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SUMMARY two kinds by amy tan
Essays about 2 kinds by amy tan
Cultural differences in amy tan's two kinds
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One In the Same
In Amy Tan’s short story “Two Kinds”, Tan writes about a mother who is from China and now she lives in America in the 1950’s with her daughter, Jing-mei. The mother sees America as a country of hope and new beginnings and a wants a better life for the family. The mother has high expectations for the daughter and pushes her relentlessly. The daughter struggles with the mother’s hopes and dreams. Those are the mother’s hopes and dreams and not the daughter’s. As young children we want to make our own path and do things against the grain not realizing that the words of our parents hold wisdom that we are to ignorant to understand.
The mother wants Jing-mei to become a child prodigy. She wants Jing-mei to become the next superstar
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of the time. The mother puts Jin-mei through a child prodigy boot camp. She makes Jing-mei watch “Shirley Temple” movies and tells Jing-mei to look and study the young child actress. The mother even went to the extent of attempting to make Jing-mei look like Shirley Temple. It didn’t work out as planned. “Instead of getting big fat curls, I emerged with an uneven mass of crinkly black fuzz(472).” Of course as a child, Jing has high hopes, and of course, the excitement of the child. It is the child pleasing the parent. She tries anything the mother wants her to be; it is some sort of indoctrination to become the next “big anything.” “In all my imaginings, I was filled with a sense that I soon become perfect. (472)” As children we do not want to disappoint our parents. We want to please them, to get approval, to get the love from a parent by doing “good things”. Jing also had the patience of a child. She wanted the prodigy to pop out in an instant. She struggled with the “child prodigy” side of her. She felt as if the prodigy didn’t come out, the prodigy would go away. The pressure from a parent can become overwhelming for a child. Jing had many struggles. The struggle with pleasing her mother, the struggle of the prodigy not wanting to come out, the struggle of just being an ordinary girl. She had confrontations with herself. Confrontations that a child should not have at that age. A child should not have to look in the mirror and question why they are not doing good enough to please their parent. As a child facing this situation, she began to rebel. When her mother made her learn how to play the piano, she began to rebel in her own way.
She would pretend to play the piano hitting the wrong notes on purpose. Her mother being so proud of her “talent”, her mother decided to put her in the neighborhood talent show. That is when Jing's rebellion came out for her mother’s world to hear. Jing did horribly at the talent show, but she had no one else to blame, but herself. Her mother’s disappointment was showing and her world came apart. The time and effort her mother put in to her child and all for what? Of course the mother would not give up so easily, her mother was still hanging to some hope. Her mother would once again, attempt to make her practice. But not this time. This time Jing had enough of it. Jing would once again rebel against her mother and argue with her and this time with much harsher words. The words that a child knows how to dig deep and hurt their parent. Jing told her mother that she wished she was dead like the children her mother had before her. Out of frustration, anger, and hate those harsh words were spoken. Those words are the type of words we speak and we want to take back, but Jing didn’t take them back. Her mother asked no more from Jing to become a prodigy. No more lessons. No more dreams. No more next “big
anything.” The years went by and on Jing’s thirtieth birthday, Jing’s mother gave her the piano. This was an apology. An apology from a hard woman who had a hard life in China. The mother apologized as best as she could and Jing accepted it. Jings found a song that had two parts. At first she thought it was two different songs, but later discovered that they were the same. Just like Jing. As children we try to explore our ways we think are best to make our own lives better the way we want to live. As children we have an illusion that we can do it all on our own and the older we get the older the more we think we don’t need help. As children we think we know it all; as adults we know we don’t know anything. All we know is that we don’t know.
To Kill a Mockingbird is a classic novel written by Harper Lee. The novel is set in the depths of the Great Depression. A lawyer named Atticus Finch is called to defend a black man named Tom Robinson. The story is told from one of Atticus’s children, the mature Scout’s point of view. Throughout To Kill a Mockingbird, the Finch Family faces many struggles and difficulties. In To Kill a Mockingbird, theme plays an important role during the course of the novel. Theme is a central idea in a work of literature that contains more than one word. It is usually based off an author’s opinion about a subject. The theme innocence should be protected is found in conflicts, characters, and symbols.
Throughout Jing-mei’s childhood, she never truly appreciated how much her mother, Suyuan, had done for her. Purchasing an expensive piano and working away to get Jing-mei piano lessons are a couple of the many things her mother has done for her. When Jing-mei became an adult she finally understood how considerate her mother is. Once her mother had passed she grew an appreciation to the physical objects her mother had given her “...sentimental attachment to the piano, and one day she plays Schumann’s piano pieces “Pleading Child” and “Perfectly Contented” and discovers that they are “two halves of the same song”” (Wang). Due to the difficulty of communication, the message of the two songs Suyuan wished to depict was not evident to Jing-mei at the time. Similarly, Jing-mei only valued her mother’s necklace after she passed. Once Jing-mei accepted her mother’s necklace she began to wear it in hopes to absorb and understand Suyuan, “June accepts this as a deep expression of her mother’s love, despite the fact the intricate carvings are opaque to her, carrying secrets she supposes she will never understand” (Gerhardt). If it wasn’t for the troubled relationship they share, then the mother and daughter could have conversed on a deeper
Since "You could be anything you wanted to be in America" (Tan 348) Jing-Meis' mother thought that meant that you had to be a prodigy. While that makes "Everything [sound] too simple and too easily achieved; [Jing-Mei] does not paint a picture of her mother as ignorant or silly" (Brent). In fact, in the beginning, Jing-Mei and her mother are both trying to "Pick the right kind of prodigy" (Tan 349). "In the beginning, [she] was just as excited as [her] mother,"(Tan 349) she wanted to be a prodigy, she wanted to "become perfect [she wanted her] mother and father to adore [her]"(Tan 349). As she strived to achieve perfection she and her mother would try many different things to try and find the "right kind of prodigy" (Tan 349).
Jing-mei 's mother wants Jing-mei to be a prodigy and get popular. Thus, the mother rents a piano for Jing-mei to help her achieve this. Many years later, Jing-mei finds the piano in a broken state, so she decides to have it repaired. She starts playing the song she used to play, “Pleading Child.” But to the right of “Pleading Child,” she finds a second song named “Perfectly Contented.” She starts to play both songs, “And after I [Jing-mei] had played them both a few times, I realized they were two halves of the same song.” (6) Jing-mei’s mother tells Jing-mei that there are two kinds of people: the respectful kind and the disrespectful kind. At that time, Jing-mei also finds out that there are two kinds of people inside her. She could choose to be the kind where the person is a prodigy and respectful, or be the kind that is ugly in the eyes of people. When she plays “Pleading Child” and “Perfectly Contented,” Jing-mei realizes that her identity had changed completely because of her laziness and beliefs. Jing-mei learns that there are two kinds of people in the world, and she should choose the right
Poverty and homelessness are often, intertwined with the idea of gross mentality. illness and innate evil. In urban areas all across the United States, just like that of Seattle. in Sherman Alexie’s New Yorker piece, What You Pawn I Will Redeem, the downtrodden. are stereotyped as vicious addicts who would rob a child of its last penny if it meant a bottle of whiskey.
One type of effect the Chinese mothers’ expectations has in their relationship with their “Americanized” daughter is negative since the mothers are unable to achieve anything. An-Mei Hsu expects her daughter to listen and obey as the young ones do in Chinese culture, but instead receives a rebellious and stubborn daughter, “‘You only have to listen to me.’ And I cried, ‘But Old Mr. Chou listens to you too.’ More than thirty years later, my mother was still trying to make me listen’” (186-187). Instead of the circumstances improving, the mother is never able to achieve anything; her forcing and pushing her daughter to the Chinese culture goes to a waste. They are both similar in this sense because both are stubborn; the daughter learns to be stubborn through American culture and wants to keep herself the way she is, whereas the mother wants to remove this teaching from American culture and does not give u...
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
Jing-Mei was forced to take piano lessons; this only further upset her as she felt that she was a constant disappointment. Her mother was mad at her on a regular basis because Jing-Mei stood up for herself and explained to her that she didn’t want to be a child prodigy.
Jing-mei and her mother have conflicting values of how Jing-mei should live her life. She tries to see what becoming a prodigy would be like from her mother's point of view and the perks that it would bring her as she states in the story "In all my imaginings, I was filled with a sense that I would soon become perfect. My mother and f...
In the beginning, Jing-mei, is “just as excited as my mother,”(469). Jing-mei was eagerly hoping to make her mother proud. However, her mother’s obsession with becoming a prodigy discouraged Jing-mei. The daily test began to aggravated Jing-mei because they made her feel less sma...
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
...ies, she goes back to the piano and finds two songs. She begins to play “Pleading Child,” the song that caused the breaking point of her relationship with her mother. This song, with its fast and aggressive melody, best represents the mother’s aggressive attitude towards her daughter. Then Jing-mei plays the song next to “Pleading Child,” called “Perfectly Contented.” It turned out to be lighter and slower. It is a much happier song. Jing-mei’s determination to be herself, “Perfectly Contented,” corresponds with this song. “And after I played them both a few times, I realized they were two halves of the same song.” (499). Like the ying-yang and the songs, Jing-mei’s relationship with her mother may seem disastrous and apart, but together they share a strong bond that makes them whole. Even though the two disagree, like the songs, they form one beautiful song.
For many of us growing up, our mothers have been a part of who we are. They have been there when our world was falling apart, when we fell ill to the flu, and most importantly, the one to love us when we needed it the most. In “Two Kinds” by Amy Tan, it begins with a brief introduction to one mother’s interpretation of the American Dream. Losing her family in China, she now hopes to recapture part of her loss through her daughter. However, the young girl, Ni Kan, mimics her mother’s dreams and ultimately rebels against them.
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.
In Amy Tan 's Two Kinds, Jing-mei and her mother show how through generations a relationship of understanding can be lost when traditions, dreams, and pride do not take into account individuality. By applying the concepts of Virginia Woolf, Elaine Showalter, and the three stages of feminism, one can analyze the discourse Tan uses in the story and its connection to basic feminist principles.