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Parent child relationships in literature poetry
Parent child relationships in literature poetry
Parent child relationships in literature poetry
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A seed is planted to begin a new, yet sometimes on the way to becoming a bright, beautiful plant, the plant lacks minerals or sunlight or water and is misshapen, much like that of a family? the Younger family, to be exact. Few gardeners will spend their precious time to help a sickly plant, knowing it will never bloom, to grow into nothing more than it already is. Yet, there are those exceptional ones? ?Mama? is, indeed, the most tender of hearts to care for this sickly family that, I have no doubt, she knows will never fully blossom into a big, strong, and powerful family. The physical plant she cares for is a symbol for her family in every way. The mother waters the plant every chance she has, as illustrated on page 52. The ability for the mother to ignore all else and cater to this plant can be said, too, about her family. The money, which comes in from her dead husband?s insurance is to be put towards what her family needs, not what she would like to have, what she would wish to have, no, the money is put towards her family?s future. She even tries to protect their pure hearts when she mentions, ?Now don?t act silly? We ain?t never been no people to act silly ?bout no money (68).? Protecting the family from greed, the root of all evil, is the main focus for this gardener of life, just as she would protect the ravished plant from an overwhelming beam of sunlight. Placing a rod behind a plant is sometimes the best way to straighten a plant?s stem, yet the gnarled plant she cares for is still disfigured, as to is Walter. Mama tells Walter, ? [It?s dangerous] When a man goes outside his home to look for peace (73),? in order to straighten his mind out, even though it doesn?t work out all fine and dandy, the effort is made. Without this gardener?s protection, the plant would have been evaporated, long ago, by the insanity that comes with the struggles of everyday life. Checking to see that the soil still has water, Mama makes sure that the family is not in danger of losing their love for each other, their power source for striving in the retched world, as if checking the soil on page 39 and then replenishing it by saying, ?
After reading and annotating Marigolds by Eugenia W. Collier, I learned that there are some things we don’t know or realize when we are a child. When we become a woman, we have a different perspective on things. That is what Eugenia learned by the end of the story. Once she ruined all of Miss Lottie’s marigolds, she immediately felt guilty. Miss Lottie stood there with no anger on her face, just disappointment. Eugenia said that was when she saw her childhood fade and womanhood start to begin. Once she began womanhood, she learned that those flowers were precious to Miss Lottie and she was tying to make some beauty out of her shanty house. She viewed Miss Lottie as “… only a broken old woman who had dared to create beauty in the midst of ugliness
For example, “And seeing the garden in this forgotten condition reminded me of something I once read in a fortune cookie: When a husband stops paying attention to the garden, he is thinking of pulling up roots”(Tan 194). The forgotten garden is being compared to Roses marriage and the letter that was sent to her by Ted with a pen, check, and a divorce document to sign. Also Roses observation of her dying garden that her husband once tended to, is a sign of her dying marriage with Ted, which is similar to her mother's observation of the plant her father got her and it dying even after she had faithfully watered it. However the title of the third part is "American Translation", resembling the reflection of what the daughters face in their American like life, compared to what the mother's, face in their heavily followed Asian
The mother is a selfish and stubborn woman. Raised a certain way and never falters from it. She neglects help, oppresses education and persuades people to be what she wants or she will cut them out of her life completely. Her own morals out-weight every other family member’s wants and choices. Her influence and discipline brought every member of the family’s future to serious-danger to care to her wants. She is everything a good mother isn’t and is blind with her own morals. Her stubbornness towards change and education caused the families state of desperation. The realization shown through the story is the family would be better off without a mother to anchor them down.
Mama wants to keep her dreams alive and keep her family close to her heart. Mama’s plant that she cares for represents this dream by “looking at her plant and spraying water on it” (52) in a small way showing she will try to keep her plant and their dreams alive. She takes care of this plant as if it was one of her own children. Mama's children also have their own dreams and their own plans on how to attain those dreams. The family's competing dreams are emphasized in using a symbol to represent these dreams in this case-Mama's plant. Lorraine Hansberry describes each of the family’s dreams and how they are deferred. In the beginning of the play Lorraine Hansberry chose Langston Hughes’s poem to try describe what the play is about and how, in life, dreams can sometimes...
Mama, as a member of an older generation, represents the suffering that has always been a part of this world. She spent her life coexisting with the struggle in some approximation to harmony. Mama knew the futility of trying to escape the pain inherent in living, she knew about "the darkness outside," but she challenged herself to survive proudly despite it all (419). Mama took on the pain in her family in order to strengthen herself as a support for those who could not cope with their own grief. Allowing her husband to cry for his dead brother gave her a strength and purpose that would have been hard to attain outside her family sphere. She was a poor black woman in Harlem, yet she was able to give her husband permission for weakness, a gift that he feared to ask for in others. She gave him the right to a secret, personal bitterness toward the white man that he could not show to anyone else. She allowed him to survive. She marveled at his strength, and acknowledged her part in it, "But if he hadn't had...
She’s considering having an abortion. On the other hand the daughter wants to get merry to her African boyfriend he wants her to move with him to Africa. Momma is very excited to own her first home and they also refuse to take the money from Mr. Linden, they are tired of living in the apartment, momma thinks a house is the best investment. The son is going through some extremely hard times after losing all that money trying to open a liquor store. In the story the son faces more problems the son has the most problems for example he’s in charged of the house after his father die he took over all the responsibility he’s father had. During the 1950s after the father die the son usually took over the family and all its
A. The plant - This is representative of Mama's ability to endure despite harsh surroundings, and her tenacity in keeping her dream alive.
Walter and Beneatha’s relationship is very complex. The spiraling tension between the two siblings causes confrontation to form and creep into the Younger household. Walter needs his family to respect him as the man of the family, but his sister is constantly belittling him in front of his mother, wife, and son. This denigrating treatment taints Walter’s view of himself as a man, which carries into his decisions and actions. Beneatha also subconsciously deals with the dysfunctional relationship with her brother. She desires to have her brother’s support for her dream of becoming a doctor, yet Walter tends to taunt her aspiration and condemns her for having such a selfish dream. Mama as the head of the family is heartbroken by the juvenile hostility of her adult children, so in hopes to keep her family together she makes the brave move of purchasing a house. Mama’s reasoning for the bold purchase was,“ I—I just seen my family falling apart….just falling to pieces in front of my eyes…We couldn’t have gone on like we was today. We was going backwards ‘stead of forw...
Lorraine Hansberry in her play, “Raisin in the Sun”, attempted to explain the feelings of the average African American Male in the 1940s. This persona, which is portrayed in the character Walter, had experienced a severe feeling of depression and hopelessness. In order to understand this source of grievance, one must relate back to the Great Migration and the dreams it promised and the reasons why many African Americans sought to move to the North. A desire to achieve freedom from racial injustices and poverty was the prime factor that encouraged Blacks to abandon the south. However, these dreams where soon crushed as African American noticed that Northern whites had still maintained unequal segregation and where as stumbling block to Black advancement. The consequences of a “dream deferred”, as Langston Hughes called it, was dependency on others, alcohol addiction, as well as dysfunctional families.
Nikita Mikhalkov's Burnt by the Sun was released in 1994, a year in which over seven decades of communism were undoubtedly still a vivid memory in the eyes of the Russian people. The transition from dictatorship to democracy left them with no choice but to try and disregard their past in order to better accept the many changes that the future would bring. In Burnt by the Sun, however, the director focuses on the characters' human emotions rather than condemn their ideology or their motivations. He thus brings us close to these individuals who are clutching the remnants of the ideals they originally fought for, and who, with the return of an old friend, are suddenly forced to simultaneously confront their future and search through their past. Throughout the whole movie this is the main theme the viewer is given to reflect on: the clash between the sweet, safe, nostalgic past and the forthcoming of a bitter, dangerous, uncertain future. This theme is particularly alive in the sequence 'Arrival of Summer Santa'. By analyzing the opening segment of this sequence, we realize that it is the editing which renders the conflict so palpable. From one cut to the next, we learn Nadia and Mitia's implicit memories and desires; during their conversation, the cutting alone makes us realize what will happen; near the end of the sequence, one simple cut says more than a minute-long scene ever could have done. Thanks to the editing, we become involved with the characters, and grow fully aware of the symbolic opposition between Nadia and Mitia, between past and future.
Although imagery and symbolism does little to help prepare an expected ending in “The Flowers” by Alice Walker, setting is the singular element that clearly reasons out an ending that correlates with the predominant theme of how innocence disappears as a result of facing a grim realism from the cruel world. Despite the joyous atmosphere of an apparently beautiful world of abundant corn and cotton, death and hatred lies on in the woods just beyond the sharecropper cabin. Myop’s flowers are laid down as she blooms into maturity in the face of her fallen kinsman, and the life of summer dies along with her innocence. Grim realism has never been so cruel to the innocent children.
Ruth, whose dreams are the same as Mama’s, get deferred when the family are forced into there small apartment and there lack of money. Since she has no money she can not help her family as much as she would like to.
“In Search of Our Mothers’ Gardens” touches mainly upon family heritage and the way her heritage was created. In Atwan’s Ten on Ten, you will find the essay on the Mothers’ Gardens. On page 83 it states, “For they were going nowhere immediate, and the future was not yet within their grasp.” This quote signifies how mothers and grandmothers would always be set serving the men in their lives; for their entire lives, however, there was a different future, a plan that they didn’t see yet. This plan was for them to identify their artistic ability, whether if it was through singing, writing or making quilts.
An Analysis of A Raisin In the Sun & nbsp; "A Raisin In The Sun" is a play written by an African-American playwright - Lorraine Hansberry. It was first produced in 1959. Lorraine Hansberry's work is about a black family in the Chicago South Side. the Second World War. The family consisted of Mama(Lena Younger), Walter.
...that suspends the boundaries of man and nature, the way in which she structures the last image to be one of hostility indicates the unsustainable nature of the garden.