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The study and analysis of literature
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The psychoanalytical perspective is a method of shifting from a hidden to an obvious subject matter which encompasses a process of awareness as well as translation (The Free Dictionary by Farlex, 2010). From a psychoanalyst perspective I will examine the linguistic symbolism of the text in the short play, “Trifle” to arrive at the underlying suppressed concepts of the author. Susan Glaspell- an Iowa native- filled her play with a hint of mid-western flavor. She also made a point to include a sense of feminist pride which was mirrored by her three main characters, Mrs. Hale, Mrs. Peters, and the accused murderer Minnie Wright (Glaspell, 1938). At beginning of the play the disparities between the genders were obvious. The men are arrogant, portraying themselves as perceptive unyielding detectives, when in truth they are not as perceptive as the women. The men’s pretentious approach provokes the women to become defensive and form an opposition in search of justification for what took place in their friend’s home.
The play taking place in the kitchen is not a coincidence, this is a place regarded as central to the family, specifically a housewife. To compare the duties of housewives to that of servants would be an overstatement because there are some who prefer the domestic lifestyle. Nevertheless, things becomes problematic when women are put in a position where they feel unappreciated rather than a loving wife or mother who choose to provide a nurturing environment for her loved ones. The characters in this play are an example of that. As everyone enters Wright’s home the house feels cold, a suggestion of a ghostly presence. The Wright’s kitchen was left a mess (Glaspell, 1938) which symbolizes the mental state o...
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...they commenced to mocking the women, “Well, Henry, at least we found out that she was not going to quilt it” (Glaspell, Trifles, 1938), the sheriff mocked, “She was going to--what is it you call it, ladies” (Glaspell, 1938). In a tone that personified her position as a judge and jury of her peers, Mrs. Hale retorts with her hand against her pockets as a gesture of enough evidence for Mrs. Wrights vindication, “We call it—knot it, Mr. Henderson”(Glaspell, 1938).
References:
Glaspell. (2010). Trifles. Literature: A World of Writing Stories, Poems, Plays and Essays VitalSource eBook for South University.
The Free Dictionary by Farlex. (2010). Medical-Dictionary. Retrieved July 16, 2010, from Psychoanalytic Literary Criticism: http://encyclopedia.thefreedictionary.com/Psychoanalytic+criticism
Wright felt in this house. The play takes place in the kitchen of the Wright’s farm house, “arguably the (only) domain of Mrs. Wright.” (McDaniel) Choosing this location within the house draws attention to the domesticated role of the women and Mrs. Wright’s perceived failure in this role by the unkempt condition of her domain. This serves to create a separation between the genders, drawing the women closer together with Mrs. Wright. Mrs. Hale and Mrs. Peters try to defend the condition of her kitchen by telling their counterparts that it’s not always easy to keep a clean kitchen and there is a great deal more work involved than the men seem to understand. Life in the farmlands of the Midwest was often a very lonely and depressive experience, having miles between neighbors and no telephones or televisions to break the silence of the hard labor required to sustain the families. (McDaniel) The Wright’s farm house described as being “down in a hollow and you don’t see the road” (Meyer, pg 1044) serves as a physical separation of Mrs. Wright’s environment and the rest of her community. It is also stated to be a cold, gloomy atmosphere, having always been a “lonesome place” (Meyer, pg. 1044) demonstrating the lack of affection Mr. Wright held for his
Glaspell, Susan. Trifles. Literature. 5th ed. Ed. Robert Di Yanni. New York. McGraw-Hill Higher Education, 2002. 1616 -1626.
You notice this to be so because Mrs. Peters is struggling against what she is hearing the men say versus what she feels herself. When Mrs. Hale tells Mrs. Peters that she would hate for the men to be in her kitchen snooping around and criticizing, Mrs. Peters responds by saying "Of course it’s no more than their duty". This reflects to me a lady who has been so brain washed by the manly view of her time that she can’t even see the simple feelings that women feel for and between each other.
Throughout history, a woman's role is to be an obedient and respectful wife. Her main obligation is to support, serve, and live for her husband and children. In Henrik Ibsen's A Doll's House and Susan Glaspell's Trifles, two different women make a decision to take matters into their own hands by doing what they want to do, no matter what the outcome may be and in spite of what society thinks. These two women come from different homes and lead very different lives yet, these two women share similar situations--both are victims, both are seeking individuality, and initially, both women end up alone. There are many ways that Nora and Mrs. Wright differ. First of all, both come from completely different households. Nora's home is "tastefully [. . .] furnished" and always "pleasant"(917). She lives in a lavish home eating macaroons, drinking champagne, and hosting banquets. Nora often has guests at the house and there are even maids to watch her children. Her husband, Torvald, is often home and has guests over. On the other hand, Mrs. Wright's home is unpleasant, in an "abandoned farmhouse"(977) in a secluded area. Mrs. Wright seldom has company, nor does she have any children. She does not leave the house very often and her husband, Mr. Wright, wants no outside interference. Mr. Wright refuses to get a "party telephone"(978) because he enjoys his "peace and quiet"(978). It is obvious that these two women lead different lives with different types of people, yet they share similar situations that are not so obvious.
Mrs. Hale feels a natural responsibility to defend and protect Minnie Foster Wright through her connection as a fellow woman and housewife. Upon her introduction to Minnie through her home, Mrs. Hale finds an immediate connection. She understands Minnie’s life as a homemaker and a farmer’s wife and is quick to defend her when her skills as a wife and woman come into question. When the men recognize Minnie’s lackluster cleaning of kitchen towels Mrs. Hale retorts “[m]en’s hands aren’t as clean as they might be” (Glaspell 160). She asserts her loyalty to Minnie and notes that men are not always perfect or without blame, without “clean hands”. As a woman, Mrs. Hale easily sees herself in Minnie’s place and comes to her defense as if she were defending herself. It is easier to share her loyalty with a woman so much like her than it is to be loyal to men that act superior and do not understand the challenges of being a housewife. The men find a woman’s chores as petty, nothing but “trifles” (Glaspell 160).Scholar Karen Stein argues that it is these commonalities that create the responsibility of everywoman to defend one another (Ortiz 165). Mrs. Hale sees herself in every...
Glaspell, Susan. “Trifles.” Literature: A World of Writing. Ed. David L. Pike and Ana M.
The power of women is different than that of men. Women display a subtle and indirect kind of power, but can be resilient enough to impact the outside world. In Trifles, Susan Glaspell delivers the idea that gender and authority are chauvinistic issues that confirm male characters as the power holders, while the female characters are less significant and often weak. This insignificance and weakness indicated in the play by the fact that the women had the evidence to solve a murder, but the men just ignored the women as if they had no value to the case at all. This weakness and inability of the female to contest the man’s view are apparent. According to Ben-Zvi, “Women who kill evoke fear because they challenge societal constructs of femininity-passivity, restraint, and nurture; thus the rush to isolate and label the female offender, to cauterize the act” (141). This play presents women against men, Ms. Wright against her husband, the two women against their spouses and the other men. The male characters are logical, arrogant, and stupid while the women are sympathetic, loyal, and drawn to empathize with Mrs. Wright and forgive her crime. The play questions the extent to which one should maintain loyalty to others. Mrs. Peters and Mrs. Hale try to withhold incriminating evidence against Mrs. Wright, and by challenging the reader to question whether
In Susan Glaspell’s play Trifles Mr. Wright’s murder is never solved because the two women in the story unite against of the arrogance of men to hide evidence that would prove Mrs. Wright as the murderer. The play Trifles is about the death of farmer Mr. Wright and how the town sheriff and attorney try to find evidence that his wife Mrs. Wright killed him. As the play progresses the men’s wives who had come along were discovering important pieces of evidence that prove the men’s theory but chose to hide from them to illustrate the point that their ideas should have been valued and not something to be trifled. The very irony of the play comes from its title trifles and is defined as something that isn’t very important or has no relevance to the situation that it is presented to. In this play the irony of the title comes from the fact that the men find the women’s opinions on the case trifling even though the women solve the crime which ends up being the downfall of the men as they would have been able to prosecute Mrs. Wright if they had listened which made the women’s opinions not trifling. Glaspell was born in an age where women were still considered the property of men and they had no real value in society in the eyes of men except for procreation and motherhood. This attitude towards women was what inspired Glaspell to write the play Trifles and to illustrate the point that women’s attitudes should be just as valued as men’s and to let women have a sense of fulfillment in life and break the shackles that were holding them only as obedient housewives. Trifles was also inspired by a real murder trial that Glaspell had been covering when she was a reporter in the year 1900. Glaspell is a major symbol of the feminist movement of l...
The first reading I enjoyed was Susan Glaspell’s “Trifles”. The main character in the plat is a sheriff, his wife, the county attorney, and Mr. and Mrs. Hale. The opening scene is all of them in John Wright’s kitchen. Mr. Hale tells the sheriff and attorney how he a visited the house on the day before day and Mrs. Wright greeted him but her demeanor was little suspicions. She told him that her husband was upstairs dead. She says she was asleep when someone choked her husband to death. All the men suspect she is the murderer. While the men look for evidence in the house they criticize Mrs. Wright’s housekeeping skills and that really irritates Mrs. Hale and Mrs. Peter, the sheriff’s wife. While the men continue to look around the house, they missed the bad fruit preserves and bread that was left out the box, a quilt that she didn’t finish, a half cleaned table, and an empty birdcage. The men were preoccupied looking for scientific evidence and end up completely missing the psychological signs that Mrs. Wright was miserable living with Mr. Wright cold-natured attitude.
In Susan Glaspell’s play Trifles a man has been murdered by his wife, but the men of the town who are in charge of investigating the crime are unable solve the murder mystery through logic and standard criminal procedures. Instead, two women (Mrs. Hale and Mrs. Peters) who visit the home are able to read a series of clues that the men cannot see because all of the clues are embedded in domestic items that are specific to women. The play at first it seems to be about mystery, but it abruptly grows into a feminist perspective. The play Trifles written by Susan Glaspell can be considered a revolutionary writing in it its advocacy of the feminist movement.
Glaspell, Susan. Trifles. Making Literature Matter: An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. Boston: Bedford / St. Martin's, 2005.
Mrs. Hale’s keen wit and patience contributes to her embodiment of The Fate sister Clotho the Spinner, which is even more evident in her correcting of Minnie Wright’s improper stitching (Russell). Mrs. Peters begins the process of investigation deeply devoted to keeping the law. She doesn’t want any disruption in the house, saying, “I don’t think we ought to touch things” (Glaspell p. 666) when Mrs. Hale began searching for clues. Upon finding the dead canary, Mrs. Peters view on the situation changes drastically, and she decides with Mrs. Hale to hide the tiny dead bird from the men. They both figure that if the dead canary was discovered, Mrs. Wright would be thought to be a mad woman, though it was likely Mr. Wright who killed it.
In fact, when Mrs. Hale comments that Mrs. Wright was not one for housekeeping, Mrs. Peters replies by saying “Well, I don’t know as Wright had either.” (748). The disheveled state that the house is in, as well as the fact that Mr. Wright is characterized as a hard man who is unwilling to share his part expresses the idea that their marriage was unhappy, and in turn, Mrs. Wright could have motive to harm him. Likewise, when the men leave the women to find clothes for Mrs. Wright, the two discover more possible evidence that the men will shrug off. For example, Mrs. Hale examines some quilt work that Mrs. Wright was working on, and notices that the most recent square is very sloppy compared to the rest of the work on the quilt. Moreover, the fact that they believe she crafted it by knotting is very significant (750). This correlation times closely with Mr. Wright’s time of death, and could indicate as a stressor, which the women can pick up on. Since the men laugh at their seemingly trivial observation, they are close to solving the crime on their
According to the Merriam -Webster Online Dictionary an assumption is a belief that something is true or a fact or statement that is taken for granted. Susan Glaspell wrote "Trifles" to demonstrate the male assumption that women are insignificant members in a male dominated society. Because the men underestimate them, the women are able to prove they are not insignificant. The improper assumptions by men toward women can have dire consequences, as demonstrated in Glaspell's world. Combating these narcissistic assumptions displayed by men can result in a unity among women that can overcome any male caused disrespect and oppression.
Most of the actions take place in the kitchen setting which demonstrates the author’s deliberate move to show the important details about the wifely role. The women hold their conversation in the unkempt kitchen, a domestic sphere that reveals everything about the lives of women. While the men were busy searching for clues around the farmhouse, Mrs. Peters and Mrs. Hale see some evidence in the trifle that Mrs. Wright had left in the kitchen. The women can deduce that the messy kitchen with dirty pans gives a signal of incomplete work. Mrs. Hale and Mrs. Peter spend most of their time in the messy kitchen that significantly reveal Mrs. Wright’s state of confusion (Manuel 61). Mrs. Hale understands Mrs. Wright’s experiences of loneliness and desperation from the male-dominated circumstances. The female characters sympathize with her situation by acknowledging the forces in her life that made her take the roles including that of murdering her husband. The men overlook the evidence that the women can trace in the house, and their dialogue suggests lack of sympathy towards women as noted from their humiliation and sarcasm towards women. For example, the women can relate the death of the canary to the murder scene. The attorney shows how woman’s concerns are unimportant, instead of sympathizing with Mrs. Wright for what has befallen her, they portray their women