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Act 1 Scene 5 of William Shakespeare's Romeo and Juliet
Coursework
What is the scene about?
This scene is about Romeo and Juliet meeting. This is quite important
because despite the title of the play there are very few scenes in
which both Romeo and Juliet appear together. The scenes when they do,
are the balcony scene act 2 scene 2, the short wedding scene act 2
scene 6 and the opening of act 5 scene 3, but Romeo kills himself
before Juliet wakes.
The scene is set at a party; the party is set up so Juliet can meet
Paris, this I think is Shakespeare laying the groundwork for the rest
of the play, because you know after their meeting that Juliet will not
want to marry Paris.
Capulets speech makes you think that Juliet does not get much chance
to get out of the house other than when she is going to see Friar
Lawrence. Perhaps this is why the family friend Paris notices her but
Romeo has absolutely no idea who she is.
I think in this scene two main things happen. Firstly, Romeo falls in
love with Juliet at first sight, and secondly, how Romeo's love with
Juliet contrasts with Tybalt's hatred, both powerful emotions, both
extremes but there are no other two things which are so different.
Structure of the scene
At the start of the scene the servants/staff are speaking amongst
themselves about all the work they must do. They speak in prose rather
than in verse. This sets up the grand entrance of the Capulet's, who
arrive in their expensive clothes and are speaking in verse. At the
very same moment Romeo sees Juliet. Tybalt recognises Romeo and wants
to fight. This again is a contrast of emotions. It also shows that
some members of the rival families will never accept their
relationship. This is sowing the seeds for the rest of the play,
because it is this which causes the fight later on in the play. You
can even predict that there will be a fight because Tybalt vows to get
Act 1 scene 3 and Act 3 scene 5 of William Shakespeare's Romeo and Juliet
of tune”, is a lark, not a nightingale and thus it are dawn and Romeo
Act 3 Scene 5 of William Shakespeare's Romeo and Juliet There are several strong cases for Act 3 scene 5 being the pivotal, most important and significant scene in the play. To begin with, it is the last time that Romeo and Juliet are together, alive and well, after this scene Romeo goes to Manchua, and returns only to be near Juliet to die. Until this scene the audience will be convinced that Juliet has a very strong relationship with Nurse, they are obviously a lot closer than Juliet and her mother are, and Juliet relies on Nurse for advice and support. During Art three scene five, the audience's perception of Nurse changes, and Juliet no longer looks to her for support.
Act One of Romeo and Juliet by William Shakespeare The play Romeo and Juliet is set in "fair Verona" in Italy. Shakespeare based his play on a poem by Brooke and brought it to the theatres in 1595. Although the play is set in Italy many things mentioned could be found in Elizabethan England, for example the Capulet's party. This suggests to me that Shakespeare had little knowledge of Italian life and culture.
whether he was really in love with Rosaline, or did he just want to be
and hate in the play. Romeo and Juliet fall in love at first sight at
Act 3 scene 1 of ‘Romeo and Juliet’ is a very important scene in the
* Hastiness- Romeo is hasty to fall in and out of love. The two are
Act 3 Scene 3 Of Romeo And Juliet by William Shakespeare Act 3 Scene 3 is a perfect example of Romeo's despondent persona. The events that take place in Friar Laurence's cell occur right after Romeo's marriage to Juliet. Romeo's devastation by the news that he is to be banished from Verona after murdering Juliet's cousin, Tybalt, had led him to seek guidance from Friar Laurence. Although this may seem understandable, Romeo is melodramatic and gives the impression that he is an over-the-top teenager. He illustrates this when he says; "Ha, banishment!
better of him. He doesn't even know her name and he believes he is in
At the end of the party Romeo hides in Juliet’s orchard and overhears her talking
It is Act I Scene V in the play and Shakespeare starts it with the servant’s talking and welcoming the guests. This part is completely cut out in the adaptation, it is substituted with dances and Mercutio singing. The substitution wasn’t a loss, in fact it brought more action to the film and introduced character’s costumes. This part is also shown from Romeo’s point of view. The characters is one thing that really gives the director a credit. He made them all really interesting. On the costume feast the costumes symbolically represent the inner worlds of the characters. Lord and Lady Capulet thinking of themselves as the supreme dressed up as Caesar and Cleopatra respectively, Benvolio and his friends are shown as barbarians, not seeing anything around himself Paris wearing a space suit and Tybalt is shown as a devil. Romeo dressed as a knight in shining armor, whom each girl waits for. Leonardo Di Caprio played Romeo as no other actor could, he fully represented the image of Shakespeare’s Romeo. Juliet dresses as light angel as she is. Juliet played by Claire Danes and she is symbol of love. Sweet, young Juliet is not a perfect beauty, she is the girl-next-door. Shakespeare’s Juliet is young and not looking for love, and Lhurmann’s Juliet is romantic, dreamy, innocent, not capable of hypocrisy and betrayal. Mercutio dressed up as a diva from cabaret. The director was able to make this character really interesting. Drugs and indifference help him to hide from the outside world very well. The way he dressed up for the party is another symbol of modernism. High heels, make-up, diva’s wig help make him a great example of a showman of the twentieth century. And the thing that he dressed as a woman not just shows how much fun Mercutio is, but also that he hasn’t come to terms with his sexuality
The affluence of the Capulets is apparent in the first act, when the stage is continually adomed, between scenes, for the family's banquet. First, before Juliet's initial appearance in 1.3, long crimson tapestries are unfurled from the gallery to coverthe cracked marble ofthe facade, and the bench is given an ornate cushion and the fountain a decorative cover. Before 1.4, a festive garland is strung acrossthe gallery, and additional benches are carried onstage. Finally, before the masque begins in 1.5, candelabra with burning candles are brought in to flank the gallery. Romeo is seen brooding alone on the balcony. His first sighting of Juliet is then strikingly staged. All the revelers below, except Juliet, suddenly freeze in their motions, ghostly white masks held up to conceal their faces, and the stage darkens except for spotlights upon Romeo and Juliet. The grandeur of the Capulet home is dimmed into relative non-existence as Romeo and Juliet's sudden love springs to life.
of the Capulet’s orchard. This is a brave thing to do, for, if he had
Good morning/afternoon Ms Pritchard and 10B English, today I will be exploring two of the same scenes from different film versions of Romeo and Juliet. Each film was directed by different but equally professional directors to allow the audience to understand the tragedy of Romeo and Juliet. The scene I am going to analyse is the party scene when Romeo and Juliet meet for the first time. The first film being discussed was directed by Baz Luhrman in 1996; an Australian director who loves to spice up his films to keep the audience on their feet. The second film was directed by Carlo Carlei in 2013; an Italian master mind of directing who prefers to stay true to his films and become one with the audience and the story being told. Both directors