“A tan to die for” written by Claire Oliver is a letter to the editor that shows that the use of solariums can greatly increase the potential for life-threatening melanoma. Claire Oliver’s tone shows a composed, collected and complacent frame of mind at her imminent death, stating that “[she is] at peace”. Her composed tone when discussing the certainty of her impending death appeals to a sense of rationality, and writes optimistically about the remainder of her life. This optimism, and personal responsibility, comes from her wish of helping those who do not know of the health risks involved in the beauty young teens crave to acquire.
Ms Oliver states factually how little life she has remaining. “If I really fight it out, I may even have six weeks left.” She puts her life in perspective, and follows by showcasing her emotions more obviously. “It’s scary, because I feel myself getting more tired and it worries me that I might not wake up.” This fear evokes the sympathies of the reader.
The writer then transfers her focus from her story to the risks involved with solariums and how she appeals to the government to educate the general public especially to the younger generation. She also demands some answers from the government and wants some honesty from them on how the dangers on solarium can kill you. Through her letter to the editor she implies that the solariums should be banned but for the first time she gives her opinion saying “Obviously, I think they should be banned.” She also implies the government is more concerned about business profits rather then the general public’s health. Ms Oliver tries to not focus her attentions on the government but to raise awareness and the sense of responsibility.
The writer shifts her focus to her life background and how she was like any other normally 25 year old. She implies how “normal” she is because she wants to everybody to know that she was just as “normal” as everyone else. This disease can happen to anyone at any age.
In Under a Cruel Star, Heda Margolious Kovaly details the attractiveness and terror of Communism brought to Czechoslovakia following WWII. Kovaly’s accounts of how communism impacted Czechoslovakia are fascinating because they are accounts of a woman who was skeptical, but also seemed hopeful for communism’s success. Kovaly was not entirely pro-communism, nor was she entirely anti-communism during the Party’s takeover. By telling her accounts of being trapped in the Lodz Ghetto and the torture she faced in Auschwitz, Kovaly displays her terror experienced with a fascist regime and her need for change. Kovaly said that the people of Czechoslovakia welcomed communism because it provided them with the chance to make up for the passivity they had let occur during the German occupation. Communism’s appeal to
Between Shades of Gray by Ruta Sepetys, is one of the most famous historical fiction books ever written. This 352 paged book has inspired many teens to acknowledge the Genocide of Baltic people. Ruta Sepetys was inspired to write a fiction book instead of a non-fiction book based on the stories she heard from survivors of the genocide during a visit to her relatives in Lithuania. She interviewed dozens of people during her stay. Between Shades of Gray was her first novel that she had written. This book was interpreted well enough by the readers to become a New York Times Bestseller.
During 1910 and 1970, over six million blacks departed the oppression of the South and relocated to western and northern cities in the United States, an event identified as the Great Migration. The Warmth of Other Suns is a powerful non-fiction book that illustrates this movement and introduces the world to one of the most prominent events in African American history. Wilkerson conveys a sense of authenticity as she not only articulates the accounts of Ida Mae Brandon Gladney, George Swanson Starling, and Robert Joseph Pershing Foster, but also intertwines the tales of some 1,200 travelers who made a single decision that would later change the world. Wilkerson utilizes a variety of disciplines including sociology, psychology, and economics in order to document and praise the separate struggles but shared courage of three individuals and their families during the Great Migration.
The drama, Mission of Mercy, by Esther Lipnick is a very inspiring read. It tells about a girl who doesn’t want to be like her proper, fancy family at all. Instead she wants to become a nurse. She leaves her home and becomes a nurse. It inspires me because both of my parents, and other family members of mine, are teachers, although I’m not going to be one. Mission of Mercy is a drama that could inspire many people to go for what they want, even if other people don’t always approve of it. Florence changes throughout all of the the scenes 1, 2, and 3.
David W. Blight's book Beyond the Battlefield: Race, Memory and the American Civil War, is an intriguing look back into the Civil War era which is very heavily studied but misunderstood according to Blight. Blight focuses on how memory shapes history Blight feels, while the Civil War accomplished it goal of abolishing slavery, it fell short of its ultimate potential to pave the way for equality. Blight attempts to prove that the Civil War does little to bring equality to blacks. This book is a composite of twelve essays which are spilt into three parts. The Preludes describe blacks during the era before the Civil War and their struggle to over come slavery and describes the causes, course and consequences of the war. Problems in Civil War memory describes black history and deals with how during and after the war Americans seemed to forget the true meaning of the war which was race. And the postludes describes some for the leaders of black society and how they are attempting to keep the memory and the real meaning of the Civil War alive and explains the purpose of studying historical memory.
As a journalist in 1920 for the New York Herald Tribune, Sophie Treadwell was assigned to go to Mexico to follow the situation after the Mexican Revolution. (Mexican Revolution 1910-1917) She covered many important aspects of the Mexican Revolution during this time, including relations between the U.S. and Mexico. She was even permitted an interview with Pancho Villa in August 1921 at his headquarters. This interview and other events that she experienced in Mexico are presumably what led her to write the play Gringo. In Gringo Treadwell tries to depict the stereotypical and prejudicial attitudes that Mexicans and Americans have about each other. There is a demonstration of how Mexican women are looked at in the Mexican culture and how they see themselves. The play also corresponds to similar events that occurred during the Mexican Revolution.
“Black Power”, the word alone raises an abundance of controversial issues. Black power was a civil rights movement led by the black panthers which addressed several issues including segregation and racism. Black power had a different meaning to every member of the Mc Bride family, Ruth and James both looked at black power from a different angle. In “The Color of Water”, The author James Mc Bride admired the black panthers at first, but slowly he grew afraid of them after fearing the consequences his mother might face for being a white woman in a black community influenced by black power. James’ worries were baseless, black power’s motive was to educate and improve African American communities not to create havoc or to harm members of the white community.
Perhaps no other event in modern history has left us so perplexed and dumbfounded than the atrocities committed by Nazi Germany, an entire population was simply robbed of their existence. In “Our Secret,” Susan Griffin tries to explain what could possibly lead an individual to execute such inhumane acts to a large group of people. She delves into Heinrich Himmler’s life and investigates all the events leading up to him joining the Nazi party. In“Panopticism,” Michel Foucault argues that modern society has been shaped by disciplinary mechanisms deriving from the plague as well as Jeremy Bentham’s Panopticon, a structure with a tower in the middle meant for surveillance. Susan Griffin tries to explain what happened in Germany through Himmler’s childhood while Foucault better explains these events by describing how society as a whole operates.
In "Our Secret" by Susan Griffin, the essay uses fragments throughout the essay to symbolize all the topics and people that are involved. The fragments in the essay tie together insides and outsides, human nature, everything affected by past, secrets, cause and effect, and development with the content. These subjects and the fragments are also similar with her life stories and her interviewees that all go together. The author also uses her own memories mixed in with what she heard from the interviewees. Her recollection of her memory is not fully told, but with missing parts and added feelings. Her interviewee's words are told to her and brought to the paper with added information. She tells throughout the book about these recollections.
Diamant has Dinah effectively tell her story from three different narrative perspectives. The bulk of the novel is related by Dinah in first person, providing a private look at growing up and personal tragedy: "It seemed that I was the last person alive in the world" (Diamant 203). Dinah tells the story that she says was mangled in the bible.
Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture. As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.
English is an invisible gate. Immigrants are the outsiders. And native speakers are the gatekeepers. Whether the gate is wide open to welcome the broken English speakers depends on their perceptions. Sadly, most of the times, the gate is shut tight, like the case of Tan’s mother as she discusses in her essay, "the mother tongue." People treat her mother with attitudes because of her improper English before they get to know her. Tan sympathizes for her mother as well as other immigrants. Tan, once embarrassed by her mother, now begins her writing journal through a brand-new kaleidoscope. She sees the beauty behind the "broken" English, even though it is different. Tan combines repetition, cause and effect, and exemplification to emphasize her belief that there are more than one proper way (proper English) to communicate with each other. Tan hopes her audience to understand that the power of language- “the way it can evoke an emotion, a visual image, a complex idea, or a simple truth”- purposes to connect societies, cultures, and individuals, rather than to rank our intelligence.
One of the central themes in writing of the second generation Asian Americans is the search of identity and individual acceptance in American society. In the last few decades, many Asian Americans have entered a time of increased awareness of their racial and cultural identity built on their need to establish their unique American identity. In the book The Joy Luck Club, which revolves around four mother-daughter Asian American families whose mothers migrated from China to America and raised their daughters as Americans, we see the cultural struggle and differences by looking at their marriages, suffering and sacrifice, and their use of language in the novel.
"I got the most perplexed when my dermatologist told me to stay out of the sun and wear sunscreen at all times," said Rice. It was as if being tan was more of a priority than his health. Following his initial surgery, Rice had to pay a trip to his skin doctor every six months. Upon his first visit back to the doctor, Rice was diagnosed with two cancerous growths - one pre-cancerous and one cancerous. Another surgery would have to take place immediately. Suddenly, Rice looked back on his frequent tanning salon habits and his "darkness" competitions with fellow lifeguards over the summers in utter regret.
In Half of a Yellow Sun, Chimamanda Ngozi Adichie attempts to use history in order to gain leverage on the present, to subvert the single story stereotypes that dominate many contemporary discourses on Africa. Written in the genre of historical fiction, Adichie’s novel transcends beyond mere historical narration and recreates the polyphonic experiences of varying groups of people in Nigeria before and after the Civil War. She employs temporal distortion in her narrative, distorting time in order to illustrate the intertwining effects of the past and present, immersing deep into the impact of western domination that not only catalyzed the war, but continues to affect contemporary Africa. In this paper, I will analyze her portrayal of the multifaceted culture produced by colonialism – one that coalesces elements from traditional African culture with notions of western modernity to varying degrees. I will argue that Adichie uses a range of characters, including Odenigbo’s mother, Ugwu, Olanna and Kainene, to each represent a point in a spectrum between tradition and modernity. Through her juxtaposition, she undermines the stereotypes that continue to characterize Africa as backwards and traditional, proving instead that colonialism has produced a cross culture where the two are intertwined.