One out of six Americans have been abused when they were a child. In The Catcher in the Rye, abuse is a prevalent and provocative theme. Although it is only mentioned a few times in the book, it plays a major role in the characterization of many characters and influences the themes of the book. Examples include Stradlater and his date, Jane and her stepfather, and Holden’s own experiences with abuse. These experiences Holden has with sexual abuse are major contributors to his obsession with the preservation of innocence. Through this, J.D. Salinger conveys in The Catcher in the Rye the destructive potential of abuse on youth.
Through out The Catcher in the Rye, one of the most persistent aspects of Holden and the book are his obsession with innocence, and his inability to move to adulthood, which is inevitable. Holden has experienced one event of abuse yet he says, “I really hate when this kind of stuff happens, it always seem to happen to me” (213). This shows Holden has probably been abused before, and abuse as a child is likely to lead to psychological disorders. This may show why Holden is stuck in the past and wants to keep his innocence, which is futile.
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When Holden stays the night at the home of the Mr. Antollini who had been drinking, he awakes to find him stroking his head and “admiring” him (211). This clearly disturbs Holden and shows his hatred for abuse, in any way. Overall, Holden definitely has been at least affected by abuse a little, yet it also certainly affects his loss of innocence. Stradlater is an interesting character in The Catcher in the Rye.
He is conveyed as a mean, rude character, and he most likely is, yet he also has another side to him, an abusive side, in which he most likely rapes women. This is the side that Salinger rarely conveys about him, yet it is still conveyed. An example is when he is in the back of a moving car with his date repeatedly saying, “No, no, no please” (Salinger, 56), and he replies with a hush and keeps doing his dirty deed. Although this has some ambiguity, it most likely is conveying rape. This further ties to innocence and Holden being disturbed when Holden says, “It was really embarrassing, and I tried not to think about it”, “I damn near puked”, “I don’t think he gave that girl the time of night, but damn near. Damn near”(Salinger,
56). Jane never actually appears in the book’s time frame, yet Holden refers to her a lot. The sheer amount of times Holden references her shows Holden’s feelings for her, at the same time he alludes to her dark past, with her possibly insane or abusive step father. This really affects Holden, as when he recalls the moment, he feels alone and insecure (Salinger, 88). The moment when we learn almost for sure about Holden’s feelings toward Jane is when he hugs her and kisses her all over after she starts crying after having a confrontation with her stepfather. This really affects Holden and may be one reason for his inability to relinquish his innocence and become an adult. In conclusion, ranging from Holden and his abuse memories, or Jane and her stepfather, or even Stradlater and his date, abuse is a big contributor to the theme of innocence in The Catcher in the Rye. Holden tries to protect his innocence and hold on to it, yet his attempts are futile.
Salinger went through many of the experiences Holden went though. Salinger much like Holden had a sister that he loved very much, in the novel Phoebe is the only person that Holden speaks highly of; both men also spent time in a mental institution; Holden is telling the story from inside a institution; they were both kicked out of prep school and most importantly they were both a recluse from society. This is why Salinger uses Holden as his persona all though out the book. The ‘catcher in they Rye’ is almost like an autobiography for Salinger. He is using Holden as his persona to let us, the reader, dive into his thought pattern and find out some of the thoughts that he kept locked up in there.
In J.D. Salinger’s The Catcher in the Rye, the main character, Holden, cannot accept that he must move out of childhood and into adulthood. One of Holden’s most important major problems is his lack of maturity. Holden also has a negative perspective of life that makes things seem worse than they really are. In addition to Holden’s problems he is unable to accept the death of his brother at a young age. Holden’s immaturity, negative mentality, and inability to face reality hold him back from moving into adulthood.
Holden’s childhood was far from ideal, with Allie dying, his dysfunctional parents and the revelation that he had some “perverty” stuff happen to him when he was a kid. Due to this, he isn't ready to step into adulthood and leave his childhood behind. This is why Holden is mostly alienated from adults and connects more to the innocence of children like the girl at the park and his sister, Phoebe. However, Holden is disillusioned with both adulthood and childhood. He already knows how it feels to be an adult; drinking alcohol, being independent, living by himself and caring for Phoebe, but isn’t ready to immerse himself in it.
Holden wants to shelter children from the adult world (Chen). In Chapter 16, the catcher in the rye finally appears. This is also a symbol for what Holden would like to be when he grows older. He pictures a group of many kids playing in a field of rye, where it is his job to catch them from falling off the cliff. This shows Holden’s love for childhood and his need to preserve it in any way he can. According to Alsen, “The way Holden explains why he wants to be the catcher in the rye shows the kindness and unselfishness of his character. However, the surreal nature of the metaphor also reveals his unwillingness to face the real life choices he needs to make now that he is approaching adulthood.” By the end of the book, Holden realizes in order for kids to grow, there can’t be protection from all of potential harm. “He therefore gives up his dream of being the catcher in the rye and is ready to make a realistic choice of what he wants to do with his life” (Alsen). Holden’s dream world, that doesn’t involve change, is unrealistic. He is terrified by the unpredictable changes of the adult world, but there is no way for Holden to avoid the experiences and changes that the
Childhood is an unusually hard thing to rid yourself of when it is time for you to pass into the intensified life of adults. Personally, I have yet to overcome that challenge. The Catcher in the Rye is a well developed story about a high school boy, Holden Caulfield, who is stuck between the stages of adolescence and adulthood, and is trying to discover his identity. All his life, Holden Caulfield has refused to grow up, and as the book progresses, he is on the fine line of leaving innocence and adolescence behind and passing into adulthood, but what gives him the needed shove into the realm of adulthood was getting over his brother, Allie’s death. To Holden, Allie is the main definition of innocence. Eventually Holden comes to the decision to be the catcher in the rye. After this decision he tries to follow through with his plan and ultimately decides that he can’t keep anyone from growing up. This seems to be his breaking point in the book where he finally overcomes all his negative emotions towards Allie’s death and accepts it for what it is, knowing that he has to move on.
In the Catcher in the Rye, Holden is an immature boy. Holden’s immaturity cause him many problem throughout the book. He is physically mature but not emotionally mature. He acts like a child. “All of a sudden I started to cry. I’d give anything if I hadn’t, but I did” (p. 103). Holden shows his emotional unstableness.
In The Catcher in the Rye, Holden’s outlook in life is either the innocence of childhood or the cruelty of adulthood. He believes that the innocence of childhood is very valuable and it should be protected from the cruelty and phoniness of the adult world. Therefore Holden has a desire and is compelled to protect a child’s innocence at all costs. This is revealed when Holden tells Phoebe that he wants to be the catcher in the rye. Holden says to Phoebe, “What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they’re ru...
We see during the novel that Holden wants to be able to protect innocence in the world, however by the end of the story he lets go of that desire. This is a point of growth for Holden. He finds that it is impossible and unnecessary to keep all the innocence in the world. While with Phoebe Holden says, “I keep picturing all these little kids playing some game in this big field of rye...I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff...That’s all I’d do all day. I’d just be the catcher in the rye” (173). In this moment Holden wants to be able to preserve all the youth and innocence in the world. He doesn’t accept that kids have to grow and change and that they can’t stay innocent forever. Later on in the story when Holden is with Phoebe at a carousel again he thinks, “The thing with kids is, if they want to grab for the golden ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it’s bad if you say anything to them.” At the end of the novel Holden realizes and comes to terms with the fact that kids grow and lose their innocence. He moves from his want to be the “catcher in the rye” to...
J. D. Salinger's notable and esteemed novel, Catcher in the Rye, reflects the hypercritical views of a troubled teenager, Holden Caulfield, towards everyone around him and society itself. This character has a distinguished vision of a world where morality, principles, intelligence, purity, and naivety should override money, sex, and power, but clearly in the world he inhabits these qualities have been exiled. Holder desperately clings to and regards innocence as one of the most important virtues a person can have. However, he son becomes a misfit since society is corrupted and he yearns for companionship, any kind of connection with another to feel whole and understood again. Ironically, despite his persistent belittling and denouncing of others, he does not apply the same critical and harsh views on himself.
This reveals Holden’s fantasy of an idealistic childhood and his role as the guardian of innocence. Preventing children from “going over the cliff” and losing their innocence is his way of vicariously protecting himself from growing up as well. Holden acknowledges that this is “crazy,” yet he cannot come up with a different lifestyle because he struggles to see the world for how it truly is, and fears not knowing what might happen next. Holden’s “catcher in the rye” fantasy reflects his innocence, his belief in a pure, uncorrupted youth, and his desire to protect it. This fantasy also represents his disconnection from reality, as he thinks he can stop the process of growing up, yet
Holden and the Complexity of Adult Life What was wrong with Holden, the main character in The Catcher in the Rye, by J.D.Salinger, was his moral revulsion against anything that was ugly, evil, cruel, or what he called "phoney" and his acute responsiveness to beauty and innocence, especially the innocence of the very young, in whom he saw reflected his own lost childhood. There is something wrong or lacking in the novels of despair and frustration of many writers. The sour note of bitterness and the recurring theme of sadism have become almost a convention, never thoroughly explained by the author's dependence on a psychoanalytical interpretation of a major character. The boys who are spoiled or turned into budding homosexuals by their mothers and a loveless home life are as familiar to us today as stalwart and dependable young heroes such as John Wayne were to an earlier generation. We have accepted this interpretation of the restlessness and bewilderment of our young men and boys because no one has anything better to offer.
However, his feelings suggest that the true reason for his depression is his loss of Innocence. When he was 13 years old, he lost his little brother Allie to leukemia. Allie meant a lot to Holden. He even becomes a symbol in the book. Allie is the one who keeps Holden from falling of the cliff, he’s the reason that he hasn’t lost his innocence yet. “Every time I came to the end of a block and stepped off the goddam curb, I had this feeling that I'd never get to the other side of the street. I thought I'd just go down, down, down, and nobody'd ever see me again. Boy, did it scare me. You can't imagine. I started sweating like a bastard—my whole shirt and underwear and everything. Then I started doing something else. Every time I'd get to the end of a block I'd make believe I was talking to my brother Allie. I'd say to him, "Allie, don't let me disappear. Allie, don't let me disappear. Allie, don't let me disappear. Please, Allie." And then when I'd reach the other side of the street without disappearing, I'd thank him.” (Sallinger) In this part, Allie plays the role as the Catcher in the Rye and keeps Holden from falling of the cliff. This is why i believe that Holden wants to become a “ Catcher in the Rye”. He wants to help people like Allie has helped him. He feels that it's what he’d meant to do with his
In his novel Catcher in the Rye, J. D. Salinger portrays childhood and adolescence as times graced by innocence when his protagonist, Holden Caulfield, is faced with the reality of becoming an adult. Holden’s desperation to maintain his innocence and the manner in which he critiques those he deems to have lost theirs, emphasizes his immaturity and ignorance while highlighting the importance the author places on childhood.
The Catcher in the Rye by J.D Salinger is a coming-of-age novel set in New York during the 1940’s. Holden Caulfield, the protagonist of the story, is a detached seventeen-year old boy harboring feelings of isolation and disillusionment. He emphasizes a general dislike for society, referring to people as “phonies.” His lack of will to socialize prompts him to find nearly everything depressing. He’s alone most of the time and it’s apparent that he is very reclusive. This often leads him to pondering about his own death and other personal issues that plague him without immediate resolution. Holden possesses a strong deficit of affection – platonic and sexual – that hinders and cripples his views toward people, his attitude, and his ability to progressively solve his problems without inflicting pain on himself. The absence of significant figures in his life revert him to a childlike dependency and initiate his morbid fascination with sexuality. In this novel, Salinger uses Sunny, Sally Hayes, and Carl Luce to incorporate the hardships of discovering sexual identity and how these events affect adolescents as they try to understand their own sexuality.
Which is the kind of world he wants to live in. Holden expresses his desire to preserve the innocence of others when his sister Phoebe tells Holden that he doesn't like anything, and that he has no ambitions of what he wants to be when he is older. Holden then explains that he wants to be the catcher in the rye. He says that he imagines little children playing on top of a hill and that his job is to protect children from falling of the hill. This symbolizes catching children from losing their innocence and falling into the adult world. Holden tells Phoebe, “I know it crazy, but that is the only thing I’d like to be” (172). This unrealistic desire is contributes to why Holden is struggling to transition from adolescence to adulthood. Critics of the novel have said Holden would like to suspend time stating, “Holden's desire to protect children shows his desire for suspending time, for inhabiting a space of young people conserved endlessly” (Yahya 3). Not letting go of childhood memories or accepting the harsh realities of adulthood are damaging when transitioning from