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Analysis of chekhov
Anton Chekhov and his characters
Anton Chekhov and his characters
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Anton Chekhov was a Russian playwright who lived in the late 1800s. He wrote a comedy entitled The Bear, A Joke in One Act. This drama is about a man and woman who initially despise each other, but fall in love late in the play. Mrs. Popov is a widow who is unrealistically grieving over the loss of her husband. The leading male character in the play is Grigory Stepanovich Smirnov, a quick-tempered man who is looking to collect money that Mrs. Popov’s late husband owed him. Luka is Mrs. Popov’s footman, who also plays an important part in the play. Harrison Ford, Sandra Bullock, and Michael Caine would be great fits to play the three main characters of The Bear if the play were to be presented in its original form.
Harrison Ford would be a great choice to play the part of Grigory Stepanovich Smirnov. One of the first traits that the reader notices about Smirnov is his quick temper and vulgar dialogue; these qualities match up well with one of Harrison Ford’s previous roles. Ford played Han Solo in the Star Wars series. Ford’s experience in playing a character who is easily angered would make Smirnov’s actions much more believable; an example of this is the scene in which Smirnov breaks Mrs. Popov’s chair (speech 69 S.D.). Ford would be able to reproduce Smirnov’s anger well and also keep the action comical. In addition to presenting Smirnov’s actions well, Ford would also succeed in presenting the dialogue of Smirnov. For example, When Smirnov states, “You idiot, you talk too much. . . . Ass!” (Speech 18), Ford has the experience to succeed in the presentation of this line. One of Ford’s lines in Star Wars Episode V: The Empire Strikes Back shows how Ford would present this line from The Bear; Ford, as Han Solo, says, “Then I’ll ...
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... play, The Bear, A Joke in One Act. Harrison ford is a great fit to play the older, quick-tempered man, Grigory Smirnov. Sandra Bullock is an excellent choice to play Mrs. Popov, the depressed widow. Finally, Michael Caine is a good choice to play Mrs. Popov’s servant named Luka. These actors all have the experience to properly portray the three complex characters of Chekhov’s play.
Works Cited
Batman Begins. Dir. Christopher Nolan. Warner Bros. , 2005. DVD.
Chekhov, Anton. The Bear, A Joke in One Act. Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th ed. New York: Longman, 2009. 1582- 1590. Print.
The Dark Knight. Dir. Christopher Nolan. Warner Bros. , 2008. DVD.
The Proposal. Dir. Anne Fletcher. Touchstone Pictures, 2009. DVD.
Star Wars Episode V: The Empire Strikes Back. Dir. George Lucas. 20th Century Fox, 1980. Film.
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The other actors and actress were just as outstanding in their performances. Len Cariou plays Robert. He is Catherine’s father in the play. In the play, he is both humorous and appealing. Len Cariou is very good at portraying Robert’s insanity and brilliance all at once. What is interesting about Robert is that he does not give up his fight against his illness. Instead, he struggles up until his death to control and conquer it. Len Cariou displays this struggle so convincingly that he is able to draw you into his struggle. He is able to stir up emotions, such as sadness and anger.
Star Wars: Episode IV - A New Hope. Screenplay & Dir. George Lucas. Lucasfilm & Twentieth Century Fox, 1977. Film
Star Wars: The Empire Strikes Back. Dir. Irvin Kershner. Perf. Mark Hamill, Harrison Ford Carrie Fisher. DVD. Twentieth Century Fox, 2006.
Being a student of method acting, James Dean was able to personify a genuinely pessimistic and troubled Jim Stark with passionate outbursts and the natural mumbling and brooding of a distressed teenage boy. Jim, Judy, and Plato, played by movie stars of the 50s, were dynamic characters forever changed by the events of the story. Character actors played the static characters of the film, such as Plato’s caretaker.
Chekhov was born in Taganrog, Russia in 1860 to a woman named Yevgeniya and a man named Pavel. His father, who shares the name of the bishop, is described as being “severe” and sometimes went as far as to chastise Chekhov and his siblings (Letters
It seems as though Pyotr and Alexeich both represent different aspects of Chekhov’s father, and Chekhov himself is Anna. Chekov’s father was aloof from his family and came from a lower class background; like Modest Alexeich, Chekhov’s father also fawned at the feet of his social superiors. Chekhov, in contrast, was an unconventional boy. He eventually broke from his family’s lower class position and became a doctor; however, throughout his school and career he performed additional odd jobs to earn money he could send to his father. Also like Anna, Chekhov loved to be with people (Payne xiii, xvii-xxi). Comparing the two, then, it would seem as if Chekhov identifies with Anna as she struggles to find her social identity and wrestles with her desires and the needs of those she loves. This tone gives the story a melancholy mood and leads to a bittersweet conclusion. The ending seems happy for Anna, yet the reader is left to wonder what the ending represents. Did her father and husband receive the dues for their behavior? Are Anna’s actions a normal product of the transformation from youth to adulthood, or did she come to completely discard respect and
Chekhov’s portrayal of love is as an emotion that solidifies itself only if the precise person is encountered. However, Chekhov takes his idea even further through his characters Dmitri and Anna, by stating through them, that love may be discovered, even after marrying the “incorrect person.” This fact is made clear when Chekhov writes “I don't know what he does there, what his work is, but I know he is a flunkey! I was twenty when I was married to him” through the character Anna. Hemingway on the other hand, instead of giving a view on what love is, his perspective is based on situation that may be mistaken as love. Both of Hemingway’s characters in Hills like White Elephants; Jig and The American, are reluctant to reveal the reality o...
Mitch Brenner is the best selection out of all the characters for many reasons. One of the reasons is that he is patience about the situation. During the movie,¨The
To begin, Smirnov enters the play as being someone with complete disrespect for anyone of the opposite sex. He has absolutely no shame in speaking vulgar words such as "idiot" and "damn" or saying inappropriate phrases like "God damn it to hell" in front of a woman; Mrs. Popov in particular. Smirnov acts as if he is desensitized to love, compassion, emotion, and tenderness. It is obvious that Smirnov's actions are merely an "act" and not his true nature because even from the point of introduction to Mrs. Popov, Smirnov cannot help but make hidden compliments about her "schoolgirl dimples," or speak of "how charmante [she] look[s] in mourning" even through hi...
the role of a narrator. One role he takes on in the play is the voice
Instead of a grand tragedy of a royal house, the modern Hamlet is a detective story about a dead rich guy and his son the beginner detective. Yet, the acting of the actors and the special effects more or less manage to make up for the flaw. Bill Murray who plays Polonious is harsh and tight. Ethan Hawke is illustrated as a weak and normal prince. Julia Stiles does not do Ophelia any justice. Ther...
Anton Chekhov?s classic play the bear revolves around two protagonists, Mrs. Popov and Grigory Stepanovich Smirnov. Mrs. Popov is a landowner and widow, who after seven months ago is still mourning her husband?s death and decided to isolate herself from the out side world and mourn until the day she dies. Grigory Sepanovich Smirnov is also a landowner, who lends money to Mr. Nikolai Popov before he died and he demands the debts be paid at once because his creditors after him. Smirnov insists, makes light of Popov?s mourning, and refuses to leave her house. Popov and Smirnov angrily fight with one another. Then Smirnov challenges Popov to a gunfight for insulting him and Popov brings out her husand?s pistols. At this point Smirnov realizes that he has fallen in love with Popov. At the end of the play, they end up in love and kiss each other.
Chekov, Anton. "Vanka." Understanding Fiction. 3rd ed. Eds. Clanth Brooks and Robert Penn Warren. Englewood Cliffs, NJ: Prentice Hill, 1979. 46-49