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Chinese culture contrast of american culture
Asian american literature influence
Asian american literature influence
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Asian American Literature (APIA Lit.) shows the personal experiences, family relationships, and parental sacrifice of Asian American characters. As Karissa Chen writes in her critical excerpt, “Our current generation of APIA writers is exciting because they are able to write across a breathtaking range of topics, from those explicitly about issues of identity, immigration stories...to more universal and speculative stories of love and loss...” (3). I believe what defines APIA Lit. are the differences between the personal experiences of Asian American children and those of their parents that often lead to distant and complex family relationships, as shown in “Paper Menagerie” by Ken Liu.
Ken Liu’s “Paper Menagerie” is a good example of my definition of APIA Lit. The story shows the contrast between Chinese culture and white American culture that often causes strains on the relationship between parents and their children. In the beginning, Jack’s mother makes origami animals for Jack when he wouldn't stop crying: “She breathed into them so that they shared her breath and thus moved
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“Paper Menagerie” incorporates Jack’s mother’s experiences in China. Before she dies of cancer, Jack’s mother writes Jack a letter on the paper animals. In her letter, she tells Jack, “The first memory I had was waking up to see my mother eating dirt so that she could fill her belly and leave the last bit of flour for me” (7). I believe that a significant aspect of APIA Lit. is how willing parents are to sacrifice their own lives for their children, even in difficult times. Although Jack stops talking to her, Jack’s mother still feels that Jack's existence gave her hope when she had nothing left. The personal experiences of the Asian American characters in APIA Lit. provide the characters with their own identities and
Soon after Papa’s arrest, Mama relocated the family to the Japanese immigrant ghetto on Terminal Island. For Mama this was a comfort in the company of other Japanese but for Jeanne it was a frightening experience. It was the first time she had lived around other people of Japanese heritage and this fear was also reinforced by the threat that her father would sell her to the “Chinaman” if she behaved badly. In this ghetto Jeanne and he ten year old brother were teased and harassed by the other children in their classes because they could not speak Japanese and were already in the second grade. Jeanne and Kiyo had to avoid the other children’s jeers. After living there for two mo...
Wong, Shawn, ed. Asian American Literature: A Brief Introduction and Anthology. New York: Harper Collins College Publishers, 1996.
Despite their being of the same culture, Asian American, the authors of the two texts have contrasting viewpoints. Elizabeth Wong, author of "The Struggle to Be an All-American Girl", looks upon Asian culture with eyes full of contempt and sees America culture as far superior. However, The author of "Notes for a Poem on Being Asian American", Dwight Okita, recognizes how the two cultures blend together, going hand-in-hand with one another. Wong's perception of her Asian culture as shameful is evident throughout the text. She wrote that her mother "forcibly" sent her and her brother to Chinese school (Wong 1).
In Maya Angelou’s Champion of the World and Amy Tan’s Fish Cheeks both convey their struggles with identity. Both authors are from minority cultures, and describe the same harsh pressures from the dominant culture. They share situations of being outcasts, coming from different racial backgrounds and trying to triumph over these obstacles. Tan and Angelou speak about the differences between their childhood selves and white Americans. Tan talks about the anxiety of a teenage girl who feels embarrassed about her Chinese culture, and who wants to fit in with American society. Angelou’s explains the racial tension and hostility between African and white Americans.
Thru-out the centuries, regardless of race or age, there has been dilemmas that identify a family’s thru union. In “Hangzhou” (1925), author Lang Samantha Chang illustrates the story of a Japanese family whose mother is trapped in her believes. While Alice Walker in her story of “Everyday Use” (1944) presents the readers with an African American family whose dilemma is mainly rotating around Dee’s ego, the narrator’s daughter. Although differing ethnicity, both families commonly share the attachment of a legacy, a tradition and the adaptation to a new generation. In desperation of surviving as a united family there are changes that they must submit to.
Tachiki, Amy; Wong, Eddie; Odo, Franklin, eds. (1971). Roots: An Asian American Reader. University of California, Los Angeles Press.
Throughout Asian American literature there is a struggle between Asian women and their Asian American daughters. This is the case in The Joy Luck Club, written by Amy Tan and also in the short story "Waiting for Mr. Kim," written by Carol Roh-Spaulding. These two stories are very different, however they are similar in that they portray Asian women trying to get their American daughters to respect their Asian heritage. There are certain behaviors that Asian women are expected to have, and the mothers feel that their daughters should use these behaviors.
He, Qiang Shan. "Chinese-American Literature." New Immigrant Literatures in the United States: A Sourcebook to Our Multicultural Literary Heritage. Ed. Alpana Sharma Knippling. WEstport, Connecticut: Greenwood Press, 1996. 44-65.
Poetry is a form of literature that some view as obsolete in the modern world, but in the poem “To the Man Who Shouted ‘I Like Pork Fried Rice’ at Me on the Street”, Franny Choi dispels that belief. She uses poetry as a medium to convey her own personal experience with the stereotyping and fetishization of Asian American women, which is an issue that millions of Asian American women still face today. When considering Choi’s background as a Korean American woman and how that has shaped her identity and philosophy, we see how being an Asian American woman is intrinsically a core part of her work, which is why much of her work is about breaking the stereotypes that come with this identity.
In analyzing these two stories, it is first notable to mention how differing their experiences truly are. Sammy is a late adolescent store clerk who, in his first job, is discontent with the normal workings of society and the bureaucratic nature of the store at which he works. He feels oppressed by the very fabric and nature of aging, out-of date rules, and, at the end of this story, climaxes with exposing his true feelings and quits his jobs in a display of nonconformity and rebellion. Jing-Mei, on the other hand, is a younger Asian American whose life and every waking moment is guided by the pressures of her mother, whose idealistic word-view aids in trying to mold her into something decent by both the double standards Asian society and their newly acquired American culture. In contrasting these two perspectives, we see that while ...
In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American, I have faced the same issues that the daughter has been through in the story.
For many of us growing up, our mothers have been a part of who we are. They have been there when our world was falling apart, when we fell ill to the flu, and most importantly, the one to love us when we needed it the most. In “Two Kinds” by Amy Tan, it begins with a brief introduction to one mother’s interpretation of the American Dream. Losing her family in China, she now hopes to recapture part of her loss through her daughter. However, the young girl, Ni Kan, mimics her mother’s dreams and ultimately rebels against them.
As a result, literature has to follow certain guidelines to be classified as Asian American; being placed in a box limits many great pieces of work to gain the recognition they deserve. As Wong and Sumida state, Asian American Literature is a presentation of American culture within Asian American history and culture, rather than a representation of the entire culture. “Asian Americans” is a large and complex, pan-ethnic group of people making it difficult to classify them all under the same stereotypes. Many Asian American works portray Asian Americans as “perpetual aliens or castaways whose cultures tumble nicely and helplessly” (4). This is because Asian Americans create their own culture, a hybrid of Asian culture and American culture, they don’t fully fit in with American culture just as they don’t fully fit in with Asian culture. Asian American Literature is a reflection of just that, it doesn’t fit into specific guidelines, breaking away from the labels that others create and making its own impact by culturing its readers on being Asian American. Whether the author is Asian American or is solely writing about Asian American culture, it still classifies as Asian American Literature
“Paper Menagerie,” by Ken Liu, is an emotional story of a selfish son and his interactions with his out-of-place mother, who had immigrated from Asia to be his father’s wife. Jack is a half-Chinese, half-American boy who lives in Connecticut. In the beginning of the story, he is very attached to his mother, but certain incidents with other kids make him want to be as distant as possible from his Chinese mom. He demands that his mom converts to being a “normal” white American mom and that he and his family should give up all Asian customs. This beautiful story shows that selfishly basing your actions on the need to fit in can harm yourself and others.
Asian American Literature Asian Americans seem to be fighting an unwinnable battle when it comes to the content of their writing. Writers are criticized by whites for speaking out against discrimination, and by their fellow Asian Americans for contributing to the stereotypes through their silence. I believe that Asian Americans should include politics in their writing as they so choose, but should not feel obligated to do so, as Frank Chin suggests. For those Asian Americans who make known their discontent with the injustice and discrimination that they feel, in the white culture, this translates to attacking American superiority and initiating insecurities. For Mura, a writer who dared to question why an Asian American was not allowed to audition for an Asian American role, his punishment was “the ostracism and demonization that ensued”.