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Figurative language in those winter sundays
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Recommended: Figurative language in those winter sundays
A Son's Love for His Father
A son’s love for his father is sometimes not acknowledged until he is an adult. Children often become so wrapped up in their own tasks and obligations that they take for granted the simple acts of loving support given to them by their parents. And parents sometimes feel scared that obvious signs of love and emotion will scare off a child, so they just do all they can to make the child’s life run smoothly and try to fade into the background when it comes to tender moments. In the poem “Those Winter Sundays,” Robert Hayden uses figurative language and other literary devices to show a father’s love for his son as well as the son’s realization of that love.
The cold that Hayden describes in the house is a reoccurring hardship that the father must face in his life. “Sundays too my father got up early and put on his clothes in the blue black cold,” (lines 1-2, stanza 1). The father woke up early on his treasured time off from work to make sure that the house was warm for his son. The cold is described as if it were a tangible item causing the reader to be drawn in to the poem. “No one ever thanked him.” (line 5, stanza 1). This quote illustrates the fact that the father did this not for praise or to make himself look better in the eyes of his son, but because he would rather compromise his own comfort and enjoyment then have his son start the day off in the cold.
Hayden uses figurative language to bring alive the cold and to make it seem like more of an enemy for the father. “fearing the chronic angers of that house,” (line 4, stanza 2). The son is speaking of the dreaded cold, which he wishes that he did not have to face just as much as the father. It shows that the father was really making a contribution towards the happiness of the son by making the effort to rid the house of it. “…and hear the cold splintering, breaking.” (line 1, stanza 2). In this line, Hayden uses imagery to represent the fire that the father builds which helps to defeat the cold. The splintering and breaking are the sounds of the logs being burnt and, as the son finds later, the cold dying.
“Those Winter Sundays” by Robert Hayden, “My Father as a Guitar” by Martin Espada, and “Digging” by Seamus Heaney are three poems that look into the past of the authors and dig up memories of the authors fathers. The poems contain similar conflicts, settings, and themes that are essential in helping the reader understand the heartfelt feelings the authors have for their fathers. With the authors of the three poems all living the gust of their life in the 1900’s, their biographical will be similar and easier to connect with each other.
If I were asked who the most precious people in my life are, I would undoubtedly answer: my family. They were the people whom I could lean on to matter what happens. Nonetheless, after overhearing my mother demanded a divorce, I could not love her as much as how I loved her once because she had crushed my belief on how perfect life was when I had a family. I felt as if she did not love me anymore. Poets like Philip Levine and Robert Hayden understand this feeling and depict it in their poems “What Work Is” and “Those Winter Sundays.” These poems convey how it feels like to not feel love from the family that should have loved us more than anything in the world. Yet, they also convey the reconciliation that these family members finally reach because the speakers can eventually see love, the fundamental component of every family in the world, which is always presence, indeed. Just like I finally comprehended the reason behind my mother’s decision was to protect me from living in poverty after my father lost his job.
"Those Winter Sundays" by Robert Hayden is a poem about a how the author is recalling how his father would wake up early on Sundays, a day which is usually a reserved as a day of rest by many, to fix a fire for his family. The mood of this poem is a bit sad. It portrays a father, who deeply cares for his family but doesn't seem to show it by emotions, words, or touching. It also describes a home that isn't very warm in feelings as well as the title" Those Winter Sundays" The author describes the father as being a hard worker, in the line "…with cracked hands that ached from labor in the weekday…", but still even on Sundays--the day of rest, the father works at home to make sure the house is warm for his family. The "blueblack cold described in the poem is now warmed by a father's love. This poem describes the author reminiscing what did not seem obvious at the time, the great love of his father, and the author's regretting to thank his father for all that he did.
The lack of verbal communication between his father and himself can be seen in his poem "Those Winter Sundays." The overall impression of the poem is that love can be communicated in other ways than through words; it can be communicated through everyday, mundane actions. For example, in the poem, the father awakens on "Sundays too" to warm the house with a fire and polish his sons shoes. There is a sense of coldness in the beginning of the poem through the lines:
The central conflict in Robert Hayden’s poem “Those Winter Sundays”, is the unfortunate realization that the speaker never truly thanked or appreciated his father’s sacrifices when he was a child. After growing up, taking on responsibilities, and achieving a rehabilitated understanding of the world through experience, Hayden expresses his ingratitude that often accompanies with youth. The first line of the first stanza writes, “Sundays too my father got up early/and put his clothes on in the blueblack cold” (Hayden, 17). Out of these two lines, the word “too” is filled with importance because Sunday’s are dedicated to either religious practices, or rest for a working man. Fortunately, this was not his father’s case as his father would wake up early in order to perform his loving and self-sacrificing duties.
Literally, this is a poem discribing the seasons. Frosts interpertation of the seasons is original in the fact that it is not only autumn that causes him grief, but summer. Spring is portrayed as painfully quick in its retirement; "Her early leaf's a flower,/ But only so an hour.". Most would associate summer as a season brimming with life, perhaps the realization of what was began in spring. As Frost preceives it however, from the moment spring...
Frost begins the poem by describing a young boy cutting some wood using a "buzz-saw." The setting is Vermont and the time is late afternoon. The sun is setting and the boy's sister calls he and the other workers to come for "Supper." As the boy hears its dinnertime, he gets excited and cuts his hand on accident. Immediately realizing that the doctor might amputate his hand, he asks his sister to make sure that it does not happen. By the time the doctor arrives, it is too late and the boy's hand is already lost. When the doctor gives him anaesthetic, he falls asleep and never wakes up again. The last sentence of the poem, "since they (the boys family and the doctor) were not the one dead, turned to their affairs" shows how although the boys death is tragic, people move on with their life in a way conveying the idea that people only care for themselves.
The diction helps exemplify the imagery even better, the reader can sense how the speaker’s home felt like as well as the father’s hard work. The speaker awakens to the "splintering, breaking" of the coldness. This allows the audience to feel a sense of how cold it was in the speaker’s house. One can infer that the poem is set in a cold city or town during the winter, which gives the reader an idea of how cold it might be. “Slowly I would rise and dress, fearing the chronic angers of that house,” represents how the father battles to keep the family away from harm of the cold and darkness, implying that the speaker grew up in poverty. His father’s “cracked hands” shows how hard his father worked to keep his family safe.
While most of us think back to memories of our childhood and our relationships with our parents, we all have what he would call defining moments in our views of motherhood or fatherhood. It is clearly evident that both Theodore Roethke and Robert Hayden have much to say about the roles of fathers in their two poems as well. While the relationships with their fathers differ somewhat, both men are thinking back to a defining moment in their childhood and remembering it with a poem. "My Papa's Waltz" and "Those Winter Sundays" both give the reader a snapshot view of one defining moment in their childhood, and these moments speak about the way these children view their fathers. Told now years later, they understand even more about these moments.
For my poetry paper I chose to examine poetry from the family album. The family album stood out to me significantly because I thoroughly enjoyed all of the poems because I had a personal connection with it. Family has always been an important part of my life and I think this particular album speaks volume. This album has many levels to it, some deeper than others. I feel that from reading poetry, it expands our ability to think and form ideas that we would have not thought about before. Poetry gives readers the ability to make connections on a deeper level and see things from a different perspective. The two poems that spoke to me in this album specifically were “Those Winter Sundays” By Robert Hayden and “Begotten” by Andrew Hudgins. These two poems are both similar because they are from a son’s point of view, talking about their parent(s). “Those Winter Sundays” was one of my all-time favorite poems from this album because it shows a hard working father who is dedicated to his family, but does not get any recognition for his hard work.
In his narrative poem, Frost starts a tense conversation between the man and the wife whose first child had died recently. Not only is there dissonance between the couple,but also a major communication conflict between the husband and the wife. As the poem opens, the wife is standing at the top of a staircase looking at her child’s grave through the window. Her husband is at the bottom of the stairs (“He saw her from the bottom of the stairs” l.1), and he does not understand what she is looking at or why she has suddenly become so distressed. The wife resents her husband’s obliviousness and attempts to leave the house. The husband begs her to stay and talk to him about what she feels. Husband does not understand why the wife is angry with him for manifesting his grief in a different way. Inconsolable, the wife lashes out at him, convinced of his indifference toward their dead child. The husband accepts her anger, but the separation between them remains. The wife leaves the house as husband angrily threatens to drag her back by force.
In particular, the use of the phrase “daylight falls” is interesting. Typically, daylight, or light in general, is viewed as a symbol of happiness and life. Frost shows his mastery of poetry when he pairs it with the word “falls,” and so the mood is darkened despite the positive connotations with light. Also, normally light is described as casting upon or brightening a place, which makes the use of “falls” slightly surprising, which adds to the feeling of uneasiness in that line. This is not the only example of eerie language acting as a dynamic in “Ghost House”.
The mood of the poem, “Those Winter Sundays,” written by Robert Hayden is regretful. The poet describes a cold winter Sunday morning staying in bed until the house is warm. The poet expressed sympathy for his father who got up early on a cold Sunday morning...
...a silence deep and white” (Line,4) they are talking about how the white snow is beautiful and, how it looks like to me this is a love of nature to some maybe not.Last one is Intuition over fact in this quote “Father,who makes the snow?” (Line,22) says his daughter, “And told of the good All father” (Line,23) and lastly “Who cares for us here below” (Line,24) he is talking about and all father which i believe he is talking about god,and this is a great characteristic for this poem.
Stevens’ message reveals itself as the poem unravels: there is never one true understanding of a reality outside of one’s interpretation. The author suggests that one can’t help but transfer their own beliefs and ideas onto what they see; in this case, the “listener” is projecting an impression of misery onto the scenery that lies before him. For example, the first two stanzas are filled with decorative language that serves to describe the visual image of a winter landscape. Using phrases such as “crusted with snow” (3) instead of “covered” with snow provides an evocative illustration of the snow’s roughness. Other phrases such as “shagged with ice” (5) and “rough in the distant glitter/Of the January sun” (6-7) force the reader to experience the miserable portrayal of winter. These are not the descriptions of an observer who “beholds nothing that is not there” (14-15), but rather the objective, poetic appreciation for the snowy