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Critical analysis of Midsummer Night's Dream by Shakespeare
Critical analysis of Midsummer Night's Dream by Shakespeare
Fairy tales in our culture
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Act 3 scene 2 of A Midsummer Night's Dream 'A Midsummer Night's Dream' is a comedy written by Shakespeare in the Elizabethan times, still performed in the present day. At Act 3 scene 2 we are probably at the height of confusion in the play. Each of the four lovers loves someone who does not love them. Demetrius loves Hermia, Hermia loves Lysander, Lysander loves Helena and Helena loves Demetrius. All this chaos is down to Puck, a mischievous fairy whose job is to stir up trouble to amuse the fairy King. Not only has he been distorting the lives of humans, but also the fairy Queen. She is momentarily in love with a mortal with an ass' head (also as a consequence of Puck's actions). The audience has the advantage at this point as they are all knowing, making them feel as though they are a little superior. They know that the fairies exist and all of Puck's activities. The audience is expecting that Oberon will sort out the mess after seeing the chaos that Puck's actions have caused. At the beginning of the scene we see Puck describing how he successfully 'An ass's nole fixed upon' Bottom's head and how he then fabricated the love between him and Titania. Puck is very pleased with himself at all the upheaval he has induced. The audience sees his mischievous and naughty side once more. It also tells the audience that Puck is dedicated to pleasing his King. It is obvious that Puck thinks very little of 'mortals'. He describes them as 'The shallowest thick-skin of that barren sort' making them seem very stupid. And also as 'wild geese' which are seen as senseless annoying animals. In this part of the scene rhyming couplets are used... ... middle of paper ... ...ving the matter and leaving Puck and Oberon alone. Oberon is appalled once again by Puck's conduct. Puck claims he is sorry, 'I mistook' he says and declares that he is 'so far blameless'. This again flaunts his impish side enforced even more by his second statement describing the lover's chaos as 'jangling' and a 'sport'. This means it gave him great pleasure to see humans in such a predicament. At the end of the scene the audience is left feeling a mixture of emotions. Relief that all this chaos will be sorted out but also gladdened that each of the lovers will have someone who loves them back. However, the audience does not yet know whether the spells will work, whether all will be well. So there is still a sense of anticipation at the end of this scene as Puck exits leaving the stage empty for the next scene.
He sends his jester, Puck, to use a flower that, if its juice is dropped onto someone who’s sleeping’s eyes, will make the person fall madly in love with the first person they lie their eyes on. “Take thou some of it, and seek through this grove; A sweet Athenian lady is in love with a disdainful youth; anoint his eyes; but do it when the next thing he espies may be the lady. Thou shalt know the man by the Athenian garments he hath on. ”(64) Puck, following Oberon’s orders, finds Lysander and Hermia instead of Demetrius and Helena.
A Midsummer Night’s Dream is one of Shakespeare’s most popular and frequently performed comical plays (Berardinelli). The play transformed into a cinematic production by Michael Hoffman has not changed in its basic plot and dialogue, but the setting and some character traits have. The play setting has been gracefully moved from 16th century Greece to 19th century Tuscany (Berardinelli). The addition of bicycles to the play affects the characters in that they no longer have to chase each other around the woods, but can take chase in a more efficient fashion. As far as characters are concerned, Demetrius is no longer the smug and somewhat rude character we find in act 1, scene 1 (Shakespeare pg. 6, line 91), but rather a seemingly indifferent gentleman placed in an unfortunate circumstance set to delay his wedding to Hermia. Perhaps the most noticeable change in the character set from stage to film occurs in the characters of Puck and Nick Bottom.
Some of the most prominent themes in A Midsummer Night’s Dream are the omnipresence of love and desire and the tendencies of characters to manifest their defining traits. Helena and Hermia are two perfect examples of this. Hermia is the lover, and Helena the desirer, and both thrive off of their obsessions. In fact, both women are so tied to these traits that when they are taken away, their characters deflate and fall static.
When working toward any goal, it is human nature to draw on the ideas of others; to consider the successes and failures of others to improve the chances of you succeeding. This is true in many different fields, but most frequently seen in literature. When writing new novels or plays, authors rely on the ideas and storylines of other pieces to give their piece more meaning or direction. This is no different from when William Shakespeare was writing his plays around the 1600’s. One of the more discernable examples of this is Shakespeare using the story of Pyramus and Thisbe when composing both Romeo and Juliet and A Midsummer’s Night Dream, which are a tragedy and a comedy, respectively. In the time of publication, theater was a common form of
In A Midsummer Night's Dream, playwright William Shakespeare creates in Bottom, Oberon, and Puck unique characters that represent different aspects of him. Like Bottom, Shakespeare aspires to rise socially; Bottom has high aims and, however slightly, interacts with a queen. Through Bottom, Shakespeare mocks these pretensions within himself. Shakespeare also resembles King Oberon, controlling the magic we see on the stage. Unseen, he and Oberon pull the strings that control what the characters act and say. Finally, Shakespeare is like Puck, standing back from the other characters, acutely aware of their weaknesses and mocks them, relishing in mischief at their expense. With these three characters and some play-within-a-play enchantment, Shakespeare mocks himself and his plays as much as he does the young lovers and the mechanicals onstage. This genius playwright who is capable of writing serious dramas such as Hamlet and Julius Caesar is still able to laugh at himself just as he does at his characters. With the help of Bottom, Oberon, and Puck, Shakespeare shows us that theatre, and even life itself, are illusions that one should remember to laugh at.
The magic of Puck changes the head of Bottom into that of a donkey. Puck’s own use magic adds more humor to the already comical and over-confident character of Bottom. Puck’s magic also creates a great deal of humor in the dealings of Bottom and Titania. The contrasted humor is clearly shown as Titania weaves flowers into the hair of Bottom’s donkey like head. Titania is a beautiful and delicate creature, while Bottom is completely grotesque. Magic creates an unreal image of Bottom, which in turn creates a comical contrast between Bottom and Titania. As part of the already comical sub-plot, Bottom’s altering through magic adds even more humor to the overall play.
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
On the 18th of March, 2016, Miami City Ballet performed Shakespeare’s sublime play A Midsummer Night’s Dream. This casting took place at the Adrienne Arsht Center for the Performing Arts, Miami Beach, Florida. A Midsummer Night’s Dream followed the romantic adventures and misadventures, quarrels and reconciliations, of two pairs of mortal lovers, as well as the King and Queen of all the fairies. Throughout the course of this paper, an analysis of the choreography, demonstrated principles of dance and the effectiveness of the message conveyed during A Midsummer Night’s Dream’s will be discussed in detail.
plot of the play. After all, in Act Four we not only have the lovers
Love and nature also play a huge part in the bizarre events that surround dreams and the concept of dreaming. While each of the four lovers dream of being with a particular significant other, bizarre circumstances, brought upon by Puck, allow for chaos and obvious confusion. But, probably one of the most bizarre situations within this production is the lines uttered by Puck at the completion of the production. These lines really relate to the concept of dreams because they make the audience question the outlandish events that had previously occurred or indeed, whether they had even occurred at all. Works Cited Shakespeare, William.
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
As in the scene with Hermia and Lysander, and Helena and Demetrius, when Puck mistook Lysander for Demetrius (Shakespeare conveniently had the characters look alike or ‘only slightly individualized') and dropped the love-juice into Lysander's eyes and then (with help from Oberon) realized what he had done, he knew he had to fix it. Shakespeare conveniently created ‘Puck' to add some probability to the play. Since the typical audience believed in fairies and little people, Puck could be convincing in his role. It is possibly, even today, more plausible to have a little fairy running around causing problems than to have to try and believe that fate and destiny were the cause of all the joy, sadness, and bad luck. When William Shakespeare created ‘Puck,' it seems as though the play got much more out of the character than intended.
The overriding theme of the play "A Midsummer Night's Dream" by William Shakespeare deals with the nature of love. Though true love seems to be held up as an ideal, false love is mostly what we are shown. Underneath his frantic comedy, Shakespeare seems to be asking the questions all lovers ask in the midst of their confusion: How do we know when love is real? How can we trust ourselves that love is real when we are so easily swayed by passion and romantic conventions? Some readers may sense bitterness behind the comedy, but will probably also recognize the truth behind Shakespeare's satire. Often, love leads us down blind alleys and makes us do things we regret later. The lovers within the scene, especially the men, are made to seem rather shallow. They change the objects of their affections, all the time swearing eternal love to one or the other. In this scene Shakespeare presents the idea that both false love and true love can prevail..
To emphasize, in Act III, the reader is presented with the play’s most extraordinary contrast, the relationship between Titania and Bottom. “What wakes me from my flow’ry bed?” (III.i.131). Titania is awoken by the so-called melodic singing of Bottom. In the present scene, both characters are under some particular sort of spell. Titania’s eyes were anointed with the nectar of the love flower, thus causing her to fall in love with the next living thing she encounters. In the meantime, Puck pulled a prank on Bottom, turning his head into that of an ass. Both characters of the play are interpreted as complete opposites. Titania, characterized as the beautiful, graceful fairy queen; Bottom is portrayed as overdramatic, self centered, and as of now, not keen on the eyes. However, the love nectar never fails and seems to bring the two into a state of lust. The contrast between the two is overwhelming. An important scene in the pl...
When the lovers awoke in the morning, they thought all of the ridiculous things that had happened or been said the night before had just all been a dream. However, if Oberon had been more specific in his directions to Robin, "a sweet Athenian lady is in love with a disdainful youth. Anoint his eyes. thou shalt know the man by the Athenian garments he hath on," all of this could have been avoided, and everything would have been fine (page 53). This gives insight to the thematic nature of the work by setting a magical atmosphere for the lovers to be in.