Act 1 Scene 5 of William Shakespeare's Romeo and Juliet

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Act 1 Scene 5 of William Shakespeare's Romeo and Juliet

Love, hate, urgency, annoyance, anger, light-heartedness,

self-importance, confusion and despair are the main feelings conveyed

in Act 1 Scene 5. All of these in turn convey dramatic impact in a

variety of ways, and are portrayed using a variety of language types

and structures, ranging from the central purpose of this theme, Romeo

and Juliet's lovestruck sonnets, complete with many rich, exotic

metaphors, similies and comparisons, to Capulet's self-important

reminisces and orders, contrasted with Tybalt's offence-taking,

fault-finding black-and-white hate for all things Montague, and his

subsequent anger at being denied a brawl, and having his

self-importance diminished by Capulet's scolding remarks. This complex

variety of emotions throws the audience's feelings into chaos, the

underlying prefigurative irony signalling the beginning of the end for

Romeo and Juliet despite the humour, happiness and love peppered

through the scene, and it is Shakespeare's masterful use of juxtaposed

contrasting themes and emotions that makes Romeo and Juliet the legend

that it is.

The first section of the scene features the servingmen setting the

party scene by laughing and joking as they prepare for it. Even at

this early stage, a variety of feelings are introduced, light-hearted

humour, urgency, and shades of comedy annoyance and squabbling between

the servingmen. Visual humour and hurriedness (Such as first

Servingman tripping over a join-stool before line 5, and other

haste-induced mistakes) combined with slick, fast rhyming ("…looked

for and called for, asked for and sought for…") ...

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...he meeting is probably the key moment in the

whole play, when the prologue's words come true and the audience know

that Romeo and Juliet are to begin their "fearful passage

of…death-marked love". It brings in a lot of dramatic expectation

because of this, and the meeting itself is dramatic irony, juxtaposing

love against hate. It conveys the strongest emotion in the whole play,

love, and does this with the richest variety of praising comparisons,

subtle metaphors and clever similes in the whole play. It enraptures

the audiences in delight that this couple have finally met, but also

milks sympathy for the "star-cross'd lovers", and these contrasting

emotions tear the audience in half, as they know that Juliet's ironic

words will be proved true in both the happy and sad sense: Her "grave

is like to be her wedding bed."

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