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Shakespeare's love and marriage
Types of love in Shakespeare plays
Types of love in Shakespeare plays
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One of Shakespeare’s last comedies is Much Ado About Nothing. It is filled with laughter, yet there are some dark aspects that make the play seem part tragedy. There is love at first sight with Hero and Claudio; there is love that develops with Benedick and Beatrice, evil scheming with Don John and his accomplices, Borachio and Conrad, and a very emotional and dramatic confusion that is the play’s namesake. Something that is displayed greatly throughout the drama is the relationship between Benedick and Beatrice. It is foreshadowed that they would fall in love in the first act of the drama. A small battle of wits is ensued upon Benedick’s arrival at Leonato’s home. BENEDICK: What, my dear Lady Disdain! Are you yet living? BEATRICE: Is it possible disdain should die while she hath such meet food to feed it as Signor Benedick? Courtesy itself must convert to disdain if you come in her presence. BENEDICK: Then is courtesy a turncoat. But it is certain I am loved of all ladies, only you excepted. And would I could find in my heart that I had not a hard heart, for truly I love none. BEATRICE: A dear happiness to women. They would else have been troubled by a pernicious suitor. I thank God and my cold blood I am of your humor for that. I had rather hear my dog bark at a crow than a man swear he loves me (I.i. 95-105). Yet that was not the end of this argument, nor was it the only they had. It is this relationship that many of the people who read the play or who watch and produce a performance enjoy. In Act II Scene I, Beatrice describes what would be the perfect man. To summarize, he would have half of Don John’s seriousness and half of Benedick’s chatter, and he would have to be handsome and rich. ... ... middle of paper ... ...ful confessions, “BENEDICK: I do love nothing in the world so well as you. Is not that / strange?” (IV.i.265-266). “BEATRICE: I love you with so much of my heart that none is left to / protest” (IV.i.282-283). Benedick loves Beatrice so much that he forsakes his friendship with Claudio and swears to Beatrice that he will “challenge him” (IV.i. 323), which Beatrice assumes is he will kill Claudio, as she asked him. Works Cited Crowther, John, ed. “No Fear Much Ado About Nothing.” SparkNotes.com. SparkNotes LLC. 2005. Web. 11 Dec 2013. . “The Chronology of Shakespeare’s Plays.” Shakespeare Online. n.p. n.d. Web. 11 Dec 2013. . “Genesis Chapter 2.” The Official King James Bible Online. n.p. n.d. Web. 11 Dec 2013. .
“And when I lived, I was your other wife, And when you loved, you were my other husband(Shakespeare 60).” In the beginning of the play it was overwhelming, steeped in love at first sight between Hero and Claudio, until Don John’s evil-manner took a role in ruining the love between them. And because of this a conflict developed between them, but was resolved when their vigorous love for one another overcame the conflict. In Much Ado About Nothing by William Shakespeare, Hero serves as the foil character of Claudio because of Hero’s dignified, well-mannered, eminent reputation is illuminated through Claudio’s insecure, accusing, and doubtful weakness; thereby, interminably influencing the conflict in the plot.
The characters, Beatrice and Benedick have a very complicated relationship. They are always exchanging words and calling each other names. They call each other names from the very beginning of the play to the very end. In act 1, Benedick says “ If Signior Leonato be her father, she would not have his head on her shoulders for all of Messina, as like him as she is ” (1.1.111-113). Beatrice follows by saying, “ I wonder that you will be talking, Signior Benedick, nobody marks you ” (1.1.114-115). These quotes show that they have always had a complicated relationship because they insult each other without them expecting it.
The difference between Beatrice,Benedick,and the other two Claudio and Hero though is that, these two are very headstrong characters with a different outlook on love, but have very much love for one another. Benedick believes in just being a bachelor and spending the rest of his life messing with as many women as he pleases, well as for Beatrice she believes there is no man good enough and willing to show her the love she wants so she much rather be left alone. But the fact that they honestly want to believe what they say is what makes this get way more interesting. What they don’t know is that they are going to soon become curious trying to figure out what they truly feel for one
Benedick and Beatrice both benefit from the deceit that they encounter. At first, both are enemies in a battle of insults and wit, until they are each fooled into thinking that the other loves them. When Benedick hears that Beatrice is supposedly attracted to him, he thinks that it is “a gull, but that the white-bearded fellow speaks it: knavery cannot, sure, hide itself in such reverence” (111). Little does he know, Leonato, the "white-bearded fellow," is also in on the joke (111). Benedick starts to admire her when he is aware that Beatrice might actually be attracted to himself, as well. She is also astonished when she first hears that he loves her. However, when Beatrice comes to terms with their affection, she hopes "Benedick [will] love on... And [she] Believe it better than reportingly" (134). In other words, she falls in love with Benedick as soon as she believes that he, too, is fond of her. They each start to fall in love with one another under the pretense that other was hiding their affection from them. Now that they are both in love, they start to open up to each other and prove that the deception they endured was worth it in the end.
Throughout Act one and two, Benedick repeatedly says that he will never love a woman or get married. At some stage in the duration of the play his mindset changes. In the end he is head over heels in love for Beatrice whom he once quarreled with habitually. The turnabout in his behavior was brought about by the deceiving Claudio and Pedro who indirectly told Benedick that Beatrice loved him.
Shakespeare’s introduction of the other couple in question is in stark contrast to the way in which Beatrice and Benedick were introduced. Claudio and Hero are amorously receptive to one and other from the very start. Upon laying eyes on Hero, Claudio remarks of her to Benedict “is she not a modest young lady?” (1.1.125). Clearly, by having Claudio express his fondness of Hero to Benedick, the playwright directly compares the older and more cynical to the more young and naive, allowing the reader to see the contrasting personas of the two men. This is reinforced by Benedick, who after finishing listening to Claudio’s rhetoric on the charms of the young Hero (“in m...
William Shakespeare's Much Ado About Nothing is a play involving by deception, disloyalty, trickery, eavesdropping, and hearsay. The play contains numerous examples of schemes that are used to manipulate the thoughts of other characters; it is the major theme that resonates throughout the play. Ironically, it is one of these themes that bring serenity to the chaos that encompasses most of the play.
The machinations of Claudio and Don Pedro initially bring Beatrice and Benedick together, despite their initial dislike for each other. A previous relationship is the probable root of both character’s intolerance and ‘postures of hostility’ towards marriage and the opposite sex. Throughout the play Beatrice and Benedick engage in a ‘war of wit’, whereby they both exercise their impressive, quick, humour, as a mechanism of defence against one another. This immediately depicts there is going to be an element of comedy in the play, and both characters are a source of entertainment.
With its entangled double plots and eloquent use of words, Much Ado About Nothing is a story that has the ability to entertain the masses both young and old. Shakespeare’s use of figurative language along with situation creates such vivid imagery for which carries the drama from beginning to end. For example, when we look at Act 1 Scene 1 of the play ...
The first sign of Claudio’s immaturity is how easily he falls in and out of love. In Act 1, Scene 1, Claudio says to Benedict, “I would scarce trust myself, though I had sworn the contrary, if Hero would be my wife” after merely taking in the beauty of Hero (Shakespeare 1.1.9). There is no real substance yet to his love for Hero other than outward appearance, much like any person young and naïve with love. When Claudio asks Don Pedro, “Hath Leonato any sons, my lord?” helps the reader develop a further understanding of Claudio and what could be his true motive for wanting to marry Hero, the only heir to her Leonato (1.1.13). Another sign of the fickleness of Claudio is when told by Don Jon, the bastard, that Hero has affections toward Don Pedro his best friend, he swears off his love for Hero by saying, “This is an accident of hourly proof. Which I mistrusted not. Farewell therefore Hero” (2.1.24). After having Don Pedro ask Leonato for his permissions to marry...
At the start of the play Hero is presented as a typical woman of the time, modest and demure – she says little. In fact, Shakespeare’s first words describing Hero, ‘Is she not a modest young lady’ announce her essential qualities of modesty and decorum. In this period, these were vital qualities to have in a wife and Hero possessed them, unlike Beatrice. By contrast, Shakespeare portrays Beatrice as an untypical woman, being outspoken, independent, witty and unconventional – she is always participating in the conversation even with the men (especially Benedick), which Hero never does.
They had similar characteristics Nevertheless, Beatrice was a unique woman in Shakespeare’s society. Beatrice occupies the complementary female role, the shrew who is curst with ill-temper and hatred of men. (Scheff)She was one of Shakespeare heroines who didn’t see herself as inferior to men in a difficult period for women. In addition, Beatrice was really proficient with words using this skill to make fun of other people. For instance, when she told Benedick: “A bird of my tongue is better than a beast of yours.” (Shakespeare). Benedick and Beatrice were like the same side of a coin that way. Benedick making fun of other people was his life. For example, when he told Beatrice: “Well, you are a rare parrot-teacher.” (Shakespeare)Throughout the play, they use figurative language to make fun of other people which were quite amusing and fascinating. The dialogue between Beatrice and Benedick suggest the presence of undifferentiated versions of the same emotions. They claim to scorn love and to be looking for the ideal partner which was hilarious because after a great deceit they discovered they belonged
In Act 1 Scene 1, Claudio, Benedick and Don Pedro discuss their opinions of Hero. Claudio states that she is 'the sweetest lady that ever I looked on.' 'Sweetest' is an example of a superlative - Claudio has never seen a sweeter lady than Hero. He is completely infatuated with her, and thinks there is no-one better. Benedick does not share this opinion. When Claudio asks - referring to Hero - 'Can the world buy such a jewel?' Benedick replies 'Yay, and a case to put it in.' While Claudio thinks that she is a precious 'jewel' and s great treasure,
The play evokes an exemplified expression of frustration and love which we bottle in. With today’s technology, social media makes it harder for us to communicate to each other; it was a tool that was meant for us to easily connect to each other, but that is not the case. We hide behind it and we start to lose our ability to communicate to each other face to face, failing to reveal our true emotions to each other. We fail to notice this dilemma because our cultural norm has changed and it is acceptable for us to hide behind text messages instead exchanging words with our mouth’s. It was a part of the play when Beatrice and Signior Benedict tried to hide their love from each other. In the end of Much Ado About Nothing, both parties tried to hide behind their excuses claiming that they only loved one another because one was madly in love with the other. Signior Benedict was flushed out when one of his friends revealed his sonnet for Beatrice that truly came from his heart. Beatrice was uncovered by Hero the same way since Beatrice also professed her love to Signior Benedict in a piece of paper. Both of them never planned to read it to each other. In a way Shakespeare understood human emotions and interactions. His works is a necessity of the years to come. It shifts us back into the lost ways in the art of
Reelviews review of the film describes the life and vitality of the play as amazing. The majority of this vitality and energy within the play exudes from Thompson and Branaghs sparkling duet. Packed full of passion and charisma they capture the essence of Shakespeare’s original words and deliver a terrific performance onto the silver screen. Between the two they successfully convey the huge amount of chemistry between them onto the screen, undoubtedly leaving any onlooker with a smile on their face. Beatrice and Benedicks developing relationship is such a joy to watch throughout the play. Not only has Branagh successfully kept the comedic value of the original play intact, but also cemented a spectacular romantic one throughout. Word count: 495