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Stereotype of women in media
Negative female stereotypes in media
Stereotypes in entertainment media
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When Tinie Tempah, an English rapper, said, “At the end of the day, I'm a human being and I just think that's what it is. Challenging stereotypes by just being that I am,” he known that at the end of the day society cannot define who he is as a person. Tempah lived with challenges of being an English African rapper that faced the discrimination of society. Society shot down his dreams of being a rapper by stereotyping because of his English accent. Tempah can relate to the women stereotyping because he knows the emotional Rolla coaster one goes through when being labeled. In today’s American society, femininity has been expressed through media in various ways—in Lil Wayne’s “Love Me” music video— and lately the ideal woman is being portrayed as sexually submissive, weak, and dependent on men, causing women to believe this is what strong, wealthy, and powerful men really want, which makes women have less confidence and not strive for anything better.
Media tends to have a very narrow definition of women, stereotyping that they only exist for the sexual pleasure of men, making them look submissive, weak, and dependent on men. A woman is labeled “weak” when she does not know her worth in the world and allows men to use her body without providing her with a committed relationship. A man thinks that the ideal image of a woman is one that is “submissive,” which is a female he can just walk all over and not have to consider her feelings and wishes. A woman who is “dependent” is a woman that relies on someone else for support. They are considered to have no willpower to succeed and achieve their own goals, which men feed off of. These women fall into the perfect category for men because they want women that will do anything to be with the...
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...ties women can offer. Society should respect women and be more educated on the facts about why women turn to abuse and see their selves as not valuable in the world. These stereotypes on women are dangerous leading women to harm themselves because men do not value them. Women fall victims to abusive relationships and living under a stereotype that was created for them. Women give birth to men and for a man not to respect a woman is disappointing. All men should look at women they exploit as their mother or sister because I’m sure they would not want someone they love to be labeled as weak or dependent on a man. Men should be more involve in asking women how they feel on certain situations. Rappers today should portray women in a positive way in society so that young boys can learn to appreciate women. Media has a lot of influence on how society views stereotypes.
In his most recent album, Kanye West raps, “Now if I fuck this model/ And she just bleached her asshole/ And I get bleach on my T-shirt/ I 'mma feel like an asshole.” He suggests that it is the girl’s fault for getting bleach on his tee shirt, which she only did to make herself more sexually appealing. This misogyny in hip-hop culture is recognized to bring about problems. For instance, the women around these rappers believe they can only do well in life if they submit themselves to the men and allow themselves to be cared for in exchange for physical pleasure. In her essay, “From Fly-Girls to Bitches and Hoes”, Joan Morgan argues that the same rap music that dehumanizes women can be a powerful platform for gender equality if implemented correctly.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
The semantics of the word “hoe” lead to defenders’ thoughts that a man can be a “ho” too. Men who defend this thought might point to the fact that a ho is “…anyone who has ‘too much’ indiscriminate sex…” (Rose, 171). In this instance, they are putting less weight into the fact that these words are used to put down women. Rappers might use these terms in lyrics in order to diss another man by attacking their manliness. Defenders of hip hop like rappers say that “bitches and hoes” are a specific type of girl, and that when they use those words, they don’t mean to reference all women. However, the reality is that rappers use these words pertaining to all women. Women who listen to the music are attracted to this demeaning image, because at least it would be “about them”. So, when hip hop’s defenders’ say that “there are bitches and hoes” to further their argument for hip hop, they reassure women that a hyper-sexualized image and lifestyle is acceptable. For this reason, this argument ignores the effects of these impressions on women, and attempts to legitimize the classification of women as figures existing to be used by
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
For example, “men often feel that they are supposed to be tough, aggressive, [and] competitive” [in the workplace…]. Women, on the other hand, are ‘unsexed by success’” (Kimmel 2013, 250). At the same time, we have seen these gender roles played a vital role in the family. According to Jhally, “the women of the dream world are fragmented and presented as a number of simple and disconnected body parts” (Jhally 2007). Therefore, “the media helps to maintain a status quo in which certain groups in our society routinely have access to power and privilege while others do not” (Mulvaney 2016). Therefore, “these images and stories have worked their way into the inner identities of young women who view their own sexuality through the eyes of the male authors of that culture” (Jhally
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
Women in today’s society seem to be having a very difficult time expressing themselves without dealing with lots of criticism. Common values are standing in the way of women’s drive toward molding themselves into whatever they desire. Our culture has made standards about how should women look, act, and conduct themselves that greatly limits what they can do, and still gain respect. Martin S. Fiebert and Mark W. Meyer state that, “[there are] more negative [gender] stereotypes for men than for women.” This idea doesn’t seem to have a great amount of validity in our present society. Society set certain standards that men are supposed to live up to such as strength and confidence, which are more behavioral characteristics. Women seem to be more trapped than men by societies standards because they are supposed to live up to standards dealing with beauty and size, which are more physical characteristics These specific guidelines have been set by society that are sometimes unattainable for a majority of women. The women that follow the specific criteria are greatly respected, and the ones that try and be innovative usually are criticized if not disliked.
The film and literature presented in this unit was an eye opener to the modern western views regarding race and gender. In this western society we view a male as being strong, powerful, a provider for his family, the head of the household and many other characteristics that relates to what a man should be. When growing up as a child into adulthood we’re stimulated by the many books and movies of a woman being second to a man, a stay at home mom while the man is at home making ends meet just trying to provide for his family and we accept that role because in this western society that’s the ideal role as a woman where we look up to the man as a safety blanket and that’s all we’re brainwashed to know. We were never told about how powerful
The healthy relationships portrayed in the media are few and far between, which leaves Black women to make choices based on the options they have and perceive. For that reason, it is not complicated to understand why Black women are the least likely to marry in the environment of the over-sexed woman and a pimp. The portrayal of Black women as lascivious by nature is an enduring stereotype. To understand more fully the media’s role in shaping the culture of African-American experience, one must first examine the stereotypes projected by TV stations like, BET, MTV, and VH1. The songs and music videos created by such hip-hop artists as 50 Cent, Dr. Dre, and Snoop Dogg have built ...
The role of women in society has been promoted as subservient and inferior to men. This concept is still upheld as a standard. Women are less likely, “consulted as ‘experts’” (Lee and Shaw 67) on a topic than male counterparts. Women not being regarded as “experts” (Lee and Shaw 67) reinforces women as inferior to men. In the media men are regarded as “spokesperson” (Lee and Shaw 67); this idea are competent and trustworthy to represent a product. Society labels women as incompetent and does not accept women having authority. The lack of women holding authoritative positions reveals the discomfort American society feels with women and power. This concept has persisted throughout time; women are seen as inadequate to males. In the media news women are substantially “underrepresented” (Lee and Shaw 67). The trend presents women as undesired and disassociated from society. The disassociation implies to women they are not valued. The under representation of women in the media enforces a patriarchal society. The society is represented by men. Stories in the media associate women with “family, looks, or romance” (Lee and Shaw 67). Those stories enforce the view of women being care givers and only valued for physical...
Oswald, Janelle. “Is Rap Turning Girls into Ho’s?” The Black Book: A Custom Publication. 3rd ed. Ed. Sam Pierstorff. Modesto: Quercus Review Press, 2012. 171-175.
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
The most common theme in hip-hop music videos is the objectification of females. Women are portrayed as sexual objects throughout the videos. In some videos they are seen as a type of reward or trophy for the male. Other times they are seen holding money to gain the attention of men or are even portrayed as slaves willing to do anything to please the men in the videos. According to Catherine MacKinnon, “Objectification involves treating a person, someone with humanity, as an object of merely instrumental worth, and consequently reducing this person to the status of an object for use” (1989). Her point relates to the hip-hop music videos because the idea that they transmit is that women are only objects available at anytime for men’s use. When women are objectified men feel more “powerful” or “successful” by showing the have control over women.
Similarly to other industries, females are unequally represented within Hip Hop culture across the board. From the start, emcees were traditionally males, proving the struggle for a woman to pursue a career in Hip Hop difficult. In modern society, it seems the culture is obsessed more with how a woman is portrayed rather than if she is a talented artist. For advertising and recognition, it is almost imperative that a female artist wears tight, skimpy clothes and “give the audience a show” with provocative dancing and lyrics. For women, beauty is basically expected by society. Keyes might refer to most of today’s female artists as “fly girls” (2016). Salt N Pepa and TLC are prime examples of prominent female figures within Hip Hop culture that dressed in a way to attract attention. For these women, the outfits merely grab the attention of the audience so they can then focus on the message behind their lyrics. While women are already underrepresented in the field, they also have to work harder for the same success that male counterparts
The negative perception of women throughout popular culture in the form of music has greatly impacted the portrayal of women on today’s society. This study involves on examination of sexist ideologies in dancehall lyrics that portray women in stereotypical and negative manner. This particular king of music explored in the study is dancehall music, a popular genre in Jamaican culture today. The primarily focus is on the effect of popular songs have on women in society, as well as how song lyrics can cause objectification of women and how are the roles of men and women reflected.