The Power of Love in A Midsummer Night’s Dream
How far would someone go for love? Where do people draw the line? What separates stupidity and love? In the play A Midsummer Night's Dream by William Shakespeare the characters will go to extreme lengths for love. First off Hermia defies the old laws and he dad's wishes to run away with her true love Lysander. Secondly Helena betrays her friend of many years to try to win over Demetrius's love. Lastly Titania refuses to give up a child of her dead servant even when her husband tells her to give it up. This shows love because usually in the olden days the women do whatever the husband tells her to. Thus William Shakespeare tells us how far, in his opinion, you should go for love.
Hermia is clearly
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This also shows her dedication and loyalty to Lysander because she is saying that she would rather die than give her virginity up to someone else. This is only one example of how Hermia is rebellious and how she is dedicated to Lysander. In another example she says;
"O hell, to choose love to another’s eyes!"
This shows that Hermia is rebellious because in the olden days women would listen to the men and not swear, but she swears and disobeys the men in the court. This shows how passionate she is about this topic and how badly she wants to be with him, it's kind of like she is going crazy for him. These are some examples of how Hermia is rebellious.
People will sometimes betray there best friends in hopes to gain the love of their true love. Although this is not a honourable way to get someone else's love because you are stabbing someone close to you in the back in hopes to win over your love. This might not even work all the time. This happens when Helena
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Pursue her. And for this intelligence
. If I have thanks, it is a dear expens But herein mean I to enrich my pain, To have his sight thither and back again." (1.1.243-252)
This tells the reader that Helena plans to betray her best friend of many years in hopes to win over her true love Demetrius. She jumps into this and she doesn’t even know for sure that it will win Demetrius over. There are many other ways to impress your loved one and making enemies isn't one. You can see that she followed through with this plan because when they run into the forest to look for the others Demetrius says;
"Do I entice you? Do I speak you fair?
Or rather, do I not in the plainest truth Tell you I do not, nor I cannot, love you?"(2.1.184-187)
This tells the reader that Demetrius still doesn’t like her even though she snitched on her best friend.You can tell that this backfired because Demetrius still doesn't love Helena even though she told on Hermia. This is another example of the power of love in A Midsummer Night's
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we have the wrathful love of her father confronted by the love of her daughter for the man who is not her fathers’ choice. The love theme is further complicated by the arrival of Helena. Here we see the platonic love of two friends.
Demetrius are both in love with Helena due to the magic flower. Helena does not understand
She exemplifies her strengths in one occurrence by standing up to her father’s wishes concerning her wedding. Speaking to her father, Hermia proclaims, “So will I grow, so live, so die, my lord, ere I will yield my virgin patent up unto his lordship whose unwished yoke my soul consents not to give sovereignty” (I.i.81-84). Hermia demonstrates immense courage and strength by standing up to her father and threatening to pursue the occupation of a nun for the rest of her life. This persistence in marrying the love of her dreams, Lysander, shows incredible courage that resonates throughout the play. Here, Hermia exhibits boundless courage and strength and from now on, her vigor only grows stronger. Later on in the play, knowing that the rules of Athenian law of marriage did not apply outside of Athens, Hermia and Lysander snuck out of the city. As Hermia and Lysander conversed alone, Hermia demands, “Nay, good Lysander. For my sake, my dear, lie further off yet. Do not lie so near” (II.ii.47-48) when Lysander desires to draw nearer to Hermia. By this point, Hermia battled her father and contains immeasurable mental strength. At this instance, Hermia gains greater moral strength when she resisted Lysander’s inappropriate love. Displaying courage to stand up to her father and her moral strength to resist Lysander, Hermia exemplifies a strong
An important passion shown in this story is the passion of friendship from Helena. Lysander and demetrius were both deeply in love with Hermia, but suddenly they became slaves for Helena, under the spell of a love potion. This antagonises Helena and she blames it all on Hermia and her cruel joke. She says to Hermia, “The sisters’ vows, the hours that we have spent, when we have chid the hasty-footed time for parting us,-o is all forgot” (III.II.199-201)? Helena asks her if she has forgotten about their friendship, about the vows they took to be like sisters and never leave each other. This shows that although Hermia may have forgotten their friendship, Helena will always remember because friendship is really important to her. Friendship is a bond Helena feels really passionate about and takes very seriously. Another quote that shows Helena’s passion for friendship is “ Both warbling of one song, both in one key, as if our hands, our sides, voices and minds have been incorporated”(III. II. 207-208). This represents that Helena took their friendship sincerely and she believed in them and nothing could break their bond. Her last bit of her anger com...
Helena is madly in love with Demetrius and would give her life for just one kind word from him.
Infatuation causes Helena to lose all sense of dignity, as can be seen when in the woods, she desperately pleads with Demetrius to ?but treat me as your spaniel?. Here, Helena also becomes irrational, obsessed with pursuing Demetrius, though it is obvious that Demetrius is fixated on winning Hermia?s hand in marriage. Helena?s infatuation also causes her to see things from a skewed perspective, for she falsely believes that when she divulges Hermia?s plans for eloping with Lysander, Demetrius? love for Helena will rekindle. As the audience, we know that the most probable course of action for Demetrius upon hearing such news is to pursue Lysander and Hermia, or to report them to Theseus or Egeus. Clearly, infatuation has clouded Helena?s ability to think clearly, and she sees things in her own idealistic way.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
In response to Hermia’s defiance toward marrying Demetrius, Theseus offers Hermia three choices in the first scene: to obey her father’s will; to become a nun and forever stay an unwed virgin; to die. The extremity of these punishments presented by Theseus, and Hemia’s decision to accept these punishments rather than marry Demetrius, exaggerates how love can lead to irrational sacrifices. Shakespeare then compares a married woman to a plucked and distilled rose, and an unwed woman to a withering unplucked rose on a “virgin thorn.” This potent imagery contrasts the sweet smell of perfume to the harmful touch of a thorn. If Hermia continues to defy the desires of her father, she is sacrificing a happily married life in hopes of following he...
Helena was the younger sister of Hermia. It often bothered her that her sister got all the attention, and she even want it. Helena was madly in love with Demetrius, However Demetrius was arranged to marry Hermia. Helena truly believe she was not good enough, and could not understand why Demetrius did now want
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
She thinks it is a cruel joke and tells him to stop abusing her. Helena says, "Wherefore was I to this keen mockery born? When at your hands did I deserve this scorn? Is't not enough, is't not enough, young man, that I did never, no, nor never can, deserve a sweet look from Demetrius' eye, but you must flout my insufficiency? Good troth, you do me wrong, good sooth, you do, in such disdainful manner me to good.
During much of the play, Helena relentlessly chases Demetrius, giving him love no matter how many times he spurns her. While in pursuit of him in the woods, where he tells her that he will never reciprocate her feelings, she tells him, “I am your spaniel; and, Demetrius,/The more you beat me, I will fawn on you” (II.i.203-204). She is so desperate to win him over that she lowers her own status, calling herself his dog; no matter how many times he may abuse her, she will always adore him. Out of love, Helena is willing to swallow her pride to prove her devotion to him. More evidence of Helena’s blind love towards Demetrius can be found in her overlooking the flaws in Demetrius’ character. For example, he proves himself to be quite insensitive towards Helena: when they are in the woods, he says he will “leave [her] to the mercy of the wild beasts” (II.i.228) if she doesn’t stop following him. He also says to her, “…I am sick when I do look on thee” (II.i.212). Lastly, he threatens her, saying “…if thou follow me, do not believe/But I shall do thee mischief in the wood” (II.i.237). Helena acknowledges this aspect of his character, though choos...
Demetrius, Helena, Lysander, and Hermia are the for young teens of the story. At the beginning of the play it is Lysander and Helena who are madly in love, and are planning to to escape from Athens to elope. Helena is in love with Demetrius, and Demetrius cared for Helena and liked her a lot but was not in love with her. As soon as Demetrius sees Hermia he immediately stops having any feelings for Helena whatsoever and is deeply in love with Hermia. Demetrius thought that he had fallen in love at first sight, but Helena was determined to show him differently. Demetrius: ³ Tempt not too much the hatred of my spirit,/ For I am sick when I do look on thee.² Helena: ³And I am sick when I look not on you.² (Act II, sc. i, lines 218-220) This piece of dialogue shows how much Demetrius is now in love with Hermia from just seeing her, and how disgusted he feels when he looks upon Helena who he used to care about. Helena is simply just expressing how much she is love with Demetrius and how bad she feels that he is treating her in such a manner of hatred.
“For I am sick when I do look on thee,” Demetrius to Helena strictly (2.1.212). Even though Demetrius would talk to Helena in that tone she was continuously falling for him. So, Demetrius stated that he was tired of looking at Helena’s face as she kept seeking for his love. Demetrius was really upset at Helena, but he still had no reason to talk to her the way he does. As he kept trying to push her away, he could not and continued to speak with anger.
Hermia is determined to stay with Lysander, “If true lovers have ever cross’d it stands as an edict in history.” (Shakespeare 6) Although her father and Athenian laws are becoming a problem she focuses on Lysander and continues to go against the law and her father. She’s losing clarity as she fights against them, saying true love is meant to be. They love each other so much that they plan to run away together, risking a lot if they were to get caught.