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Essays written about amy tan
Amy tan literary works
Essays written about amy tan
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Amy Tan is a Chinese American writer, whose short stories portray the theme that finding the balance between heritage and culture is not always easy. This is seen through Amy Tan’s own life experience and through a couple of the many short stories she has written, for example, “Two Kinds”, “Rice Husband”, and “A Pair of Tickets”. In the following short stories, the daughter becomes everything the mother wished for, but meanwhile, the daughter becomes more American like and loses her Chinese values. Due to this fact, the mother and daughter find it hard to communicate (Rozakis 13).
Amy Tan was born in Oakland, California in 1951. Amy Tan’s name in Chinese is An-mei, whose meaning is “blessing from America” (Huntley 1). Amy was the middle child of John and Daisy, who had arrived to America in 1944 and were mandarin-speaking (Ho 40). They were also first generation Chinese Americans and were married in the U.S. Tan has two older brothers Peter and John, named after her father. Her father, John was an electrical engineer, trained in Beijing (Ho 40). When he arrived to America, he was offered a place to study in Stanford but refused it to instead become a minister. Amy’s mother, Daisy, had been married before, but she decided to abandon the marriage since it had become abusive. The price for leaving her first marriage was also having to leave behind three children (Ho 40). As Huntley states, Tan’s parents’ unusual backgrounds would further on provide her with material for her novels (1).
Tan describes her childhood as lonely and isolated. Her early childhood also involved a lot of moving, form house to house (Ho 40). She lived the classic minority experience (Huntley 2). At school she was usually the only Chinese student in her c...
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...impacted millions of women worldwide. Tan’s works not only captured Chinese women’s attention but women with all kinds of cultural background and it helped them reconnect with their heritage as well.
Works Cited
Bloom, Harold, and Stephen Souris. Amy Tan. Philadelphia: Chelsea House, 2000. Print. Pages: 1, 2, 66, 70
Ho, Wendy. In Her Mother's House: The Politics of Asian American Mother-daughter Writing. Walnut Creek: AltaMira, 1999. Print. Pages: 22,23,40,49
Huntley, E. D. Amy Tan: A Critical Companion. Westport, CT: Greenwood, 1998. Print. Pages: 1, 2, 41, 42
Rozakis, Laurie Neu., Garey Carey, and James L. Roberts. The Joy Luck Club: Notes ... Lincoln, Neb.: Cliffs Notes, 1994. 1999. Web. 21 Mar. 2014. Pages: 12, 13, 45
Yuan, Yuan. Ideas of Home: Literature of Asian Migration. Ed. Geoffrey Kain. East Lansing: Michigan State UP, 1997. Print. Pages: 158,162
Tachiki, Amy; Wong, Eddie; Odo, Franklin, eds. (1971). Roots: An Asian American Reader. University of California, Los Angeles Press.
Amy Tan, in ?Mother Tongue,? Does an excellent job at fully explaining her self through many different ways. It?s not hard to see the compassion and love she has for her mother and for her work. I do feel that her mother could have improved the situation of parents and children switching rolls, but she did the best she could, especially given the circumstances she was under. All in all, Amy just really wanted to be respected by her critics and given the chance to prove who she is. Her time came, and she successfully accomplished her goals. The only person who really means something to her is her mother, and her mother?s reaction to her first finished work will always stay with her, ?so easy to read? (39).
In the story "A Pair of Tickets," by Amy Tan, a woman by the name of Jing-mei struggles with her identity as a Chinese female. Throughout her childhood, she "vigorously denied" (857) that she had any Chinese under her skin. Then her mother dies when Jing-Mei is in her 30's, and only three months after her father receives a letter from her twin daughters, Jing-Mei's half sisters. It is when Jing-mei hears her sisters are alive, that she and her dad take a trip overseas to meet her relatives and finally unites with her sisters. This story focuses on a woman's philosophical struggle to accept her true identity.
Amy Tan’s novel, The Joy Luck Club describes the lives of first and second generation Chinese families, particularly mothers and daughters. Surprisingly The Joy Luck Club and, The Woman Warrior: Memoirs of a Girlhood Among Ghosts are very similar. They both talk of mothers and daughters in these books and try to find themselves culturally. Among the barriers that must be overcome are those of language, beliefs and customs.
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
Amy Tan’s “Fish Cheeks” describes Tan’s upbringing as a Chinese-American caught in between two cultures. In “Fish Cheeks” Tan’s crush Robert and his family were invited to Tan’s house for Christmas, Amy was embarrassed of Robert’s impression of her Chinese relatives, cuisine, and culture (Tan 110). Tan’s situation is not uncommon as millions of first generation Americans encounter similar situations while living within two cultures. Albeit the extreme embarrassment Tan endured throughout the encounter, she contends that her mother taught her a valuable lesson in appreciating her Chinese culture (111). Ultimately, Tan's purpose was to implore first generation Americans to embrace both of their cultures, in spite of its unique traditions (Tan
Shear, Walter. Generational Differences and the Diaspora in The Joy Luck Club. An excerpt from Critique, Vol. 34, No. 3 (Spring 1993). 1993. Helen Dwight Reid Educational Foundation.
Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture. As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.
The second and third sections are about the daughters' lives, and the vignettes in each section trace their personality growth and development. Through the eyes of the daughters, we can also see the continuation of the mothers' stories, how they learned to cope in America. In these sections, Amy Tan explores the difficulties in growing up as a Chinese-American and the problems assimilating into modern society. The Chinese-American daughters try their best to become "Americanized," at the same time casting off their heritage while their mothers watch on, dismayed. Social pressures to become like everyone else, and not to be different are what motivate the daughters to resent their nationality. This was a greater problem for Chinese-American daughters that grew up in the 50's, when it was not well accepted to be of an "ethnic" background.
During the time when the field of Asian-American studies began to emerge, many scholars looked back upon Asian works from the past to try and build a library of books to convey the experiences of early Asian immigrants. Father and Glorious Descendent was dismissed by many in the field as a “document of self contempt” and a “humiliating book” to the Chinese and thus it was dismissed in most academic circles.
Amy Tan’s A Pair Of Tickets is a story concerning family and roots. June May, like the author herself, was a Chinese born in USA and grew up with an American background culture, whereas her mother grew up in China and then immigrated to America. Looking at the repeated words, we discussed that one there are many words such as mother, sister, father and Aiyi. Most of the characters in this story belong to one family, June May’s family. It suggests to us that the tale is about relations and where we stand in our family. Even Aiyi brings practically her whole family to see her brother and niece. This is also one of the stronger traits of the Chinese cultures where there are many family occasions.
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
A vivid portrait of the struggles, as well as the joys, of three generations of Asian American families is painted for us on the off white canvas used by Amy Tan in 1989, the pages of her book, The Joy Luck Club. In this portrayal of Chinese immigrants and their American born children, four family stories are brought to light, through a series of vignettes told from the view points of eight women, as they change and grow in their lives. Lives that become the pigment that, along with Tan’s taintless brush strokes become a painting fit for a museum. As the stories are unveiled to us, we begin to find the connection between mothers and daughters, as well as ties between friends. These connections, however, often turn out to be lacks of connections, as the generations find themselves having a hard time relating to one another. One family in which misconceptions occur throughout the entirety of the daughter’s life is the Jong family, whose story leads us through generations of women, who, by living their out their lives, look at things instead as simply, playing the game.
One’s ability to craft their own identity often starts out with determining their inner set of ideologies and values. New York Times bestselling author, Amy Tan, is one of many great examples who was able to mirror her own values into her bestselling novel, The Kitchen God’s Wife. Known for incorporating mother-daughter relationships into her stories, Tan uses her novel to allow readers an inside look into her personal set of beliefs and values. The story follows a Chinese immigrant living in America, Winnie, who tries to reconnect with her “Americanized” daughter by reciting her story of the struggles she faced while living in Shanghai. While writing the novel, Tan was able to incorporate her own values of creativity, integration into both Chinese and American culture, and independence which were influenced by her parents and her surroundings. Therefore, Amy Tan’s ability to shadow her socially influenced values of creativity, integration, and independence in her critically acclaimed novel The Kitchen God’s Wife demonstrated the identity crisis that her characters go through when being tied up in a knot of two distinct cultures and opinions within society.
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).