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The role of woman in literature
The role of woman in literature
Essay about feminist literature
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In the time of Bourke-White and Dickey Chapelle, it was a man's world and women struggled to be considered close to the status of men. Females were not considered equal and respected until these determined pioneer women came along. “A Life Less Ordinary,” by Dina Modianot-Fox and “Gal Reporters: Breaking Barriers in World War II" by Mark Jenkins are about female journalists who reported during WWII. The author's purpose in the two text have several similarities, as well as several differences. Both authors' purpose was similar. Both wanted to show the impact of a female journalist. "A Life Less Ordinary" states, “'Generals rushed to carry her cameras and even Stalin insisted on carrying her bags,' reported fellow photographer Alfred Eisenstaedt." This shows how Dina Modianot-Fox explained the change on the world Margaret Bourke-White had. Modianot-Fox and Mark Jenkins both had the same main purpose. They both …show more content…
First, "A Life Less Ordinary" is focused on describing the life of Bourke-White and to inform the reader of how she impacted the world. "Margaret Bourke-White, the iconic photographer, didn’t just raise the glass ceiling; she shattered it and threw away the pieces. At a time when women were defined by their husbands and judged by the quality of their housework, she set the standard for photojournalism and expanded the possibilities of being female. . . ." states Modianot-Fox. This shows how Modianot-Fox described the impact of Bourke-White and who she was. She shows what a female can do through Bourke-White. Another different part of Dina Modianot-Fox's purpose was that she presented it through a world-changing photographer, unlike Mark Jenkins. She does this by bringing up again and again how Bourke-White rivaled men's photography and how she used her lenses as the eys of the world. She describes what a female can do in the world of
While reading “The Ordinary Life” by Barbara Crooker, one is able to understand the dramatic irony of the poem and the irony of her ordinary day being rather interesting. In the first line, Crooker states that nothing happened that day, however she later goes on to contradict herself. When reading the poem, one can see her describe a day full of activities, such as: cleaning the cupboards, taking care of her baby, making dinner for her family, and a few other pastimes. Additionally, Crooker uses strong descriptive language to illustrate what the mother sees as an unremarkable day. For instance, “[...] sat in a circle of sunlight,” (line 9) and “[...] a long slow kiss, tasting of coffee and cream,” (lines 26-27) show the depth of her awareness
In the poem, "Ordinary Life," by Barbara Crooker, the speaker uses irony to signify how her life is anything but but ordinary. To the speaker, "this [is] a day when nothing [happens]," however, the readers can clealy see how busy the speaker's day is throughout the poem (1). The speaker's first duty of the day is to get her children ready to go to school. Then she spends her entire morning building "block stacks in the squares of light on the floor" (5-6). When "lunch [blends] into naptime" for the baby, the speaker "[cleans] out kitchen cupboards" (7-8). This indicates that the speaker is a hard working mother and does not relax until she finishes all her chores. Furthermore, in the afternoon, she "[peels] carrots and potatoes" for dinner
Do you believe all women are smart enough to get an education or strong enough to go to war? In countries like Afghanistan and even America, there is a preconceived notion that women are simply best for bearing children, raising them, cleaning, and cooking for their husbands. From a young age, many women are given gendered roles, such as being taught by society to find husbands and care for children. For instance, girls are given baby dolls and kitchen sets for their birthdays instead of books. In Flashes of War, by Katey Schultz, the two stories “Deuce Out” and “Aaseya and Rahim” the protagonists Stephanie and Aaseya may live in different worlds, but they share much more than we think. Because of predetermined expectations that society has imposed upon women, Schultz’s book comes to a surprise since it defies pre-conceived notions of women.
Women who worked factory jobs during World War II, faced a lot of problems. In Slacks & Calluses, the author brings attention to this. The women were degraded. They had to put up with ridiculous dress codes. They were made pariahs by other women. Some were not even seen as women. Yet, through all of the adversity and ridicule, these women became stronger because of their struggles.
Susannah Cahalan never considered her life to be anything other than pleasantly ordinary. She was a young, ambitious journalist working for the New York Post, and seemed to have her life in order. With a promising position at her job and a steady relationship, Cahalan seemed to be at the start of a life of fulfillment and success. She seemed to be completely in control of her life. Unfortunately, things were not at all as they
“There was much more to women’s work during World War Two than make, do, and mend. Women built tanks, worked with rescue teams, and operated behind enemy lines” (Carol Harris). Have you ever thought that women could have such an important role during a war? In 1939 to 1945 for many women, World War II brought not only sacrifices, but also a new style of life including more jobs, opportunities and the development of new skills. They were considered as America’s “secret weapon” by the government. Women allowed getting over every challenge that was imposed by a devastating war. It is necessary to recognize that women during this period brought a legacy that produced major changes in social norms and work in America.
The film titled, “The Life and Times of Rosie the Riveter”, looks at the roles of women during and after World War II within the U.S. The film interviews five women who had experienced the World War II effects in the U.S, two who were Caucasian and three who were African American. These five women, who were among the millions of women recruited into skilled male-oriented jobs during World War II, shared insight into how women were treated, viewed and mainly controlled. Along with the interviews are clips from U.S. government propaganda films, news reports from the media, March of Time films, and newspaper stories, all depicting how women are to take "the men’s" places to keep up with industrial production, while reassured that their duties were fulfilling the patriotic and feminine role. After the war the government and media had changed their message as women were to resume the role of the housewife, maid and mother to stay out of the way of returning soldiers. Thus the patriotic and feminine role was nothing but a mystified tactic the government used to maintain the American economic structure during the world war period. It is the contention of this paper to explore how several groups of women were treated as mindless individuals that could be controlled and disposed of through the government arranging social institutions, media manipulation and propaganda, and assumptions behind women’s tendencies which forced “Rosie the Riveter” to become a male dominated concept.
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
... dismissing these ideas as the war ended and men returned home. Their focus then turned to assuring the male public that women were still women and downplayed the independence they had gained. Nevertheless, those women paved the way for women after them to enter the work force, showing that even though their work was temporary during a time of crisis, they exceeded the expectations a nation had set for them.
The events of World War II have established a new public perspective on women. Through women’s accomplishments, they justified females were capable of achieving high standards that existed once as only attainable by men. Once vulnerable to prejudices, they’ve given an opportunity for all to comprehend there can be a life when the populaces aren’t segregated by race or gender. Women have rehabilitated the faded thought of their rights and responsibilities, bringing history closer to a more righteous and responsible dawn.
Howatt, Megan. "Sniper Girls and Fearless Heroines: Wartime Representations of Foreign Women In English Canadian Press, 1941-1943." A Companion to Women's Military History. By Dorotea Gucciardo. N.p.: n.p., n.d. N. pag. Print.
Zeinert, Karen. Those Incredible Women of World War 2: The Millbrook Press, Brookfield, Connecticut 1994
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
Feminism and political issues have always been centered on in the art world and artists like to take these ideas and stretch them beyond their true meanings. Female artists such as Hannah Höch, who thrived during the Dada movement in the 1920s in Germany and Barbara Kruger who was most successful during the 1980s to 1990s in the United States, both take these issues and present them in a way that forces the public to think about what they truly mean. Many of Kruger’s works close in on issues such as the female identity and in relation to politics she focuses on consumerism and power. Höch, like Kruger, also focuses on female identity but from the 1920s when feminism was a fairly new concept and like Kruger focuses on politics but focuses more on the issues of her time such as World War I. With the technique of photomontage, these two artists take outside images and put them together in a way that displays their true views on feminism and politics even though both are from different times and parts of the world.