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Recommended: A curious dream
Your eyelids are heavy and your mind is fogging, finally they close altogether with the weight of the eyelids and in a few minutes you have fallen into slumber. You wake up with a vivid image in your mind, but you have no inkling as to what it means. It was just a dream. Whether people can recall it or not, everyone dreams. A dream, some may argue is irrelevant; images assorted together creating nonsense. Others depict a dream as a message our mind is telling us about. Throughout the day, the mind subconsciously picks up pieces of our daily life, whether they are thoughts, emotions, ideas, or interactions. When we sleep, our brain organizes and analysis these thoughts and puts them together like a puzzle creating images we might have missed during our waking hours. The brain naturally resists chaos and is attuned to order and organization and therefore sees past the chaos and malfunctions, it begins to matrix things, such as images in the clouds. It is through dreaming that these images sort out all the chaos in the ordinary daily life and reveals a bizarre and unrealistic world, which is a reflection of the unstable reality that is actually lived in. Reality is considered unstable because it is constantly changing, moving and transforming into something else whether people are aging, dying or being born. It is a constantly changing factor that people refuse to accept and it is in our dreams that it is revealed. It is in this dream world where Shakespeare and Carroll use fantastical characters, such as fairies and the White Rabbit to exemplify the daily interactions one must make to seek the truth. It is in the court and woods, where everything is turned upside down and where what is right is wrong and what one knows, are no longe... ... middle of paper ... ...nuously move to get somewhere and when they find they are looking for, they still have to keep going. The characters met through the journey represent the logical and illogical strangers that people face every day and some may help while others might pull them down. These interactions are significant because every interaction and actions affect a person even if it isn’t all that clear. Time is the biggest factor in how reality is unstable. No matter what a person does, time is constantly there and every second is a second past. The main reason it is not stable is because it is always changing and moving and whether one likes it or not, no one can change time. In a dream, time is not a factor and characters met can have no significance and in a dream, just for those few hours, the world can be a perfect and stable place, at least just until it’s time to wake up.
Hermia , Lysander , Helena and Demetrius represent young love in Shakespeare’s A Midsummer Night’s Dream . They are potrayed as foolish and fickle , acting like children and requiring a parental figure to guide them . The parental figures are Hermia’s father , Egeus , and figuratively Theseus , the mortal ruler , and Oberon , the mystical ruler.
In the early 1900s, Sigmund Freud proposed that dreams serve as a gateway between a dreamers’ conscious and his subconscious thoughts (Mccurdy, 1946). Many ideas and information were condensed into a single dream. The dream displaced important parts and insignificant parts of the dream to confuse the dreamer. Certain objects would be introduced into the dream to symbolize the embryonic substance of the dream (Sprengnether, 2003). The dreamer would then comprehend the dream, thus generating the content of th...
In William Shakespeare’s A Midsummer Night’s Dream, there are endless images of water and the moon. Both images lend themselves to a feeling of femininity and calm. In classical mythology, the image of water is often linked with Aphrodite, goddess of passion and love. Born of the foam of the sea, Aphrodite was revered as an unfaithful wife to her husband Hephaestus (Grant 36). This may have a direct coloration to the unfaithful nature of the four lovers, Hermia, Helena, Lysander, and Demetrius, while in the woods. Perhaps more important, however, is Aphrodite’s link to the other Olympian maiden goddesses. As Aphrodite was attributed with love and beauty, Athena was the protector of war and arts, and finally, Artemis was the goddess of the woods and wild things (Hamilton 31). Artemis was brother of Apollo, god of the sun, and therefore she was the goddess of the moon. Through out literature it seems imagery of the moon and water can be used nearly interchangeably because they both imply feminine powers; water is representative of life and motion and the moon is representative of Artemis directly. Shakespeare seems to have been quite aware of the duties and powers of this ancient goddess.
William Shakespeare's A Midsummer Night's Dream In the following essay I am aiming to show how Lysander's claim that 'the course of true love never did run smooth' is supported by other events in the play. "A Midsummer Night's Dream" was written by William Shakespeare. No one knows the exact date it was written but we know it was between 1589 and 1595. He combines romance with comedy to produce this popular story.
Comedy in A Midsummer Night's Dream "why do they run away? This is a knavery of them to make me afeard. "(3.1.99) This is a quote from the Shakespearean play "A Midsummer Night's Dream. " In this quote, the speaker, Bottom, is wondering why everyone is afraid of him.
If we look very closely we will see that the love is a not just
Oprah Winfrey once said, “The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.” But, what actually is a dream and what do dreams really have to do with one’s everyday life? In essence, a dream is a series of mental images and emotions occurring during slumber. Dreams can also deal with one’s personal aspirations, goals, ambitions, and even one’s emotions, such as love and hardship. However, dreams can also give rise to uneasy and terrible emotions; these dreams are essentially known as nightmares. In today’s society, the concept of dreaming and dreams, in general, has been featured in a variety of different mediums, such as literature, film and even music. While the mediums of film and music are both prime examples of this concept, the medium of literature, on the other hand, contains a much more diverse set of examples pertaining to dreams and dreaming. One key example is William Shakespeare’s A Midsummer Night’s Dream. While the portrayal of dreams, in general, plays a prominent role in Shakespeare’s play, the exploration of many aspects of nature, allows readers to believe that dreams are merely connected to somewhat unconventional occurrences.
The fairies and the fairy realm have many responsibilities in this play. The most important of which is that they are the cause of much of the conflict and comedy within this story. They represent mischievousness and pleasantry which gives the play most of its emotion and feeling. They relate to humans because they make mistakes but differ in the fact that they do not understand the human world.
Shakespeare wrote his acclaimed comedy A Midsummer Night’s Dream more than a thousand years after Apuleius’ Roman novel, The Golden Ass. Although separated by thousands of years and different in terms of plot and setting, these works share the common theme of a confused and vulnerable man finding direction by relying on a supernatural female. One of A Midsummer Night’s Dream’s many subplots is the story of Bottom, a comical figure determined to be taken seriously in his production of a Pyramus and Thisbe. As Bottom becomes caught up in a quarrel between the king and queen of the fairies, the commanders of the enchanted forest where Bottom and his players practice, the “shrewd and knavish sprite” Puck transforms his head into an ass’ s and leads him to be enthralled in a one night stand with the queen, Titania. (2.1.33) Apuleius’s protagonist Lucius endures a similar transformation, after his mistress’s slave girl accidentally bewitches him into a donkey, leaving him even without the ability to speak. Although Lucius’ transformation lasts longer and is more severe, he and Bottom both undergo similar experiences resulting from their animal forms. Lucius’ suffering ultimately leads him to salvation through devotion the cult of Isis, and Bottom’s affair with Titania grants him clarity and a glimpse into similar divine beauty. Ultimately, both asinine characters are saved through their surrender to the goddesses.
When humans wake up from sleeping, we do not always recollect our dreams, yet the brain is still dreaming of what has actually happened. Dreams are formed through various processes, with the past being transformed into content that is thought to be not creative. Freud mentions in the On Dreams that dreams do not make things up that the psyche has not already experienced. As Freud states our dreams are not creative works, “…dream-work is not creative, that it develops no phantasies of its own, that is makes no judgements and draws no conclusions…” (Freud 162). In his terms, dream-work is known as the transformation process that dream-thought shifts to dream-content; consisting of both latent content and manifest
Throughout history literature has changed into many different forms and styles, it has also stayed the same in many different ways, literary techniques and elements are key to a good piece of writing, a perfect example that shows us just this is in, A Midsummer Nights Dream, where we will further explore the different literary elements that were used most notably the plot. The plot of a story lays out the foundation and the background for the entire play to come, we'll compare and contrast this element and look at the different sub elements which are produced. We will define similarities and difference in these elements form both the play o the film. Taking a look at things such as climax, play incidents, and the conflict will all give us a better understanding of how it affects the similarities and difference of the film versus the play.
During prescientific days, dreams were interpreted as ‘manifestations’ of a ‘higher power’. Since the introduction of psychology, dreams have had 4 distinct interpretations. The first interprets dreams as a “liberation of the spirit from the pressure of external nature”. The second interprets dreams as “accidental disturbances from ‘internal organs’. The third interprets dreams as a foretelling of the future. The last interpretation is Freud’s. He interprets dream as an expression of subconscious desires.
Some of the characters are fairies, kings, queens, and even lower class people. It is
The 1935 Reinhardt/Dieterie film of A Midsummer Night’s Dream and the 1999 movie version of the play, directed by Michael Hoffman, offer two very different views of the fairies and their fairylands. The 1935 film is portrayed in a very mystical way. The fairies of this film are seen as a non-human and more magical in appearance. They have some human characteristics but do not act in a humanistic way. This film is set in a black and white setting theme, portent to the time era and to identify their positioning within the film. The black portraying evil or the dark side versus white portraying the pure and good. This film also shows the purpose of films in this time- to escape the realities of life in the 1930’s, during the Great Depression,
As the body sleeps, reality becomes replaced with the dream world, a fanciful place where the innermost being is found cowering like a creature vying to be freed. Some people have vivid dreams that are life-like; others cannot recall having dreamed. One concept is for sure, the dream world is one where the mind runs a free course. Images buried deep inside, thoughts avoided throughout the day, and unrealistic situations take hold. These images may turn into a peaceful dream of amazement and wonder, or they may take a frightening turn, dragging the mind into a state of horror and dread. The situations can become all too real, grasping at the outer edges of the mind, pushing the dream over the boundaries the body normally allows.