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Tragedy vs comedy
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Tragedy vs comedy
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Since life is too complex to be classified into a single category, then why should a play imitating life be confined to a single genre? In the classic tale of two "star cross'd lovers", Romeo and Juliet, Shakespeare dabbles with both the comic and tragic genres (Prologue, Line 6). The play starts in the traditional comic form but undergoes a transformation in Act III, Scene I. In this scene, the death of Mercutio, and consequential death of Tybalt, transform the play into a tragedy. With each death comes a change that alters the course of the rest of the play. Mercutio's death results in an inversion of the play's genre. Traditional comic elements are lifted only to be replaced by tragedy. The death of Tybalt constitutes another radical change in the play - this time in the plot. Before Tybalt's death, the ongoing feud between the Montagues and Capulets was nothing more than idle threats. The only character to take the quarrel beyond mere words was Tybalt. Ironically, his murder intensifies the feud and takes it to a whole new level. Also, Romeo's role in this scene propels the new genre of tragedy as he takes up the role of the tragic hero. This new role dooms both him and Juliet. Thus, the shifting genres in this scene set the course for the rest of the play.
To understand the shift in genres, there must be recognition of Mercutio as a comic character. Mercutio is Shakespeare's prominent comical character in Romeo and Juliet. He is not bound by the events around him, as he often rambles on a topic that is completely irrelevant to the situation in which he finds himself. Mercutio is a free character who is independent of the world around him. His existence is entirely comical in his play with language. For Mercutio, speech is ...
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...d Juliet's suicide is the result of Act III, Scene I's shift in genres. The death of Mercutio provokes a change from comedy to tragedy but it is Romeo's actions that sustain the tragedy. Although Tybalt's murder reinforces the tragedy, it results in another change in the play. His death changes the course of the play as the family feud becomes increasingly serious. This further complicates the situation for Romeo and Juliet since now their love is forbidden even more than it was before. They cannot reveal their marriage, thus, their attempt to reconcile the families fail. All of this stems from the events in Act III, Scene I. Therefore, it can be concluded that this scene is the most critical scene in Romeo and Juliet.
Works Cited
Shakespeare, William. The Arden Shakespeare Complete Works: Romeo and Juliet. Ed. Brian Gibbons. London: Thomson Learning, 2001.
Shakespeare, William. “Romeo and Juliet.” Literature and Language. Illinois: McDougal, Littell and Company, 1992. 722-842
(CLOSING STATEMENTS) With his audacious nature, Romeo kills Tybalt in a challenge and later kills himself, which causes significant problems in the plot. Unfortunately, as a result of Romeo’s actions, Juliet stabs herself with his dagger because she no longer wants to live in a world without him. Along with Romeo, Mercutio is another character who makes poor decisions based on his overdramatic personality and tendency to disagree with Benvolio's way of thinking. These two choices cause characters around Mercutio to not take him seriously, and for this reason, he later dies in the play. Although Mercutio’s actions impact the storyline, Friar Laurence’s choices primarily cause the play to become such a tragedy. For instance, his poor decisions to marry Romeo and Juliet and flee Juliet’s tomb eventually cause the couple’s love for one another to become inseparable, and they take their lives at the end of the plot. (CLINCHER) As the readers delve deeper into Romeo and Juliet and unravel what went wrong, they will begin to realize that the decisions made by the characters created catastrophic
Act 3, Scene 1 in 'Romeo and Juliet' is very important to the play as
* Hastiness- Romeo is hasty to fall in and out of love. The two are
Works Cited for: Shakespeare, William. Romeo and Juliet. New York City, NY: Folger Shakespeare Library, 1992, 2011. Print. The.
Shakespeare, William. Romeo and Juliet. Ed. Stephen Greenblatt et al. The Norton Shakespeare. New York: W.W. Norton & Company Inc., 1997. Print.
better of him. He doesn't even know her name and he believes he is in
The first reason why the play is a traditional tragedy is that the hero, Romeo, possesses a major flaw which leads him into much trouble and eventually his demise: his fiery, impetuous nature. In one of the many brawls between the Capulets and the Montagues, Romeo displays his rashness. In this encounter, Tybalt and Mercutio, Romeo’s best friend, joke around as they are dueling, but the duel takes a turn for the worse when Tybalt kills Mercutio. Romeo, devastated by the death of his best friend and hell-bent on avenging it, challenges Tybalt to a duel. Romeo kills Tybalt out of anger and is banished from Verona, separated from his love Juliet. The punishment does not fit the crime, but it cannot be denied that Romeo brought it upon himself. He acknowledges his own rash behavior by saying, “Oh, I am fortune’s fool!” (III, i, 99). If he could have controlled his temper, the whole fight would have been avoided. Not only is Romeo impulsive in battles...
Shakespeare, William. Romeo and Juliet. Ed. Barbara Mowat and Paul Werstine. N.p.: n.p., n.d. Print.
Shakespeare, William, and Burton Raffel. Romeo and Juliet. New Haven: Yale University Press, 2004. Print.
Shakespeare, William. Romeo and Juliet. Language of Literature. Ed. Arthur N. Applebee. Evanston: McDougal Littell, 2002. Print.
Act Three Scene 5 of Romeo and Juliet Romeo and Juliet is set in Verona, which is the battleground for a hostile feud between two families, the Montague’s and the Capulets. The two families brawl constantly in the streets; the reason for the quarrel is never actually made very clear. In response to the constant fighting the prince of Verona issues an addict imposing the death penalty on anyone caught “duelling”. Romeo, a young man of the house of Montague, has been infatuated with Rosaline, a niece of Capulet.
takes no notice of him. He makes fun of him instead. This is not a
The Dramatic Significance of Act III Scene I of Romeo and Juliet by William Shakespeare
Shakespeare, William. Romeo and Juliet (Barnes & Noble Shakespeare). New York: Barnes & Noble, 2007.