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The journey theme in literature
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In the story, A Long Way Gone, Ishmael Beah would sometimes personify nature. For example, he wrote down, “Even in the middle of the madness there remained that rue and natural beauty, and it took my mind away from my current situation as I marveled at this sight.”(p.59) It was his first time seeing the beach. Him and his friends were excited. The started playing soccer and having fun. Even when there life was on the line and they were running away from the war and chaos, they still found something that was beautiful. In this sentence he used personification when he wrote that the rue and natural beauty took his mind away. Beauty can not take someone's mind, it has to have a human like quality to take something from someone. Also, in the story,
What can you predict about the story from the back and front cover of the book?
7. The personification in the second stanza is that she gives poems the ability to hide and are waiting to be found. The author states that poems are hiding in the bottom of your shoes, and they are the shadows drifting across your ceiling before you wake up. This is personification because she gives the poems traits that only a living organism can possess.
Life is made up of decisions and choices. Every single day, people make numerous decisions, some big and some small. Many choices can impact your entire life while others, like what you eat for breakfast, aren’t as important. However, all of your choices build the track for your life and make you who you are. The choices you make can be greatly impacted by your surroundings and environment. They are also made based on your values and beliefs. In the memoir A Long Way Gone by Ishmael Beah, Ishmael is a young fourteen year old boy thrown in the middle of Sierra Leone's civil war. During the war, Ishmael is given a series of obstacles where he is required to make important life choices that would impact his life greatly. At one part of Ishmael's
The personification is used in this phrase is to make the reader believe and feel that the location is far away and so far that technology surrenders to mother nature. It is important for the reader to be aware of the distance that is so far from civilization. A lot of epigraphs used in the book also show figurative language. “The land itself was a desolation, lifeless, without movement, so lone and cold that the spirit of it was not even that of sadness”(9). Jack London is mentioned quiet a bit in this book and he also uses many forms of figurative language. The personification used above in the epigraph was meant to seem that the land was empty and had no life going on. “Wisdom of eternity laughing…”(9), is also personification that can suggest to the reader that the end of forever will never happen and so eternity is mocking everyone in its path of destruction.
Personification is presented by the author as the only explanation for the narrator’s consumption. “The Blue Estuaries” begins to stir the narrator’s own poems (line 24) until she bores down on the page once more, coming back into what is perceived by the reader as a much more clear state of mind. Then, the narrator claims to have “lost her doubts” for a moment (line 34). This was a turning point in the narrator’s tone- signalling a shift in her thoughts, and was a strikingly out of place claim- especially coming from somebody so preoccupied- making the reader wonder what she had thought about for a moment. The narrator then begins to read once more (Line
A Long Way Gone by Ishmael Beah is a memoir of a young, emotionally distraught child soldier who takes his audience through his mental and physical journey to his eventual escape of the Civil War in Sierra Leone. For the past few days, our World Literature class have been trying to figure out/argue what category A Long Way Gone falls under. In Tim O'Brien's book, The Things They Carried, he distinguishes between two types of stories: (1) stories that need to be real and (2) stories that rely on the emotional truth. To me, A Long Way Gone is a novel that relies on the emotional truth and should be read as such; it relies on the emotions of human beings for the story to be understood as it was written by a boy like one of us. Initially I was not sure what the emotional truth was, so I googled the definition and got that, “an emotional truth is writing in such a way that readers not only learn the facts of an event, but can feel the joy, sorrow, anger, envy, love, hate, poignancy that the participant feels.” And I believe that a story that relies on the emotional truth is not any less significant than stories that strictly state the truth. A story told using emotional truth/validity is a story that, in my opinion, offers more of the real picture than that of a story that doesn’t tug on the emotions of a reader and just blatantly state the true happenings of an event.
seen as a meditation on nature. Nature is being portrayed as the main influence and
Contents INTRODUCTION 2 CHRONOLIGICAL ARRANGEMENT OF EVENTS THAT LEAD TO CONFLICTS 3 CONCLUSION 5 INTRODUCTION An attention-grabbing story of a youngster’s voyage from beginning to end. In “A LONG WAY GONE,” Ishmael Beah, at present twenty six years old, tells a fascinating story he has always kept from everyone. When he was twelve years of age, he escaped attacking the revolutionaries and roamed a land rendered distorted by violence. By thirteen, he’d been chosen by the government, military and Ishmael Beah.
“Being in a group of six boys was not to our advantage” Beah states early on in the book (page 37). Under his circumstances, Beah was better off traveling alone because of many reasons. As a group, the boys were viewed as rebels. They had guns to their heads many times because of a suspicion that they could be causing the trouble. The stoppage of the group because of the fear they would be spotted or killed also slowed them down. They fought for water and anything they could find to eat in order to survive, even if it meant taking food out of a child's hands. This caused many challenges to the group. Alongside of that, being in a group influenced his decision making. The things happening to him and his group was affecting the way he viewed
In Emily Dickinson’s poem #336, the narrator feels a strong sense of despair and laments at having lost the physical ability to see in one eye. The narrator reflects upon the importance of sight in experiencing nature and finds a better appreciation for it now that she has lost her sight. By the end of the poem however, the narrator experiences transcendence, as she comes to the realization that through the act of imagination she is able to see far more than the limited view her eyes provided her with. Through the act of poetic writing, the narrator is able to capture the beauty of nature and engrave in into her soul. In Ralph Waldo Emerson’s excerpt from “Nature”, he alludes to the significance in sight when it comes to it being able to merge the human soul with nature to create perfect unity, and as such he lays the groundwork for Dickinson’s ideas that are presented within her poem. Though Dickinson’s poem may initially seem transcendental, it can also be interpreted as a mixture of Emerson’s transcendental ideas and those that support the notion of imagination. Dickinson’s poem serves as a response to Emerson’s ideas because she adds on to his thoughts and unites his idea that there is oneness present in the world with the notion that imagination and sight serve as a bridge that connects human consciousness with nature to create this oneness that Emerson believes in.
Nature is often used as imagery in Alexander Pope's, Eloisa to Abelard, as well as descriptions of heaven, holiness, God, being wedded to God, Jesus' sacrifice, the sacred, solitary confinement, crime and offense, desire for submission to God and often tears and weeping. As the poem is about Eloisa and Abelard being in love, married and having a child, then being separated and Abelard castrated and Eloisa forced into a convent, descriptions of nature are useful imagery, because it is used to explain Eloisa's conflict between what is natural for her to feel. More specifically, Eloisa is torn between being a devout Christian and her love for Abelard that has been condemned. She struggles between following God and loving Abelard because she feels it is natural to do both, yet she is being forced to choose, however, she cannot. Although, if she must decide, she chooses Abelard, against what she has been taught she must do, which is to serve God piously. Eloisa is forced into a kind of purgatory, caught between loving mortal and carnal desires, and higher divine love.
...art of life that described what outside looked like. However, if one digs into the meaning of nature, extraordinary symbols arise. Nature affects characters in different ways, and nature does not treat each character in the same way. Overall, the imagery of nature portrayed the personalities of the characters.
In poetry the speaker describes his feelings of what he sees or feels. When Wordsworth wrote he would take everyday occurrences and then compare what was created by that event to man and its affect on him. Wordsworth loved nature for its own sake alone, and the presence of Nature gives beauty to his mind, again only for mind’s sake (Bloom 95). Nature was the teacher and inspirer of a strong and comprehensive love, a deep and purifying joy, and a high and uplifting thought to Wordsworth (Hudson 158). Wordsworth views everything as living. Everything in the world contributes to and sustains life nature in his view.
Ralph Waldo Emerson(1803-1882), the leader of the Transcendentalism in New England, is the first American who wrote prose and poem on nature and the relationship between nature and man Emerson's philosophy of Transcendentalism concerning nature is that nature is only another side of God "the gigantic shadow of God cast our senses." Every law in nature has a counterpart in the intellect. There is a perfect parallel between the laws of nature and the laws of thought. Material elements simply represent an inferior plane: wherever you enumerate a physical law, I hear in it a moral rule. His poem The Rhodora is a typical instance to illustrate his above-mentioned ideas on nature. At the very beginning of the poem, the poet found the fresh rhodora in the woods, spreading its leafless blooms in a deep rock, to please the desert and the sluggish brook, while sea-winds pieced their solitudes in May. It is right because of the rhodora that the desert and the sluggish brook are no longer solitudes. Then the poem goes to develop by comparison between the plumes of the redbird and the rhodora . Although the bird is elegant and brilliant, the flower is much more beautiful than the bird. So the sages can not helping asking why this charm is wasted on the earth and sky. The poet answers beauty is its own cause for being just as eyes are made for seeing. There is no other reason but beauty itsel...
I can picture him seeing life and feeling it in every flower, ant, and piece of grass that crosses his path. The emotion he feels is strongly suggested in this line "To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears." Not only is this showing the kind of fulfillment he receives from nature, but also the power that nature possesses in his mind.... ... middle of paper ... ...