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The Influence of African Americans on Music
The Influence of African Americans on Music
The Influence of African Americans on Music
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When considering a source to consider, when looking for films that portray Latin American lifestyle or values, I choose one film in particular. A Walk in the Clouds, directed by Alfonso Arau came to mind. When one watches this film, it is plain to see the interaction and struggles between a traditional Mexican family and the lifestyle of a United States California lifestyle. I have watched this particular film in the past, but now with a different pair of lenses to watch through, it became more exceedingly distinguished to my new found perception of Latin America. Unknowingly to myself, I did not know that the director was the same who directed Like Water for Chocolate. One review describes it as follows, “Alfonso Arau has a somewhat easy time of it in A Walk in the Clouds. The Mexican filmmaker who made kitchens look like boudoirs in Like Water for Chocolate transports that same fairy-tale feeling to this romance set in Northern California.”. With further reflection I can see the connection now after watching the later. First and foremost, the connection between American lifesty...
Afterwards, in the 1990s films portraying Latinos would take a somehow new direction, one of the most famous filmmakers would be Gregory Navas, he directed the movie My Family/Mi Familia, a film that portrays the lives of a Mexican-American family and the difficulty that the couple faced in order to establish in the U.S. “by passing as immigrants and all the struggle to integrate their family in another country” (Peña Acuña, 2010). The film let the audience see a potential reality that most immigrants went through when they first moved to the United States and how the system worked differently and the way immigrants had to adapt not only to the system, but also to the language and culture.
In 1949, Dana Gioia reflected on the significance of Gabriel García Márquez’s narrative style when he accurately quoted, “[it] describes the matter-of-fact combination of the fantastic and everyday in Latin American literature” (Gioia). Today, García Márquez’s work is synonymous with magical realism. In “Un Señor Muy Viejo con Alas Enormes,” the tale begins with be dramatically bleak fairytale introduction:
Rain of Gold, is a true story about the history of Mexican people, their culture, traditions and customs that were passed down from the Euro-Indian heritage of Mexico. Rain of Gold was written by Juan Villasenor in search for his ancestral roots. The people of this story are real and not fiction. The places that are discussed are true. And the incidents did actually happen to his family. There are several underlying themes that need addressing. Such as: the importance of family, the importance of religion and spiritualism, woman as center of home and family, respect--protection of woman's virtue; ideal of women as pure, power of the woman--the mother, being a man-man as protector of the family, pride of man to be a provider, importance of traditions, respect for life, work and education/learning, death as part of life, honor, dignity, and finally discrimination and prejudice. I will be using this book as a reference and as a guide throughout this review to discuss the themes that are stated above.
As showed in the film, Latino American often misrepresented and underrepresented both in front of and under the camera. American Hispanic often portrayed as lazy, unintelligent, greasy and criminal. Hispanic women often pictured comfortable sexuality as prostitution in film production; while Hispanic actors limit to criminal characters such as drug dealers, gangster, and provide the power for the white American. Audiences have less interaction with Latino in their real world might be easily framed by media images regarding the race and ethnicity. The lack of Hispanic history and culture understanding allows these media portrayals to change and form unfavorable behavior and attitude against Latino communities.
Sometimes many similarities can be found between two completely different works of literature. The poem “I am Joaquin'; and the short story “The First Seven Years'; at the same time exhibit both contrasting positions and similar ideals. Even though “I am Joaquin'; is told from Mexican-American perspective while “The First Seven Years'; is told from Jewish-American perspective, similarities are found in both. They tell of the American Dream and of the two mentioned families’ roles and influences as a means of attaining that dream. The roles of the families in these works and each version of the American Dream are based on the same ideals, but involve different methods.
.... The action flows so seamlessly between the two elements that they often seem like aligned narratives rather than a mise-en-abîme. This flawlessness is used as a great outcome, further emphasizing that human cruelty is nothing new. It's easy to forget that Atuey, Columbus, Las Casas, Montesinos, etc. are actors playing roles-within-roles because they seem just as "real" as Costa, Sebastian and Daniel. The film's entire cast is incredible, but the star was Juan Carlos Aduviri, he gave both Atuey and Daniel distinct identities with a few common traits. Daniel and Atuey are both forthright rebels, but they have dissimilarities and (including living centuries apart). As an activist for morality and equality who believes in speaking truth to power, I found Even the Rain especially impactful. This film is certain to inspire many of us to keep fighting for what is right.
In Michelle's paper she recaps the history of Mexicans in the United States that was not completely dealt with in either the website or the movie. Michelle points out that the Latin@s history is essential to understanding the Mexicans experience. She also wrote of the Mexican's el movemiento and how the website and movie brought about different accounts of this momentous event.
As the first major U.S. success for a Spanish language film, Como Agua Para Chocolate (Alfonso Arau, 1992) has had a major impact on Hispanic culture and the future of Hispanic cinema. This film has many implicit and explicit layers that challenge typical cultural ideals, not only in Hispanic culture, but in various cultures across the world. Based on his wife, Laura Esquivel’s novel, Arau used this film, known commonly as Like Water for Chocolate, to bring to the surface the liberation of females through the empowerment of food. Although food and cooking are often associated with the oppression and generalization of Hispanic women, Like Water for Chocolate captivates an empowering view of women using intimate and heightened cinematography of the food.
Au Revoir Les Enfants and La Lengua de la Mariposa: A Closer Look at European Films
The Latin American film genre is one of the most known genre worldwide and one of the most popular and successful of all of the genres in this business around the world. Yearly a number of productions from Latin America become favored and demanded successes, often-earning high levels of recognition and recommendation. In foreign film categories and in events and functions such as the Oscars, which are very highly respected around the world, Latin American films are awarded and praised and unquestionably make audiences sit on seat’s edge to bear mind films being produced in countries here. Latin American films are most likely to be as successful as they are because of the mixture of all of the elements, which their cinema provides, including
To help me understand and analyze a different culture, I watched the film Selena. The film tells the life story of the famous singer Selena Quintanilla-Pérez. Not only does it just tell personal stories from her life, it also gives insight to the Mexican-American culture. Her whole life she lived in the United States, specifically in Texas, but was Hispanic and because of that both her and her family faced more struggles than white singers on the climb to her success. Even though the film is a story about a specific person, it brought understanding into the culture in which she lived. Keeping in mind that these ideas that I drew about the Mexican-American culture is very broad and do not apply to every single person in the culture, there were very obvious differences in their culture and the one that I belong. Mexican-American culture identifies with their family rather than individualized or spiritual identities and the culture has gone through significant changes because of discrimination and the changing demographics of the United States.
Since the creation of films, their main goal was to appeal to mass audiences. However, once, the viewer looks past the appearance of films, the viewer realizes that the all-important purpose of films is to serve as a bridge connecting countries, cultures, and languages. This is because if you compare any two films that are from a foreign country or spoken in another language, there is the possibility of a connection between the two because of the fact that they have a universally understanding or interpretation. This is true for the French New Wave films; Contempt and Breathless directed by Jean-Luc Godard, and contemporary Indian films; Earth and Water directed by Deepa Mehta. All four films portray an individual’s role in society using sound and editing.
Berg, Charles Ramírez. "A Crash Course on Hollywood's Latino Imagery." Latino images in film stereotypes, subversion, resistance. Austin, TX: University of Texas Press, 2002. 66-86. Print.
Fregoso, Rosa Linda. "Chicana Film Practices: Confronting the 'Many-Headed Demon of Oppression.'" New York, NY: University of Minnesota Press.
In Zora Neale Hurston's Their Eyes Were Watching God, Janie noticed while living in the Everglades that some of the Indians started leaving the town and heading east. She also noticed that the animals started to scatter as well. Janie asked one of the Indians why they were leaving and he said that there was a hurricane approaching. The park ranger that guided us on the slough slog informed the class that this is a fact. The animals as well as the sawgrass know when hurricanes are approaching. The Indians these days know when a hurricane is approaching as well. Yet, these days they most likely find out from the weather channel reports on their big-screen TV's in their casinos instead of analyzing whether or not the sawgrass is blooming! It would have been interesting to have had class this Friday to see for ourselves if the blooming of sawgrass is indeed a fact now that Hurricane Michelle is approaching.