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The Character of Claudius in Shakespeare's Hamlet Essay
An essay on Claudius in Hamlet
Claudius analysis hamlet
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In Act III, scene four of William Shakespeare’s Hamlet, our protagonist, Prince Hamlet of Denmark, confronts his mother Gertrude in a tirade as he reveals the murder of the late King Hamlet, and condemns her incestuous marriage to the perpetrator of the crime, King Claudius. While the heinous act certainly deserves retribution and his burning desire for vengeance, Hamlet goes too far in this scene, mercilessly slaying Polonius, Claudius’ counsellor, and continuing to berate his mother despite previous ignorance to the king’s deed. Throughout his monologue from lines 52 to 88, Hamlet consistently steps past the bounds of reason, bordering into madness. Hamlet begins his monologue as he compares the pictures of Claudius and the deceased Hamlet, …show more content…
Hypocritically, he introduces the crime to his mother: “Look you know, what follows. / Here is your husband, like a mildewed ear / Blasting his wholesome brother” (Shakespeare 3.4.64-66). At first glance, the “mildewed ear” on line 65 brings to mind Claudius’ method of murdering the late King of Denmark: pouring poison in his brother’s ear as he slept in an orchard. However, after referring to The Merriam Webster Dictionary, the ear can also be defined as the fruiting spike of a cereal (as wheat or Indian corn) (“ear”). With this information, Hamlet’s words hold a double meaning, as he boldly seems to call King Claudius a rotten ear [of corn]—essentially, a vegetable of a human being. All of this said in the presence of the king’s own wife. Furthermore, it’s interesting to note that out of a total of 36 lines, Hamlet spends barely two of them describing the actual murder—at this point in the play, Hamlet is less focused on plotting vengeance; rather, he seems to be tormented and acts only to scorn and rebuke his mother. Twice he insults her, shouting “Have you eyes? […] have you eyes?” (Shakespeare 3.4.66-68). Rather than focusing on enacting justice against the king’s foul crime, Hamlet is rendered incapable of following the ghost’s warning against plotting and fails to withdraw from a barrage of ad hominem attacks against his own mother (Shakespeare …show more content…
Towards the end of the monologue, from lines 77 to 78, he poses, “What devil was ’t / That thus hath cozen’d you at hoodman-blind?” (Shakespeare 3.4.77-78). Other than just rudely insulting his mother with mention of devilish influence, Hamlet admits that Gertrude’s ‘straying from reason’ was the work of some other player. This fact helps to prove his monologue as unnecessary and unjust. Hamlet simply has no valid reason to continue in his attacks and victimize his mother, other than to release his bitter
In act I scene ii Hamlet,his mother, and father/uncle were discussing how Hamlet should remain in Denmark and not go back to school in Wittenberg. This scene is crucial in the play because it takes the quote "keep your friends close, and your enemies closer" very literal. By asking Hamlet to stay Claudius is getting the upper hand with having the ability of keeping his eye on Hamlet.The main character Hamlet is viewed as a recently become madman because of his rejected love from Ophelia. He is also seen a inexperienced prince by his stepfather, Claudius and Polonius. In Hamlet's soliloquies we can see that he disapproves of his mothers marriage to Claudius[uncle/stepfather] because she married him so soon after his fathers death.Along with
In the play,”Hamlet, Act 3 scene 1” the target audiences between both plays were to a wide variety of people. Back when Hamlet was first written, it was made to be viewed by a wide variety of audiences. Typically during the renaissance era, plays were made more common to the lower part of society; this being why Hamlet was written. Although both plays are to the same audience, the first one is more distinct into who it wants viewed. It had elegance, and was more formal and professional. You could see in the audience people were wearing suits a formal attire. As to the second one, it was smaller scale, and the audience had people in shorts and sweats.
Act II scene i of William Shakespeare’s play Hamlet is a scene in which a lot is revealed. In this scene Polonius sends his servant, Reynaldo, to France to see Laertes and also to spy on him. As Reynaldo is on his way out, Ophelia comes into the scene and she is very distraught. She explains to Polonius that Hamlet had confronted her in a very unkempt state. Hamlet had grabbed her wrist and held her there for a few moments and then sighed. In this entire encounter Hamlet did not speak. Polonius is convinced that Hamlet is madly in love with Ophelia and that in addition to Polonius forcing Ophelia to distance herself from Hamlet is that is the reason for this encounter. The scene ends with Polonius going to see Claudius of his idea. This scene shows evidence of dramatic irony because Polonius is convinced that Hamlet is mad because he is in love with Ophelia but the audience knows that Hamlet is only pretending to be mad.
The Tragedy of Hamlet is a play written by William Shakespeare about a young prince trying to avenge his father’s death. In the beginning of the play, young Hamlet is visited by the ghost of his father, who tells Hamlet that his uncle, Claudius, killed him. Meanwhile Hamlets mother, Gertrude, has gotten married to said uncle. Now it is Hamlet’s job to kill his Uncle-father to avenge his dead father, a task that may prove to daunting for Hamlet. In Shakespeare’s, The Tragedy of Hamlet, the author uses diction and syntax to make Hamlet portray himself as mentally insane when in reality, he is sane thorough the duration of the play, tricking the other characters into giving up their darkest secrets.
Hamlet Soliloquy Act 1, Scene 2. The play opens with the two guards witnessing the ghost of the late king one night on the castle wall in Elsinore. The king at present is the brother of the late king, we find out that king Claudius has married his brother’s wife and thus is having an incestuous relationship with her, and her love. We also learn that Claudius has plans to stop.
Hamlet takes control of the conversation from the very beginning of the scene although it is Gertrude who was meant to be rebuking him and doing much of the talking. Hamlet succeeds in shaming her until the point when she begs him to stop. Hamlet having the upper hand in the conversation, asks his mother to change her ways, which she agrees to and asks for his advice, showing that she has submitted herself to her son. Hamlet does not really show much respect for his mother while reproving her and forcing her to sit down but he does love her. Some critics believe that his love shows sexual connotation and that is a reason why he gets so upset at her remarriage. There is a point in this scene when Gertrude thinks her life is in danger of Hamlet and gets frightened, which shows us that she considers him to be mad and harmful. After this scene she becomes aware that Hamlet isn't mad and starts trusting him as opposed to Claudius. This is exactly how Shakespeare has presented women throughout the play: they are easy to convince, very meek and become submissive to the men (as we can see Ophelia and her response to her father and brother). They are depicted as weak and inferior in comparison to the male figures, who control their lives. After the closet scene Gertrude keeps faith to her son and lies to her husband Claudius for Hamlet saying he killed Polonius in his madness:
King Hamlet's "foul and most unnatural murder" (Shakespeare I.v.31) tops Claudius' list of egregious sins. Using his mastery of manipulation, Claudius, the “incestuous” and “adulterate beast” managed to win the honorable queen Gertrude by using the “shameful lust [of her] will” (I.v.49…52-53). Claudius had to use verbal trickery to influence Gertrude into switching husbands that quickly after her husband’s death, which shows his true skill: lying convincingly. Claudius manages to validate his ascent to the throne by diverting attention away from him and to the attack by the young Fortinbras of Norway (I.ii.1-38). The most horrible of Claudius’ crimes is his lack of emotion over his traitorous fratricide. Claudius does not even give his late brother a word of respect; instead the focus is upon the future of Denmark. Claudius goes so far as to chastise Hamlet for his “unmanly grief” (I.ii.98), emphasizing that for the benefit of Denmark; all those affected by the death of King Hamlet should keep a strong façade. Later in Hamlet, Claudius begins to openly express his remorse and recognizes the immorality of his actions when he says himself: “O, my offense is rank, it smells to heaven;/ It hath the primal eldest curse upon’t, / A brother’s murder. Pray cannot I” (III.iii.40-42). He expresses his grief and sin in private but keeps a façade in front of the rest of the kingdom. Claudius is
With his thinking mind Hamlet does not become a typical vengeful character. Unlike most erratic behavior of individuals seeking revenge out of rage, Hamlet considers the consequences of his actions. What would the people think of their prince if he were to murder the king? What kind of effect would it have on his beloved mother? Hamlet considers questions of this type which in effect hasten his descision. After all, once his mother is dead and her feelings out of the picture , Hamlet is quick and aggressive in forcing poison into Claudius' mouth. Once Hamlet is certain that Claudius is the killer it is only after he himself is and and his empire falling that he can finally act.
thy uncle stole/ With juice of cursed hebenon in a vial/ And in the porches of my ears did pour. (Shakespeare 90) This happens to be iron due to the fact that in the ear you are able to listen to things, which shows that King Hamlet eavesdrops to corrupt and insignificant ideas.
In addition to this internal struggle, Hamlet feels it is his duty to dethrone Claudius and become the King of Denmark. This revenge, he believes, would settle the score for his mother’s incestuous relationship and would reinstate his family’s honor. These thoughts are solidified in Act I, Scene 5, when his father’s ghost appears and informs Hamlet that is was Claudius who murdered him, and that Claudius deprived him “of life, of crown, and queen” (line 75). This information leads to Hamlet’s promise to kill Claudius, while not punishing his mother for their incestuous marriage. His statement, “thy commandment all alone shall live within the book and volume of my brain” (lines 102-103), demonstrates his adamant decision to let nothing stand in the way of his promise for revenge.
In this scene, Hamlet argues with his mother, Gertrude. He belittles her, and insults her “incestuous” relationship with Claudius. Hamlet accuses his mother of helping Claudius kill his father. Hamlet even tells his mother that “(would it were not so) you are my mother” (3.4.21.). Basically, Hamlet tells his mother that he wishes that she wasn’t his mother. During this scene, Hamlet is actually contemplating whether or not he is to kill his mother. While Hamlet has no concrete proof that Gertrude actually had any place in the plot to kill Hamlet Senior, he believes that her relationship, and loyalty, to Claudius is proof enough. Then, however, the ghost intervenes and informs Hamlet of his mothers’ innocence. The passion behind Hamlet in this scene is his resentment of his mothers’ marriage to Claudius, and his belief that his mother had a part in the murder of Hamlet Senior. This caused him to be enraged at his mother, and even wish for her death. However, if Hamlet thought logically, he could have discussed Claudius’ crime with his mother and determined whether or not she was guilty for himself, instead of relying solely on the
“Hamlet is another of the great creations of tragic poetry…What is it that inhibits him in fulfilling the task set him by his father’s ghost?...Hamlet is able to do anything—except take vengeance on the man who did away with his father and took that father’s place with his mother, the man who shows him the repressed wishes of childhood realized. Thus the loathing which should drive him on to revenge is replaced in him by self-reproaches, by scruples of conscience, which remind him that he himself is literally no better than the sinner whom he is to punish.”- Sigmund Freud
In the play, Hamlet seeks revenge on his uncle Claudius. Claudius killed Hamlet’s dad and then married his mom to become the leader of Denmark. Later in the play, Hamlet sees his dad’s ghost and is informed of the horrific act committed by his uncle. Hamlets’ dad’s ghost says, “Revenge his foul and most unnatural murder” (I. V. 25). Hamlets’ dad says this to Hamlet so that his uncle could get retribution for his action. Hamlet has many opportunities to kill Claudius but is unable because of the wrong timing. While Claudius is praying, Hamlet has an opportunity to slay him but doesn’t because if he killed him in his prayers he will make him go to heaven instead of hell. Another minor reason for Hamlet’s revenge against his uncle is his affection towards his mother. As the play progresses, we are able to determine that Hamlet’s relationship with his mom is close to incest status. With this information, we are able ...
Believe it or not, there was actually a time when people would go to a theatre to watch a play instead of going on Netflix, shocking, right? As a result, it was of the upmost importance for Shakespeare to be able to please both the lower class and first class audience that attended his plays through various relatable events. Hamlet’s speech in Act 4 Scene 4 accomplished exactly that. Hamlet, a play by William Shakespeare, was originally performed in 1602 at the Globe Theatre by the Lord Chamberlain’s Men. The original Hamlet performance was astounding to the Elizabethan audience because it focused on their current economic, cultural, and social customs by portraying the hardships of war, traditional war formalities, and Hamlet’s intent to kill
In Act I scene V, Hamlet is told by his father’s ghost to “revenge his foul and most unnatural murder.” The ghost then goes on to tell Hamlet that as he was “sleeping in my orchard, A serpent stung me” and that “The serpent that did sting thy father’s life Now wears his crown.” Hamlet is told by the ghost to seek revenge, telling him that Claudius has corrupted Denmark and corrupted Gertrude, having seduced her in the foul lust of their incestuous marriage. The ghost urges Hamlet not to act against his mother in any way, telling him to “Leave her to heaven, And to those thorns that in her bosom lodge, To prick and sting her.”