the upper hand in order to restore the natural order of life. Though Shakespeare writes in favor of the feminist protagonists, feminism is not the goal of the writer as he allows the antagonist men to win in the end. Such will be the attitude towards women for the next four hundred and fifty years. But until then, Titania will be immortalized in Shakespeare’s lines as the one woman brave enough to try to defy the accepted norms, if only for a little while.
There have been strict gender roles set in place for men and women to follow, throughout history. During Shakespearean times, The females were viewed as this weak, emotionally and physically. Women were expected to always listen and obey their husbands, father or male when demanded. Women were never in positions to make the rules. Men on the other hand, were expected to be the head of their households, strong, and wise. In “A Midsummer Night's Dream” written by Shakespeare, you may notice a lot of “gender roles” being played. Oberon and Titania characters are the only couple in the play who have been married for a while in the play. That makes them an important role in “A Midsummer Night's Dream”.The other couples are just starting out
The Greek myth of Theseus and Hippolyta tells of Theseus kidnapping Hippolyta in order to take her as his wife (“Theseus”). In the play, the character Theseus alludes (within the allusion) to these circumstances: “. . . I wooed thee with my sword and won thy love doing thee injuries. But I will wed thee . . . with pomp, with triumph, and with reveling” (Shakespeare 1.1.16-19). Interestingly, in the myth, Theseus never marries Hippolyta like he does in A Midsummer Night’s Dream. Hippolyta instead escapes, and Theseus is forced to look elsewhere for love (Theseus). This might make one wonder why Shakespeare chose to change the story’s ending. Perhaps this change helps to foreshadow Hermia’s eventual escape from Demetrius’s
Some of the most prominent themes in A Midsummer Night’s Dream are the omnipresence of love and desire and the tendencies of characters to manifest their defining traits. Helena and Hermia are two perfect examples of this. Hermia is the lover, and Helena the desirer, and both thrive off of their obsessions. In fact, both women are so tied to these traits that when they are taken away, their characters deflate and fall static.
Throughout A Midsummer Night’s Dream the theme of conflict with authority is apparent and is the cause of the problems that befall the characters. It also is used to set the mood of the play. The passage below spoken by Theseus in the opening of the play clearly states this theme.
William Shakespeare’s writings are famous for containing timeless, universal themes. A particular theme that is explored frequently in his writings is the relationship between men and women. A Midsummer Night’s Dream contains a multitude of couplings, which are often attributed to the fairies in the play. Each of these pairings has positive and negative aspects, however, some relationships are more ideal than others. From A Midsummer Night’s Dream the optimal pairings are Lysander and Hermia, Demetrius and Helena, and Oberon and Titania; while the less desirable pairings are Theseus and Hippolyta, Hermia and Demetrius, Lysander and Helena, and Titania and Bottom. Throughout A Midsummer
It is evident throughout the duration of the plot that there are three main themes the play and its characters tend to revolve around. The first, is this highly hierarchical type of mindset that leaves both male and female characters in extremely stressful and violent situations. The second theme touches base on the subject of marriage and suggests that female power is something that must be subdued; an essential power relationship that exists to subordinate women. Finally, A Midsummer Night’s Dream focuses on an implied “power of fantasy” that can only be seen when the play delves into the world of the fairies. All three of these themes tie back to the bigger message of how men and women in this play do not have equal rights.
The views on women in this play are shown through Hermia’s recklessness, Helena’s desperation, and Hippolyta’s hypocritical behavior. The women in this era of when Shakespeare wrote this play were subservient to men and had no will and choice of their own. This included marriages that were usually arranged by a powerful male relative instead of giving the woman the opportunity of choosing a husband that she loved. First, Helena was a woman who chased after men. She contradicts her gender by breaking society’s rules. Helena even says, “We cannot fight for love, as men may do; we should be woo’d and were not made to woo” (Rogers, 1998, Act 2, Scene 1, 241-242). Second, Hermia disobeys her father and cannot decide on marriage. She is disrespectful towards her father’s commands. Hermia goes on to say, “I do entreat your grace to pardon me. I know not by what power I am bold” (Rogers, 1998, Act 1, Scene 1, 58-59). Lastly, we have Hippolyta who pretends to love King Theseus and is a liar. She stands by through the oppression of different women in the play. Although, Hippolyta shows dominance in her words. “Four days will quickly steep themselves in night; four nights will quickly dream away time” (Rogers, 1998, Act 1, Scene 1, 6). We see the King’s impatience at having Hippolyta, but Hippolyta has the control and patience. “Hippolyta, I wooed thee with my sword, And won thy love,
Comedy in A Midsummer Night's Dream "why do they run away? This is a knavery of them to make me afeard. "(3.1.99) This is a quote from the Shakespearean play "A Midsummer Night's Dream. " In this quote, the speaker, Bottom, is wondering why everyone is afraid of him.
In act five, scene one, Theseus gives a speech to Hippolyta regarding the foolish dreams Helena, Lysander, Demetrius, and Hermia just had. Before this, Helena, Lysander, Demetrius and Hermia all wake up cloudy and confused about being anointed by the flower and falling in love with the wrong person. Lysander and Hermia recount their plan of escaping and the forest as well as Helena who chose to follow them into the forest. Egeus refuses to allow Lysander’s love for Hermia, but Theseus rules against Egeus allowing Lysander and Hermia and Demetrius and Helena to marry. Before the wedding Theseus talks to Hippolyta about the confusing stories of these dazed lovers. Theseus believes these people have overactive imaginations and dismisses what they say as foolish.
In “The First of the Trumpet,” John Knox argued that “Woman in her greatest perfection was made to serve and obey a man, not to rule and command him” as he gives example of a picture of women in the William Shakespeare society at that time. Women at that time were not only dependent on men but they also had no freedom of choices. Also men were not allowing women to go to school and they also don’t allow them even to enter the university or even to act on the stage. So because of that they will remain fully dependent upon their male relatives. In fact, during marriage a powerful male relative was the one who responsible for choosing the husband for the women, and not the women herself. As William Shakespeare wrote most of his plays during that time, it is not strange as he pictured women in a way he knew to be familiar and normal to him and also to be familiar and normal to his society as well. In the play A Midsummer Night’s Dream, for example, he pictured women as how they are being dependent on men and how they cannot support them self as well. And this appear through the identities, and the relationship, and finally personalities of two particular characters in the play, which is the first character is
“...So long as men can breathe or eyes can see/So long lives this, and this gives life to thee.” So ends the famous Sonnet 18, possibly Shakespeare’s best-loved sonnet of all. Shakespeare’s fame today comes almost exclusively for his writing that deals with feelings of love. Sonnet 18. Romeo and Juliet. A Midsummer Night’s Dream. Hamlet and Ophelia and Antipholus and Luciana and Beatrice and Benedick and Antony and Cleopatra. All these examples of the guy falling in love with the girl and skipping off into the sunset with her. However, new evidence shows that he wrote almost half of his sonnets to a man, including that oft-quoted “Shall I compare thee to a summer’s day?” sonnet. As we look closer and closer at his cross-dressing, male-centric, “fabulous” plays, Shakespeare scholars argue that it’s very possible he swung the other way, or at least been an ally for those who did. Fast forward about four hundred years and we live in a thoroughly(though not yet quite totally) accepting society, with multiple organizations dedicated only to making LGBT kids feel safe in their own community, universally legal gay marriage undoubtedly coming up on the horizon, and non-gender-binary people winning major beauty-centric competitions. The very reason that so much research has been done on Shakespeare’s sexuality is that we accept so many in today’s modern, free spoken society. The majority of today’s society opens and accepts all, and I like to believe that the bard himself strove for a world like this. There are still a few people who still believe that their love-thy-neighbor religion does not apply to those who do not fit within the societal construct of a book written thousands of years ago, but people who have grown to love far overpowe...
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
The Feminist Subtext of A Midsummer Night's Dream Shakespeare's works have persistently influenced humanity for the past four hundred years. Quotations from his plays are used in many other works of literature and some common phrases have even become integrated into the English language. Most high schoolers have been unsuccessful in their pursuit of a degree and college students are rarely afforded the luxury of choice when it comes to studying the board. Many aspects of Shakespeare's works have been researched but one of the most popular topics since the 1960s has been the portrayal of women in Shakespeare's tragedies, comedies, histories and sonnets. In order to accurately describe the role of women in Shakespeare's A Midsummer Night's Dream, one must first explore the female characters in the text.
Hippolyta, the warrior Ruler, appears to be typical with the way that Theseus has caught her and needs to wed her. At the point when Theseus gladly discusses how he had taken her by war, and how he couldn't hold up to get hitched, her lone answer is that the days will go by speedy. All through the play, she doesn't state much, and her supposition or inclination is likewise not asked. It couldbe in light of the fact that she has acknowledged her destiny being in the hands of her prospective spouse. Helena is appeared as a reliable sweetheart, however her persuadance is now and again, disturbing.