Hats: Bourgeoisie: Gardening Tools: the Middle Class. In Act II, Scene III of A Raisin in the Sun by Lorraine Hansberry, Ruth and Travis present Mama with a gift each thoughtfully picked out by themselves – gardening tools from Ruth, and a lavish hat from Travis. Although Mama enjoys the gift from Travis, all the other family members laugh in unison at his hat, using famous characters to highlight the contrast between each gift. Hansberry employs irony and symbolism to portray the Youngers’ current social standing and their desire to climb up the social ladder– each gift, allegorical to a respective social echelon. This is important to recognize because of the effect social classes have on their recent house purchase in Clybourne Park – a …show more content…
Oftentimes, gardening tools demonstrate a willingness to work hard and build a thriving environment with your own hands and thus, also indirectly represent the Middle Class who were not rich enough to afford their own gardener and had to tend to their garden by themselves but were wealthy enough to be able to have a garden. Similarly, while the Youngers were, at the time, a Lower Class family, they had begun to climb their way up the social ladder through their recent purchase of a residence at Clybourne Park – upgrading from a small apartment to a decent-sized home. The gardening tools, gifted after her acquisition of the home, mirror their transition and beginnings into the Middle Class. Furthermore, in Hansberry’s work, Mama consistently voices that her dream is to own a small garden, “And there’s a yard with a little patch of dirt where I could maybe get to grow me a few flowers.” (92). However, Mama’s desire for a yard is, in reality, allusive to her actual dream which is being able to be in the Middle Class and its interconnectedness to economic stability. Due to the sheer size of the space and the elevated platforms, it is a rarity to own a lawn in an apartment; thus, gardens are typically only
In A Raisin in the Sun, Lorraine Hansberry uses an allusion to compare Walter Lee to the mythical Prometheus. This allusion was conveyed by George Murchison in the Act I, Scene II, when George and Beneatha went on a date. Walter’s reaction to George calling him Prometheus was not a good one. Walter was upset with George Murchison because he did not necessarily know what Prometheus means. If Walter would have known what George Murchison meant by calling him Prometheus, he would have reacted a totally different way than he did at the moment. When a person call another person Prometheus, it should have a positive connotation to it.
The play has an example of the technique of foreshadowing when Ruth faints. This foreshadows her later announcement of her pregnancy. The unchangeable setting is considered as a motif. Although the actions that affect the family happen outside. Yet the audience never goes out of the Youngers house. Mama goes out to buy a house, Walter goes to drink and Bennie goes for dates. All these actions are not shown, but the characters go out and come back to tell what they did. By keeping the actions in their apartment only, this reinforces the idea that the family is trapped in their small house and their life is not changing. Hansberry also uses the look of the apartment to convey the situation of the family that they are worn out of this life. Especially when Hansberry says that the furniture is placed to cover worn spots in the rug (loos40).
Raisin in the Sun is a film adaptation directed by Daniel Petrie off of a award-winning play written by Lorraine Hansberry. Overall I would rate the film as an 8 out of 10.
This passage contains a wide array of literary devices, ranging from syntax to figurative language. These devices all help to describe the situation Jim is in, in this part of the book. He stayed the night at the Cutter’s house instead of Ántonia, which resulted in him being injured and humiliated. From the figurative language and imagery at the start of the passage, such as, “My lip was cut and stood out like a snout. My nose looked like a big blue plum” (161), the sheer damage is shown to its full extent. This connects to the larger motif of the past or childhood that backdrops the entire novel, as it is this kind of very drastic experience that impacts someone. Such an event serves an important role in the development of an adolescent, and the repercussions of this event may be elaborated on later in the book.
Lorraine Hansberry’s carefully selected words in the play A Raisin in the Sun, prove to be a metaphor of the Younger’s past, present, and future life. During this time in American history it was hard for black people to make a name for themselves, and they were almost never seen as equals to white lives. As Hansberry describes the house in which the Younger’s live, she is always describing the struggle that they face. She starts this by saying “The Younger living room would be comfortable and well-ordered room if it were not for a number of indestructible contradictions to this state of being” (Hansberry 23). One could assume that has Hansberry speaks of the living room she is actually speaking of the lives of the Younger’s. Therefore as we
A Raisin in the Sun The creativity of Hansberry played a crucial role in the development of African-American drama since the Second World War. A Raisin in the Sun was the first play by an African-American author to be set on Broadway and was honored by the circle of New York theater critics. Drama of A Raisin in the Sun (1959) brought Hansberry to the Society of New York Critics Award as the best play of the year. A Raisin in the Sun shows the life of an ordinary African-American family who dreams of happiness and their desire to achieve their dream.
The idea of family is a central theme in Lorraine Hansberry’s play A Raisin in the Sun. Hansberry alludes to the Old Testament book of Ruth in her play to magnify “the value of having a home and family”(Ardolino 181). The Younger family faces hardships that in the moment seem to tear them apart from one another, but through everything, they stick together. The importance of family is amplified by the choices of Walter and Beneatha because they appear to initiate fatal cracks in the Younger family’s foundation, but Mama is the cement who encourages her family to pull together as one unit. The hardships of the family help develop a sense of unity for the Younger household.
In Lorraine Hansberry “A Raisin in the Sun”, the issues of racial discrimination, the debate of heroism, and criticism is vividly displayed. The play, which was written in the late 1950’s presents itself in a realistic discerning matter that implicates the racial division among the black family and white America. The play insinuates Walters’s heroism as well because of the black family’s struggle not to become discouraged in trying to obtain the world riches and still maintaining human dignity. When Hansberry wrote “A Raisin in the Sun”, many critics questioned the motive behind her play because it showed the America the world wants to grow oblivious to. This presents the reality of racial discrimination and heroism for the black man among
Though American citizens are recognized as adults at the age of eighteen, human brains take much longer to fully develop. The play A Raisin in the Sun takes place in the apartment of the Youngers, an African American family struggling with financial issues during the 1950’s. Walter’s father has recently passed away, and Mama receives a life insurance check for his death. Walter and Mama share their cramped apartment with Walter’s sister Beneatha, his wife, Ruth, and their son, Travis. Walter works as a chauffeur and Ruth does domestic chores for rich, white families. They do not have many opportunities for better jobs or higher quality education, but Beneatha attends college classes in hopes of becoming a doctor. Walter’s job as a chauffeur
Everyone encounters struggle and “ain’t nobody bothering you” but yourself (1872). Many African Americans encounter hardships and conflict in their own lives because of their race. Before integration, not only were African Americans facing internal struggles but also the external struggles caused by prejudices. A Raisin in the Sun elaborates on the conflicts of African Americans when dealing with segregation, discrimination, and few opportunities to improve their lifestyle. Hansberry expresses her hardships as an African American woman without civil rights in the 1950’s through the Younger family and the decisions they make when confronting their own struggles.
Conformity and rebellion are two characteristics that cannot exist without each other. If no one were to conform then there would be no set standard for anyone to rebel against. Without rebellion conformity would not be challenged. Madness comes into play when describing those that rebel against the norm. Dickinson describes anyone with a rebellious attitude as “demur you’re straightway dangerous and handled with a chain” society treats people like this because the idea of change can scare a lot of people. Many of these themes are seen throughout literature.
In the words of Jim Cocola and Ross Douthat, Hansberry wrote the play A Raisin in the Sun to mimic how she grew up in the 1930s. Her purpose was to tell how life was for a black family living during the pre-civil rights era when segregation was still legal (spark notes). Hansberry introduces us to the Youngers’, a black family living in Chicago’s Southside during the 1950s pre-civil rights movement. The Younger family consists of Mama, who is the head of the household, Walter and Beneatha, who are Mama’s children, Ruth, who is Walter’s wife, and Travis, who is Walter and Ruth’s son. Throughout the play the Youngers’ address poverty, discrimination, marital problems, and abortion. Mama is waiting on a check from the insurance company because of the recent passing of her husband. Throughout the play Walter tries to convince Mama to let him invest the money in a liquor store. Beneatha dreams of becoming a doctor while embracing her African heritage, and Ruth just found out that she is pregnant and is struggling to keep her marriage going. The Youngers’ live in a very small apartment that is falling apart because of the wear and tear that the place has endured over the years. Mama dreams of having her own house and ends up using part of the insurance money for a down payment on a house in an up-scale neighborhood. The Youngers’ meet Mr. Lindner, who is the head of the welcoming committee. Mr. Lindner voices the community’s concerns of the Youngers’ moving into their neighborhood. Is the play A Raisin in the Sun focused on racial or universal issues?
A Raisin in the Sun by Lorraine Hansberry and To Kill a Mockingbird by Harper Lee are two pieces of literature that were inspired by the Civil Rights movement. A Raisin in the Sun focuses on a lower-class black family that faces discrimination as they try to reach the American dream. To Kill a Mockingbird concentrates on a white-privileged family that follows along a racial injustice case. According to the Book Played a Role in the Civil Rights Movement by Bob Minzheimer “Books show it wasn’t simple—that success wasn’t always guaranteed. Failure and defeat are possible.
The play, A Raisin in the Sun, has a very strong view of feminism in the 1960’s. The way that the females are portrayed and talked to in this play is not only an example of how the relationship between a man and a woman in society is unequal, but reflects a particular patriarchal ideology. Throughout this play, as the characters strive to achieve their dreams, the relationships that we see can be seen as feminist and as sexual stereotypes.
Hansberry’s A Raisin in the Sun weaves a tale of extremes, ranging from bleak despair to ecstatic hope and expectation. It is a production that lays bare the struggles and aspirations of 20th-century African-American culture, and provides a poignant message to the upper echelons of contemporary American society in regard to the struggles of the working class. Hansberry highlights the struggles of the Younger family in their day-to-day life, in the face of the grinding economic and social oppression that they endure while trying to scrape a desperate life in an indifferent Chicago. In Extract 1, Hansberry utilises personification to convey a sense of exhaustion in the overused, worn-out furniture, which is synonymous with the exhaustion the Youngers face while trying to eke out a living while alienated from a world