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Describe the conflict between antigone and creon
Creon and antigone relationship
Protagonist antigone vs creon
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Tragedy is a description of an event that evokes a sympathetic feeling of emotion by the audience. The events involve people emotionally who were not involved in the situation physically. In the story of Antigone, Sophecles forces the audience to take pity on the poor girl’s situation. This story impacts the audience in such a way that the audience becomes emotionally enthralled in the plot of the story. All of Steiner’s, “Principle constants of conflict in the condition of man,” (360) were present in the tragic tale of Antigone. The conflicts confirm a tragic sense about the story. In a tragedy drama is experienced and the characters typically suffer extremely. Consequently, this can happen because of a tragic mistake.
The first of the ageless conflicts of man is, “the confrontation of men and women” (360). This principle is applied in the conflict between Antigone and Creon. Antigone broke a law that her uncle, Creon, had created. As a result of this she was to be killed. Sympathy is felt for Antigone because she was punished for take a stand for what she believed to be the right thing. Unfortunately the risk she took was going against her uncle Creon, who so happened to have power over her. It was a tragic situation that Antigone was to be killed for such a ridiculous crime. Although Antigone should not have been punished for that law she had broken, she was willing to accept her death sentence. She said to Creon, “These laws- I was not about to break them, not out of fear of some man’s wounded pride, and face the retribution of the gods. Die I must, I’ve known it all my life- how could I keep from knowing? - Even without your death-sentence ringing in my ears. And if I am to die before my time I consider that a gain. Who on earth alive in the midst of so much grief as I, could fail to find this death a rich reward?” (374) Antigone was willing to risk her own life for the sake of her dead brother’s pride. Creon wants Antigone to know that he has control over her. She defied him and now he has no choice but to punish her. Otherwise it would mean a bruise on his reputation as a ruler. It would prove that he was of weak character, especially since a girl went against him. Creon said, “This girl was an old hand at insolence when she overrode the edicts we made public. But once she’d done it- the insolence, twice over- to glory in it, laughing, mocking us to...
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...’s blood, feed their lust, their fury?- Feed their fury!- Law is law!- Let all go well.”(307) Clytemnestra killed her husband upon his return from the battle of Troy. She was so heartbroken that he had killed her daughter. The tragedy in this story is almost the same as that of Antigone. Death follows another death. Iphigenia was sacrificed by her father. He was killed for killing her and so was his mistress. Since Clytemnestra killed the two people she was sentenced to death. The tragedy is death.
In the beginning of the story of Antigone the audience is forced to feel sorrow for Antigone. Towards the end they began to feel sympathy for Creon as well. His display of moral weakness was the cause of three unnecessary deaths. The story of Antigone and Clytemnestra were different because the Antigone was the innocent party in the story. Clytemnestra may appear innocent to the audience but to the people in the story she was a murderess. Tragedy plays a large role in these two plays. An emotion of sorrow is felt by the audience. The characters of the plays go through terrible situations. Tragedy makes the stories more appealing to the audience because they become emotionally involved.
Although Antigone has a bad reputation with Creon, and possibly Ismene, for being insubordinate, she stays true to her values throughout the entire play by following the law of gods, not so that she could appease them, but because she admired its value of honor and respect to loved ones that have passed away. This devotion and determination to give her brother a proper burial shows the true essence of her being: that loyalty to family is in fact hold above all else.
Antigone’s opinions are distinctive as she clearly states her beliefs to Creon after being caught for performing her brother’s burial rituals. Antigone strongly believes that law has no validity when laid by a human as she questions Creon saying, “What laws? I never heard it was Zeus who made that announcement” (Antigone 450). This quote shows her reliance on the Gods for moral direction instead of the kings who reign over her. Although she disregards the law, she also accepts punishment; Antigone is able to follow her opinions and independently rule herself, yet also recognize the societal expectations of law and accept punishment. When being taken by Creon with her sister Antigone takes the responsibility of the crime all herself and recognizes what she did despite not being ashamed of it. One of the main views of Antigone that causes her disobedience is the belief that rulers should not keep loved ones from each other. Antigone clearly states, “He has no right to keep me from my own” this shows how she believes the connection between family overpowers that of a law passed by a vengeful king (Antigone 48). Antigone’s opinions contrast to those of Creon who is a gender biased ruler who sees women as lesser as he states “I will not be ruled by a woman” (Antigone 24). This shows his belief in who is credible within law. Not only does he have opinions on who
The power Creon had was the cause of his stern and haughty traits and irrational judgments. He needed an affirmation of his manhood and confirmation that everyone he ruled over would assuredly respect him and his decisions. In fact, he felt so intensely threatened by the feminine and dominant Antigone that he decides to destroy her. "This girl is guilty of double insolence, breaking the given laws and then boasting of it. Who is the man here she or I?" Creon, scene 2. Instead of punishing Antigone for burying her traitorous brother Polyneices and increasing the respect of his nation for their king, he pushes them further from him in fear and silent disgust. His people recognize his tragic flaw: pride. Instead of a reign filled with luxury and happiness and respect from his citizens he condemns hi...
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
Antigone isolates herself from others, a quality common among tragic heros. Ismene offers to share the crime of burying their brother but, Antigone denies the re...
The two most intriguing leadership styles presented in the readings were transformational leadership and servant leadership. Both leadership styles are relationship-oriented, that is, in order for these leadership styles to be effective, positive relationships must exist between leaders and followers. Also, both leadership styles reject the role of leader as being reserved for those individuals in designated positions of power, but rather a quality that may be exhibited by any individual (Kelly, 2012, pp. 10-11). However, the differing goals of each leadership style is the seemingly critical factor that separates transformational leadership from servant leadership.
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
It has been stated how the transformational effect of charismatic leaders lead to increased follower motivation (Humphreys, 2009). Due to the various attributes that transformational leaders have, such as charisma and understanding, they are likely to motivate others to follow after the examples that they may display. There is also Effective followership. Effective followership prepares a person to be an Effective leader since being a follower is considered as a prerequisite to leading. According to Humphreys (2009), organizations are comprised of groups of followers and leaders, who are listening and taking direction from one
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
In order for a play to be considered a tragedy, it must achieve the purgation of fear and pity. In the play “Antigone”, Sophocles does a great job of bringing out these two emotions in the reader. At the beginning of the play, there is a conversation between Antigone and her sister Ismene. During the conversation, the reader learns the two girls lost their father in battle and both of their brothers at the hands of one another. Then the reader learns that one of the brothers, Polynices, has been left to die without a proper burial.
In the beginning, the author introduced Antigone and her sister, Ismene, and their argument about their recently deceased brother. The argument involved Antigone wanting to bury her brother and Ismene encouraging her to obey the King's orders. Antigone ignored her sister's advice and chose to disobey the King by burying her brother. The King learned of Antigone's actions and sentenced her to death. After listening to his people he lessened her sentence to spend the rest of her life in an isolated cave. With the advice of a trusted prophet, he once again changes his perspective and decides to set Antigone free. However, he arrived at the cave and was shocked to see that Antigone had hanged herself. The situation caused chaos among the people in Thebes.
Well to start Organic food is grown by farmers who use renewable resources, and this is to keep soil and water from being over used while also hopefully enhancing the environment around them for future generations of farmers. Organic produce is food that has been grown without the aid of most of the conventional pesticides, synthetic federalizers, GMO’S (genetically modified organisms), ionized radiation, or sewage sludge, Organic animals that produce meat, eggs, poultry, or any dairy products are not given any antibiotics or GMOS. Farmers that want to have their produce or animals to be “organic” They must meet all necessary rules and regulations made by the USDA (Untied States Department of Agriculture) and their farm must be inspected by a certified government inspector. The main differences between organic and conventional food is basically just the way that it is grown or handled by farmers. Not to mention the things that are used to help the plants or animals grow, while organic has a strict guideline to follow. conventionally grown foods have much less guide lines to follow such as the pesticides, GMO or fertilizers used in the aid of growth of plants or
Chung, Y. (2011). Why servant leadership? Its uniqueness and principles in the life of Jesus. Journal Of Asia Adventist Seminary, 14(2), 159-170.
A Transformational leader would elevate the interests of their employees, they would generate awareness and acceptance of the goal for the group. (Bass, B. M. ,1991) An example of transformational leadership in a hypothetical situation would be if there was a monthly goal set for each individual on the team and the leader finished his goals first then went on to help the rest of the team, taking extra time to see every employee as an individual. Another situation would be if a team member had a death in the family and the leader would provide emotional support for the employee as well as rallying the rest of the team to console the team member. Napoleon declared that an army of rabbits commanded by a lion could do better than an army of lions commanded by a rabbit (Bass, B. M. ,1991). The world is full of transformational leaders but we need more. Transformational leadership can be learned, and it can and should be the subject of management training and development (Bass, B. M. ,1991). Next, we will look at Servant