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This that you call love? sexual and social tragedy in othello
Love in Shakespeare
The Character of Othello
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Love, passion, lust, jealousy, and infidelity—these words ring as sources of many thematic works that have spanned across the ages. The intriguing aspects of passion and the personal connections between people have always endeared many viewers and readers to a story. This is why soap operas, passionate crime series, and romantic stories are created, to allow respective audiences into a tumultuous world of crimes of passion and smoldering embraces. William Shakespeare’s Othello delves into the type of drama that is still read today, even if the play itself goes back to hundreds of years ago. Othello is jealousy and passion incarnate; Desdemona is the frantic damsel whose innocent love is shattered; Roderigo is the lusty fool in a lover’s triangle; Cassio is the unsuspecting victim to a more sinister plot; and Iago is the catalyst of all these sparked emotions. When melded together, the characters’ interactions create such a story that would entertain the past and modern audiences.
With a hyped up media in the modern world, celebrity status has become a major cultural phenomena worldwide. Those who have visited grocery stores or newsstands will find magazines that either entices you to peruse them for dating advice or for the gossip in celebrity lives. Who got into an argument in public? Who loves and doesn’t love each other? Who’s getting a divorce? Who’s cheating on whom for whom? This cycle continues every day, every month, every year, and yet people do not tire of this drama unfolding in front of them. And that is because it spurs interest. Many people have different ideas on love, and many others are interested in how love plays out.
Othello begins with Roderigo, who laments to Iago that his most beloved Desdemona has been ...
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...yalty to Iago becomes his undoing, and it is perhaps the strong and loyal Cassio who escapes with cuts, bruises, and a higher rank for his troubles.
The fact of the matter is that Othello contains so many aspects of love, of crimes over love, and of thoughts on love that the storyline still becomes relevant even in our modern society. There is no denying that Othello can mean any jealous and passionate fool who does not trust his faithful wife. There is no denying that there is a distinct sexual tension building up within Roderigo in his lust for the pure Desdemona. And there is no getting around to the idea that Iago’s knowledge of every character allows him to expertly play out their passions without being detected until too late.
Works Cited
Shakespeare, William, David M. Bevington, and Barbara Gaines. Othello. Naperville, IL: Source MediaFusion, 2005. Print.
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
Kernan, Alvin. “Othello: and Introduction.” Shakespeare: The Tragedies. Ed. Alfred Harbage. Englewood Cliffs, NJ: Prentice-Hall Inc., 1964.
Shakespeare is prominent not only in inventing new words, but also in using such themes as death, love, and betrayal throughout his works including Othello. However the central theme of the play is jealousy which we face right from the beginning meeting Roderigo, who envies Othello because he wants to be with Desdemona. In the end of the play we see how furiously jealous Othello is because he is sure Cassio and Desdemona have an affair. In the story of Othello by Shakespeare it is clear that Iago plays a significant part as he is introduced right from the first scene. Iago was Othello 's ensign who was passed over for the lieutenant position in favor of Cassio. We tend to follow Iago during the play more than Othello. Iago leads us through
Othello and Desdemona are so attractive that we tend to see them only as they see each other: the noble Moor, the pure white maiden. But Shakespeare shows their love, even here at the very beginning, as dreamy, utterly defensele...
Act 1 Scene 1 opens with an expression of jealousy and hatred: Roderigo is upbraiding Iago because of the elopement of the object of his affections –Desdemona -- with the Moor: “Thou told’st me thou didst hold him in thy hate.
Roderigo learns about the elopement of the Moor and Desdemona. He questions Iago in pursuit of the money he has given him in order to woo Desdemona. These lines show that even before the play begins, Iago greatly influences Roderigo. The relationship and trust the two characters have is made apparent through the first lines. Iago takes enjoyment in influencing people, as seen through his first soliloquy.
Othello is without a doubt obsessively in love with Desdemona that the preconcieved idea of her cheating on him will throw him into an uncontrollable fits of rage that could be seen as slight symptoms of excessive jealousy responses in the brain. As a soldier Othello is supposed to hold himself to a higher standard. However Iago has made it a point to mention Othello’s epileptic tantrums as “passion unfitting such a man” (Act IV,scene 1). Othello a man of such noble standard and solidarity is witnessed as revealing weakness and vulnerability by the uncertainty of marriage with Desdemona.
A classic megalomaniac, Iago suffers from a massive ego, and therefore feels intensely jealous when talent other than his own is recognized. The play opens to Iago announcing that he hates Othello,”Despise me If I do not. Three great ones of the city, In personal suit to make me his lieutenant, Off-capped to him; and by the faith of man, I know my price, I am worth no worse a place” (1,1,8-12). It is Othello’s pride and partiality towards his friends, Iago claims, that caused him to choose Cassio as lieutenant in lieu of his “Ancient”. While Iago is understandably slighted that a man, whose knowledge of war came from a book rather than the field, has been appointed to a position over him, saying that it was Othello’s pride that produced Cassio’s promotion suggests that Iago t...
The situation above leaves an opening for Iago to fulfill his vital plan to bring down Othello through Desdemona. Cassio was a mental wreck and told Iago that his reputation was ruined. Iago told him that he can get his rank back through Desdemona and get back on Othello's good side. "Confess yourself freely to her, importune her help to put you in your place again (p. 54)." Once Cassio talks to Desdemona, Iago will speak with Othello and get him to think of his wife's trust. In Act three Scene three Iago is speaking to Othello and warns him to look out for Cassio and Desdemona. Othello asks Iago if it was just Cassio that left from speaking with his wife.
With Roderigo, someone he commands control over, Iago employs pathos, allowing his plan to appeal to Roderigo’s sensitive emotions about Othello. Roderigo and Iago discuss about how each of them despise Othello when Iago says, “If ever I did dream of such a matter, / Abhor me” using pathos to confirm his hatred towards the General (1.2. 5-6). The play commences with Iago employing direct rhetoric and partnering up with Roderigo to enhance a sense of comradery. Harsh language such as “Abhor me”, exemplifies the hateful emotions Iago feels toward Othello as well as enhances the emotions Iago wants to appeal to in Roderigo (1.2. 6). Affecting Roderigo more influentially, Iago uses deeper, more personal pathos, by highlighting the seemingly good qualities in Roderigo. Iago contrasts Roderigo to Othello pointing out, “Let not they discreet heart think it…manners and beauties: all which the/ Moor is defective in” (2.1. 215, 219-220). Firstly, Iago weighs Roderigo’s positive qualities against Othello’s negatives ones, convincing Roderigo to feel more confident with Iago and following along with his scheme. Secondly, Iago alters this rhetoric to include Roderigo’s love interest, Desdemona. By exemplifying a more personal and sensitive side when talking about “manners and beauties”, Iago can create a bigger impact in
Shakespeare's Othello is not simply a play which embodies the conflict between insider and outsider. The paradigm of otherness presented in this play is more complicated than the conclusion, "Othello is different; therefore, he is bad." Othello's character is to be revered. He is a champion among warriors; an advisor among councilmen; a Moor among Venetians. Yes, Othello is a Moor, but within the initial configuration of the play, this fact is almost irrelevant. His difference is not constructed as “otherness.” Othello, by his nature, is not an “otherized” character. Besides being the dark-skinned Moor, Othello varies in no real way from the other characters in the play. Further, Othello and Iago can be seen as two sides of the same destructive coin. With Iago as a foil and subversive adversary, Othello is not faulted for the indiscretions he commits. It is the invention and projection of otherness by various characters in the play, especially Iago, which set the stage for the tragedy of dissimilarity which is to ensue.
When many people decided to sit down and read a book or a play it is because the title or summary entices them. As the story comes to an end it is decided whether or not the person related to or understood the point of the literature. Great authors and playwrights know this and set in place concepts. Many different concepts, to catch different audiences attention and to deepen the understanding of the literature. In order to understand Shakespeare’s play Othello, it is necessary to examine the emotions of jealousy, manipulation, being consumed by something, and gender.
Roderigo begins with a small jealousy of Othello for being married to Desdemona. It isn't until Iago makes Roderigo believe Desdemona does not really love Othello that Roderigo becomes destructive. Iago tells Roderigo, "It cannot be that Desdemona should long continue...
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Shakespeare’s famous play Othello is a play of love that has turned bad by the unfounded jealousy of the protagonist character Othello. Arguably the contribution of Othello’s susceptibility to manipulation, his weaknesses and the manipulation of other characters tactics such as Iago each contribute to the downfall of Othello. However, to the extent of which each is more significant varies and this is what will be analysed in this essay.