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Essay on media literacy
Essay on media literacy
Essay on media literacy
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Risible, witty, and engaging, Aaron Sorkin’s “The Newsroom,” an HBO production starring Jeff Daniels as the short-tempered, irascible yet highly intelligent Will McAvoy, is set in the recent past predicated on the premise that news in contemporary America is seriously flawed, lacking depth as they fail to inform the American electorate of “real” news stories because of a preoccupation with ratings and entertainment. In the first two seasons of the show, Sorkin covered events ranging from the BP oil spill, to the shooting of Arizona Congresswoman Gabrielle Giffords, to the covert mission Navy SEALS took on in order to assassinate Osama Bin Laden. While “the Newsroom” does have some endemic flaws—including the assumption that anyone who disagrees …show more content…
The genius of this approach lies in the interrogative structure—devoid of explicit pedantry—in which a witty and unrelenting lawyer, brilliantly portrayed by Marcia Gay Harden, deposes the main characters in the show regarding the monumental error. Through this narrative structure, Sorkin employs a very stylized dialogue and script that invoked certain articulacy conventions, as the characters never hesitate when unabashedly expressing their opinions. While the dialogue may not sound realistic despite the fact that the show is based on covering how newsrooms function behind the scenes, it nonetheless demonstrates a high level of intelligence and complexity. The characters constantly question each other and engaging in dialogue, which drives the narrative and the inevitable conclusion. Ultimately, the newsroom in filled with fervent and intelligent journalists who value facts and truths over advertisement objectives and ratings. Sorkin also manages to deal with issues related to gender within the workplace that often gets …show more content…
The show thus conveys the idea that the majority of Americans are preternaturally stupid as a result of being fed propaganda from various news outlets. Journalism should have informative value, yet Will has transformed from a news anchor considered about engaging in meaningful dialogue to one who tries not to bother anyone with his personal opinions. Thus, there is a moralizing element in the show that finds social currency in disseminating the truth during an epoch mired by the dissemination of false information. The show’s unforgettable opening scene in which Will delivers a painfully true tirade when he is forced to answer the question of why America is the greatest country in the world. Will snaps, exclaiming that America is not the greatest country in the world as evident through the plethora of failings it must reconcile in order to truly be the leaders of the free world. His speech draws the ire of politicians and journalists alike, yet it is remarkably uplifting for all those who watch it as it aims at divorcing viewers from misconceptions about the place of American in the free world. During an epoch when television shows focus the subject matter on melodramatic relationships and drug use, Sorkin proffers a breath of fresh air in television
In his editorial "Words Triumph Over Images," Curtis Wilkie blames today’s media for being “reckless” and “a mutant reality show”. He believes that television and radio are “unfiltered”, which causes the quality of journalism for newspapers to be unmatched. Yet, it is unfair to label all media that is not print as lesser because the quality of any media relies on the viewers and the individual journalists, and in drastic situations like a hurricane, reporters may have many road blocks. Any of these aspects can affect the quality of journalism, which invalidates Curtis Wilkie’s claim.
In “Reporting the News” by George C. Edwards III, Martin P. Wattenberg, and Robert L. Lineberry, the main idea is how the media determines what to air, where to get said stories that will air, how the media presents the news, and the medias effect on the general public. “Reporting The News” is a very strong and detailed article. The authors’ purpose is to inform the readers of what goes on in the news media. This can be inferred by the authors’ tone. The authors’ overall tone is critical of the topics that are covered. The tone can be determined by the authors’ strong use of transitions, specific examples, and phrases or words that indicate analysis. To summarize, first, the authors’ indicate that the media chooses its stories that will air
In the article “TV’s Callous Neglect of Working- Class America” written by Noel Murray explains the modern day TV shows un-relatable plots to Americans today. Murray describes how shows in the ‘50s through the ‘90s were relatable to Americans and how they lived their lives. The TV shows then were able to get such great reviews because the jobs the actors had in the shows were average money making jobs. The characters are meticulously when it came to how they used the money they earned. However, as the years have passed, the shows that are on today are not as relatable to Americans. The shows express the fantasy, perfect life that everyone strives to have, but in reality, it is not possible for every family. The programs on today do not convey the difficulties that average Americans face each day, causing the shows to become more and more relatable to average TV viewers.
Comedian Jon Stewart gives a speech on the Daily Show during the “Rally to Restore Sanity/Fear”. He wants the viewers of the Daily Show to realize the difference between the real and fake threats and to take a humorous perspective on most of America’s “problems”. Stewart also emphasizes to his audience not to take every person on the media by his word and not to overreact to everything they hear. He uses metaphors, comparisons, and hypothetical examples to get his point across.
A Bestselling author and co-host of MSNBC’s “Morning Joe” is a remarkably confident lady and TV-journalist Mika Brzezinski whose on-air protest between entertainment news & “hard news” received a large number of supports and fans’ responses on 26 June 2007 in which she had refused to read the news about a release of Paris Hilton from Jail rather she considered more important Senator Richard Lugar with President Bush on the war of Iraq breaking news. She stands on these issues rippled over the internet quickly and similar incidents continue on-air on July 7, 2010 on a report about Levi Johnston and Lindsay Lohan over hard news stories with the title “News you can’t use.”
This essay will discuss how national attitudes towards the working-class and the impoverished are represented in American Television. The purpose of this paper is to comprehend that television shows are not solely designed to entertain consumers but also contain a hidden agenda whose task is to protect certain ideological perspectives and therefore constant framing strategies take place. The paper will commence the analysis by discussing how males and females are represented in the television show Friday Night Lights, secondly it will look at the
Imagine, if you will, a time that seemed innocent... almost too innocent. Imagine a nation under whose seemingly conformist and conservative surface dramatic social changes were brewing, changes as obvious as integration and as subtle as fast food. And imagine, if you will, a radical television show that scrutinized, criticized, and most importantly, publicized these changes, making the social turmoil of a nation apparent to its post-world war, self-contented middle-class citizens. But what if this television show was not as it appeared? What if it masqueraded as simple science fiction, and did not reveal its true agenda until viewers took a closer look? Let us examine how such a television program can become a defining force in the culture of a nation, a force that remains just as powerful almost forty-five years after it first appeared. Let us investigate the secrets of... The Twilight Zone.
“Fake” news programs, such as The Daily Show, Zinser reasonably argues, have the potential to dilute mass media and deceive viewers. The Daily Show has been straightforward about its lack of legitimacy as a hard hitting news program, but “the show’s content and guest list suggest otherwise” (Zinser 367). Zinser indicates that The Daily Show should hold itself to higher standards because “people might well think they’re being fully or sufficiently informed while watching” (367). In other words, Zinser believes that if viewers tune in with the expectation of becoming informed and The Daily Show’s content consists of significant topics, the creators ...
I say this because there were points in which I personally could not really understand what was going on due to my lack of exposure to this problem that American journalism is facing. More specifically, terminology that was used, especially from business standpoints, and the different companies that were involved made it harder to keep up with the issue at hand. However, with a little editing and better explanation of terminology, I think that this film could extend to a wide audience that would include both digital natives and digital immigrants that are experiencing this transition within American news reporting. This paper will examine the difference between old and new journalism and its new standards, “The New York Times Effect” and its 21st century challenges, important qualifications to be a successful journalist, and the future role of journalism within American society.
According to A Novel Approach to Politics “Questions about the very nature of reality seem to be common in fiction of all sorts.” Especially, The Boondocks, a fictional cartoon, uses satire to describe real events that happen in society. The episode I tuned into was “The Trial of R. Kelly”, which explained how R. Kelly won his trial and the views of the people about his case. In the episode, the people outside the court house showed different cognitive frameworks of how they view R. Kelly situation. In other words, the media made sense of the reality of R. Kelly situation in different ways because of the media wanted to select certain information. In this paper, I will explain how the media exemplified mediated reality and agreement reality in the “The Trial of R. Kelly” episode of The Boondocks.
Since television came into existence, it has evolved into a useful tool to spread ideas, both social and political, and has had a great effect on the generations growing up with these heavily influential shows. To these younger generations, television has taken the role of a teacher, with the task of creating a social construction by which many of us base our personal beliefs and judgments on. This power allows television shows take the opportunity to address problems in a manner that many audiences can take to heart. Many television shows present controversial topics in a comical matter, in some ways to soften the blow of hard-hitting reality at the same time bringing attention to the issue being addressed. In the television show, Everybody Hates Chris, season one, episode four entitled “Everybody Hates Sausage”, the stereotypes that continue to fuel racism are examined in a satirical motif, and class is presented in a comical way, but carries serious undertones which present a somewhat realistic view of the different social strata within the United States.
In “12 O’Clock News,” Elizabeth Bishop accentuates the difficulty involved in perceiving the “truth.” She utilizes a technique of constructing an exotic world out of objects that can be found in a newsroom. By defamiliarizing a newsroom, she questions our trust in what we perceive. Is it truly a journey to another world or just another perspective on something we are already familiar with? The intent of this transformation is to create a substitute for reality, analogous to the substitute reality which the media presents to us each day as its product, the “news.” The news media are capable of creating a world beyond what we see everyday, presenting us with what appears to be the truth about cultures we will never encounter firsthand. Bishop’s manipulation of a newsroom parallels the way the media distorts our perception of the world, and by doing so questions our ability to find our way out of this fog which is “reality.”
...ng it in light of Godot, we can appreciate something much more fundamental, that Seinfeld is every bit as humanitarian as Godot because it shows how our human frailties militate against our desire to end all human contact with others. Any critic who out-of-hand dismisses the sit-com as trash should for this reason alone be thoroughly distrusted, because the desperate communitarian cultural function of the sitcom has been completed ignored. I suggest that there are reasons we watch sitcoms that are not all reducible to the notion that we are stupid, cultural dupes. Seinfeld, as well as Waiting for Godot, offers us insights into what makes us human. At some basic level, this is a compelling explanation for why we care to watch television as much as it is for why we go to live theatre.
From the beginning days of the printing press to the always evolving internet of present day, the media has greatly evolved and changed over the years. No one can possibly overstate the influential power of the new media of television on the rest of the industry. Television continues to influence the media, which recently an era of comedic television shows that specialize in providing “fake news” has captivated. The groundbreaking The Daily Show with Jon Stewart and its spin-off The Colbert Report have successfully attracted the youth demographic and have become the new era’s leading political news source. By parodying news companies and satirizing the government, “fake news” has affected the media, the government, and its audience in such a way that Bill Moyers has claimed “you simply can’t understand American politics in the new millennium without The Daily Show,” that started it all (PBS).
In trying to attract new audiences, news media have begun to transition from reporting to becoming a form of entertainment. With the meteoric rise of social media’s role as a news source, the fight for an increase of diversity in the media, and the ever-growing desire of immediate content, the future of responsible journalism is more important than ever. Ask yourself, why do I think the way I do? Where do my political views originate? How do I prove them? Most likely, it is due to the biased portrayal of issues in the media and the politicization that accompanies what we consume. Now, compare your views to your preferred news reporting entity. More than likely, they are the same.