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A Soundtrack To Black History was primarily a suited musical about inequality and segregation. Prairie View A&M University which started as a plantation and then developed into the second public coed institution of higher education. The play was primarily about how prairie view was from the beginning from being an all boy school for colored people to being a coed university for colored people. A play is supposed to give you an emotional work out. Theatre illuminates some aspect of the human condition. The artist was trying to create a picture where the audience can see the sequence and order of events that led up to the present.
The artist did a fair job on pursuing what she insisted on pursuing it could have been better. Instead of a lot
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Other than that the space was good for what they were actually trying to pull off. Significant lessons to be learned would be the actual history of prairie view which many students don’t know the play taught us the background of PVAMU what we started as to what we have established now. That was a historical period where in which political and economic special groups were able to take advantage of the use of the federal government to establish a public school. The rules to the opening of the university was that it be open to the public meaning for colored people and whites. The government was then trying to fix how the southern states were about segregation trying to end it by opening the university to the public it would become a start to ending segregation. There were eight African American men who first black race to be enrolled in PVAMU during that time on March 11, 1878. From there later it became to be open for coed enrolling young black women into the institution as …show more content…
Dr. Martin Luther King Jr, Rosa Parks and Malcom ex. I’ve never seen a play act out the history of the school I attend which was very eye catching to me because I really enjoy knowing history especially abut schools. Many schools don’t do that for numerous reasons but I am very glad that Prairie View A&M University had the chance to display this to the youth and everyone else who attended the play. This production does make me want to see more theatre because theatre is very interesting it resembles a movie but it’s more interesting to perform in front of a live audience and I feel as the play writer did a very good job at writing the play it’s just she should have inquired less music so that everything would have been more smoothly and not more on the confusing side that’s all other than that she did a fantastic job on putting everything together. Everyone involved in the play did a wonderful job with the play as a team they are great and I would love to see more of these productions anytime throughout the
As I waited to observe the audience as they filled the seats with pencil in hand, I was amazed by the amount of diversity I saw before me. By the time the lecture was ready to set foot, I observed that nearly the entire lecture hall was filled. I would say that the hall where our discussion was being held in could probably hold around 300 people. The majority of the audience was not students forced to write a paper on the Brown v. Board Commemoration events, but rather scholars who were on average in their mid-40s. It seemed as though everyone knew each other to some degree. At one point, I saw a woman walk in with her young son and they were greeted by one of the first presenters. Oftentimes, groups of 2 or 3 walked into the room and they would sit down in no particular section of the seating and proceed to talk moderately loudly and peacefully. There was a sense of joy and rejuvenation in the air. After making my final observations of the crowd, I noted that it was a predominantly white showing! Not something I would expect to see when attending a discussion on slavery. It was a spectacle for me to see a group of Asian Americans nodding in unison when points were made during the seminar relating to black and white race relations. I would say that African-Americans wer...
All of the musicians, writers, and artists shared a common purpose. This purpose was to create art that reflected the Afro American community. Through this era, African Americans provided themselves with their cultural roots and a promise for a better future. Music in this era was the beginning. It was the beginning of a new life for musicians and African Americans.
Since the decade of 1920, America has been the setting for a progressive "Black Arts Movement." This African-American cultural movement has taken shape in various genres, gaining mass appeal, through multiple capitalistic markets. Even with the use of capitalism this cultural arts movement has stayed set upon its original purpose and direction, by aiding in cultural identity awareness. The knowledge of the duel-self through community awareness as it pertains to economic perceptions and other social boundaries or the metaphysical-self; what W.E.B. Du Bois coined as "twoness," or a division of one’s own identity as a African-American. (Reuben 2) A realization of the existence of two beings within one’s mental identity, where time alters attitude and identity through environmental influence of passing events. The discovery of the "New Negro" in the Harlem Renaissance marks the beginning of this essential philosophy contributing to the 1960’s Black Arts Movement and the Civil Rights Movement; continuing to be evident in current forms of black art, such as within the lyrics of hip-hop music. These revolutionary Ideals of reform have been voiced in the lyrics of many rappers of urban realism, like the New York M.C.’s Rakim, Run-D.M.C. and west coast rapper Tupac Shakur. Though this form of expression is opposed by most academic elitists and fundamental conservatives due to their vulgar expressions of sex and violence depicted within the genre of Hip-Hop; it in opposition actually presents an internal cultural conflict revealed through the redefinition of one’s own identity with poetic lyrical expressions of realism.
Minstrel shows were developed in the 1840's and reached its peak after the Civil War. They managed to remain popular into the early 1900s. The Minstrel shows were shows in which white performers would paint their faces black and act the role of an African American. This was called black facing. The minstrel show evolved from two types of entertainment popular in America before 1830: the impersonation of blacks given by white actors between acts of plays or during circuses, and the performances of black musicians who sang, with banjo accompaniment, in city streets. The 'father of American minstrelsy' was Thomas Dartmouth 'Daddy' Rice, who between 1828 and 1831 developed a song-and-dance routine in which he impersonated an old, crippled black slave, dubbed Jim Crow. Jim Crow was a fool who just spent his whole day slacking off, dancing the day away with an occasional mischievous prank such as stealing a watermelon from a farm. Most of the skits performed on the Minstrel shows symbolized the life of the African American plantations slaves. This routine achieved immediate popularity, and Rice performed it with great success in the United States and Britain, where he introduced it in 1836. Throughout the 1830s, up to the founding of the minstrel show proper, Rice had many imitators.
Record labels played a big role in bringing the black struggle to the mainstream through their artists music. In particular, two labels were the frontrunners for producing records that would continue to promote addressing the black struggle: Motown and Stax. Motown, a black-owned label, was seen as a more assimilationist and industrial record label that was successful in making hits that appealed to both black and white audiences, earning it the nickname of “Hitsville, U.S.A.” Stax, a white-owned label, was seen as being more representative of black self-reliance and an overall more authentic, black record label that appealed much more to the black audience, earning it the nickname of “Soulsville, U.S.A.” Despite their differences, both labels used their own style of music production and distribution to help surface the black struggle in very similar ways, and in turn they helped pave the way for black consciousness to emerge through soul music.
There are many different themes that are present throughout this play; however the two larger themes are slavery and Christian values. Throughout the play these two themes are present with every character and yet at the same time seem to be at odds with each other. When it comes to the idea of slavery, the fact that this book was written at the time to persuade the readers, especially the northerners that slavery is evil, un-Christian, and intolerable in society. Even with the idea of slavery, we can find that the play takes a great amount of time to show the fact that the slavery system does not follow the Christian values. These two themes seem to be forever intertwining with each other.
This movie is a wonderful production starting from 1960 and ending in 1969 covering all the different things that occurred during this unbelievable decade. The movie takes place in many different areas starring two main families; a very suburban, white family who were excepting of blacks, and a very positive black family trying to push black rights in Mississippi. The movie portrayed many historical events while also including the families and how the two were intertwined. These families were very different, yet so much alike, they both portrayed what to me the whole ‘message’ of the movie was. Although everyone was so different they all faced such drastic decisions and issues that affected everyone in so many different ways. It wasn’t like one person’s pain was easier to handle than another is that’s like saying Vietnam was harder on those men than on the men that stood for black rights or vice versa, everyone faced these equally hard issues. So it seemed everyone was very emotionally involved. In fact our whole country was very involved in president elections and campaigns against the war, it seemed everyone really cared.
When the piece was originally written for the Hot Chocolates, it was considered to be “America’s first `racial protest song`… [and] certainly Razaf’s lyric stripped bare essences of racial discontent that had very rarely if ever been addressed by any African American musically” (Singer 219). The music was created to express the hardships of the black community and the intra-racial discrimination, evident by the line: Browns and yellers all have fellers, gentlemen prefer them right. This illustrates that within the black community, those of fairer complexion were preferred. In Armstrong’s performance, the piece was removed from its original context of a Broadway show and placed as a stand-alone piece. In doing this, the emotion created by the Broadway performance and the stage scene were lost and “Black and Blue” became just another bluesy piece. Further, his “recitativo vocal style underscore[d] the song’s plaintive quality, while his exuberant embellished trumpet solos at the beginning and the end … counteract[ed] despair” (Meckna 38). However, Armstrong dropped the verse about intra-racial prejudice and made the chorus a “threnody for blacks of every shade” (Teachout 139). In doing this, he altered the music from being just about intra-racial issues to a global of scale of the battle between black and whites and the prejudices.
thesis of how the musical brought our inner child out to realize our true struggles in life.
The play encourages people of all different types of races to be proud of where they come from because it is what makes you as a person. There are certain subjects that won’t be taught to students of younger ages but it is important to know because we cannot hide the history that could benefit our personal intellect. Flyin’ West by Pearl Cleage is a play I highly recommend because she depicts the lives of these women vividly and opens your mind to all these possible outcomes of what may have happened if blacks were not
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
...on, conviction and resolve topped my mind. This play gets you to think about the society in which you live, whether you consciously do so or not. It is thought-provoking to say the very least! Not only do you find yourself replaying the scenes in your mind, but you must come to your own resolve about them. You will find yourself immersed in the plight of the slaves, their children and generations to come. This play stays with you for a long time after the curtain falls. The soulful cry of the music will haunt you, too, if you resist! I say that because the human spirit has no color or prejudice. It is the tie that binds us all. We all have the same spirit from the same maker, no matter how we chose to address or express it. And that spirit will not be deterred by anything because it is eternal. We are all cut from the same piece of cloth, whether we like it or not.
My experience watching a live theatre performance on stage was a fascinating one, most especially since it was my first time. I attended a staged performance of “The History Boys” in a small theatre called “The Little Theatre of Alexandria” at 8:00 pm on Wednesday June 8, 2016 in Alexandria, Virginia. The overall production of the play was a resounding experience for me particularly the performance of the actors and the design of the scene made the play seem real.
The play opened on 1 February 2017 at the smallest Broadway theatre: Helen Hayes Theatre. They are adopting an old play for the present day which is a challenging task. The themes the play is going to enact are female emancipation which is the effort to procure economic and social rights and meritocracy which is the power that a person holds.